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Sony F 35 User Manual

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    							31Selection of the Basic Operation Modes
      Chapter 3   Basic Adjustments and Settings
     page of the MAINTENANCE 
    menu
    SHOOT MODE
    Switch between CINE and CUSTOM on this line.
    D-RANGE
    With EXTEND, the dynamic range and sensitivity are 
    improved. The S/N ratio is improved with NORMAL.
    COLOR SPACE
    Select color reproducibility:
    S-GAMUT: This mode enables you to record with wider 
    color space than with the conventional cameras (HDC-
    F950, HDW-F900R, etc.) whose color space is 
    equivalent to that available with film cameras.
    With postproduction processes, color expression can be 
    substantially extended.
    For details on reproducible gamuts, see “Color Space 
    According to the COLOR SPACE Settings” (page 136).
    Images shot with the S-GAMUT setting will be seen in 
    somewhat pale colors if they are reproduced on a 
    conventional narrow color-space display, such as a 
    CRT display.
    F900: This mode enables you to shoot with color space 
    equivalent to that available with conventional cameras. 
    This facilitates color matching with conventional 
    cameras. Furthermore, as wider color-space data 
    available with this camera can be used without 
    restriction, distinguishability of images with higher 
    color saturation will be improved over that with 
    conventional cameras.
    F900R: This mode enables you to shoot with color space 
    as close as possible to that of the HDW-F900R, by 
    limiting the color space to that of the HDW-F900R. 
    When using this camera in combination with the HDW-
    F900R, use this mode for easy color matching.
    This mode can be selected only when “COLOR 
    F900R” is set to “ENABLE” on the  page 
    of the MAINTENANCE menu.
    DCDM REF PJ: This mode enables color reproducibility 
    that is recommended by the Digital Cinema Initiatives 
    (DCI). The camera can output signals for display 
    devices that can reproduce this color space, such as a 
    DLP projector.If a video production is to be displayed on a device that 
    complies with the DCI standards, shooting in this mode 
    will minimize the necessity for postproduction 
    processes, such as color correction.
    For details on menu operations, see “4-2 Basic Menu 
    Operations” (page 64).
    Note
    Note
       M01 TOP
    SHOOT MODE :
    BCUSTOM
    D-RANGE    : EXTEND
    COLOR SPACE: S-GAMUT 
    						
    							32Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    3-2 Basic Settings with 
    the Subdisplay
    Basic settings of the camera can be easily performed, using 
    the subdisplay located on the side of the camera or that of 
    the assistant panel if connected via the CONTROL PANEL 
    connector of the camera.
    3-2-1 Basic Operation of the 
    Subdisplay
    For operation of the subdisplay, the buttons and dial shown 
    in the figures below are used:
    Operations of the subdisplay are possible with the buttons 
    and dial both sides of the camera and assistant panel.However, the LOCK switches disable the buttons and dial 
    on their own sides. To inhibit operations on either side, set 
    the LOCK switch on the side to be inhibited to ON.
    Turning the MENU SEL/ENTER dial can change a setting, 
    and pressing on it can register (ENTER) a setting.
    To display the Setting pages
    After the camera is turned on, the selected operation mode 
    (CINE or CUSTOM) is displayed on the subdisplay for 
    several seconds, after which the Setting page that was 
    operated last time is displayed.
    To advance to the next page
    Press the PAGE button.
    To go back to the previous page
    Press the SET button (press and release the button within 1 
    second).
    To change a setting
    Press and hold the SET button for more than 1 second.
    Data Change mode is entered, the cursor ( | ) starts 
    flashing, and the question mark (? symbol) appears at the 
    rightmost position on the first line.
    On a page with two or more setting items, each time the 
    SET button is pressed, the cursor moves to the next item.
    Move the cursor to the item you wish to modify then 
    change the setting by turning the MENU SEL/ENTER 
    dial.
    While the subdisplay is in Data Change mode, menu 
    operations on the viewfinder cannot be performed.
    To determine a changed setting
    Perform one of the following:
     Press the PAGE button.
