Optoma Projector Hd87 Specifications

							5
Purity of Vision
The HD82† has the highest ANSI contrast we have yet measured on any projector.
Evan Powell, Editor, ProjectorCentral.com
❛❜
www.themescene.tv
HD82HD87
HD82/HD87      
						

							Purity is Key   
						

							PureDetail
    
 With  Without
PureDetail uses sophisticated motion adaptive edge enhancement
algorithms to ensure that all the information contained in an image is
faithfully reproduced on the screen giving a stunning crystal clear, pin
sharp picture.
ThemeScene HD82 / HD87
The astonishing ThemeScene range of Full HD projectors bring a truly ast\
ounding cinematic experience to your home.
Revolutionary  PureEngine  technologies  combine  to  create  the  clearest  and  sharpest  ever  1080p  images  with  the  purest,  deepest  colours;  even  the  fastest 
action sequences are enhanced by our stunning PureMotion frame processing.
Easy  to  install  with  absolutely  no  routine  maintenance;  and  because  Optoma  are  the  projector  experts,  we  guarantee  that  the  vibrant  colours  will  be  just  as 
incredible after five years as they are out of the box.
PureEngine
The PureEngine contains the finest collection of signal processing technologies expertly blended to enhance the image on the screen whilst maintaining the purity of the original image. 
3
PureColor
    
  With  Without
PureColor  provides  vivid,  perfectly  balanced  colour  with  impeccable 
colour uniformity for vibrant natural looking images. DeepColor makes 
it  possible  to  reproduce  billions  of  colours  ensuring  smooth  tonal 
transitions and subtle graduations between hues.
PureMotion
    
  With  Without
PureMotion  technology  ensures  you  see  all  the  detail  in  fast  moving 
sequences.  Traditional  projection  systems  often  suffer  from  “motion  blur” 
or  “judder”  in  moving  images.  These  issues  are  not  just  distracting  they 
also lower the resolution of the image – PureMotion eliminates these issues 
and ensures all of the detail from any source, especially High Definition, is 
preserved leaving a crystal clear image with pure natural motion.
Optoma guarantees colour quality will remain as new for 5 years*
For  Home  Cinema,  colour  accuracy  is  critical.  Unlike  competing  analogue  technologies,  the 
semiconductor  that  makes  DLP®  projection  possible  is  virtually  immune  to  environmental 
factors that can cause an image to degrade over time.
24P
PureMotion works in harmony with 1080P24. Most movies are shot at 24 frames per second. 
To preserve the purity of the original image ThemeScene projectors can accept High Definition 
sources at 24 frames per second and so display movies exactly as the director intended.524FPS
     
						

							Clarity of vision   
						

							 
5
ANSI Contrast
ANSI Contrast is a way of measuring the true “real world” contrast
performance you can expect from a projector. Only ANSI contrast has a 
documented, reproducible procedure that can be used to compare the
performance of projectors using different display technologies. With an 
ANSI  contrast  ratio  significantly  higher  (in  some  cases  2-3  times)  than 
projectors using other technologies, DLP
® is the only choice for Home 
Cinema purists that expect the ultimate image fidelity in their home.
 
High ANSI Contrast                           Low ANSI Contrast
Latest DLP® technology
The  latest  DarkChip3  technology  from  Texas  Instruments  ensures  an 
invisible pixel structure from normal viewing distances and provides the 
highest ANSI contrast ratios available. 
DarkChip3- High contrast film-like images
•	
ThemeScene HD82 / HD87
DarkChip3- High contrast film-like images Conventional – Visible 
pixel structure mars image  quality and reduces the  contrast ratio
Crystal Clear Optics
Nothing  affects  the  image  quality  more  than  the  lenses.  Designed  and 
manufactured in our own factory, specifically for our ThemeScene range, 
each  optical  system  is  individually  tested  and  evaluated  to  the  most 
stringent  standards  of  resolution,  uniformity  and  focus.  The  result  is  a   
first-class lens of unquestionable quality.  
						

							Natural Light  
						

							  
7
Improved Colour
Advanced lamp-pulsing technologies  enable colour performance to be 
fine tuned directly from the lamp – this unprecedented control makes it 
possible to achieve vibrant, perfectly saturated colours across the whole 
light spectrum resulting in stunningly natural and life-like images.
        
 With  Without  With Without
RYGC MB RYGC MB
Brilliant Pulse Dark Pulse Tuned Plateau Lamp Curr
ent
Rotation 2
Rotation 1 I video frame
ThemeScene HD82 / HD87
Bright scenes  
are crisp and  clear MAX
MIN
Dark scenes are detailed with deep blacks
DynamicBlack
DynamicBlack adjusts the lamp output automatically based on the brightness  information of each scene A smaller aperture for 
dynamic dark scenes
A large aperture for 
natural contrast during  bright scenes
Colour Gamut Control - CMS+
The  HD87  incorporates  CMS+  giving  you  the  flexibility  to  choose 
between  5  preset  colour  gamuts:  HDTV  (Rec  709),  ITU  601,  DLP 
Cinema, SMPTE-C & Native.  Fine tune intensity and primary colour   
co-ordinates for ultimate calibration precision.                 
						

							Installation is a breeze 
Flexible placement options for easy installation  
						

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FLExIBLE PLACEMENt
The  combination  of  lens-shift  and  optional  lenses*  enable  a  broad  range  of  projector  placement  possibilities.  This  remarkable  combination 
makes  it  easier  to  position  the  projector  in  your  viewing  room  and  allows  a  wider  range  of  screen  size  options.  The  diagrams  show  some 
positions in which the projector can be placed. For detailed information please refer to the User Manual.
ThemeScene HD82 / HD87
HD87 StD Lens     
Projection 
Distance (m) Diagonal Image 
Size (inch) Max Vertical 
optical shift (m) Max Horizontal 
optical shift (m)
2.5 58.5 - 73.3 -0.14  +0.32 +/- 0.24
3.5 81.9 - 102.7 -0.19 +0.45 +/- 0.34
4.5 105.3 - 132 -0.25 +0.58 +/- 0.44
5.5 128.7 - 161.3 -0.3 +0.7+/- 0.54
HD87 Short-throw Lens (Fixed)
Projection 
Distance (m) Diagonal Image 
Size (inch) Max Vertical 
optical shift (m) Max Horizontal 
optical shift (m)
1 58.66-0.11  +0.26 +/- 0.19
1.5 88.00-0.16 +0.38 +/- 0.29
2 117.33 -0.22 +0.51 +/- 0.39
2.5 146.66-0.56 +0.64 +/- 0.49
Diagrams are for illustration only. *HD87 only. 
HD87 Long-throw Lens     
Projection 
Distance (m) Diagonal Image 
Size (inch) Max Vertical 
optical shift (m) Max Horizontal 
optical shift (m)
4 62.3 - 93.6 -0.17 +0.41 +/- 0.31
5 77.9 - 117 -0.22 +0.51 +/- 0.49
6 93.5 - 140.4 -0.26 +0.61 +/- 0.47
7 109 - 163.8 -0.31 +0.71 +/- 0.54
HD87
HD82
Projection 
Distance (m) Diagonal Image 
Size (inch) Max Vertical 
optical shift (m) Max Horizontal 
optical shift (m)
3 60.2 - 90.3 0.06 - 0.22 0.2 - 0.3
4 80.3 - 120.4 0.07 - 0.30.27 - 0.40
5 100 - 150 0.09 - 0.37 0.33 - 0.50
HD82
Flexible placement options for easy installation