Ricoh K3 Manual
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3Shooting 49 1Press A in standby mode.The Drive Mode screen appears. 2Select Q and press B. 3Select Q, R , or S and press E.The camera returns to standby mode. The self-timer lamp blinks. 4Press the shutter release button halfway. 5Point the remote control unit towards the remote control receiver on the front or back of the camera, and press the shutter release button on the remote control unit. t Memo • The maximum operating distance of the remote control unit is approx. 4 m from the front of the camera and approx. 2 m from the back of the camera. • To adjust focus with remote control, set in [19. AF with Remote Control] of the E3 menu. • When using the Remote Control Waterproof O-RC1, the autofocus system can be operated with the q button. The r button cannot be used. 1Press A in standby mode.The Drive Mode screen appears. 2Select T and press B. 3Select T, 1 , or U and press B . 4Use Q to select the number of shots.Select from 2 images (Standard/+), 2 images (Standard/-), 3 images or 5 images. 5Set the bracket value. Available operations 6Press E.The camera returns to standby mode. t Memo• You can set the bracketing order in [8. Bracketing Order] of the E2 menu. • The bracket value can be set in increments of 1/3 EV steps or 1/2 EV steps according to the [1. EV Steps] setting made in the E1 menu. • Set [9. One-Push Bracketing] to [On] in the E2 menu to shoot the specified number of images with one press of the shutter release button. Remote Control R e m o t e C o n t r o l Remote Control C a n c e l Cancel O K OK Exposure Bracketing RChanges the bracket value (up to ±2 EV). J R Adjusts the exposure compensation value. M Resets the adjustment value to the default setting. E x p o s u r e B r a c k e t i n g Exposure Bracketing C a n c e l Cancel 3 i m a g e s 3 images O K OK ± 0 . 3 E V ±0.3EV
3Shooting 50 1Press A in standby mode.The Drive Mode screen appears. 2Select c and press B. 3Select c or d and press E.The camera returns to standby mode. 4Press the shutter release button halfway, then fully. The mirror pops up and the AE Lock function is activated. 5Press the shutter release button fully again.The mirror returns to its original position after the image is taken. t Memo• The mirror automatically returns to its original position if 1 minute elapses after the mirror pops up. u Caution• Mirror Lock-up Shooting cannot be selected when shooting with Live View. 1Press A in standby mode.The Drive Mode screen appears. 2Select V and press B. 3Select V, 2 , W or X, and press B. 4Select [Composite Mode]. 5Specify [Number of Shots].Select from 2 to 2000 shots. 6Press E.The camera returns to standby mode. 7Shoot.Instant Review is displayed. Available operations during Instant Review After the set number of pictures are taken, the camera returns to normal capture mode. Mirror Lock-up Shooting M i r r o r L o c k - u p S h o o t i n g Mirror Lock-up Shooting C a n c e l Cancel O K OK Multi-exposure 5Average Creates a composite image with the average exposure. 6 Additive Creates a composite image with the cumulatively added exposure. 7 Bright Creates a composite image that combines only bright parts. L Discards pictures taken up to that point and takes pictures again from the first picture. F Saves pictures taken up to that point and displays the A menu. N u m b e r o f S h o t sNumber of Shotst i m e stimesC o m p o s i t e M o d eComposite Mode00020002 C a n c e lCancelO KOK M u l t i - e x p o s u r eMulti-exposure
3Shooting 51 1Press A in standby mode.The Drive Mode screen appears. 2Select Y and press B. 3Set the shooting conditions. 4Press E to finish the setting.The camera returns to standby mode. 5Shoot.When [Start Interval] is set to [Now], the first picture is taken. When set to [Set Time], shooting starts at the set time. To cancel shooting, press F in standby mode. After the set number of pictures are taken, the camera returns to normal capture mode. t Memo• A new folder is created when Interval Shooting is performed, and the captured images are saved there. When shooting in a different drive mode after performing Interval Shooting, a new folder will be created. • The shortest interval time that can be set for [Interval] is 10 seconds for [Digital Filter] and 20 seconds for [HDR Capture]. 1Press A in standby mode.The Drive Mode screen appears. 2Select 3 and press B. 3Set the shooting conditions. 