Steinberg Cubase LE Effects Parameters Manual
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Manual by Ludvig Carlson, Anders Nordmark, Roger Wiklander Quality Control: C. Bachmann, H. Bischoff, S. Pfeifer, C. Schomburg The information in this document is subject to change without notice and does not rep- resent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced...
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Effects Parameters CUBASE LE 3 DoubleDelay This effect provides two separate delays that can be either tempo based or use freely specified delay time settings. Cubase LE automat- ically provides the plug-in with the tempo currently used in the project. The parameters are as follows: Parameter Description Mix Sets the level balance between the dry signal and the effect. If Double- Delay is used as a send effect, this should be set to maximum (100%) as you can control the dry/effect balance with...
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CUBASE LE Effects Parameters 4 You can also change parameters in the graphic display window. This works as follows: • If tempo sync is on, you can set the Tempo Sync 1 parameter by drag- ging the light blue handle left and right. When tempo sync is off, this sets the Delay Time 1 parameter. • You can set the Pan 1 parameter by dragging the light blue handle up and down. • The dark blue handle works in the same way but for the correspond- ing second delay parameters.
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Effects Parameters CUBASE LE 5 ModDelay This is a delay effect that can either be tempo-based or use freely specified delay time settings. The delay repeats can also be modu- lated. The parameters are as follows: Parameter Description Mix Sets the level balance between the dry signal and the effect. If ModDelay is used as a send effect, this should be set to maximum as you can con- trol the dry/effect balance with the send. Tempo sync on/offThe button above the Delay Time knob is used to turn...
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CUBASE LE Effects Parameters 6 DaTube This effect emulates the characteristic warm, lush sound of a tube am- plifier. It is usable both as an insert effect and a send effect: Parameter Description DriveRegulates the pre-gain of the “amplifier”. Use high values if you want an overdriven sound just on the verge of distortion. Balance This controls the balance between the signal processed by the Drive pa- rameter and the dry input signal. For maximum drive effect, set this to its highest value....
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Effects Parameters CUBASE LE 7 Distortion The Distortion effect plug-in is capable of producing anything from a soft “crunch” to all-out distortion. The parameters are as follows: Parameter Description Input Sets the Input level. Output Sets the Output level. As distortion generates harmonics, it increases the level of the processed signal. You can use the Output fader to compen- sate for the level increase. Shapes Determines how much the input signal is affected by the distortion effect....
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CUBASE LE Effects Parameters 8 Overdrive Overdrive is a distortion-type effect, emulating the sound of a guitar amplifier. A selection of factory styles is available. Note that these are not stored parameter settings, but different basic overdrive algorithms, with the style names indicating the basic character of each algorithm. The parameters are as follows: Parameter Description Input Sets the input level. Output Sets the output level. As overdrive generates harmonics, it increases the...
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Effects Parameters CUBASE LE 9 Dynamics Dynamics is an advanced dynamics processor. It combines three sep- arate processors: Autogate, Compress and Limit, covering a variety of dynamic processing functions. The window is divided into three sec- tions, containing controls and meters for each processor. Activating the individual Processors You activate the individual processors by clicking on their labels. Acti- vated processors have highlighted labels. Compress Autogate Limiter Routing selector
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CUBASE LE Effects Parameters 10 Autogate section Gating, or noise gating, is a method of dynamic processing that si- lences audio signals below a certain set threshold level. As soon as the signal level exceeds the set threshold, the gate opens to let the signal through. Autogate offers all the features of a standard noise gate, plus some very useful additional features, such as auto-calibra- tion of the threshold setting, a look-ahead predict function, and fre- quency selective triggering....