Steinberg Cubase 6 Manual
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Page 552
552 How the Score Editor works About this chapter In this chapter you will learn: • How the Score Editor and MIDI data relate. • What Display Quantize is and how it works. Welcome! Welcome to scoring in Cubase! The Score Editor has been created to allow you to get any possible piece of music displayed as a score, complete with all the neces - sary symbols and formatting. It allows you to extract parts out of a full orchestra score, to add lyrics and comments, create lead sheets, score for drums,...
Page 553
553 How the Score Editor works Display Quantize Let’s say you used the Project window to record a figure with some staccato eighth notes. When you open the Score Editor, these notes are displayed like this: This does not look anything like what you intended. Let’s start with the timing – obviously, you were off at a couple of places (the third, fourth and last note all seem to be a 32nd note late). You can solve this by quantizing the fig - ure, but this would make the passage sound too “stiff”,...
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554 How the Score Editor works Using Rests as Display Quantize setting Above we used Display Quantize for notes. There is a sim- ilar Display Quantize setting called “Rests” which is used to set the smallest rest to be displayed. Often, this setting is very effective. Let’s start with the following note example: As you see, the first note appears one sixteenth note late. If we change the Display Quantize value for notes to eighth notes, the score is displayed like this: With Display Quantize: Notes...
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555 How the Score Editor works Entering notes by hand vs. recording notes Sometimes you enter and edit notes by hand (or rather us- ing the mouse and/or the computer keyboard) and at other times you record them from a MIDI keyboard. Most of the time, you do a combination of both. In the chapter “Tran- scribing MIDI recordings” on page 568 you can find out how to make a recorded score as legible as possible with- out making any permanent changes to the MIDI data. The chapter “Entering and editing...
Page 557
557 The basics About this chapter In this chapter you will learn: • How to open the Score Editor. • How to switch between Page Mode and Edit Mode. • How to set up the page size and margins. • How to hide and show the Symbols Inspector, the toolbar, and the extended toolbar. • How to set up the ruler. • How to set a zoom factor. • How to make initial settings for clef, key, and time signature. • How to transpose instruments. • How to print and export your score. Preparations 1.In the Project window,...
Page 558
558 The basics Page Mode When you are preparing a score for printout, you should set the Score Editor to Page Mode. This is done by selecting Page Mode from the Scores menu. When Page Mode is activated, a checkmark appears next to this menu option. In Page mode, the window switches to display one page at a time, as it appears on printout. Page Mode vs. Edit Mode When Page Mode is not activated, the Score Editor is in Edit Mode. All you can do in Edit Mode, you can also do in Page Mode. But Page...
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559 The basics ÖThis pop-up menu can also be opened by right-click- ing in the ruler. Using the Zoom tool The Zoom tool in the Score Editor works much like in the Project window: •Click once with the Zoom tool to zoom in one step. •Hold down [Alt]/[Option] and click once with the Zoom tool to zoom out one step. •Drag a rectangle with the Zoom tool to set a custom zoom factor. The section encompassed by the rectangle is zoomed to fill the window. •Hold down a modifier key and right-click with the Zoom...
Page 560
560 The basics The status line The status line features the Mouse Time and the Mouse Note Position displays as well as the Current Chord Dis - play, which helps you identify chords in the Score Editor note display. It can be hidden/displayed using the “Status Line” option in the “Set up Window Layout” pane. The status line has its own Setup dialog where you can specify exactly which properties you want to see. •Right-click on the status line and select “Setup…” from the context menu. In the dialog...