Sony F 35 User Manual
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31Selection of the Basic Operation Modes Chapter 3 Basic Adjustments and Settings page of the MAINTENANCE menu SHOOT MODE Switch between CINE and CUSTOM on this line. D-RANGE With EXTEND, the dynamic range and sensitivity are improved. The S/N ratio is improved with NORMAL. COLOR SPACE Select color reproducibility: S-GAMUT: This mode enables you to record with wider color space than with the conventional cameras (HDC- F950, HDW-F900R, etc.) whose color space is equivalent to that available with film cameras. With postproduction processes, color expression can be substantially extended. For details on reproducible gamuts, see “Color Space According to the COLOR SPACE Settings” (page 136). Images shot with the S-GAMUT setting will be seen in somewhat pale colors if they are reproduced on a conventional narrow color-space display, such as a CRT display. F900: This mode enables you to shoot with color space equivalent to that available with conventional cameras. This facilitates color matching with conventional cameras. Furthermore, as wider color-space data available with this camera can be used without restriction, distinguishability of images with higher color saturation will be improved over that with conventional cameras. F900R: This mode enables you to shoot with color space as close as possible to that of the HDW-F900R, by limiting the color space to that of the HDW-F900R. When using this camera in combination with the HDW- F900R, use this mode for easy color matching. This mode can be selected only when “COLOR F900R” is set to “ENABLE” on the page of the MAINTENANCE menu. DCDM REF PJ: This mode enables color reproducibility that is recommended by the Digital Cinema Initiatives (DCI). The camera can output signals for display devices that can reproduce this color space, such as a DLP projector.If a video production is to be displayed on a device that complies with the DCI standards, shooting in this mode will minimize the necessity for postproduction processes, such as color correction. For details on menu operations, see “4-2 Basic Menu Operations” (page 64). Note Note M01 TOP SHOOT MODE : BCUSTOM D-RANGE : EXTEND COLOR SPACE: S-GAMUT
32Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings 3-2 Basic Settings with the Subdisplay Basic settings of the camera can be easily performed, using the subdisplay located on the side of the camera or that of the assistant panel if connected via the CONTROL PANEL connector of the camera. 3-2-1 Basic Operation of the Subdisplay For operation of the subdisplay, the buttons and dial shown in the figures below are used: Operations of the subdisplay are possible with the buttons and dial both sides of the camera and assistant panel.However, the LOCK switches disable the buttons and dial on their own sides. To inhibit operations on either side, set the LOCK switch on the side to be inhibited to ON. Turning the MENU SEL/ENTER dial can change a setting, and pressing on it can register (ENTER) a setting. To display the Setting pages After the camera is turned on, the selected operation mode (CINE or CUSTOM) is displayed on the subdisplay for several seconds, after which the Setting page that was operated last time is displayed. To advance to the next page Press the PAGE button. To go back to the previous page Press the SET button (press and release the button within 1 second). To change a setting Press and hold the SET button for more than 1 second. Data Change mode is entered, the cursor ( | ) starts flashing, and the question mark (? symbol) appears at the rightmost position on the first line. On a page with two or more setting items, each time the SET button is pressed, the cursor moves to the next item. Move the cursor to the item you wish to modify then change the setting by turning the MENU SEL/ENTER dial. While the subdisplay is in Data Change mode, menu operations on the viewfinder cannot be performed. To determine a changed setting Perform one of the following: Press the PAGE button. Exit Data Change mode by pressing the MENU SEL/ ENTER dial (the cursor and question mark disappear). Terminate the subdisplay operation by pressing the VF MENU/DISPLAY button. LOCKVF MENU/DISPLAY CANCEL/STATUS 4 AUTO BLK BAL PA G E RUN SET LOCK VF MENU/DISPLAY CANCEL/STATUS 4 AUTO BLK BAL PA G E RUN SET MENU SEL/ ENTER Press (For determining a setting)Tu r n (For changing a setting) MENU SEL/ENTER dial Side panel of the camera head Tu r n .Press SET button (For reversing pages/entering Data Change mode by holding the button pressed for 1 sec) PAGE button (For advancing pages/registering a setting) Assistant panelVF MENU/DISPLAY button (For registering a setting)CANCEL/STATUS button (For canceling of a setting) VF MENU/DISPLAY button CANCEL/STATUS button MENU SEL/ ENTER dial SET button PAGE button Note S C 3 6 0 . 0 O N ? 2 4 F P S C M P : O F F Cursor (flashing) Question mark S C 3 6 0 . 0 O N ? 2 4 F P S C M P : O F F Cursor
33Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings To cancel a change on a setting Without registering a change of a setting, press the CANCEL/STATUS button. The question mark disappears, and the original setting is restored. To terminate subdisplay operation Press the VF MENU/DISPLAY button. 3-2-2 Shutter Settings The electronic shutter of this camera can be adjusted, with settings displayed in shutter angles, as with a film camera, in addition to exposure time. Two operation methods are available for the adjustment: stepwise and continuous. Step mode Your frequently used shutter values (8 values at maximum) can be registered, enabling stepwise selection of the shutter values. At shipment, the following values are registered: The corresponding shutter speeds vary according to the frame frequency and frame rate of the selected video format. The step shutter values can be changed and re- registered on the page of the USER (OPERATION) menu or the page of the USER (PAINT) menu. Continuous mode (ECS) The shutter values can be continuously changed in a range from 360.0 to 4.3 degrees. To obtain your desired shutter value quickly, assign a value nearest your desired one in Step mode, switch to Continuous mode, then adjust the shutter value. In a case where a remote control unit connected to the REMOTE connector of the camera is used, adjustment in Step mode is enabled with SHUTTER and adjustment in Continuous mode is enabled with ECS (there is no need to set to ECS ON). However, to display the shutter values on the remote control unit correctly, upgrading of the version is required. For details, consult your local Sony representative. Shutter setting pageTo select a shutter value step by step In Step mode, one of the registered shutter values (8 values at maximum) can be selected, as follows: 1Move the cursor to the left of “S” at 1. (Immediately after the shutter setting page is switched to Setting Change mode, the cursor is always displayed at the left of “S”.) 2Display the shutter angle you wish to use at 2 by turning the MENU SEL/ENTER dial. The eight registered values for shutter angle will be displayed one after another as the MENU SEL/ ENTER dial is turned. To select an arbitrary shutter value To use a shutter value that is not registered as a step shutter value, use Continuous mode. 1Press the SET button to move the cursor to the left of “C” at 1. 2Display the shutter angle you wish to use at 2 by turning the MENU SEL/ENTER dial. The shutter value changes continuously as the MENU SEL/ENTER dial is turned. To change the units You can change the displayed units for the shutter values from shutter angle (deg) to speed (sec). 1Move the cursor to the left of at 2. 2Turn the MENU SEL/ENTER dial. The display at 2 changes to the corresponding speed value. STEP No.Shutter angle 1 216.0º 2 180.0º 3 172.8º 4 150.0º 5 144.0º 6 90.0º 7 45.0º 8 22.5º Note S C 3 6 0 . 0 O N 2 4 F P S C M P : O F F 123 45 S C 1 / 2 4 . 0 0 O N ? 2 4 F P S C M P : O F F
34Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings The speed value for the shutter angle varies depending on the selected video format and frame rate. To select the frame rate (number of frames per second) When a video format of “Select FPS” is selected, the frame rate (number of frames per second) can be selected. 1Move the cursor to 4. 2Display the frame rate (number of frames per second) you wish to use by turning the MENU SEL/ENTER dial. If a format other than those of “Select FPS” is selected, the frame rate cannot be changed. To use Compensation mode This camera enables you to compensate for changes in the video level when the FPS value is changed. Two compensation modes are provided: one that depends on shutter angles and another that depends on electric gain. 1Move the cursor to 5. 2Select the compensation mode you wish to use by turning the MENU SEL/ENTER dial. AC: Angle Compensation mode When you change the frame rate, the shutter angle is automatically corrected, retaining the video level. GC: Gain Compensation mode When you change the frame rate, the electric gain is automatically corrected, retaining the video level. The current shutter angle setting is maintained. For details on switching of the compensation modes with the menu, see “3-9 Detailed Shutter Settings” (page 56). When shutter is not used Select OFF at 3. The shutter value indication at 2 becomes “----”. To change the registered values for the step shutter Call up the page of the USER (OPERATION) menu on the viewfinder. For details on how to operate the menu, see “4-2 Basic Menu Operations” (page 64). page STEP 1-8 In the [deg] column on each line, the registered shutter angle is indicated. In the [sec] column, the shutter speed value converted according to the currently selected frame rate is displayed. ADD For newly