     Exit Data Change mode by pressing the MENU SEL/
    ENTER dial (the cursor and question mark disappear).
     Terminate the subdisplay operation by pressing the VF 
    MENU/DISPLAY button.
    LOCKVF MENU/DISPLAY CANCEL/STATUS
    4
    AUTO
    BLK
     BAL
    PA G E RUN
    SET
    LOCK VF MENU/DISPLAY CANCEL/STATUS
    4
    AUTO
    BLK BAL
    PA G E RUN
    SET
    MENU SEL/
    ENTER
    Press 
    (For determining a setting)Tu r n  
    (For changing 
    a setting) MENU SEL/ENTER dial Side panel of the camera head
    Tu r n .Press SET button 
    (For reversing pages/entering 
    Data Change mode by holding 
    the button pressed for 1 sec) PAGE button
    (For advancing
    pages/registering a
    setting)
    Assistant panelVF MENU/DISPLAY button 
    (For registering a setting)CANCEL/STATUS button 
    (For canceling of a setting)
    VF MENU/DISPLAY button CANCEL/STATUS button
    MENU SEL/
    ENTER dial
    SET button PAGE button
    Note
    S C     3 6 0 . 0       O N  ?
    2
     4 F P S       C M P : O F F
    Cursor (flashing)
    Question mark 
    S C     3 6 0 . 0       O N  ?
    2
     4 F P S       C M P : O F F
    Cursor 
    						
    							33Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    To cancel a change on a setting
    Without registering a change of a setting, press the 
    CANCEL/STATUS button. The question mark disappears, 
    and the original setting is restored.
    To terminate subdisplay operation
    Press the VF MENU/DISPLAY button.
    3-2-2 Shutter Settings
    The electronic shutter of this camera can be adjusted, with 
    settings displayed in shutter angles, as with a film camera, 
    in addition to exposure time.
    Two operation methods are available for the adjustment: 
    stepwise and continuous.
    Step mode
    Your frequently used shutter values (8 values at maximum) 
    can be registered, enabling stepwise selection of the 
    shutter values.
    At shipment, the following values are registered:
    The corresponding shutter speeds vary according to the 
    frame frequency and frame rate of the selected video 
    format. The step shutter values can be changed and re-
    registered on the  page of the 
    USER (OPERATION) menu or the  
    page of the USER (PAINT) menu.
    Continuous mode (ECS)
    The shutter values can be continuously changed in a range 
    from 360.0 to 4.3 degrees.
    To obtain your desired shutter value quickly, assign a value 
    nearest your desired one in Step mode, switch to 
    Continuous mode, then adjust the shutter value.
    In a case where a remote control unit connected to the 
    REMOTE connector of the camera is used, adjustment in 
    Step mode is enabled with SHUTTER and adjustment in 
    Continuous mode is enabled with ECS (there is no need to 
    set to ECS ON). However, to display the shutter values on the remote control unit correctly, upgrading of the version 
    is required.
    For details, consult your local Sony representative.
    Shutter setting pageTo select a shutter value step by step
    In Step mode, one of the registered shutter values (8 values 
    at maximum) can be selected, as follows:
    1Move the cursor to the left of “S” at 1.
    (Immediately after the shutter setting page is switched 
    to Setting Change mode, the cursor is always 
    displayed at the left of “S”.)
    2Display the shutter angle you wish to use at 2 by 
    turning the MENU SEL/ENTER dial.
    The eight registered values for shutter angle will be 
    displayed one after another as the MENU SEL/
    ENTER dial is turned.
    To select an arbitrary shutter value
    To use a shutter value that is not registered as a step shutter 
    value, use Continuous mode.
    1Press the SET button to move the cursor to the left of 
    “C” at 
    1. 
    2Display the shutter angle you wish to use at 2 by 
    turning the MENU SEL/ENTER dial.
    The shutter value changes continuously as the MENU 
    SEL/ENTER dial is turned.
