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Optoma Hd82 Projector Specifications

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    5
    
    HD82
    
    Purity of Vision     
    						
    							
    Purity is Key 
    
    PureEngine
    The  PureEngine  contains  the  finest  collection  of  signal  processing 
    technologies expertly blended to enhance the image on the screen whilst 
    maintaining the purity of the original image. Pure technologies included 
    in the HD82: PureMotion, PureShift, Pure Colour and PureDetail.
    PureMotion
    
        
    
     With   Without
    PureMotion  technology  ensures  you  see  all  the  detail  in  fast  moving 
    sequences.  Traditional  projection  systems  often  suffer  from  “motion 
    blur” or “judder” in moving images. These issues are not just distracting 
    they  also  lower  the  resolution  of  the  image  –  PureMotion  eliminates 
    these  issues  and  ensures  all  of  the  detail  from  any  source,  especially 
    High  Definition,  is  preserved  leaving  a  crystal  clear  image  with  pure 
    natural motion.
    HD82
    The astonishing HD82 Full HD projector brings to your home a paradigm sh\
    ift; a truly astounding cinematic experience. 
    New revolutionary PureEngine technologies combine to create the clearest and sharpest ever 1080P images with the purest, deepest colours, even with the 
    highest speed action pictures; enhanced by our stunning new motion control processing.  
    Easy to install with Pureshift and zoom there is absolutely no routine maintenance and because Optoma are the projector experts, we guarantee that the vibrant 
    colours will be just  as incredible after five years as they are out of the box.
    3
    
    PureColour
    
        
    
      With   Without
    PureColor  provides  vivid,  perfectly  balanced  colour  with  impeccable 
    colour uniformity for vibrant natural looking images. Deep Color makes 
    it possible for the HD82 to reproduce billions of colours ensuring smooth 
    tonal transitions and subtle graduations between hues.
    PureShift
    The PureShift lens system enables the vertical and horizontal position 
    of the projected image to be adjusted without moving the position of 
    the projector. PureShift is an image shift system for purists. By using 
    an innovative Telecentric lens system the contrast ratio, uniformity and 
    brightness of the shifted image is maintained at a much higher level 
    than is possible with traditional systems. 
    PureDetail
    
        
    
      With   Without
    PureDetail  uses  sophisticated  motion  adaptive  edge  enhancement 
    algorithms  to  ensure  that  all  the  information  contained  in  an  image  is 
    faithfully  reproduced  on  the  screen  giving  a  stunning  crystal  clear,  pin 
    sharp picture.
    Pure Optics
    Nothing  affects  the  image  quality  more  than  the  lenses.  Designed  and 
    manufactured in our own factory, specifically for this projector, each HD82 
    Pure  Optics  lens  system  is  individually  tested  and  evaluated  to  the  most 
    stringent standards of resolution, uniformity and focus. The result is a first-
    class lens of unquestionable quality.
        
    						
    							
    Optoma guarantees colour quality will 
    remain as new for 5 years*
    For Home Cinema colour accuracy is critical. We are 
    so  confident  that,  unlike  competing  technologies, 
    the  HD82  colour  will  not  change  in  use  that  we 
    have  guaranteed  it  will  stay  the  same  as  the  day 
    you bought it, for at least 5 years.
    The  HD82  projector  based  on  an  all-digital  DLP
    ®  chip  delivers 
    stunning  picture  quality  again  and  again.  Unlike  competing  analogue 
    technologies, the semiconductor that makes DLP
    ® projection possible 
    is virtually immune to environmental factors that can cause an image to 
    degrade over time.
    Run  continuously  for  4,000  hours  in  an  independent  laboratory  test, 
    projection  systems  using  DLP®  technology  maintained  their  picture 
    quality throughout. By contrast, in the same test
    ±, data projectors using 
    LCD  technology  exhibited  considerable  picture  degradation  by  2558 
    hours on average.
    ± Conducted by the Rochester Institute of Technology’s Munsell Color Science Laboratory and 
    sponsored  by  Texas  Instruments.  The  test  included  a  sample  of  commercially  available  data 
    projectors,  five  featuring  LCD  technology  and  two  featuring  DLP
    ®  technology.  The  projectors 
    varied in features such as panel size, weight, resolution and brightness. All units were run in a 
    continuous operation mode at an ambient room temperature of approximately 25°C. 
    
