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Panasonic Memory Card Camera Recorder AG-HPX300P Operating Instructions

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    1
    ChapterAdjustmentsandSettingsforRecording
    
    3Theadjustmentwilltakeeffectinafewseconds
    andthefollowingmessagewillappear:
    ABB   END 
    •  The adjusted value is automatically stored in the 
    memory.
     NOTE
    •   Ensure that the lens connector is connected and the lens iris 
    is CLOSE.
    •  During a black balance adjustment, light is automatically cut 
    off.
    • ABB NG appears when the lens connector has come loose.
    • Black balance adjustment is not available during recording.
    •  Pressing the REC button during ABB adjustment will not 
    start recording on a P2 card. 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    
    Setting the Electronic Shutter
    Setting the Shutter Mode and 
    Speed
    1PresstheSHUTTERswitchpositionedatOFF
    towardsON.
    SHUTTERswitch
    2PresstheSHUTTERswitchtowards[SEL]. 
    Repeatthisswitchoveruntilthedesiredmode
    orspeedappearsintheviewfinderscreen.
    •  If all modes and speeds are available, the display 
    changes in the following order:
    For0iand0Precording
    (1/15)(1/30)1/601/100
    1/250
    S/S1/120
    1/5001/1000 1/2000
    For0Precording
    (1/7.5)(1/15)1/601/100
    1/250
    S/S1/120
    1/5001/1000 1/2000
    ForPrecording
    (1/6)(1/12)1/601/100
    1/250
    S/S1/120
    1/5001/1000 1/2000
    •  The bracketed (  ) speeds cannot be selected 
    when VFR is ON.
     NOTE
    •   In any electronic shutter mode, a slower shutter speed will 
    reduce camera sensitivity.
    •  In auto iris mode, a faster shutter speed will increase the 
    aperture and lower the depth of field.
    •  During 1080i operation, speeds in brackets do not allow DRS 
    operation.
    •  Changes in synchro scan and shutter speed settings may 
    cause screen flicker.
    Viewfinder displays relating to the shutter
    See [Viewfinder Screen Status Displays] (page 65).
    Placing the Camera-recorder in 
    SYNCHRO SCAN Mode
    To place the camera-recorder in SYNCHRO SCAN mode, 
    follow the steps below.
    1 PresstheSHUTTERswitchpositionedatON
    towardsSEL,toplacethecamera-recorderin
    SYNCHROSCAN(S/S)mode.
    SHUTTERswitch
    SYNCHROSCANswitch
    2InSYNCHROSCANmode,usetheSYNCHRO
    SCANswitchtomakesteplesschangesinthe
    rangebetween1/0.0sand1/.s(for0i
    mode).
    •HolddowntheSYNCHROSCANswitchtospeed
    uptherateofshutterspeedchanges.
    Ifshutterspeedchangesstopbeforethedesired
    shutterspeedhasbeenreached,pressagainto
    continuechangingshutterspeeds.
    Range of variation in each mode
    •   60P/60i mode: 1/60.0 to 1/249.8
    •  30P/30PN mode: 1/30.0 to 1/249.8
    •  24P/24PA/24PN mode: 1/24.0 to 1/249.8
    •  When the SYNC SCAN DISP option in DISPLAY SETUP is 
    set to DEG: 3.0d to 359.5d
    SettingthemenuoptionSYNCSCANDISPintheDISPLAY
    SETUPscreentodegprovidesaguidetosettingand
    displayingshutterangle. 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    
    Assigning functions to USER buttons
    The USER MAIN, USER1, and USER2 buttons can be 
    assigned user-selected functions.
    Use the menu options USER MAIN, USER1, and USER2 to 
    assign functions to respective button. Select these items 
    from the setting menu SW MODE screen.
    PUSH  MENU  TO  RETURN 
    MID GAINHIGH GAINATWATW TYPEW.BAL.PERSETUSER MAIN
    0dB6dB12dBOFF1
    USER1BACKLIGHT
    3.2KY GET
    LOW GAIN
    S W   M O D E
    Selectable Functions
    • REC REVIEW: 
     Assigns REC REVIEW.
    • SPOTLIGHT: 
     Assigns auto iris control on/off for spotlight.
    • BACKLIGHT: 
     Assigns auto iris control on/off for backlight 
    compensation.
    • ATW: 
     Turns the ATW function on or off.
