Steinberg Cubase 8 Manual
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Page 1201
Additional note and rest formatting Grace notes 1201 Before and after converting to grace notes. Note that after the conversion, the grace notes nolonger “interfere” with the interpretation of the other notes. NOTE Grace notes are always positioned just before the next note on the staff. If there is no note after a grace note on the staff, the grace notes are hidden! Creating grace notes manually PROCEDURE 1. Locate the note for which you want a grace note. 2. Insert one or more new notes just before...
Page 1202
Additional note and rest formatting Tuplets 1202 Editing a grace note PROCEDURE 1. Select one or several grace notes and open the Set Note Info dialog. 2. Select a note value for the stem. 3. Activate Crossed, if needed. When this is activated, the stem is crossed by a slanted line, to further indicate that the note is a grace note. 4. Click Apply. The settings are applied to the selected notes. 5. Close the dialog. Converting grace notes to normal notes PROCEDURE 1. Select the notes that you want to...
Page 1203
Additional note and rest formatting Tuplets 1203 • As display quantize. This is the method you use when the tuplet is recorded and plays back as you want it, but is not displayed correctly. Actually, in the first case, you make permanent alterations and set display quantize settings, all in one go. In the second case you only make display quantize settings. With permanent change to MIDI data PROCEDURE 1. Insert as many notes as the tuplet consists of. This would typically be 5, 7 or 9. If the tuplet...
Page 1204
Additional note and rest formatting Tuplets 1204 RELATED LINKS Tuplet display options on page 1204 Without permanent change to MIDI data PROCEDURE 1. Select the notes in the tuplet group. In this case, the notes play back correctly but are not displayed as a tuplet (yet). 2. Select “Build N-Tuplet…” from the Scores menu to bring up the Tuplets dialog. 3. Make settings in the dialog, as described above. 4. Click Quantize. Now the tuplet is displayed correctly. You can make additional settings for how the...
Page 1205
Additional note and rest formatting Tuplets 1205 Tuplet Brackets There are three possible settings for this option: • None: Tuplets never have brackets. •Always: Tuplets always have brackets. • …by the head: Brackets are shown only when the tuplets are displayed on the “head side”. Display Tuplet values by the Beams When this is activated, tuplets are displayed on the “beam side” of the notes instead of on the note head side. Suppress Recurring Tuplets When this is activated, and you have several...
Page 1206
1206 Working with symbols About this chapter In this chapter you will learn: • What the different types of symbols are. • How to insert and edit symbols. • Details about special symbols. Background: The different layers A s c o r e p a g e i s a l w a y s m a d e u p o f t h r e e l a y e r s – t h e n o t e l a y e r , t h e l a y o u t l a y e r a n d the project layer. When you add symbols, these are inserted into one of these layers, depending on the type of symbol. The symbols...
Page 1207
Working with symbols Background: The different layers 1207 • Note-dependent symbols. Only a few symbols belong to this category, for example the arpeggio lines. In one way, these behave just like grace notes. They always precede a note or chord. If there is no note “after them” on a staff, they disappear. • All other note layer symbols (tempo, dynamics, chords, etc.). Their position is related to the bar. (Whichever way you edit the notes, these symbols remain unaffected.) However, their positions...
Page 1208
Working with symbols The Symbols Inspector 1208 Why three layers? There are several reasons for this division into layers: • Many of the symbols that are in the layout layer can be stretched to span over several staves, or for other reasons make more sense to think of as belonging to a certain group of tracks. • The layout layer is only one part of the bigger concept of layouts. Layouts allow you to easily extract parts from a full score and perform automatic formatting. • Typically, you want to...
Page 1209
Working with symbols The Symbols Inspector 1209 The dialog is divided into two columns. The left column displays the currently visible tabs in the Inspector, and the right column displays the currently hidden tabs. • You can change the current show/hide status by selecting items in one column and using the arrow buttons in the middle of the dialog to move them to the other column. The changes are reflected directly in the editor. • You can change the order of the (visible) tabs in the Symbols...
Page 1210
Working with symbols The Symbols Inspector 1210 Working with symbol palettes You can open any of the Symbols Inspector sections as separate symbol palettes. Opening tabs as palettes PROCEDURE 1. In the Symbols Inspector, open the desired symbols tab. 2. Right-click on any of the symbols of the tab. Note that you have to right-click on a symbol. Right-clicking on a tab header opens a different context menu instead. 3. Select “Open As Palette” from the context menu. The selected tab is shown as palette....