4Press E to finish the setting.The camera returns to standby mode. 5Shoot.When [Start Interval] is set to [Now], the first picture is taken. When set to [Set Time], shooting starts at the set time. To cancel shooting, press F in standby mode. After the set number of pictures are taken, the camera returns to normal capture mode. t Memo• When [Save Process] is set to T, a new folder is created and the composite image is saved there. When shooting in another different drive mode after performing Interval Composite, another new folder will be created. • Mount the camera on a tripod during Interval Composite. Interval Shooting Interval Select from 2 seconds to 24 hours. Number of Shots Select from 2 to 2000 shots. Start Interval Select whether to take the first picture now or at a set time. When [Set Time] is selected, set the time at which to start shooting in [Start Time]. I n t e r v a lInterval I n t e r v a l S h o o t i n gInterval Shooting N u m b e r o f S h o t sNumber of ShotsS t a r t I n t e r v a lStart Interval00020002timestimesN o wNow0 0 : 0 0 0 2 00:0002 C a n c e lCancelO KOK Interval Composite Composite Mode Select from [Average], [Additive] or [Bright]. (Refer to “Multi-exposure” (p.50).) Save Process Select T to save images in the middle of processing. Interval Select from 2 seconds to 24 hours. Number of Shots Select from 2 to 2000 shots. Start Interval Select whether to take the first picture now or at a set time. When [Set Time] is selected, set the time at which to start shooting in [Start Time]. I n t e r v a l C o m p o s i t eInterval Composite C o m p o s i t e M o d eComposite Mode S t a r t I n t e r v a lStart IntervalN u m b e r o f S h o t sNumber of ShotsI n t e r v a lIntervalS a v e P r o c e s sSave Process C a n c e lCancelO KOK t i m e stimes0002000200:000200:0002N o wNow
3Shooting 52 In C mode, you can use [Interval Movie Record] to take still pictures at a set interval from a set time and save them as a single movie file (Motion JPEG, file extension: .AVI). 1Turn the Stills/Movie switch to C and press A.The Drive Mode screen appears. 2Select Y and press B. 3Set the shooting conditions. 4Press E to finish the setting.The camera returns to standby mode. 5Press the shutter release button to start shooting. When [Start Interval] is set to [Now], the first picture is taken.Instant Review is displayed, and then the monitor turns off. After the set number of pictures are taken, the camera returns to standby mode. t Memo• The shortest interval time that can be set for [Interval] is 10 seconds for [Digital Filter] and 20 seconds for [HDR Capture]. 1Press C in standby mode.The White Balance setting screen appears. 2Select the White Balance. Available operations when shooting with the viewfinder Proceed to Step 5 if you do not need to change the parameters. Interval Movie Record Recorded Pixels Select from z, u , or t . Interval Select from 2 sec., 5 sec., 10 sec., 20 sec., 30 sec., 1min., 5 min., 10 min., 30 min., or 1 hour. Recording Time Set the time from the start to the end of recording. Select from 14 seconds to 99 hours. The time that can be set varies depending on the [Interval] setting. Start Interval Select whether to take the first picture now or at a set time. When [Set Time] is selected, set the time at which to start shooting in [Start Time]. 2 s e c .2sec. C a n c e lCancelO KOK I n t e r v a lIntervalR e c o r d e d P i x e l sRecorded Pixels I n t e r v a l M o v i e R e c o r dInterval Movie Record R e c o r d i n g T i m eRecording TimeS t a r t I n t e r v a lStart Interval00 : 00 1400 : 00 14N o wNow Setting the White BalanceY g g Auto White Balance u Multi Auto White Balance h Daylight i Shade j Cloudy k q Fluorescent - Daylight Color r Fluorescent - Daylight White s Fluorescent - Cool White t Fluorescent - Warm White l Tungsten m Flash n Color Temperature Enhancement o Manual White Balance 1 to 3 p Color Temperature 1 to 3 Main switch to UUses Digital Preview to preview the background image with the white balance effect applied. H Saves the preview image (only when the data is available). A u t o W h i t e B a l a n c eAuto White Balance C a n c e lCancelC h e c kCheckW B±WB±O KOK
3Shooting 53 3Press G.The fine-tuning screen appears. Available operations 4Press E.The screen of Step 2 reappears. 5Press E.The camera returns to standby mode. t Memo• When u is set, even if various light sources are present at the shooting location, the camera automatically adjusts the white balance according to the light source of each area. • The following settings pertaining to the white balance can be set in the E 2 menu. Measure the white balance of a given scene. 1Select o in Step 2 on p.52 and press B. 2Select from o 1 to o3. 3Under the light you wish to measure the white balance of, select a white area as the subject, and press the shutter release button fully. The captured image is displayed. [The operation could not be completed correctly] appears when measuring is unsuccessful. Press E to remeasure the white balance. 4Use ABCD to specify the measuring range. 5Press E.The White Balance setting screen reappears. t Memo• You can copy the white balance settings of a captured image and save them as o1 to o 3 in [Save as Manual WB] of the playback mode palette. (p.59) AB Adjust: Green-Magenta CD Adjust: Blue-Amber M Resets the adjustment value to the default setting. 10. WB Adjustable Range Fixed (default setting), Auto Adjustment 11. WB When Using Flash Auto White Balance (default setting), Multi Auto White Balance, Flash, Unchanged 12. AWB in Tungsten Light Subtle Correction (default setting), Strong Correction 13. Color Temperature Steps Kelvin (default setting), Mired C a n c e lCancel±0±0 G3G3A2A2 O KOKC h e c kCheck Adjusting the White Balance Manually M a n u a l W h i t e B a l a n c eManual White Balance C a n c e lCancelA d j u s tAdjustWB±WB±O KOKC h e c kCheck