    To change the units
    You can change the displayed units for the shutter values 
    from shutter angle (deg) to speed (sec).
    1Move the cursor to the left of   at 2.
    2Turn the MENU SEL/ENTER dial.
    The display at 
    2 changes to the corresponding speed 
    value.
    STEP No.Shutter angle
    1 216.0º
    2 180.0º
    3 172.8º
    4 150.0º
    5 144.0º
    6 90.0º
    7 45.0º
    8 22.5º
    Note
    S C     3 6 0 . 0       O N
    2
     4 F P S       C M P : O F F
    123
    45
    S C   1 / 2 4 . 0 0     O N ?
    2
     4 F P S       C M P : O F F 
    						
    							34Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    The speed value for the shutter angle varies depending on 
    the selected video format and frame rate.
    To select the frame rate (number of frames 
    per second)
    When a video format of “Select FPS” is selected, the frame 
    rate (number of frames per second) can be selected.
    1Move the cursor to 4.
    2Display the frame rate (number of frames per second) 
    you wish to use by turning the MENU SEL/ENTER 
    dial.
    If a format other than those of “Select FPS” is selected, the 
    frame rate cannot be changed.
    To use Compensation mode
    This camera enables you to compensate for changes in the 
    video level when the FPS value is changed.
    Two compensation modes are provided: one that depends 
    on shutter angles and another that depends on electric gain.
    1Move the cursor to 5.
    2Select the compensation mode you wish to use by 
    turning the MENU SEL/ENTER dial.
    AC: Angle Compensation mode
    When you change the frame rate, the shutter angle is 
    automatically corrected, retaining the video level.
    GC: Gain Compensation mode
    When you change the frame rate, the electric gain is 
    automatically corrected, retaining the video level.
    The current shutter angle setting is maintained.
    For details on switching of the compensation modes with 
    the menu, see “3-9 Detailed Shutter Settings” (page 56).
    When shutter is not used
    Select OFF at 3.
    The shutter value indication at 
    2 becomes “----”.
    To change the registered values for the 
    step shutter
    Call up the  page of the USER 
    (OPERATION) menu on the viewfinder.
    For details on how to operate the menu, see “4-2 Basic 
    Menu Operations” (page 64). page
    STEP 1-8
    In the [deg] column on each line, the registered shutter 
    angle is indicated. In the [sec] column, the shutter speed 
    value converted according to the currently selected frame 
    rate is displayed.
    ADD
    For newly registering a step shutter value. 
    Display a shutter angle you wish to register then push on 
    the MENU SEL/ENTER dial. The selectable angle values 
    are from 360.0 to 4.3 degrees. The Step shutter values are 
    automatically sorted in descending order.
    If eight values have been already registered, the message 
    “STEPS FULL” is displayed, and a new value will not be 
    added. In such a case, delete an unneeded value 
    beforehand, using DEL.
    DEL
    For deleting registered step shutter values.
    When the pointer is positioned at DEL, an asterisk (*) is 
    displayed at the left of STEP 1.
    Move the asterisk to the left of the value you wish to delete 
    then push on the MENU SEL/ENTER dial. That value is 
    deleted, and the items after the deleted one will be 
    automatically renumbered.
    Example: When deleting 90.0
    v
    As the numbers for which no value is registered are 
    skipped during a selection operation, deleting step shutter 
    values with lower frequency of use will improve the 
    operation speed.
    At maximum, numbers 2 to 8 can be left unregistered.
      10 TOP
    STEP [deg]    [sec]
      1:
      216.0  (1/39.97)
      2: 180.0  (1/48.00)
      3: 172.8  (1/50.05)
      4: 150.0  (1/57.63)
      5: 144.0  (1/60.07)
      6:  90.0  (1/95.92)
      7:  45.0  (1/192.2)
      8:  22.5  (1/383.0)
    ADD:
    B---.-  DEL  PRESET
      3: 172.8  (1/50.05)
      4: 150.0  (1/57.63)
      5: 144.0  (1/60.07)
     *6:  90.0  (1/95.92)
      7:  45.0  (1/192.2)
      8:  22.5  (1/383.0)
    ADD: ---.- 
    BDEL  PRESET
      3: 172.8  (1/50.05)
      4: 150.0  (1/57.63)
      5: 144.0  (1/60.07)
      6:  45.0  (1/192.2)
      7:  22.5  (1/383.0)
      8: ---.-  (-/---.-)
    ADD: ---.- 
    BDEL  PRESET 
    						
    							35Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    PRESET
    For resetting all step shutter values to default.
