Sony Acid 7 Manual
Here you can view all the pages of manual Sony Acid 7 Manual. The Sony manuals for Programming are available online for free. You can easily download all the documents as PDF.
Page 191
APPENDIX BACID TIPS AND TRICKS 189 Adding depth with assignable effects You can add depth to your mix by panning a dry signal (no effects) to one side and a wet signal (with effects such as chorus or reverb) to the other. You can pan the dry and wet signals by adding an assignable effects chain to your project. 1.Add an assignable effects chain containing an effect such as chorus or reverb to your project. For more information, see Adding assignable effect controls on page 113. 2.Press to view bus...
Page 192
190 ACID TIPS AND TRICKSAPPENDIX B Constructing the wall of sound As mentioned previously, it is sometimes preferable to color and thicken mixes without resorting to effects and other digital processing. Working without the benefit of multitrack recording, music producer Phil Spector colored his songs by having several instruments play slightly different parts. For example, he might have an acoustic bass, an electric bass, and a piano play slight variations on the same basic riffs. These variations,...
Page 193
APPENDIX BACID TIPS AND TRICKS 191 Adding build ups If you are attempting to build projects that escape the perceived limitations of computer-generated loop- based music, you should concentrate on reproducing the subtle (and not so subtle) dynamics associated with live instrumentation. One of the simplest, but most effective examples of this is the build up. When musicians play live, there is a tendency to increase dynamics as a song enters a chorus or refrain. Think of how a drummer uses accents,...
Page 194
192 ACID TIPS AND TRICKSAPPENDIX B 2.Click the Envelope Tool button ( ) to select the envelope tool. 3.Right-click the first point on the envelope and choose Hold from the shortcut menu. 4.Add several more points by double-clicking the envelope. Note that each new point also has the hold fade curve. 5.Set each point to a different level. For more information, see Adjusting individual envelope points on page 100. You can repeat the pattern by copying and pasting the envelope points repeatedly. For more...
Page 195
APPENDIX BACID TIPS AND TRICKS 193 Overriding compress/expand One of the most powerful features of ACID is its ability to compress or expand a loop while maintaining the loop’s original pitch. However, you can override this feature in order to produce specific effects in your projects. 1.Right-click a track in the track list to view the track’s Track Properties window. 2.Click the Stretch tab. 3.From the Stretching method drop-down list, choose Pitch shift segments. The track’s pitch will change in...
Page 196
194 ACID TIPS AND TRICKSAPPENDIX B 5.Select the new tracks and from the Tools menu, choose Render to New Track to render the tracks to a single track. The Render to New Track dialog appears. 6.Complete the information in the Render to New Track dialog and click Save. For more information, see Mixing multiple tracks to a single track on page 109. ACID saves the new composite loop and adds it to your project as a new track. Creating drum-roll build ups 1.Place a file in the Chopper. For more...
Page 197
APPENDIX BACID TIPS AND TRICKS 195 8.Place the file from track two in the Chopper. 9.Repeat steps four through six to insert events from track two. 10 .Select all events on the two beatmapped tracks in the track view. 11.Press . ACID creates crossfades between your events. Creating pseudo-granular synthesis 1.Create a sixty-fourth note (or shorter) selection in the Chopper. 2.Click the Insert Selection button ( ). 3.Use the Shift Selection Left () and Shift Selection Right ( ) buttons to move the...
Page 199
C APPENDIX CGLOSSARY APPENDIX 197 Glossary The glossary contains terms and their definitions that you may come across in the manual. This glossary not only includes terms associated with ACID, but also includes relevant industry terms. .acd-zipAn ACID project file that contains all information regarding the project including track layout, envelope settings, and effects parameters. In addition, all audio files used in the project are embedded into the project file. Activation CodeThis number is based...
Page 200
198 GLOSSARYAPPENDIX C Audio Interchange File Format (AIFF)An audio file format developed by Apple Computer. Audio Proxy File (.sfap0)See Proxy File. BandwidthWhen discussing audio equalization, each frequency band has a width associated with it that determines the range of frequencies that are affected by the EQ. An EQ band with a wide bandwidth affects a wider range of frequencies than one with a narrow bandwidth. When discussing network connections, refers to the rate of signals transmitted; the...
All Sony manuals