    5
    
    Latest DLP™ technology
    The latest DarkChip3 technology from Texas Instruments ensures an 
    invisible pixel structure from normal viewing distances and provides 
    the highest ANSI contrast ratios available.
    
    HD82 – High contrast   film-like images Conventional – Visible 
    pixel structure mars image  quality and reduces the  contrast ratio
    
    ANSI Contrast
    ANSI  Contrast  is  a  way  of  measuring  the  true  “real  world”  contrast 
    performance you can expect from a projector. Only ANSI contrast has a 
    documented, reproducible procedure that can be used to compare the 
    performance of projectors using different display technologies.
    With  an  ANSI  contrast  ratio  significantly  higher  (in  some  cases  2-3 
    times)  than  many  LCD,  LCOS  or  SXRD  based  projectors  the  HD82  is 
    the only choice for Home Cinema purists that expect the ultimate image 
    fidelity in their home. 
     
     
    High ANSI Contrast   Low ANSI Contrast
    24P
    PureMotion  works  in  harmony  with  1080P24.  Most 
    movies are shot at 24 frames per second. To preserve 
    the purity of the original image the HD82 can accept 
    High Definition sources at 24 frames per second and 
    so display movies exactly as the director intended.
    
    5
    HD82
    
    24FPS
    
    Clarity of vision 
         
    						
    							
    Natural Light
    The  HD82  incorporates  VIDI,  a  Philips  lighting  technology  that  further 
    improves  image  quality,  brightness  and  contrast.  VIDI  technology 
    enables the HD82 colour performance to be fine tuned directly from the 
    lamp – this unprecedented control makes it possible to achieve vibrant, 
    perfectly saturated colours across the whole light spectrum resulting in 
    stunningly natural and life-like images.
    
    A large aperture 
    for natural contrast 
    during bright scenes
    Bright scenes   
    are crisp and  clear MAX
    MIN
    DynamicBlack modulates the lamp output automatically based on the   
    brightness information of each scene A smaller aperture  
    for dynamic dark  scenes
    Dark scenes  
    are detailed with  deep blacks
    DynamicBlack Improved Colour
    VIDI  technology  enables  the  HD82  to  be  fine  tuned  to  provide  vibrant 
    natural colour, accurate greyscale performance and virtually eliminates 
    dither noise.
    
      
        
      
    
     
    With   Without   With   Without
    
    VIDI
    technology
    RYGC MB RYGC MB
    Brilliant Pulse Dark Pulse Tuned Plateau Lamp Curr
    ent
    Rotation 2
    Rotation 1 I video frame
    
    UHP Lamp
    Emmy  award  winning  UHP 
    lamp  technology  is  used  in  the 
    HD82.  This  advanced  lighting 
    technology  provides  an  optimal 
    colour spectrum and ultra reliable 
    operation.
    7
    HD82     
    						
    							
    Projection 
    Distance (m) Diagonal Image 
    Size (inch) Max Vertical 
    optical shift (m) Max Horizontal 
    optical shift (m)
    3.00 60.2 - 90.3 0.06 - 0.22 0.2 - 0.3
    4.00 80.3 - 120.4 0.07 - 0.30.27 - 0.40
    5.00 100 - 150 0.09 - 0.37 0.33 - 0.50
    FLE x IBLE  P LACEMEN t
    The  combination  of  PureShift  and  a  wide  1.5  zoom  range 
    enables  a  wider  range  of  projector  placement  possibilities. 
    This  remarkable  combination  makes  it  easier  to  position  the 
    projector  in  your  viewing  room  and  allows  a  wider  range  of 
    screen size options.
    9
    Projection Distance
    HD82
    Installation is a breeze 
    The shaded pyramids show the positions in which the projector 
    can be placed to ll the screen.
    Diagrams are for illustration only. 
    For detailed information please refer to the  User Manual    
    						
