Steinberg Cubase LE Operation Manual
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CUBASE LERecording 2 – 31 Recording Recording is done using any of the general recording methods (see page 21). After you finish recording, an audio file has been created in the Audio folder within the projects folder. In the Pool, an audio clip is then created for the audio file, and an audio event that plays the whole clip appears on the recording track. Finally, a waveform image is calcu- lated for the audio event. If the recording was very long, this may take a while. • If the option “Create...
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CUBASE LE2 – 32 Recording Recording audio in cycle mode When you record audio in Cycle mode, the following will happen: • One continuous audio file is created during the entire recording process. • For each recorded lap of the Cycle, one audio event is created. The events will have the name of the audio file plus the text “Take *”, where “*” indi- cates the number of the take. • The last take (the last recorded lap) will be on top (and will thus be the one you hear when you activate playback). To...
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CUBASE LERecording 2 – 33 2.For each section of the take, use the “To Front” function to bring the best take to the front. This way, you can quickly combine the best sections of each take, using the first vocal line from one take, the second line from another take and so on. You can also compile a “perfect” take in the Audio Part Editor, as de- scribed on page 262. MIDI Recording Specifics Activating MIDI Thru As described in the Getting Started book, the normal way to work with MIDI is to have MIDI...
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CUBASE LE2 – 34 Recording Setting MIDI channel, input and output Setting the MIDI channel in the instrument Most MIDI synthesizers can play several sounds at the same time, each on a different MIDI channel. This is the key to playing back sev- eral sounds (bass, piano etc.) from the same instrument. Some de- vices (such as General MIDI compatible sound modules) always receive on all 16 MIDI channels. If you have such an instrument, there’s no specific setting you need to make in the instrument. On...
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CUBASE LERecording 2 – 35 Setting the MIDI input in the Inspector You select MIDI inputs for tracks in the Inspector – the area to the left of the track list in the Project window: 1.If the Inspector is hidden, click the Inspector button on the toolbar. 2.Select the track by clicking in the Track list. The Inspector shows the settings for the selected track (for details, see page 52). 3.Click the tab in the upper right corner of the Inspector to make sure the topmost section is shown. 4.Pull down the...
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CUBASE LE2 – 36 Recording •If you select the “All MIDI Inputs” option, the track will receive MIDI data from all available MIDI inputs. •If you hold down [Ctrl]/[Command] and select a MIDI input, this is se- lected for all MIDI tracks. Setting the MIDI channel and output The MIDI channel and output settings determine where the recorded MIDI is routed during playback, but are also relevant for MIDI Thru in Cubase LE. Channel and output can be selected in the Track list or in the Inspector. 1.To show...
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CUBASE LERecording 2 – 37 •If you set the track to MIDI channel “Any”, each MIDI event on the track will be sent out on the channel stored in the event itself. In other words, the MIDI will be played back on the channel(s) used by the MIDI input device (the MIDI instrument you play during recording). Selecting a sound You can select sounds from within Cubase LE, by instructing the pro- gram to send Program Change and Bank Select messages to your MIDI device. This is done using the “prg” and “bnk”...
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CUBASE LE2 – 38 Recording About punch in and out on MIDI tracks Performing and setting up manual and automatic punch in/out record- ing for MIDI tracks is done in exactly the same way as for audio tracks. There is one thing to note, however: •Punching in and out on recordings with Pitch Bend or controller data (modulation wheel, sustain pedal, volume etc.), may lead to strange ef- fects (apparently hanging notes, constant vibrato etc.). In this case, you may need to use the Reset command on the MIDI...
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CUBASE LERecording 2 – 39 Recording different types of MIDI messages ❐You can decide exactly which event types should be recorded by using the MIDI filters – see page 42. Notes With MIDI, when you press and release a key on your synth or other MIDI keyboard, a Note On (key down) and a Note Off (key up) mes- sage are sent out. The MIDI note message also contains the informa- tion which MIDI channel was used. Normally, this information is overridden by the MIDI channel setting for the track, but if you...
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CUBASE LE2 – 40 Recording Program Change Messages Normally, when you switch from one program to another on your key- board (or whatever you use to record), a number corresponding to that program is sent out via MIDI as a Program Change message. These can be recorded on the fly with the music, recorded afterwards on a separate track, or manually entered in the Key or List Editors. System Exclusive Messages System Exclusive (SysEx) is a special type of MIDI message used to send data that only make...