Sony Fs7 Owners Manual
Here you can view all the pages of manual Sony Fs7 Owners Manual. The Sony manuals for Camcorder are available online for free. You can easily download all the documents as PDF.
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11 D. Preparing the camera and shooting 1. Preparing to shoot 12 2. The shutter and shutter speed 17 3. Setting the gain or ISO 20 4. White Balance in Custom Mode 23 5. White Balance in Cine EI mode 24 6. Exposure, Waveform and Histogram 25 7. Aperture/Iris control 30 8. The ND filter System 31 9. Focus and Focus Aids 33 Section Index Content s
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12 D. Preparing the camera and shooting D1. Preparing to shoot After switching the camera on you may see a message saying “Execute APR”. This is not an error or malfunction. The APR function minimizes the appearance of bright or dark sensor pixels and minimizes sensor noise. Cover/cap the lens and press SEL/SET to execute the APR function. If you do not perform APR you will be reminded to perform APR the next time the camera is turned on. You should perform APR regularly to maintain the best...
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13 D. Preparing the camera and shooting D1.1 Start by setting the country area. The country area setting determines which frame rates are available. Choose PAL Area to enable 50i/50p/25p, choose NTSC Area for 60i/60p/30p//23.98p/24p. D1.2 Next choose the recording codec. (MENU: System – Codec - Select). The options available will depend on the whether you have the extension unit installed on the camera or not. Recommendation: Use the XAVC-I codec. This codec offers the greatest frame rate...
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14 D. Preparing the camera and shooting MPEG HD 422: HD only, the same as the XDCAM 422 codec, 8 bit, 422 at 50Mb/s. Good for news, quick turn- around, small file size. Not best for heavy post production work or grading, Not recommended for use with S-Log2/3. XAVC-I: HD/UHD/4K DCI. XAVC-I is always 10 bit 422. XAVC-I is normally the easiest version of XAVC to edit, requiring the least processing power. XAVC-I is the best choice for working with S-Log2/3. XAVC-L: HD/UHD XAVC-L is a long GOP codec...
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15 D. Preparing the camera and shooting ProRes (with XDCA-FS7 only): HD only. ProRes is a widely adapted codec originally developed by Apple for use in post production but now finding use as an acquisition codec. ProRes 422 HQ offers slightly higher quality than ProRes 422. Raw (with XDCA-FS7 only): High quality external recording option that allow the recording of raw sensor data on a compatible external recorder. Content sSection Index
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16 D. Preparing the camera and shooting D1.3 Now select the frame size/recording format and frame rate. The (MENU: System – Rec Format – Video Format) page is where you set the frame size and frame rate that will be the cameras base rate. The options available will depend on the country area and codec choice. 1920x1080 = HD, 3840x2160 = UHD (the standard frame size for consumer 4K television), 4096x2160 = 4K DCI (the standard for 4K digital cinema). If you have chosen XAVC-L as well as frame...
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17 D. Preparing the camera and shooting D2. Shutter Speed or Shutter Angle It is recommended that to avoid issues with flicker from some types of light fixtures that the shutter speed is set to a multiple of the local mains electricity frequency. Please check the mains frequency of the country you are shooting in to determine the most appropriate shutter speed. In a 50Hz country 1/50 or 1/100 is recommended. In a 60Hz country 1/60 or 1/120 is recommended. D2.1 The shutter speed or shutter angle...
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18 D. Preparing the camera and shooting Shutter speed is the easiest to understand and is similar to how the shutter period would be expressed in a stills camera. With Shutter Speed the shutter timing remains fixed at the speed set even if you change the recording frame rate (unless the shooting frame rate is increased beyond the set shutter speed, in which case the shutter speed will become set to the slowest possible speed for the shooting rate chosen). The Shutter Angle setting mimics the way...
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19 D. Preparing the camera and shooting D2.2 To change the shutter period indication between Speed and Degrees go to (MENU: Camera – Shutter – Mode). To change the shutter speed: Press the Shutter button on the side of the camera body and use the scroll wheel to choose your desired shutter speed or angle. Then press the sel/set button to set the shutter speed. Do not press the shutter button again you wish to set the shutter speed control to automatic. Suggested settings are 180 degrees or for...
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20 D. Preparing the camera and shooting D3. Setting the Gain or ISO (Custom Mode) The signal that comes from the cameras sensor can be made brighter by adding additional amplification by increasing the gain of the cameras image processors. This may be useful when shooting in low light situations. However it should be noted that when you increase the camera’s gain, as well as making the desirable image brighter you will also increase the noise seen in the image. Because of this it is normally...