    							
    FULL y A U t OMA t ED  C ONS t AN t  
    H EI g H t Pr O j EC t ION
    The optional Optoma BX-AL133-B Anamorphic Projection Kit, combined 
    with the HD82 projector, provides a unique “fit and forget” solution for 
    Constant  Height  projection.  Most  major  movie  titles  are  released  in 
    the  2.35:1  format  and  the  BX-AL133-B  Kit  provides  uncompromised 
    widescreen  reproduction  of  this  format.  When  a  change  from  a  1.78:1 
    (16:9) to a 2.35:1 movie is detected the image simply gets wider - the full 
    screen height is maintained and so eliminates black bars. The resulting 
    2.35:1  image  is  bigger,  brighter,  higher  resolution  and  completely 
    immersive - exactly as it would be at the cinema.
    The BX-AL133-B Anamorphic Projection Kit Comprises:
    Anamorphic Lens
    •	 Five	 element, 	 100% 	 glass, 	 fully 	 multicoated 	 optical 	 design 	 corrected 	
    for chromatic aberration and astigmatism
    •	 Optics
    	 designed 	 to 	 exceed 	 the 	 resolution 	 requirements 	 for 	 
    1080P projection
    Motorised Lens Mount
    •	 Integrates 	 with 	 the 	 ThemeScene 	 Auto235 	 feature 	 to 	 automatically 	
    detect  2.35:1  presentations  and  configure  the  projector  and 
    anamorphic lens accordingly
    •	 High
    	 Precision 	 maintenance 	 free 	 mechanism
    Mounting Plate
    •	 Allows	 the 	 lens 	 and 	 the 	 motorised 	 lens 	 mount 	 to 	 be 	 mounted 	
    perfectly in relation to the projector
    •	 Enables
    	 the 	 projector 	 and 	 the 	 Anamorphic 	 Projection 	 Kit 	 to 	 be 	
    mounted as one
    CEILIN g  MOUN t  ASSEMBL y
    What is Constant Height Projection?
    Many  movies  are  presented  in  2.35:1  aspect  ratio.  When  these  are 
    viewed  on  a  16:9  projector  with  a  16:9  screen  black  bars  are  visible 
    at  the  top  and  bottom  of  the  image  as  below.  A  16:9  source  –  like  TV 
    fills  all  of  a  16:9  screen  with  no  black  bars.  This  is  called  Constant 
    Width  projection  as  with  both  formats  the  width  of  the  image  stays 
    the same.
    2.35:1 Movie
    16:9 TV
    Constant Height projection uses a 2.35:1 aspect ratio screen. A 2.35:1 
    movie  is  displayed  with  no  black  bars  top  and  bottom.  16:9  TV  is 
    displayed with black bars at the sides.
    2.35:1 
    16:9 
    Constant Height projection is optimised for watching movies. When using 
    the Optoma Anamorphic Kit the full potential of the projector is used when 
    displaying 2.35:1 movies. This enables a brighter, higher resolution image.
    Image Sizes
    For  the  same  throw  distance  the  Optoma  Anamorphic  Lens  Kit 
    increases 	 the 	 horizontal 	 size 	 of 	 a 	 2.35:1 	 image 	 by 	 33% 	 relative 	 to 	 the 	
    same  2.35:1  image  being  displayed  on  a  16:9  screen.  The  vertical 
    height stays the same.
    Bringing th
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    11
    HD82  
    						
    							
    technical Specifications
    Highlights
    Full HD Native 1080P
    Display Technology  DLP 1080P
    ANSI Contrast 680:1 
    Contrast 20,000:1
    Audible Noise 22dB Standard mode
    Optical Image Shift Vertical
    	 : 	 +105% 	 ~ 	 +130%, 	 Horizontal 	 : 	 -15% 	 ~ 	 +15%
    
    Brightness1300 Video Optimised Lumens
    Connections
    Signal Type Input Connector
    HDMI 2 x HDMI
       (V1.3 with Deep Color) 
    Component 3 x RCA 
     
    SCART RGB VGA via supplied adaptor
    S-Video (Y/C) 3 Pin Mini DIN
    Composite Video (CVBS) RCA
    DVI-D Computer DVI connector
    RGB Computer VGA
    Screen triggers 1 x Standard 12v screen trigger, 1 x Programmable 12v trigger
    RS232 9 pin D-Sub
    Video Compatibility PAL, SECAM (576i/p), NTSC (480i/p), HD1080P60\50\24, 1080i, 720p)
    Display
    Aspect Ratio 16:9 
    Throw Ratio 1.50-2.28 (Projection Distance/Image Width) 
    Manual zoom x1.5
    Projection Distance 1.5m – 12.5m
    Image Size 0.76 -
       7.67m (16:9 Diagonal)
    Keystone Correction Vertical
    Projection Types Front, Ceiling, Rear, Rear ceiling
    Lamp Type 220w
    Lamp Life Standard mode 3000 hours
    
    general
    Dimensions 490 x 372 x 194 mm 
    Weight 8.5 kg
    Power Consumption 330W Max, 
    						
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