3Shooting 54 Specify the white balance with the color temperature. 1Select p in Step 2 on p.52, and press B. 2Select from p1 to p3. 3Press G. 4Adjust the color temperature. Set the color temperature value within the range from 2500K to 10000K. Available operations 5Press E.The White Balance setting screen reappears. t Memo• Select [Mired] in [13. Color Temperature Steps] of the E2 menu to set the color temperature in mired units. The color temperature can be changed in 20 mired units with Q, and 100 mired units with R. However, figures are converted to and displayed in Kelvin. When you want to take pictures with a slightly different style, you can set the desired picture style before shooting. Try out the various settings, and find your best picture style. 1Press D in standby mode.The Custom Image setting screen appears. 2Select an image finishing touch. Available operations when shooting with the viewfinder Proceed to Step 6 if you do not need to change the parameters. Adjusting the White Balance with Color Temperature Q 100 Kelvin units R 1000 Kelvin units ABCD Fine-tunes the color temperature. C a n c e lCancelC h e c kCheck±0±0 ±0±0±0±0 O KOK Controlling the Image Finishing Touch Custom ImageZ Bright (default setting) Natural Portrait Landscape Vibrant Radiant Muted Bleach Bypass Reversal Film Monochrome Cross Processing Main switch to UUses Digital Preview to preview the background image with the selected setting applied. H Saves the preview image (only when the data is available). B r i g h tBright C a n c e lCancelO KOKP a r a m e t e r A d j .Parameter Adj.C h e c kCheck
3Shooting 55 3Press G.The parameter setting screen appears. 4Set the parameters. Available operations 5Press E.The screen of Step 2 reappears. 6Press E.The camera returns to standby mode. The outcome of Cross Processing varies each time a picture is taken. If you take a cross processed image that you like, you can save the Cross Processing settings used in that image so that you can repeatedly use the same settings. 1Press B in single image display of playback mode. The playback mode palette appears. 2Select a and press E.The camera will search for cross processed images starting from the most recent image taken. [No cross processed image] appears if there are no cross processed images. 3Use Q to select a cross processed image. 4Select a number and press E.The settings of the selected image are saved to Favorite 1 to 3. t Memo• The saved Cross Processing settings can be loaded by selecting [Cross Processing] in Step 2 of “Custom Image” (p.54), and selecting [Favorite 1 - 3] for the parameter. AB Selects a parameter. CD Adjusts the value. Q Switches between [Contrast], [Contrast Highlight Adjustment] and [Contrast Shadow Adjustment]. R Switches between [Sharpness], [Fine Sharpness] and [Extra Sharpness]. (Not available in C mode). M Resets the adjustment value to the default setting. S a t u r a t i o n Saturation C a n c e l Cancel O K OKC h e c k Check Saving the Cross Processing Settings of a Captured Image S a v e a s F a v o r i t e 1Save as Favorite 1 S a v e s t h i s i m a g e s C r o s sSaves this images CrossP r o c e s s i n g s e t t i n g sProcessing settings 100-0001100-0001 S a v e a s F a v o r i t e 2Save as Favorite 2S a v e a s F a v o r i t e 3Save as Favorite 3O KOKC a n c e lCancel
3Shooting 56 1Select [Digital Filter] in A1 menu and press D.The Digital Filter setting screen appears. 2Select a filter.Select [No Filter] to not shoot with a digital filter. Available operations when shooting with the viewfinder Proceed to Step 6 if you do not need to change the parameters. 3Press G.The parameter setting screen appears. 4Set the parameters. Available operations 5Press E.The screen of Step 2 reappears. 6Press E. 7Press F.The camera returns to standby mode. u Caution• This function cannot be used in combination with some other functions. (p.80) • Depending on the filter used, it may take longer to save images. t Memo• Images can also be processed with digital filters in playback mode. (p.66) Digital FilterA 1/v Extract Color Toy Camera Retro High Contrast Shading Invert Color Unicolor Bold Bold Monochrome Main switch to UUses Digital Preview to preview the background image with the filter effect applied. H Saves the preview image (only when the data is available). E x t r a c t C o l o rExtract Color C a n c e lCancelO KOKP a r a m e t e r A d j .Parameter Adj.C h e c kCheck AB Selects a parameter. CD Adjusts the value. E x t r a c t e d C o l o r 1Extracted Color 1 C a n c e lCancelO KOKMENUC h e c kCheck