    • ATW LOCK: 
     Pressing this lock during ATW operation locks 
    the white balance. Press again to start the ATW 
    function again.
    • GAIN:24 dB: 
     Assigns a function that raises gain by 24 dB.
    • Y GET: 
     Assigns a function that displays the brightness 
    level at the center of the image.
    • DRS: 
     Assigns a function that stretches the dynamic 
    range. A function that magnifies the dynamic 
    range by compressing the video level in high-
    brightness areas.
    • TEXT MEMO: 
     Assigns text memory recording.
    • SLOT SEL: 
     Assigns P2 card slot selection.
    • SHOT MARK: 
     Assigns the shot marker function.
    • MAG A. LVL: 
     Assigns a function that magnifies the audio level 
    meter.
    • PRE REC: 
     Assigns a function that turns the PRE REC 
    function on and off.
    • PC MODE: 
     Assigns a function that switches the USB 
    device mode or the USB host mode on and off. 
    Switching the USB device mode and USB host 
    mode on and off is set by the menu option PC 
    MODE SELECT in the SYSTEM SETUP screen.
    • WFM: 
     Assigns a function that switches WAVE FORM 
    display. The WAVE FORM display is selected 
    using the menu option WFM (page 128) in the 
    SW MODE screen.
     NOTE
    The default settings are listed below.
    • USER MAIN:   Y GET
    • USER1:  BACK LIGHT
    • USER2: TEXT MEMO 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    
    Selecting Audio Input Signals and Adjusting Recording Levels
    This AG-HPX300P supports independent four-channel 
    audio recording in any format (HD or SD). 
    When the AUDIO SELECT CH1/CH2 switch is positioned 
    at [AUTO], the recording levels for Audio Channels 1 
    and 2 are automatically adjusted. To manually adjust the 
    recording levels, position the switch at [MAN]. 
    A setting menu allows you set the recording levels for 
    Audio Channels 3 and 4 either to automatic adjustment or 
    manual mode.
    Selecting Audio Input Signals
    The input signals to be recorded on Audio Channels 1, 2, 
    3, and 4 are selected with the AUDIO IN switch. For more 
    information, see [Audio (input) Function Section] (page 16).
    e
    a
    c
    b
    d
    a AUDIO LEVEL CH1/CH2 controls
    b AUDIO SELECT CH1/CH2 switch
    c MONITOR SELECT CH1/3, ST, CH2/4 selector switch
    d MONITOR SELECT CH1/2, CH3/4 selector switch
    e AUDIO IN switch
    Your AG-HPX300P is factory-set to perform no recording on 
    Audio Channels 3 and 4 in the DVCPRO and DV formats. 
    To enable four-channel recording, the menu option 25M 
    REC CH SEL on the AUDIO SETUP screen must be set to 
    4CH.
    For details on switch settings and the input system, see 
    [AUDIO IN switch] (page 16).
     NOTE
    •   
    The audio signals recorded on the four channels are output 
    as is (SDI).
    Use the AUDIO SETUP screen in the setting menu to make 
    detailed audio settings.
    PUSH  MENU  TO  RETURN 
    FRONT VR CH2MIC LOWCUT CH1MIC LOWCUT CH2MIC LOWCUT CH3MIC LOWCUT CH4LIMITER CH1
    OFFOFFOFFOFFOFF
    LIMITER CH2OFF
    OFFOFF
    FRONT VR CH1
    A U D I O   S E T U P
    Adjusting Recording Levels
    To adjust the recording levels for Audio Channels 1 and 2, 
    follow the steps below.
    1 Position theMONITOR SELECTCH1/,CH/-
    selectorswitchatCH1/sothattheaudiolevel
    meteronthedisplaywindowwillprovideCH1
    andCHindications. Ensurethatthechannel
    indicationsdisplayedinthewindoware1and.
    2PositiontheAUDIOSELECTCH1/CHswitch
    at[MAN].
    3Whilecheckingtheaudiochannellevelmeterin
    thedisplaywindowortheaudiolevelmeterin
    theviewfinder,adjusttheAUDIOLEVELCH1/
    CHcontrol.
    •  Note that if the level exceeds the top bar (0 dB), 
    the word OVER illuminates to show that the input 
    level is excessive. Adjust so that maximum sound 
    levels do not reach the 0 dB bar.