registering a step shutter value. Display a shutter angle you wish to register then push on the MENU SEL/ENTER dial. The selectable angle values are from 360.0 to 4.3 degrees. The Step shutter values are automatically sorted in descending order. If eight values have been already registered, the message “STEPS FULL” is displayed, and a new value will not be added. In such a case, delete an unneeded value beforehand, using DEL. DEL For deleting registered step shutter values. When the pointer is positioned at DEL, an asterisk (*) is displayed at the left of STEP 1. Move the asterisk to the left of the value you wish to delete then push on the MENU SEL/ENTER dial. That value is deleted, and the items after the deleted one will be automatically renumbered. Example: When deleting 90.0 v As the numbers for which no value is registered are skipped during a selection operation, deleting step shutter values with lower frequency of use will improve the operation speed. At maximum, numbers 2 to 8 can be left unregistered. 10 TOP STEP [deg] [sec] 1: 216.0 (1/39.97) 2: 180.0 (1/48.00) 3: 172.8 (1/50.05) 4: 150.0 (1/57.63) 5: 144.0 (1/60.07) 6: 90.0 (1/95.92) 7: 45.0 (1/192.2) 8: 22.5 (1/383.0) ADD: B---.- DEL PRESET 3: 172.8 (1/50.05) 4: 150.0 (1/57.63) 5: 144.0 (1/60.07) *6: 90.0 (1/95.92) 7: 45.0 (1/192.2) 8: 22.5 (1/383.0) ADD: ---.- BDEL PRESET 3: 172.8 (1/50.05) 4: 150.0 (1/57.63) 5: 144.0 (1/60.07) 6: 45.0 (1/192.2) 7: 22.5 (1/383.0) 8: ---.- (-/---.-) ADD: ---.- BDEL PRESET
35Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings PRESET For resetting all step shutter values to default. Addition and deletion of step shutter values can be performed on the page of the USER (PAINT) menu. For information on the page, see “3-9 Detailed Shutter Settings” (page 56). 3-2-3 RAMP Operation The RAMP function permits you to change the FPS value in a specified duration during shooting. The RAMP operation page of the subdisplay or the PAINT menu can be used for the RAMP operation. While the RAMP operation page is displayed on the subdisplay, assignable buttons 2 and 3 function as RAMP operation buttons regardless of the allocations of functions (see page 39). RAMP operation page At 1 on the first line, the current FPS value is displayed. 1Set the starting FPS value at 2. 2Set the ending FPS value at 3. Pressing assignable button 2 reverses the value at 2 (starting FPS) and that at 3 (ending FPS). 3Set the transition time (duration) in the range from 0 to 30 seconds at 4. 4Select the shutter compensation mode (page 34) at 5. A: Angle Compensation mode G: Gain Compensation mode –: No compensation 5Select the RAMP mode (FPS transition curve) at 6. L: Linear mode E: Exponential mode Assignable button 3 will not function with the – (RAMP OFF) setting. 6Press assignable button 3 to start the RAMP operation.The FPS transition is executed in the duration you specified in step 3. The FPS value at 1 changes according to the transition progress, and an asterisk appears at the right. When the RAMP operation is completed, the asterisk disappears and the starting FPS value 2 and ending FPS value 3 will be reversed. You cannot change the 2 to 6 settings after starting the RAMP operation. During a RAMP operation, any FPS control is disabled on the camera, from the SRW-1, and remote control units. The page on the subdisplay cannot be changed during a RAMP operation. RAMP operation using the menu You can also set and execute the RAMP function on the page of the PAINT menu (see page 82). When you start a RAMP operation from the menu, the RAMP operation page is automatically displayed on the subdisplay. 3-2-4 Selection of Video Formats On the subdisplay, the video format can be selected from among the eight registered formats. At shipment, the following four formats are registered, and numbers 5 to 8 are not used: Video-format selection page On the first line, the currently selected format is displayed. Data-set mode enables you to select the desired format from among the registered formats. 20 [DIR] [RAMP] 1 5 30s A L 1 2345 6 Function of assignable button 2 Function of assignable button 3 Notes No.Registered formatIndication on the subdisplay 1 (default) 23.98P 4:4:4 _23.98P 444 2 S23.98P 4:4:4S23.98P 444 3 S59.94P 4:2:2S59.94P 422 4 23.98P 4:2:2_23.98P 422 3 * [DIR] [RAMP] 1 5 30s A L 1 23 _23.98P 444
36Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings Turn the MENU SEL/ENTER dial until the desired format is displayed on the second line. The unused numbers are skipped. You can select unregistered video formats from among available ones, using the page of the MAINTENANCE menu. For details on how to select a video format, see “3-13 Detailed Setting of the Video Format” (page 61). Changing the registered formats The registered formats (eight at maximum) can be changed with the following procedure: 1Display the number of the registered format you wish to change on the second line. 2Move the cursor to the left of “M” and turn the MENU SEL/ENTER dial. The selectable formats are displayed in sequence as you turn the dial. 3When the format you wish to register is displayed, press the MENU SEL/ENTER dial. The registration is updated, and the camera starts to operate with the selected format. To change the registered formats using the menu The registered formats can also be changed on the page of the USER (OPERATION) menu. For details on how to operate the menu, see “4-2 Basic Menu Operations” (page 64). page Position the pointer on the line you wish to change and push on the MENU SEL/ENTER dial. The subpage for format selection will be displayed. page Position the pointer to the format you wish to select and push on the MENU SEL/ENTER dial. The registered format will be changed. If NO ASSIGN is selected, selection with that number becomes invalid. 3-2-5 Retrieving the ND Offset If an ND filter is attached to the matte box, etc., the white balance may be in variance. In such a case, you can retrieve an appropriate ND offset value from a previous adjustment you made. Use the ND filter selection page on the subdisplay. The offset values ND: 2 to 5 are stored with respect to the white balance stored for ND: 1 as the reference. For the ND offset adjustment, see “5-3-8 Storage of the OHB File” (page 107). ND filter selection page 3-2-6 Selection of the Gain, Color Temperature, and White Balance Memory The setting items and values in Cine mode and Custom mode are different. In Cine mode: Selecting the gain and color temperature Gain setting page _23.98P 444 ? 1:_23.98P 444 M 11 FORMAT MEMORY 1: B_23.98P 444 2: S29.97P 444 3: S59.94P 422 4: _23.98P 422 5: NO ASSIGN 6: NO ASSIGN 7: NO ASSIGN 8: NO ASSIGN ESCxxB00:NO ASSIGN 01:_23.98P 444 02:S23.98P 444 03:_29.97P 444 04:S29.97P 444 05:S59.94P 444 06:_23.98P 422 07:S23.98P 422 08:_29.97P 422 09:S29.97P 422 ND:1 0dB(450) 800% TUNGSTEN 12
37Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings At 1 on the first line, the gain value is selected from among the following: –6 dB, –3 dB, 0 dB, 3 dB, 6 dB, 9 dB, and 12 dB. The corresponding ISO sensitivity is displayed in parentheses. For 2 on the first line, you can select either dynamic range or latitude for the indication (see “Indications of the ISO sensitivity and dynamic range” mentioned later). On the second line, the color temperature is selected from TUNGSTEN or DAYLIGHT. With DAYLIGHT, electrical gain of 5600K is ON. At shipment, the gain is set to 0 dB, and the color temperature is set to TUNGSTEN. The white balance adjustment value is fixed at the preset value (3200K). In Custom mode: Selecting the gain, color temperature, and white balance memory Gain setting page The first line is in common with Cine mode. At 3 on the second line, electrical gain of 5600K can be switched ON or OFF. At 4 on the second line, the white balance adjustment value can be selected. At shipment, the gain is set to 0 dB, color temperature is set to 5600K-OFF, and the white balance memory is set to W:P. For details on white balance adjustment, see “3-4 White Balance Adjustment (in Custom mode)” (page 43). Indications of the ISO sensitivity and dynamic range The ISO sensitivity value displayed on the Gain setting page is defined as “the value with which the video input becomes 20% when shooting a gray-scale chart of 18% reflection rate.” Note that the video output value with respect to this input will vary depending on the selected gamma. Either dynamic range or latitude can be selected for the indication. The value displayed with % as a dynamic range shows the limit on the high-luminance side in percentage (100%= input level) in a case where the white of the gray scale provides 100% (700 mV) output with the ITU-R709 gamma (standard gamma). The value displayed with E as a latitude shows the latitude on the high-luminance side by an f-stop value, using a gray-scale chart of 18% reflection rate as the key light. The gradation at the low-luminance side can be reproduced up to approx. –6.5 stop at 0 dB. As the dynamic range indication shows a value for the input video, the dynamic range of the output video is limited by the output settings as follows: If a gamma other than S-LOG is selected The upper limit is clipped according to the output video limitation specified by the gamma setting. When you select a curve as Hyper Gamma No. 4, which compresses 460% input to 109%, the output video is fed within the range up to 460% of input video even if 800% is displayed on the subdisplay as the dynamic range as the output video is limited to 109%. Using CvpFileEditor V4.1, you can change the dynamic range of Hyper Gamma and create a user gamma curve having no dynamic range limitation. If the white clip function is in use As the white clip function limits the level of output video, the dynamic range specified for the input video may not be