    Addition and deletion of step shutter values can be 
    performed on the  page of the USER 
    (PAINT) menu.
    For information on the  page, see “3-9 
    Detailed Shutter Settings” (page 56).
    3-2-3 RAMP Operation
    The RAMP function permits you to change the FPS value 
    in a specified duration during shooting.
    The RAMP operation page of the subdisplay or the PAINT 
    menu can be used for the RAMP operation.
    While the RAMP operation page is displayed on the 
    subdisplay, assignable buttons 2 and 3 function as RAMP 
    operation buttons regardless of the allocations of functions 
    (see page 39).
    RAMP operation page
    At 1 on the first line, the current FPS value is displayed.
    1Set the starting FPS value at 2.
    2Set the ending FPS value at 3.
    Pressing assignable button 2 reverses the value at 2 
    (starting FPS) and that at 3 (ending FPS).
    3Set the transition time (duration) in the range from 0 to 
    30 seconds at 4.
    4Select the shutter compensation mode (page 34) at 5.
    A: Angle Compensation mode
    G: Gain Compensation mode
    –: No compensation
    5Select the RAMP mode (FPS transition curve) at 6.
    L: Linear mode
    E: Exponential mode
    Assignable button 3 will not function with the – 
    (RAMP OFF) setting.
    6Press assignable button 3 to start the RAMP operation.The FPS transition is executed in the duration you 
    specified in step 3.
    The FPS value at 1 changes according to the 
    transition progress, and an asterisk appears at the right.
    When the RAMP operation is completed, the asterisk 
    disappears and the starting FPS value 2 and ending 
    FPS value 3 will be reversed.
     You cannot change the 2 to 6 settings after starting the 
    RAMP operation.
     During a RAMP operation, any FPS control is disabled 
    on the camera, from the SRW-1, and remote control 
    units.
     The page on the subdisplay cannot be changed during a 
    RAMP operation.
    RAMP operation using the menu
    You can also set and execute the RAMP function on the 
     page of the PAINT menu (see page 82).
    When you start a RAMP operation from the menu, the 
    RAMP operation page is automatically displayed on the 
    subdisplay. 
    3-2-4 Selection of Video Formats
    On the subdisplay, the video format can be selected from 
    among the eight registered formats.
    At shipment, the following four formats are registered, and 
    numbers 5 to 8 are not used:
    Video-format selection page
    On the first line, the currently selected format is displayed.
    Data-set mode enables you to select the desired format 
    from among the registered formats.
    20     [DIR] [RAMP]
     1  5  30s   
     A  L
    1
    2345
    6
    Function of assignable button 2
    Function of assignable button 3
    Notes
    No.Registered formatIndication on the 
    subdisplay
    1 (default) 23.98P 4:4:4 _23.98P 444
    2 S23.98P 4:4:4S23.98P 444
    3 S59.94P 4:2:2S59.94P 422
    4 23.98P 4:2:2_23.98P 422
     3  *  [DIR] [RAMP]
     1  5  30s   
     A  L
    1
    23
       _23.98P 444 
    						
    							36Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    Turn the MENU SEL/ENTER dial until the desired format 
    is displayed on the second line.
    The unused numbers are skipped.
    You can select unregistered video formats from among 
    available ones, using the  page of 
    the MAINTENANCE menu.
    For details on how to select a video format, see “3-13 
    Detailed Setting of the Video Format” (page 61).
    Changing the registered formats
    The registered formats (eight at maximum) can be changed 
    with the following procedure:
    1Display the number of the registered format you wish 
    to change on the second line.