    CH 1CH 2
    OVERindication
     NOTE
     
    Pressing the USER button to which the magnification of the 
    audio level meters (MAG A.LVL) has been assigned magnifies 
    the audio level meters.
    For details, refer to [Audio level meter magnification] (page 73). 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    When operating the AG-HPX300P without a sound 
    recordist, it is recommended that the FRONT AUDIO LEVEL 
    control should be used to adjust the audio level.
    In advance, check the level meter in the viewfinder screen 
    and use the FRONT AUDIO LEVEL control to adjust the 
    appropriate audio channel to prevent input of excessive 
    audio signals.
    Selecting Function for the FRONT 
    AUDIO LEVEL Control
    Use the menu options FRONT VR CH1 and FRONT VR 
    CH2 in the AUDIO SETUP screen to determine whether or 
    not the FRONT AUDIO LEVEL control should be enabled. 
    Selecting an input signal in the menu will enable FRONT 
    AUDIO LEVEL control operations for that input signal.
    •  When the FRONT AUDIO LEVEL control is set to level 10, 
    it controls AUDIO LEVEL CH1 and CH2.
    PUSH  MENU  TO  RETURN 
    FRONT VR CH2MIC LOWCUT CH1MIC LOWCUT CH2MIC LOWCUT CH3MIC LOWCUT CH4LIMITER CH1
    OFFOFFOFFOFFOFF
    LIMITER CH2OFF
    OFFOFF
    FRONT VR CH1
    A U D I O   S E T U P
    CH3 and CH4 Recording Levels
    Conditions and input levels set in the menu options AUTO 
    LEVEL CH3 and the AUTO LEVEL CH4 in the AUDIO 
    SETUP screen change the operation of the audio level of 
    channels 3 and 4 as shown below. These functions cannot 
    be manually adjusted.
    Each option can be selected in the AUDIO SETUP screen.
    AUTO LEVEL
    CH3/CH4
    Input level
    LINEMIC
    ONAGC * ONAGC ON
    OFFAGC/LIMITER OFFLIMITER ON
    * AGC: Audio Gain Control 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    
    Setting Time Data
    The camera provides time data such as time codes, user 
    bits, time of day (real-time) data, which is recorded on each 
    frame alongside video data. It is also recorded as as data 
    in clip metadata files.
    Time data overview
    Time code
    Use the TCG switch to select Rec Run or Free Run mode.
    •  Free Run: The time code advances constantly whether 
    the camera is on or not just like time itself. Recording 
    using a slave-locked time code input to the TC IN or 
    DVCPRO/DV connectors is also possible.
    •  Rec Run: The time code advances only during recording. 
    This will enable continuation of time codes in previously 
    recorded clips and when the power is turned off or new 
    P2 cards are inserted to continue recording.
     NOTE
    The following events will disrupt time code continuity. 
    • When clips are deleted
    • When a 24P or 24PA frame rate is selected
    • When 24PN or 30PN is selected
    •   
    When a recording is interrupted by a REC WARNING or other 
    abnormality
    User bits
    •   Two types of user bits are provided internally: (LTC UB: 
    recorded as LTC, output via the TC OUT connector 
    as LTC embedded in HD SDI) and VITC (in DVCPRO 
    recorded in the VIDEO AUX area and output as VITC 
    embedded in HD SDI).
    •  LTC UB enables the recording of user settings, time, 
    date, time codes and similar values, the frame rate data 
    for camera capture and external input values (via TC IN 
    or DVCPRO/DV connector input). 
    •  VITC user bits record the frame rate data of camera 
    capture. 
    •  The user bits in clip metadata record the LTC UB value at 
    the start of recording.
    Date (real time)
    •  The built-in clock calculates the year, month, day and 
    time from the internal clock to display on video in the 
    LCD, viewfinder and VIDEO OUT and other video output.
    •  The internal clock is not only used to calculate the free 
    run time code when the power is off and to set the user 
    bit year, date and time, but also to set file creation dates 
    when clips are recorded that determine the order of 
    thumbnails and playback order.
    •  It is also used for generating clip metadata and UMID 
    (Unique Material Identifier).
