Sony Fs7 Owners Manual
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41 E. Advanced picture settings for Custom Mode E2. Gamma Categories The PXW-FS7 Gammas are split in to 3 categories: STD/ HG/S-Log (MENU: Paint – Gamma – Gamma Category). E 2 .1 STD Standard Gamma. The gamma curves available under this category are all variations on standard television gamma. These curves will all provide realistic and true to life contrast when viewed on a conventional TV or monitor. However to comply with current television standards these curves have a limited dynamic range. This means that the scene brightness range that can be captured is restricted to maintain compatibility with normal TV displays. STG gamma curve STD5-R709 is the standard gamma for HD TV production. Content sSection Index
42 E. Advanced picture settings for Custom Mode STD-R709 Gamma Curve E2.2 HG Hypergamma. These advanced gamma curves are designed to capture a wider dynamic range than the standard gammas with only a small reduction in on screen contrast (normally the higher the cameras capture dynamic range the lower the on screen contrast will be). This is achieved through careful addition of a gradual highlight roll off. The different curves offer different dynamic ranges and as a result should be exposed slightly differently to standard gammas for the very best results. Content sSection Index
43 E. Advanced picture settings for Custom Mode The capture range and optimum exposure levels are indicated in the full name of the hypergamma curve, for example: HG4609G40 = HG – 460 – 9 – G40, which indicates HG(Hypergamma), with an over exposure range 460% greater than standard TV gamma. Recording to 109% (the other option being a “0” which indicates recording to 100%). G40 being the optimum exposure for a 18% middle grey card of 40%. In practice a Hypergamma with a lower “G” middle grey number, G33, G30 etc will be better suited to brighter scenes. A higher “G” number, G40 etc will be better suited to darker scenes. A larger dynamic range 460 or 800 will be good for high contrast scenes while a smaller dynamic range (360) will be better suited to controlled lighting. Content sSection Index
44 E. Advanced picture settings for Custom Mode Hypergamma 1 Hypergamma 2 Hypergamma 3Hypergamma 4 I find that Hypergamma 4 works very well for brighter outdoor scenes while Hypergamma 3 works well for indoor scenes. Hypergammas 7 and 8 are also very good for challenging lighting situations. E2.3 User It is possible for advanced users to upload their own gamma curves to the camera. Content sSection Index
45 E. Advanced picture settings for Custom Mode E2.4 S-Log2 You can use the S-log2 gamma curve in Custom Mode to capture an extremely large scene brightness range (14 stops or 1300%). This will result in a very flat on screen image. The PXW-FS7 is primarily designed to use S-Log recording in the Cine EI mode but the option is also offered in Custom Mode to help deal with particularly difficult lighting situations. S-Log3: Like S-Log2 you can use the S-log3 gamma curve in Custom Mode to capture an extremely large scene brightness range (14 stops or 1300%). Note that the peak recording level for S-log3 is 92%. Content sSection Index
46 E. Advanced picture settings for Custom Mode E3. Custom Mode Matrix Settings (Color adjustment) The camera’s color reproduction can be adjusted by making changes to the matrix settings. (MENU: Paint – Matrix) There are 5 preset matrix settings designed to give easy access to a number of different color responses. E 3 .1 Recommended settings The standard color matrix works well for general purpose acquisition. If you are shooting under florescent lights or LED lights and you notice a green cast in your images the you should use the FL Light matrix. For a more film-like look you should use the Cinema matrix. The Cinema matrix works very well when paired with a Hypergamma (HG) gamma curve. (MENU: Paint – Matrix – Preset Select). Content sSection Index
47 E. Advanced picture settings for Custom Mode Standard Matrix Standard Matrix FL Light MatrixFL Light Matrix Cinema MatrixCinema Matrix Content sSection Index
48 E. Advanced picture settings for Custom Mode Combining a Hypergamma with the Cinema Matrix produces images that are more film-like than the standard settings. In this example Hypergamma HG3 is combined with the Cinema gamma. E3.2 PXW-FS7 II and the Rec2020 Matrix The FS7 includes an additional matrix that complies with the new Rec2020 color standard. This standard allows for the capture and display of a wider range of colors than possible with Rec-709. Many recent TV’s have the ability to reproduce the extended Rec-2020 color range. If you are producing content that will be show on a Rec-2020 display you should use the Rec-2020 matrix. Do not use the Rec-2020 matrix if the material will be shown on a conventional Rec-709 display as the colors will be reproduced by a Rec-709 TV/Monitor incorrectly. Content sSection Index
49 E. Advanced picture settings for Custom Mode E3.3 The High Saturation matrix can be used to provide vibrant colors for music or pop videos, but it must be noted that in some cases strong colors in the scene you are shooting will reach the maximum recording intensity more quickly. Hi Sat Matrix Hi Sat Matrix Content sSection Index
50 E. Advanced picture settings for Custom Mode F55 709 Like Matrix F55 709 Like Matrix The F55 709 Like matrix is designed to mimic the color response of the Sony F55 camera. It provides vibrant colors. This matrix can be used when trying to match the pictures from an FS7 to a PMW-F55 that is shooting Rec-709. Content sSection Index