Steinberg Cubase 4 Plug In Reference Manual
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71 The included VST Instruments Monologue – Monophonic Analog Modeling Synthesizer (Cubase only) Monologue is a monophonic analog synthesizer based on physical modeling technology. It offers full, rich and color- ful sounds without consuming a lot of CPU power. The Monologue synthesizer is the perfect tool for bass, lead and sequenced sounds. The Monophonic Analog Modeling Synthesizer has the following properties: 2 oscillators with sawtooth, square and triangle waveforms. An additional noise...
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72 The included VST Instruments Envelope LFO X/Y Pad EffectsMaster Parameter Description A – (Attack) Sets the attack time. D – (Decay) Sets the decay time. S – (Sustain) Sets the sustain level. R – (Release) Sets the release time. Mod Src (A+B) Defines the envelope modulation source. You can select: Modwheel, Aftertouch, Pitchbend, Velocity, LFO and Mod Env. Depth (A+B) Controls the envelope modulation depth for the mod source defined in the “mod src” field. Parameter Description Waveform (pop-up...
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76 MIDI effects Introduction This chapter describes the included MIDI realtime effects and their parameters. How to apply and handle MIDI effects is described in the chapter “MIDI realtime parameters and effects” in the Op- eration Manual. Arpache 5 A typical arpeggiator accepts a chord (a group of MIDI notes) as input, and plays back each note in the chord separately, with the playback order and speed set by the user. The Arpache 5 arpeggiator does just that, and more. Before describing the...
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77 MIDI effects Arpache SX This is an even more versatile and advanced arpeggiator, capable of creating anything from traditional arpeggios to complex, sequencer-like patterns. The Arpache SX has the following parameters: Seq mode When Seq mode is selected in the Arp Style section, the Arpache SX uses an additional MIDI part as a pattern. This pattern then forms the basis for the arpeggio, in conjunc- tion with the MIDI input. To import a MIDI part into the Arpache SX, drag it from the Project...
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78 MIDI effects Finally, the Play Mode setting affects the resulting arpeggio. Note also that you can choose to keep the original note tim- ing, note length and note velocities from the dropped MIDI part, by selecting “Source” in the Quantize and Length fields, and “Seq” in the Velocity Source section. Autopan This plug-in works a bit like an LFO in a synthesizer, allow- ing you to send out continuously changing MIDI controller messages. One typical use for this is automatic MIDI pan- ning (hence the...
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79 MIDI effects AmpMod This is only used for the two waveforms with “periodical envelopes” (see above). The period value (set in beats) determines the length of the envelope. In the following fig- ure, Period is set to 4th and the AmpMod is 4 beats. This results in a quarter note-based curve in which the top am- plitude decreases gradually, repeated each bar. Controller Determines which Continuous Controller type is sent out. Typical choices would include pan, volume and brightness but your MIDI...
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80 MIDI effects Using switches The Switch Setup section at the bottom of the panel al- lows you to set up variations to the defined chords. This works with all three modes and provides a total of eight variations for each assignable key (that is, a maximum of 8 different chords in Global mode, 12 x 8 chords in Octave mode and 128 x 8 chords in Normal mode). The variations can be controlled by velocity or note range. Here’s how you set it up: 1.Select one of the two switch modes: velocity or note....