    For details, see [Setting Date and Time of Internal Clock] 
    (page 26). 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    Recording time codes and user bits
    System setting statusRecorded TCOutput TCDisplayed TCRecorded UBOutput UB
    SYSTEM MODEREC SIGNALREC FORMATCAMERA MODEFRAME RATELTCVITCTC OUTLTC and VITC embedded in HD SDI
    TC tc(24/30 conversion)LTC UBVITC UBTC OUT  connector UB *1
    LTC UB embedded in HD SDI *1
    VITC UB embedded in HD SDI
    1080 -59.94i
    CAMERA
    DVCPROHD/60i
    60i,  30P—R-RUN/F-RUN *3
    DF/NDF30 frames
    Same as LTC value
    Outputs LTCOutputs LTCTC: 30 framestc: 24 framesFollows UB MODE.  In ‘EXT’ slaves to UB in TC IN connector
    Frame rate data
    Outputs LTC UBOutputs LTC UB
    Frame rate data
    24P, 24PA—R-RUN/F-RUN*5
    NDF locked30 frames
    AVC-I100/60i AVC-I50/60iAVC-I100/30PN AVC-I50/30PN
    ——R-RUN/F-RUN*3
    DF/NDF30 frames
    AVC-I100/24PN AVC-I50/24PN——R-RUN/F-RUN*5
    NDF locked30 frames
    Converted to 30 frames based on LTC
    Converted to 30 frames based on LTC
    RecordingTC: 24 framesPlaybackTC: 24 framestc: 30 frames
    Output adjusted to Over 60P based on LTC UB
    Output adjusted to Over 60P based on LTC UB
    1394DVCPROHD/60i——R-RUN/F-RUN*2
    DF/NDF30 frames
    Records VAUX TC in 1394 input at all times *6Outputs LTCOutputs LTCTC: 30 framestc: 24 frames
    Follows UB MODE. In ‘EXT’ slaves to LTC UB in 1394 connector
    Records values input to the 1394 connector as is
    Outputs LTC UBOutputs LTC UBOutputs VITC UB
    720-59.94P
    CAMERA
    DVCPROHD/60P AVC-I100/60P AVC-I50/60P
    —Other than 24 frames
    R-RUN/F-RUN*3
    DF/NDF30 frames
    Same as LTC value
    Outputs LTCOutputs LTC
    TC: 30 framestc: 24 frames
    Follows UB MODE.   In ‘EXT’ slaves to UB in TC IN connector
    Frame rate data
    Outputs LTC UBOutputs LTC UB
    Frame rate data
    —24 framesR-RUN/F-RUN*5
    NDF locked30 frames
    DVCPROHD/30PN AVC-I100/30PN AVC-I50/30PN
    —30 frames
    R-RUN/F-RUN*4
    DF/NDFEvery active frame30 frames
    —Other than 30 frames
    R-RUN lockedDF/NDFEvery active frame30 frames
    Matches recorder TC at start of recording30 frames/s
    Matches recorder TC at start of recording30 frames/s
    DVCPROHD/24PN AVC-I100/24PN AVC-I50/24PN
    —24 frames
    R-RUN/F-RUN*5
    NDF lockedEvery active frame24 frames
    Converts and outputs LTC to 30 frames
    Ouputs LTCRecordingTC: 24 framesPlaybackTC: 24 framestc: 30 frames
    Output adjusted to Over 60P based on LTC UB
    Output adjusted to Over 60P based on LTC UB—Other than 24 frames
    R-RUN lockedDF/NDFEvery active frame24 frames
    Matches recorder TC at start of recording30 frames/s
    Matches recorder TC at start of recording30 frames/s
    1394DVCPROHD/60P——R-RUN/F-RUN*2
    DF/NDF30 frames
    Records VAUX TC in 1394 input at all times *6Ouputs LTCOuputs LTCTC: 30 framestc: 24 frames
    Follows UB MODE. In ‘EXT’ slaves to LTC UB in 1394 connector
    Records values input to the 1394 connector as is
    Outputs LTC UBOutputs LTC UBOutputs VITC UB
    480-59.94i
    CAMERA
    DVCPRO50/60i DVCPRO/60i DV/60i
    60i, 30P—R-RUN/F-RUN*3
    DF/NDF30 framesSame as LTC value(but not for DV)
    Outputs LTCNoneTC: 30 frames tc: 24 frames
    Follows UB MODE. In ‘EXT’ slaves to UB in TC IN connector
    Frame rate dataOutputs LTC UB
    NoneNone
    24P, 24PA—R-RUN/F-RUN*5
    NDF locked30 frames
    1394——R-RUN/F-RUN*2
    DF/NDF30 frames
    Records VAUX TC in 1394 input at all times (No DV)*6
    Follows UB MODE. In ‘EXT’ slaves to LTC UB in 1394 connector
    Records values input to the 1394 connector as is
    Ouputs  LTC UB
    *1   When UB MODE is FRM. RATE, playback of native clips is the pulldown frame rate read from VITC UB.