    2Move the cursor to the left of “M” and turn the MENU 
    SEL/ENTER dial.
    The selectable formats are displayed in sequence as 
    you turn the dial.
    3When the format you wish to register is displayed, 
    press the MENU SEL/ENTER dial.
    The registration is updated, and the camera starts to 
    operate with the selected format.
    To change the registered formats using the menu
    The registered formats can also be changed on the 
     page of the USER (OPERATION) 
    menu.
    For details on how to operate the menu, see “4-2 Basic 
    Menu Operations” (page 64).
     page
    Position the pointer on the line you wish to change and 
    push on the MENU SEL/ENTER dial. The  subpage for format selection will be 
    displayed. page
    Position the pointer to the format you wish to select and 
    push on the MENU SEL/ENTER dial. The registered 
    format will be changed.
    If NO ASSIGN is selected, selection with that number 
    becomes invalid.
    3-2-5 Retrieving the ND Offset
    If an ND filter is attached to the matte box, etc., the white 
    balance may be in variance. In such a case, you can retrieve 
    an appropriate ND offset value from a previous adjustment 
    you made. Use the ND filter selection page on the 
    subdisplay.
    The offset values ND: 2 to 5 are stored with respect to the 
    white balance stored for ND: 1 as the reference.
    For the ND offset adjustment, see “5-3-8 Storage of the 
    OHB File” (page 107).
    ND filter selection page
    3-2-6 Selection of the Gain, Color 
    Temperature, and White Balance 
    Memory
    The setting items and values in Cine mode and Custom 
    mode are different.
    In Cine mode: Selecting the gain and color 
    temperature
    Gain setting page
       _23.98P 444  ?
     1:_23.98P 444 M   
        11 
    FORMAT MEMORY
     1:
    B_23.98P 444
     2: S29.97P 444
     3: S59.94P 422
     4: _23.98P 422
     5: NO ASSIGN
     6: NO ASSIGN
     7: NO ASSIGN
     8: NO ASSIGN
          ESCxxB00:NO ASSIGN
     01:_23.98P 444
     02:S23.98P 444
     03:_29.97P 444
     04:S29.97P 444
     05:S59.94P 444
     06:_23.98P 422
     07:S23.98P 422
     08:_29.97P 422
     09:S29.97P 422
    ND:1
     0dB(450)  800%
    TUNGSTEN
    12 
    						
    							37Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    At 1 on the first line, the gain value is selected from 
    among the following: –6 dB, –3 dB, 0 dB, 3 dB, 6 dB, 9 
    dB, and 12 dB. The corresponding ISO sensitivity is 
    displayed in parentheses. For 
    2 on the first line, you can 
    select either dynamic range or latitude for the indication 
    (see “Indications of the ISO sensitivity and dynamic 
    range” mentioned later).
    On the second line, the color temperature is selected from 
    TUNGSTEN or DAYLIGHT. 
    With DAYLIGHT, electrical gain of 5600K is ON.
    At shipment, the gain is set to 0 dB, and the color 
    temperature is set to TUNGSTEN.
    The white balance adjustment value is fixed at the preset 
    value (3200K).
    In Custom mode: Selecting the gain, color 
    temperature, and white balance memory
    Gain setting page
    The first line is in common with Cine mode.
    At 
    3 on the second line, electrical gain of 5600K can be 
    switched ON or OFF.
    At 
    4 on the second line, the white balance adjustment 
    value can be selected.
    At shipment, the gain is set to 0 dB, color temperature is 
    set to 5600K-OFF, and the white balance memory is set to 
    W:P.
    For details on white balance adjustment, see “3-4 White 
    Balance Adjustment (in Custom mode)” (page 43).
    Indications of the ISO sensitivity and 
    dynamic range
    The ISO sensitivity value displayed on the Gain setting 
    page is defined as “the value with which the video input 
    becomes 20% when shooting a gray-scale chart of 18% 
    reflection rate.”