obtained for video output. If “Select FPS” is ON and Compensation is in Gain mode The value of the dynamic range may decrease by up to half at maximum, depending on the FPS settings. Why the ISO sensitivity is defined for 20% input Defining the level of gray scale of 18% reflection rate for the ISO sensitivity on the linear curve (defining with input signal) permits you to use the values as the absolute reference for proper gamma conversion in postproduction. In addition, defining the output for 20% input with ITU- R709 so that it becomes the reference code for Cineon curve allows high compatibility.3-2-7 Selection of a Lens File With this camera, the compensation data for the mounted lens can be adjusted in Custom mode and registered in the built-in memory in lens files (max. 32 files). You can invoke the compensation data for the mounted lens by merely selecting the corresponding file. SettingAdjustment value W:P Preset value (3200K) W:A The value stored in memory A W:B The value stored in memory B 0dB(450) 800% 5600K-ON W:P 34 Note Memo
38Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings Lens file selection page On the first line, select the number of the lens file. On the second line, the lens-file name corresponding to the selected file is displayed. The selected lens file will be retained until a new lens file is selected. As long as the same lens is used, further selection of the lens file is not required. All the lens files are named “No Offset,” with all zero settings at shipment. File registration and modification of data in a lens file must be performed in Custom mode. For details on the lens files, see “Chapter 5 Storage and Retrieval of User Setting Data”. 3-2-8 Confirmation of the Time Code and Tape Remaining When the SRW-1 HD Portable Digital Recorder is attached to this camera, the time code of the recorder and approximate tape remaining (unit: minutes) can be confirmed on the subdisplay. Time code/tape remaining display page The time code is displayed on the first line, and the approximate tape remaining is displayed on the second line, in the range of 1 to 99 min. Time code that is displayed on the first lineThe type of the displayed time code data is linked with the SRW-1. Select the type of the displayed time code data on the SRW-1. 3-2-9 Confirmation of the Power Voltage and Selection of Fan Operation Mode The values in voltage of the power sources connected to the camera can be confirmed on the subdisplay. On the same page, the operation mode of the built-in fans can also be selected. Voltage confirmation/Fan Operation mode select page At 1 and 2 on the first line, the values in voltage of the 12-V and 24-V power systems are displayed, respectively. If power is not supplied, “- -” is displayed. If the voltage falls to the NEAR END level, the indication starts flashing. If the voltage falls further down to the END level, the indication flashes rapidly. The NEAR END and END levels can be set on the page of the MAINTENANCE menu. Selecting Fan Operation mode On the second line, the operation mode of the built-in fans can be changed according to the ambient temperature or the operation mode of the recorder. Note IndicationMeaning TCR 00:00:00:00Time code data of the LTC reader TCR 00:00.00:00Time code data of the LTC reader (DF) TCR.00:00:00:00Time code data of the VITC reader UBR 00 00 00 00User bit data of the LTC reader UBR.00 00 00 00User bit data of the VITC reader TCG 00:00:00:00Time code data of the time code generator TCG 00:00:00.00Time code data of the time code generator (DF) UBG 00 00 00 00User bit data of the time code generator CTL -0:00:00:00Data of the CTL counter LENS:1 No Offset TCR 00:00:00:00 20min T*R 00:00:00:00Time code cannot be read with the LTC reader. U*R 00 00 00 00User bit cannot be read with the LTC reader. T*R.00:00:00:00Time code cannot be read with the VITC reader. U*R.00 00 00 00User bit cannot be read with the VITC reader. IndicationMeaning 11.4V 24.1V FAN:AUTO1 12
39Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings 1) The control in synchronization with recording is valid only when the SRW- 1 is directly docked on the camera or is optically connected to the camera via the CA-F101. The RUN indicator of the camera then lights. If the internal temperature rises so high that the TEMPERATURE CARE message is displayed, the fan rotation speed will automatically increase to lower the temperature. If the internal temperature rises so high that the TEMP WARNING/FAN MAX message is displayed, the Fan Operation mode setting is automatically changed to MAX. After the temperature is sufficiently lowered and the message disappears, manually restore the original mode. When the video format is set to 50P, S50P, S59.94P, or S60P, the fans are controlled as in AUTO1 mode even if AUTO2 or MIN mode has been selected, so that any rise in internal temperature due to an increase in power consumption will be suppressed. The control function in synchronization with recording does not operate in this condition. To change Fan Operation mode using the menu You can also change Fan Operation mode (FAN MODE) by using the page on the USER (MAINTENANCE) menu (page 88). 