JVC Rx 5052 S Manual

							19
¶Crossover frequency—CROSSOVER
You can select the crossover frequency for the small speakers
used. The signals below the preset frequency level will be sent to
and be reproduced by the subwoofer (or by “LARGE” speakers
when “SUBWOOFER” is set to “SUBWOOFER NO”).
Select one of the crossover frequency levels according to the
size of the small speaker connected.
CROSS 80HZ:Select when the cone speaker unit built in the
speaker is about 12 cm (4 3/4 inches).
CROSS 100HZ:Select when the cone speaker unit built in the
speaker is about 10 cm (3 15/16 inches).
CROSS 120HZ:Select when the cone speaker unit built in the
speaker is about 8 cm (3 3/16 inches).
CROSS 150HZ:Select when the cone speaker unit built in the
speaker is about 6 cm (2 3/8 inches).
CROSS 200HZ:Select when the cone speaker unit built in the
speaker is about 5 cm (2 inches).
Notes:
•If you have selected “LARGE” for all activated speakers (see page
18), this function is fixed to “CROSS OFF.”
•Crossover frequency is not valid for “HEADPHONE” and
“3D H PHONE.”
¶Low frequency effect attenuator—LFE ATTENUATE
If the bass sound is distorted while playing back software
encoded with Dolby Digital or DTS, set the LFE level to
eliminate distortion.
•This function takes effect only when the LFE signals come in.
Select one of the following:
LFE ATT  0dB:Normally select this.
LFE ATT −10dB:Select when the bass sound is distorted.
¶
Midnight mode—MIDNIGHT MODE
You can enjoy a powerful sound at night using Midnight Mode.
Select one of the following:
MIDNIGHT 1:Select when you want to reduce the
dynamic range a little.
MIDNIGHT 2:Select when you want to apply the
compress effect fully (useful at midnight).
MIDNIGHT OFF:Select when you want to enjoy playback
with its full dynamic range (no effect
applied).
 Selecting the Main or Sub Channel
You can select the playback sound (channel) you want while playing
digital software recorded (or broadcast) in Dual Mono mode (see
page 24), which includes two monaural channels separately.
¶
Dual Mono—DUAL MONO
Select the playback sounds (channel).
MONO MAIN:Select to play back the main channel (Ch 1).*
Signal indicator “L” lights up while playing
back this channel.
MONO SUB:Select to play back the sub-channel (Ch 2).*
Signal indicator “R” lights up while playing
back this channel.
MONO ALL:Select to play back both the main and sub-
channels (Ch 1/Ch 2).*
Signal indicators “L” and “R” light up while
playing back these channels.
Notes:
•The Dual Mono format is not identical with bilingual broadcasting or
the MTS (Multichannel Television Sound) format used for TV
programs. So this setting does not take effect while watching
bilingual or MTS programs.
*Dual Mono signals can be heard from the following speakers—L
(left front speaker), R (right front speaker), and C (center
speaker)—with respect to the current Surround setting.
With Surround Activated
Dual MonoWithout SurroundCenter speaker setting
SettingSMALL/LARGE NONE
LRLCRL R
MAINCh 1 Ch 1 — Ch 1 — Ch 1 Ch 1
SUBCh 2 Ch 2 — Ch 2 — Ch 2 Ch 2
ALLCh 1 Ch 2 — Ch 1+Ch 2 — Ch 1+Ch 2 Ch 1+Ch 2
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¶Virtual Surround Back—VIRTUAL SBACK
You can enjoy the surround back channel while playing back
Dolby Digital Surround EX software or DTS-ES software
without the surround back speakers. This function creates the
great surround effect from the behind as if you have connected
the surround back speakers.
Select “VRTL SB ON” to activate Virtual Surround Back.
VRTL SB ON: While you play Dolby Digital Surround EX
software or DTS-ES software, the VIRTUAL SB
(Surround Back) indicator lights up.
VRTL SB OFF: Select to deactivate Virtual Surround Back.
Notes:
•When you have set “NONE” for “SURR SPEAKERS,” this function is
not available.
•While playing back DTS-ES Matrix software with DTS 96/24, DTS
96/24 processing will not be performed with Virtual Surround Back
activated. To apply the processing, deactivate Vir tual Surround
Back.
•Virtual Surround Back may not be applied to some software.
•Virtual Surround Back only works for Surround modes (see page
25). This function does not work when activating the DSP mode
(see page 27).
 Setting the Digital Input Terminals
When you use the digital input terminals, register which components
you have connected to the digital input terminals.
¶
Digital Input terminal—DIGITAL IN
Set the components connected to the digital terminals.