    Note that the video output value with respect to this input 
    will vary depending on the selected gamma.
    Either dynamic range or latitude can be selected for the 
    indication. 
    The value displayed with % as a dynamic range shows the 
    limit on the high-luminance side in percentage (100%= input level) in a case where the white of the gray scale 
    provides 100% (700 mV) output with the ITU-R709 
    gamma (standard gamma).
    The value displayed with E as a latitude shows the latitude 
    on the high-luminance side by an f-stop value, using a 
    gray-scale chart of 18% reflection rate as the key light.
    The gradation at the low-luminance side can be reproduced 
    up to approx. –6.5 stop at 0 dB.
    As the dynamic range indication shows a value for the 
    input video, the dynamic range of the output video is 
    limited by the output settings as follows:
     If a gamma other than S-LOG is selected
    The upper limit is clipped according to the output video 
    limitation specified by the gamma setting.
    When you select a curve as Hyper Gamma No. 4, which 
    compresses 460% input to 109%, the output video is fed 
    within the range up to 460% of input video even if 800% 
    is displayed on the subdisplay as the dynamic range as the 
    output video is limited to 109%.
    Using CvpFileEditor V4.1, you can change the dynamic 
    range of Hyper Gamma and create a user gamma curve 
    having no dynamic range limitation.
    If the white clip function is in use
    As the white clip function limits the level of output video, 
    the dynamic range specified for the input video may not be 
    obtained for video output.
    If “Select FPS” is ON and Compensation is in Gain 
    mode
    The value of the dynamic range may decrease by up to half  
    at maximum, depending on the FPS settings.
    Why the ISO sensitivity is defined for 20% input
    Defining the level of gray scale of 18% reflection rate for 
    the ISO sensitivity on the linear curve (defining with input 
    signal) permits you to use the values as the absolute 
    reference for proper gamma conversion in postproduction.
    In addition, defining the output for 20% input with ITU-
    R709 so that it becomes the reference code for Cineon 
    curve allows high compatibility.3-2-7 Selection of a Lens File
    With this camera, the compensation data for the mounted 
    lens can be adjusted in Custom mode and registered in the 
    built-in memory in lens files (max. 32 files).
    You can invoke the compensation data for the mounted 
    lens by merely selecting the corresponding file.
    SettingAdjustment value
    W:P Preset value (3200K)
    W:A The value stored in memory A
    W:B The value stored in memory B
     0dB(450)  800%  
    5600K-ON   W:P
    34
    Note
    Memo 
    						
    							38Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    Lens file selection page
    On the first line, select the number of the lens file.
    On the second line, the lens-file name corresponding to the 
    selected file is displayed.
    The selected lens file will be retained until a new lens file 
    is selected. As long as the same lens is used, further 
    selection of the lens file is not required.
    All the lens files are named “No Offset,” with all zero 
    settings at shipment. File registration and modification of 
    data in a lens file must be performed in Custom mode.
    For details on the lens files, see “Chapter 5 Storage and 
    Retrieval of User Setting Data”.
    3-2-8 Confirmation of the Time Code 
    and Tape Remaining
    When the SRW-1 HD Portable Digital Recorder is attached 
    to this camera, the time code of the recorder and 
    approximate tape remaining (unit: minutes) can be 
    confirmed on the subdisplay.
    Time code/tape remaining display page
    The time code is displayed on the first line, and the 
    approximate tape remaining is displayed on the second 
    line, in the range of 1 to 99 min.
    Time code that is displayed on the first lineThe type of the displayed time code data is linked with the 
    SRW-1. Select the type of the displayed time code data on 
    the SRW-1.
    3-2-9 Confirmation of the Power 
    Voltage and Selection of Fan 
    Operation Mode
    The values in voltage of the power sources connected to 
    the camera can be confirmed on the subdisplay.
    On the same page, the operation mode of the built-in fans 
    can also be selected.
    Voltage confirmation/Fan Operation mode select 
    page
    At 
    1 and 2 on the first line, the values in voltage of the 
    12-V and 24-V power systems are displayed, respectively. 