3Shooting 57 Expands the dynamic range and enables a wider range of tones by the CMOS sensor and reduces the occurrence of overexposed/underexposed areas. Set the correction functions from [D-Range Settings] of the A2 menu or the control panel. u Caution• When the sensitivity is set to less than ISO 200, [Highlight Correction] cannot be set to [On]. Takes three consecutive images at three different exposure levels to create a single composite picture with them. 1Select [HDR Capture] in A1 menu and press D.The [HDR Capture] screen appears. 2Select [HDR AUTO], [HDR 1], [HDR 2] or [HDR 3], and press E. 3Set the range in which to change the exposure in [Exposure Bracket Value]. Select from ±1, ±2 or ±3. 4Set whether to use Auto Align or not. 5Press F twice.The camera returns to standby mode. u Caution• HDR Capture is not available in M or N mode. • This function cannot be used in combination with some other functions. (p.80) • When the drive mode is set to [Interval Shooting], [Auto Align] is fixed to [Off]. •In C mode, HDR Capture is available only when the drive mode is set to [Interval Movie Record]. • For HDR Capture, multiple images are combined together to create a single image, so it will take time to save the image. The following features can be set from [Lens Correction] of the A 1 menu or the control panel. t Memo• Corrections can only be made when a compatible lens is attached. (p.81) The features are disabled when using an accessory such as a rear converter that is attached between the camera and the lens. • When the file format is set to [RAW] or [RAW+], the correction information is saved as a RAW file parameter and you can select [ON] or [OFF] when developing the RAW images. For the RAW Development function, [Color Fringe Correction] can also be set. (p.69) Correcting Images Brightness Adjustment Highlight Correction/ Shadow Correction A 2/v HDR Capture A1/v C a n c e lCancelO KOK H D R C a p t u r eHDR CaptureE x p o s u r e B r a c k e t Va l u eExposure Bracket ValueA u t o A l i g nAuto Align H D R C a p t u r eHDR Capture T Uses Auto Align. (Default setting) S Does not use Auto Align. Lens CorrectionA1/v Distortion Correction Reduces distortions occurring due to lens properties. Lat-Chromatic- Ab Adj Reduces lateral chromatic aberrations occurring due to lens properties. Peripheral Illumin. Corr. Reduces peripheral light fall-off occurring due to lens properties.
3Shooting 58 It allows you to adjust the composition of your image using the Shake Reduction mechanism. Use this when you want to adjust the composition, such as when using a tripod during Live View shooting. 1Select [Live View] in A3 menu and press D.The [Live View] screen appears. 2Select [Composition Adjust.] and set to T. 3Press F twice.The camera returns to standby mode. 4Press K.Live View is displayed and the message [Adjust the composition of the image] appears. 5Adjust the composition.The amount of adjustment (the number of steps) is displayed at the top right of the screen. Available operations 6Press E.The camera returns to standby mode in Live View. u Caution• This function cannot be used in the following situations. • When the drive mode is set to [Interval Shooting], [Interval Composite] or [Interval Movie Record] • While shooting with ASTROTRACER t Memo• The adjusted composition is saved even if Live View is ended or the camera is turned off. To reset the saved adjustment value when Live View is ended, set [Composition Adjust.] to [Off] in [Memory] of the A4 menu. (p.75) By shaking the Shake Reduction unit, moiré reduction effect simulating that of a low-pass filter can be achieved. 1Select [AA Filter Simulator] in A3 menu and press D. 2Select [TYPE1] or [TYPE2] and press E. u Caution • This function cannot be used in the following situations. • When [HDR Capture] is set •In C mode • When the shutter speed is faster than 1/1000 seconds, the full effect of this function cannot be achieved. Composition AdjustmentA 3 ABCD Moves the composition (up to 24 steps). R Adjusts the level of the composition (up to 8 steps. Not available when the amount of adjustment is 17 steps or more). M Resets the adjustment value to the default setting. A d j u s t t h e c o m p o s i t i o nAdjust the compositiono f t h e i m a g eof the image 000000 C a n c e lCancelO KOK Anti-Aliasing Filter SimulatorA3/v L i v e V i e wLive ViewE l e c t r o n i c L e v e lElectronic LevelA A F i l t e r S i m u l a t o rAA Filter SimulatorS h a k e R e d u c t i o nShake ReductionI n p u t F o c a l L e n g t hInput Focal Length C a n c e lCancel 123 4 H o r i z o n C o r r e c t i o nHorizon Correction O KOK