    *2   In free run mode, it is slaved to the value input to the DVCPRO/DV connector. It does not slave it to the time code from 
    the TC IN connector.
    *3 In Free Run mode, it is slaved to the time code input to the TC IN connector.
    *4 In Free Run mode, it is slaved to the time code input to the TC IN connector. But not slaved to it during recording.
    *5   In Free Run mode, it is slaved when TC input to the TC IN connector is non-dr\
    op frame. But not slaved to it during 
    recording.
    *6 VAUX TC is time code recorded in the video AUX area in the DVC format. 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    
    Setting user bits
    Use the setting menu UB MODE on the RECORDING 
    SETUP screen to select the user bits to record in the 
    subcode area.
    •USER:
    Records internal user values.
    To set user values, set the TCG switch to SET to open 
    the setting menu TC PRESET screen.
    Set values are retained after the power is turned off.
    See also [Entering the User Bits] (page 58).
    •TIME:
    Records the time calculated by the internal clock.
    •DATE:
    Records the year, month and day time digits from the 
    internal clock.
    •EXT: 
    Records the user bits input to the TC IN connector.
    Recording of 1394 input also records user bits input to 
    the DVCPRO/DV connector.
    •TCG:
    Records the time code value.
    •FRM. RATE:
    Records the frame rate information of camera capture.
    A native recorded clip is played back at the same frame 
    rate as the VITC UB regardless of recorded values. Use 
    this setting when a PC or other editing device is to use 
    the user bit frame rate.
    For details, see [Frame rate information recorded in 
    user bits] (page 59).
    •  To slave lock to the user bits input to the TC IN connector, 
    set to EXT.
    •  In slave mode, the UB indicator is highlighted.
    •  A slave relationship, once started, continues even after 
    input from the TC IN or DVCPRO/DV connector ends. 
    Note that the following events release user bit slave 
    status.
    •  When a UB MODE option is set to something other than 
    EXT.
    •  When UB PRESET is performed
    •  Switching to 1394 in the menu option REC SIGNAL in 
    the SYSTEM SETUP screen.
    •  Turning the power off.
    The internal user value retains the slave values even after 
    slave release.
    Entering the User Bits
    The user bits allow information, including memos that use 
    up to eight-digit hexadecimal numbers (date and time), to 
    be recorded in the Subcode area.
    b
    d
    a
    c
    a  RESET button
    b COUNTER button
    c TCG switch
    d CURSOR and SET buttons
    1 SettheCOUNTERbuttontoUB.
    2Positionthe TCGswitchatSET. 
    						
    							
    
    ChapterAdjustmentsandSettingsforRecording
    
    3UseCURSORbuttonstosettheuserbits.
    SEL : PUSH    / 
    +/- : PUSH 
    0 0 0 0 0 0 0 0 
    UB PRESET 
    / 
    PRESET :  PUSH SET
    q button:   Shifts the target (highlighted) digit to the 
    right.
    w button:  Shifts the target (highlighted) digit to the 
    left.
    e button:  Increases the highlighted number by one.
    r button:  Decreases the highlighted number by 
    one.
    SET button: Confirms the set user bits.
    •  Pressing the RESET button while setting the user 
    bits will reset any user bit setting to 0.
    4 PresstheSETbuttontoconfirmtheuserbit
    value,andpositionthe TCGswitchatF-RUNor
    R-RUN.
     NOTE
    Changing the TCG switch setting without pressing the 
    SET button disables the set value.
    5 OpenthesettingmenuRECORDINGSETUP
    screenandsetthemenuoptionUBMODEto
    USER.
    Retaining the user bits
    The data set for the user bits are automatically saved and 
    retained even if the video camera-recorder is turned off.
    Frame rate information recorded in user 
    bits
    The frame rate value of video data captured and recorded 
    at a frame rate set in the menu option FRAME RATE 
    or other options in the SYSTEM SETUP screen can be 
    recorded in the user bits and be used in editing equipment 
    (computer editing software).