    If power is not supplied, “- -” is displayed.
    If the voltage falls to the NEAR END level, the indication 
    starts flashing. If the voltage falls further down to the END 
    level, the indication flashes rapidly.
    The NEAR END and END levels can be set on the  page of the MAINTENANCE menu.
    Selecting Fan Operation mode
    On the second line, the operation mode of the built-in fans 
    can be changed according to the ambient temperature or 
    the operation mode of the recorder.
    Note
    IndicationMeaning
    TCR 00:00:00:00Time code data of the LTC reader
    TCR 00:00.00:00Time code data of the LTC reader (DF)
    TCR.00:00:00:00Time code data of the VITC reader
    UBR 00 00 00 00User bit data of the LTC reader
    UBR.00 00 00 00User bit data of the VITC reader
    TCG 00:00:00:00Time code data of the time code 
    generator
    TCG 00:00:00.00Time code data of the time code 
    generator (DF)
    UBG 00 00 00 00User bit data of the time code 
    generator
    CTL -0:00:00:00Data of the CTL counter
    LENS:1         
    No Offset
    TCR 00:00:00:00
    20min
    T*R 00:00:00:00Time code cannot be read with the 
    LTC reader.
    U*R 00 00 00 00User bit cannot be read with the LTC 
    reader.
    T*R.00:00:00:00Time code cannot be read with the 
    VITC reader.
    U*R.00 00 00 00User bit cannot be read with the VITC 
    reader.
    IndicationMeaning
    11.4V   24.1V  
    FAN:AUTO1
    12 
    						
    							39Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    1) The control in synchronization with recording is valid only when the SRW-
    1 is directly docked on the camera or is optically connected to the camera 
    via the CA-F101. The RUN indicator of the camera then lights.
     If the internal temperature rises so high that the 
    TEMPERATURE CARE message is displayed, the fan 
    rotation speed will automatically increase to lower the 
    temperature.
     If the internal temperature rises so high that the TEMP 
    WARNING/FAN MAX message is displayed, the Fan 
    Operation mode setting is automatically changed to 
    MAX. After the temperature is sufficiently lowered and 
    the message disappears, manually restore the original 
    mode.
     When the video format is set to 50P, S50P, S59.94P, or 
    S60P, the fans are controlled as in AUTO1 mode even if 
    AUTO2 or MIN mode has been selected, so that any rise 
    in internal temperature due to an increase in power 
    consumption will be suppressed. The control function in 
    synchronization with recording does not operate in this 
    condition.
    To change Fan Operation mode using the menu
    You can also change Fan Operation mode (FAN MODE) 
    by using the  page on the USER 
    (MAINTENANCE) menu (page 88).
    3-2-10 ON/OFF of the Character 
    Indication
    Superimposition of character data onto camera images can 
    be activated or deactivated by output destination.Character indication setting page
    VF1
    Viewfinder connected via the VF1 connector (default: ON)
    VF2
    Viewfinder connected via the VF2 connector (default: ON)
    MON
    Monitors connected via the MONITOR OUT HD SDI 
    connectors (default: ON)
    VBS
    Monitors connected via the TEST OUT and REMOTE 
    connectors (default: ON)
    3-2-11 Allocation of Functions to 
    the Assignable Buttons and Switch
    Various functions can be allocated to assignable buttons 1 
    to 3 and assignable switch 4 (the upper position of the 4/
    AUTO BLK BAL switch) that are located on the side of the 
    camera and on the assistant panel.
    At shipment, no function is allocated to these buttons.
    Functions that can be allocated to assignable 
    buttons 1 to 3
    SettingOperation of the fans
    AUTO1 (default) The fans are automatically controlled 
    according to the internal temperature. 
    During recording, the fans are 
    controlled for a quiet condition.
     1) 
    Normally use this mode.
    AUTO2 The fans are normally controlled as 
    those in MIN mode and for a quieter 
    condition during recording.