3-2-10 ON/OFF of the Character Indication Superimposition of character data onto camera images can be activated or deactivated by output destination.Character indication setting page VF1 Viewfinder connected via the VF1 connector (default: ON) VF2 Viewfinder connected via the VF2 connector (default: ON) MON Monitors connected via the MONITOR OUT HD SDI connectors (default: ON) VBS Monitors connected via the TEST OUT and REMOTE connectors (default: ON) 3-2-11 Allocation of Functions to the Assignable Buttons and Switch Various functions can be allocated to assignable buttons 1 to 3 and assignable switch 4 (the upper position of the 4/ AUTO BLK BAL switch) that are located on the side of the camera and on the assistant panel. At shipment, no function is allocated to these buttons. Functions that can be allocated to assignable buttons 1 to 3 SettingOperation of the fans AUTO1 (default) The fans are automatically controlled according to the internal temperature. During recording, the fans are controlled for a quiet condition. 1) Normally use this mode. AUTO2 The fans are normally controlled as those in MIN mode and for a quieter condition during recording. 1) Note that recording time must be limited to a short duration. Use this mode only under ordinary ambient temperature. MIN The quietest fan operation is maintained without synchronization with recording. This is the best mode if recording must be made for more than 30 minutes in a quiet condition such as a concert hall. Use this mode only under ordinary ambient temperature. MAX The fans rotate at the maximum speed to lower the internal temperature. Notes Menu indicationFunction ND Selection of the ND filter REC REVIEW With REC REVIEW set to NORM on the SRW-1, the last part of the recorded tape is normally rewound for 3 seconds (maximum: 10 seconds) then played back. With REC REVIEW set to ALL on the SRW-1, the tape is rewound to the recording start position then played back. PB(VF) The video signals being played back on the SRW-1 are output to the viewfinder. VF MLUT ON/OFF of the monitor LUT for the viewfinder MONI MLUT ON/OFF of the the monitor LUT for external monitors FAN MODE Switching of Fan Operation mode VF1:ON VF2:ON MON:ON VBS:ON
40Basic Settings with the Subdisplay Chapter 3 Basic Adjustments and Settings Functions that can be allocated to assignable switch 4 Even if AWB is allocated to assignable switch 4, AWB does not function in Cine mode. Assignable buttons 1/2 setting page The functions of buttons 1 and 2 can be assigned on the first and second line, respectively. Assignable button 3/switch 4 setting page The functions of button 3 and switch 4 can be assigned on the first and second line, respectively. 3-2-12 Brightness Adjustment of the Subdisplay The brightness of the subdisplay can be adjusted, in eight levels.Subdisplay brightness adjustment page The higher the value, the brighter the display. 3-2-13 Selection of Gamma Tables The gamma curves can be selected on the gamma table selection page of the subdisplay. Gamma table selection page Select the gamma table on the first line (STANDARD, HYPER, SPECIAL, or USER) and the gamma curve on the second line. For details on the available gamma curves, see “3-11 Selecting the Gamma” on page 58. 3-2-14 Selection of Color Spaces Color reproducibility can be selected on the color space selection page of the subdisplay. Color space selection page Select the color space mode (S-GAMUT, F900, F900R, or DCDM REF PJ) on the second line. For information on color space modes, see “3-1-2 Switching of the Basic Operation Modes” (page 30) and “Color Space According to the COLOR SPACE Settings” (page 136). 3-2-15 Checking the Optical Levels When the SRW-1 is connected via the optional CA-F101 Optical Fiber Camera Adapter, you can check the optical levels on the optical status page. Optical status page GAIN –9/–18 dB If the picture becomes too bright when you set the lens iris to its open end to assist the focus adjustment, the electric gain can be temporarily decreased to resume the proper picture level by using this function. Each push on the assignable button changes the setting in the sequence of OFF, –9 dB, –18 dB, OFF, and so on. Notes The gain-decreased condition is automatically released in approx. 1 minute. Do not perform recording in the condtion where the gain is decreased with this function. OFF None Menu indicationFunction AWB Automatic white balance adjustment BARS Color-bar indication TEST1 Test signal output OFF None Note Menu indicationFunction AS1:OFF AS2:OFF AS3:OFF AS4:OFF BRIGHT:1 GAMMA:STANDARD 5 ITU-R709 COLOR SPACE F900 CAM:xxxxxxxxb VTR:xxxxxxxxb