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Panasonic Memory Card Camera Recorder AG-HVX200AP Operating Instructions
Panasonic Memory Card Camera Recorder AG-HVX200AP Operating Instructions
Here you can view all the pages of manual Panasonic Memory Card Camera Recorder AG-HVX200AP Operating Instructions. The Panasonic manuals for Camcorder are available online for free. You can easily download all the documents as PDF.
Page 31
Shooting 31 TA P E Cassette tapes You can use tapes with this mark . Use the following mini DV cassette tapes with this camera-recorder. AY-DVM63 series tape (60 minutes in SP mode) Do not use 80-minute mini DV cassette tapes. Picture quality does not worsen if you shoot in LP mode, but you may notice some block noise and there may be other limitations. Block noise and feature limitations occur in the following situations. • When you play a tape on other digital video equipment that...
Page 32
32 Using SD/SDHC memory cards You can use SD and SDHC memory cards (the term “SD memory card” is used for both hereafter) to save and load SCENE files and USER files. (Page 57) Installing and removing the SD memory card Installation 1 Open the cover, and insert the card while making sure it is oriented in the proper direction. L O CK 2 Close the cover. Removal 1 Open the cover, and check that the access lamp is not lit. 2 Press the card further into the unit, grasp the card, and then remove. 3...
Page 33
Shooting 33 Using the zoom function This camera has a 13 x optical zoom function. Zoom with the zoom button or the zoom ring. Zoom button Set the ZOOM switch to SERVO so that you can use the motor-driven zoom. T : Zoom in W : Zoom out Gently press the zoom button on the cassette cover to zoom slowly, firmly press to zoom faster. You can change the zoom speed on the handle zoom button by selecting one of three speeds with the HANDLE ZOOM switch. Set the HANDLE ZOOM switch speeds by going to the...
Page 34
34 Variable frame rates (VFR) By taking full advantage of the special characteristics of P2 cards, this unit provides frame skipping (undercranking) recording and highspeed (overcranking) recording, which are actually movie techniques, without the use of a frame rate converter. (Either the 30PN or 24PN mode must be set for this.) Since the camera-recorder records only the effective frames (native recording), recording is possible for between 2 times and 2.5 times as long compared with recording in...
Page 35
Shooting 35 P2 Native recording 1 Using the REC FORMAT (P2) function (page 107) on the RECORDING SETUP screen, select 720/30PN or 720/24PN as the recording format. 2 Select the appropriate scene file using the SCENE FILE dial. If necessary, before doing this, perform the camera settings from the setting menu, and register the scene file. (page 55) 3 Using the OPERATION TYPE function (page 101) on the SCENE FILE screen, select FILM CAM, and set the desired recording frame rate using the FRAME...
Page 36
36 Standard speed shooting for movie production When making movies to show on a screen, a frame rate of 24 fps (frames per second), which is the same as for films, is the norm (1x speed). If you use the settings below, the same kind of playback as with screenings can be obtained. By using the 720P progressive mode and cine-like gamma, high-quality film-like images can be achieved. Standard speed shooting for making commercials and dramas When producing commercials and dramas to be shown on a TV...
Page 37
Shooting 37 Shooting in 1080i/480i progressive mode Selecting 1080i/30P, 1080i/24P, 1080i/24PA, 480i/30P, 480i/24P or 480i/24PA in the REC FORMAT option (page 107) of the setting menu RECORDING SETUP screen enables shooting in progressive mode. 30P mode: Shoot 30 frames a second in the progressive mode. For output and recording, the 30-frame-per- second signal is converted to 60-field-per-second interlace. This mode gives you high quality images. Ao Ae Bo Be Co Ce Do De Eo Ee Fo Fe GoGe Ho He...
Page 38
38 Shooting in manual mode Set the unit to manual mode when manually adjusting the focus, iris, gain and white balance.Manual focusing 1 Use the AUTO/MANUAL switch to switch to manual mode. 2 Use the FOCUS switch to choose how to control focusing. A (AUTO): Auto focus mode M (MANUAL): Manual focus mode Turn the focus ring by hand. : The camera first focuses on infinity, then it switches to manual focus. The FOCUS switch automatically moves back to M (MANUAL) after you move it to ....
Page 39
Shooting 39 Iris adjustments 1 If the camera is in auto mode, use the AUTO/MANUAL switch to switch to manual mode. (Page 38) 2 Press the IRIS button to switch how to adjust the aperture of lens. AUTO IRIS: Adjust the iris automatically. MANUAL IRIS: Adjust the iris manually. 3 Turn the IRIS dial to adjust the aperture of lens when in the manual iris mode. In the auto iris mode, the lens iris can be corrected using this dial. Set the direction of the IRIS DIAL and aperture control in the setup...
Page 40
40 In order to reproduce the white accurately, adjust the ratio between the three RGB primary colors. If the white balance is not adjusted properly, not only will the white be reproduced poorly but the color tones of the entire screen will also be downgraded. When you are shooting in manual mode, readjust the white balance whenever lighting conditions change. You can save adjustments and reselect them by setting the WHITE BAL switch to A or B. You can also use the preset values. Use the settings...