Steinberg Cubase Ai 5 Manual
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Page 231
231 Export Audio Mixdown Mode The WMA encoder can use either a constant bit rate or a variable bit rate, or it can use lossless encoding for encod- ing to stereo. The options on this menu are as follows: Bit Rate/Quality This menu allows you to set the desired bit rate. The avail- able bit rate settings vary depending on the selected mode and/or output channels (see above). If the Variable Bitrate mode is used, the menu allows you to select from various levels of quality, with 10 being the lowest and...
Page 233
233 Synchronization Background What is synchronization? Synchronization is said to exist when you make two pieces of equipment agree on time or tempo and position info. You can establish synchronization between Cubase AI and a number of other types of devices, including tape recorders and video decks, but also MIDI devices that “play back”, such as other sequencers, drum machines, “workstation sequencers”, etc. When you set up a synchronization system, you must de- cide which unit is the master....
Page 234
234 Synchronization MIDI Clock MIDI Clock is a tempo-based type of synchronization sig- nals, i.e. it is related to the number of “beats per minute”. MIDI Clock signals are suitable for synchronizing two de- vices that agree on tempo, such as Cubase AI and a drum machine. Word Clock Word clock is basically a replacement for the sample rate clock (e. g. in an audio card). Word clock hence runs at the same rate as the sample rate in the audio, 44.1 kHz, 48 kHz, etc. Word clock does not contain any...
Page 235
235 Synchronization If you aim to perform synchronization to external signals, we strongly recommend that you obtain proper synchroni- zation equipment. This encompasses: An audio card that can be slaved to external word clock. A synchronizer that can read timecode (and possibly house clock) and generate the required sync signals from that, such as the Steinberg TimeLock Pro. or… An audio system with complete built-in synchronization possi- bilities, preferably supporting the ASIO Positioning...
Page 236
236 Synchronization Set up the synchronizer and make sure the frame rate settings are in accordance with the master clock. A typical synchronization setup Synchronization settings In the following sections you will find a description of how to set up your system for the different timecode sources. Internal Timecode In this mode, Cubase AI is the master. Use the “MIDI Timecode Destinations” and “MIDI Clock Destinations” sections to specify which devices should be slaved to Cubase AI. Synchronizing...
Page 237
237 Synchronization Setting Up 1.Connect the desired MIDI Outputs from Cubase AI to the device(s) that you plan to synchronize. 2.Open the Project Synchronization Setup dialog from the Transport menu. 3.Activate the sync outputs by using the corresponding checkboxes. You can output any combination of MIDI Timecode and MIDI Clock to any combination of outputs (however, you probably do not want to send MTC and MIDI Clock to the same output). 4.Set the other device(s) to their “external synchroniza-...
Page 238
238 Synchronization 8.Start the tape (or video, or other master device) that contains the timecode. Cubase AI starts playing when it receives timecode with a position “higher” than or equal to the project Start frame. You can wind the device that sends the timecode to any position and start from there. You should also take a look at the Sync Options, see “Sync Options” on page 240. The Sync indicator On the Transport panel you can check the status of in- coming timecode by observing the sync...
Page 239
239 Synchronization Setting up the audio card for external synchronization 1.Open the Device Setup dialog from the Devices menu and, on the VST Audio System page, select the name of your audio interface. 2.Click the Control Panel button to open the card’s pro- prietary setup dialog. If this card is accessed via a special ASIO driver (as opposed to Di- rectX or the Generic Low Latency ASIO Driver), this dialog is provided by the card, not by Cubase AI. Hence the settings vary with the card brand and...
Page 240
240 Synchronization Sync Options The following Sync options are available in the Project Synchronization Setup dialog: Lock Frames Using this field you can set how many frames of “correct” timecode Cubase AI should receive before attempting to “lock” (synchronize) to incoming timecode. If you have an external tape transport with a very short start-up time, you could try lowering this number to make lock-up even faster than it already is. Drop Out Frames On an analog tape with timecode, dropouts may...