    1) Note that 
    recording time must be limited to a short 
    duration. Use this mode only under 
    ordinary ambient temperature.
    MIN The quietest fan operation is maintained 
    without synchronization with recording.
    This is the best mode if recording must 
    be made for more than 30 minutes in a 
    quiet condition such as a concert hall.
    Use this mode only under ordinary 
    ambient temperature.
    MAX The fans rotate at the maximum speed 
    to lower the internal temperature.
    Notes
    Menu 
    indicationFunction
    ND Selection of the ND filter
    REC REVIEW With REC REVIEW set to NORM on the 
    SRW-1, the last part of the recorded tape 
    is normally rewound for 3 seconds 
    (maximum: 10 seconds) then played 
    back.
    With REC REVIEW set to ALL on the 
    SRW-1, the tape is rewound to the 
    recording start position then played back.
    PB(VF) The video signals being played back on 
    the SRW-1 are output to the viewfinder.
    VF MLUT ON/OFF of the monitor LUT for the 
    viewfinder
    MONI  MLUT ON/OFF of the the monitor LUT for 
    external monitors
    FAN MODE Switching of Fan Operation mode
    VF1:ON  VF2:ON       
    MON:ON  VBS:ON 
    						
    							40Basic Settings with the Subdisplay
      Chapter 3   Basic Adjustments and Settings
    Functions that can be allocated to assignable 
    switch 4
    Even if AWB is allocated to assignable switch 4, AWB 
    does not function in Cine mode.
    Assignable buttons 1/2 setting page
    The functions of buttons 1 and 2 can be assigned on the 
    first and second line, respectively.
    Assignable button 3/switch 4 setting page
    The functions of button 3 and switch 4 can be assigned on 
    the first and second line, respectively.
    3-2-12 Brightness Adjustment of the 
    Subdisplay
    The brightness of the subdisplay can be adjusted, in eight 
    levels.Subdisplay brightness adjustment page
    The higher the value, the brighter the display.
    3-2-13 Selection of Gamma Tables
    The gamma curves can be selected on the gamma table 
    selection page of the subdisplay.
    Gamma table selection page
    Select the gamma table on the first line (STANDARD, 
    HYPER, SPECIAL, or USER) and the gamma curve on 
    the second line.
    For details on the available gamma curves, see “3-11 
    Selecting the Gamma” on page 58.
    3-2-14 Selection of Color Spaces
    Color reproducibility can be selected on the color space 
    selection page of the subdisplay.
    Color space selection page
    Select the color space mode (S-GAMUT, F900, F900R, or 
    DCDM REF PJ) on the second line.
    For information on color space modes, see “3-1-2 
    Switching of the Basic Operation Modes” (page 30) and 
    “Color Space According to the COLOR SPACE Settings” 
    (page 136).
    3-2-15 Checking the Optical Levels
    When the SRW-1 is connected via the optional CA-F101 
    Optical Fiber Camera Adapter, you can check the optical 
    levels on the optical status page.
    Optical status page
    GAIN –9/–18 dB If the picture becomes too bright when 
    you set the lens iris to its open end to 
    assist the focus adjustment, the electric 
    gain can be temporarily decreased to 
    resume the proper picture level by using 
    this function.
    Each push on the assignable button 
    changes the setting in the sequence of 
    OFF, –9 dB, –18 dB, OFF, and so on.
    Notes
     The gain-decreased condition is 
    automatically released in approx. 1 
    minute.
     Do not perform recording in the 
    condtion where the gain is decreased 
    with this function.
    OFF None
    Menu 
    indicationFunction
    AWB Automatic white balance adjustment
    BARS Color-bar indication
    TEST1 Test signal output
    OFF None
    Note
    Menu 
    indicationFunction
    AS1:OFF         
    AS2:OFF
    AS3:OFF 
    AS4:OFF
    BRIGHT:1       
    GAMMA:STANDARD  
    5 ITU-R709       
    COLOR SPACE  
    F900       
    CAM:xxxxxxxxb
    VTR:xxxxxxxxb 
    						
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