    This type of data is recorded in VITC UB at all times.
    Setting the setting menu UB MODE to FRM RATE, records 
    the information also to the user bits.
    In playback of clips recorded in native mode, the same 
    frame rate information as that obtained in playing back the 
    user bits in the VIDEO AUX area is also output to the user 
    bits in the subcode area.
    Frame rate information
    Frame rate, video pull-down and time code user bits are 
    related as described below.
    Verification
    informationon
    theright-hand
    sixdigits Fixedvalue
    SequenceNo. P,PA:0-
    Otherthanabove: lockedatF
    Cameracapturemode
    Example: •0i: 00•0P: 0•0P:0•P:•PA: C•PN: D(recording)
    •P:Mediamanagementdata
    • Updateframeflag,active
    frameflag
    •RECmark
    When100ior0i
    Framerate:
    Pover0i(:)
     First field of updated frame rate
    0225000103040506232426272829
    AoAeBoBeBoCeCoDeDoDeAoAeBoBeCoDeDoDeAoAeBoBeBoCeCoDeDoDe
    2 00 13 4 01 34 12 3 4
    0110101001001010010010010100
    Time code digit
    Video
    Sequence No.
    Updated frame information
    Framerate:PAover0i(:::)
    0225000103040506232426272829
    AoAeBoBeBoCeCoCeDoDeAoAeBoBeCoCeDoDeAoAeBoBeBoCeCoCeDoDe
    2 00 13 4 01 34 12 3 4
    0110101000101010001010010010
    Time code digit
    Video
    Sequence No.
    Updated frame information 
    						
    							
    0
    ChapterAdjustmentsandSettingsforRecording
    
    Framerate: 0Pover0i(:)
    020001
    AoAeBoBeCoCe
    101010
    Time code digit
    Video
    Updated frame information
    0Pmode
    Framerate:Pover0P(:)
     Updated frame
    0225000103040506232426272829
    A A B B BC CCD DD DA A B B BC C D DDD DA A B B
    0110101001001010010010010100
    Time code digit
    Video
    Updated frame information
    Framerate:0Pover0P(:)
    Time code digit
    Video
    Updated frame information
    020001
    A A B BC C
    101010
    Setting the Time Code
    1Switchthemenuoption TCMODEonthe
    RECORDINGSETUPscreentoDForNDF
    usingthemenus.
    For details on menu operation, refer to [Using the 
    menus] (page 120).
    •  Select DF to advance time code in drop frame 
    mode and NDF in non-drop frame mode. Note that 
    24P, 24PA and 24PN are always recorded in NDF 
    mode.
    2 UsetheCOUNTERbuttontoswitchtotime
    codedisplay.
    3Positionthe TCGswitchatSET.
    4UsetheCURSORbuttonstosetthetimecode.
    •  Range of available time code settings:  
    00:00:00:00 to 23:59:59:29 (other than 24PN), 
    00:00:00:00 to 23:59:59:23 (24PN)
            00 h 00 m 00 s 00         h   min    s   frm
    TC PRESET 
    SEL : PUSH    / 
    +/- : PUSH 
    REC RUN 
    / 
    PRESET :  PUSH SET
    q button:   Shifts the target (highlighted) digit to the 
    right.
    w button:  Shifts the target (highlighted) digit to the 
    left.
    e button:  Increases the highlighted number by one.
    r button:  Decreases the highlighted number by 
    one.
    SET button:   Use to confirm set time code value.
    •  Pressing the RESET button will reset any time 
    code setting to 0.
    5 PresstheSETbuttontoconfirmthetimecode
    setting,andusethe TCGswitchtoselectatime
    code.
    •  F-RUN steps the time code in free run mode, and 
    R-RUN set it in recording run mode.
     NOTE
    •   
    When 24P or 24PA is used, the time code is adjusted 
    every 5 frames. It is adjusted to multiples of four for 
    24PN and to even numbers for 720/30PN. The time 
    code cannot be set during recording.
    •  
    The set value is not valid if you change the TCG 
    switch position without pressing the SET button.
    Time code function during battery 
    replacement
    Even during battery replacement the backup mechanism 
    keeps the time code generator functioning.
     NOTE
    When the POWER switch has been switched ON  OFF  
    ON, the backup accuracy of the time code in free run mode is 
    about ±2 frames. 
    						
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