•As you rotate MULTI JOG, the digital input terminals are set
to used for the following digital components:
1DVD 2CD“1DVD 2TV“1DVD 2CDR“
1CD 2DVD“1CD 2TV“1CD 2CDR“
1TV 2DVD“1TV 2CD“1TV 2CDR“
1CDR 2DVD“1CDR 2CD“1CDR 2TV“
(back to the beginning)
 Setting for Easy and Effective Surround
Operations
¶Auto Surround—AUTO SURROUND
Auto Surround works when the unit detects the incoming digital
signal. In other words, it works...
•When you select the digital source (the source with digital
input selected for it), and
•When you change the input mode from analog to digital.
Select “AUTO SURR ON” to activate Auto Surround.
AUTO SURR ON:
•When multi-channel signal is detected, an appropriate
Surround mode will be turned on.
•When Dolby Digital 2-channel with surround signals
is detected, “PLII MOVIE” will be selected.
•When Dolby Digital 2-channel without surround
signals is detected, “SURROUND OFF” will be
selected.
•When Linear PCM signal is detected, nothing will
change.
AUTO SURR OFF:Select to deactivate Auto Surround.
Notes:
•This function does not take effect in the following cases:
–While playing an analog source,
–While selecting any of DSP modes (see page 26), or one of the
fixed digital input mode—“DOLBY DIGITAL” or “DTS
SURROUND” (see page 12), and
–While listening with the headphones—“HEADPHONE” or
“3D H PHONE” (see pages 11 and 24).
•If you select another Surround mode or DSP mode (or deactivate
the Surround/DSP mode) manually, Auto Surround, if in use, will be
canceled temporarily for the currently selected source.
Auto Surround setting will be restored in the following cases:
–When you turn the receiver off and on,
–When you change the source,
–When you change the analog/digital input, and
–When you select “AUTO SURR ON” again.
Basic Settings
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Adjusting Sound
You can make sound adjustment to your preference after completing basic settings.
Basic Procedure
Before you start, remember...
There is a time limit in doing the following steps. If the setting is
canceled before you finish, start from step 1 again.
Ex. When adjusting the subwoofer level to “–3.”
1 Press ADJUST.
The last selected item appears on the display.
2 Turn MULTI JOG until an item you want
appears on the display.
•In this example, select “SUBWFR LEVEL.” For available
items, see the list “Basic Adjustment Items.”
3 Press in MULTI JOG (PUSH SET).
The current setting (or level) for the selected item appears on the
display.
4 Turn MULTI JOG to select a setting you want or
to make an adjustment as you like.
5 Press in MULTI JOG (PUSH SET).
6 Repeat steps 2 to 5 to set other items if necessary.
7 Press EXIT.
The source indication resumes on the display.
Basic Adjustment Items
On the following pages, you can adjust the following items:
•You can adjust only the items applicable to the current sound
mode.
Items To do See page
DEQ 63HZAdjust equalizer pattern at 63 Hz. 22
DEQ250HZAdjust equalizer pattern at 250 Hz. 22
DEQ 1KHZAdjust equalizer pattern at 1 kHz. 22
DEQ 4KHZAdjust equalizer pattern at 4 kHz. 22
DEQ16KHZAdjust equalizer pattern at 16 kHz. 22
SUBWFR LEVELAdjust the subwoofer output level. 22
FRONT L LEVELAdjust the left front speaker output
level. 22
FRONT R LEVELAdjust the right front speaker output
level. 22
CENTER LEVELAdjust the center speaker output
level. 22
SURR L LEVELAdjust the left surround speaker
output level. 22
SURR R LEVELAdjust the right surround speaker
output level. 22
EFFECT*1Adjust the effect level. 22
PANORAMA CTRL*2Add “wraparound” sound effect with
side-wall image. 22
Notes:
*1Adjustable when one of the DAP modes or Mono Film (see pages
26 and 27) is in use.
*2Adjustable when Pro Logic II Music is in use.
Remote
NOT
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You can also use the remote control for
adjusting the speaker output level using
the test tone.
•You can also adjust the effect level
for DAP modes and Mono Film.
To adjust the speaker output level:
1 Press SOUND.
The 10 keys are activated for sound
adjustments.
2 Press TEST to check if you can
hear the sounds through all the speakers at equal level.
Test tone (TEST TONE) comes out of the speakers in the
following order.
•No test tone comes out of the speakers for which the
speaker setting is set to “NONE” (or “SUBWOOFER NO”
for the subwoofer).
L (Left front) = C (Center) = R (Right front) =RS (Right surround) = LS (Left surround) =
SW (Subwoofer) =(Back to the beginning)
3 Adjust the speaker output level (–10 dB to +10 dB).
•For the left front speaker: Press FRONT L, then LEVEL +/–.
•For the center speaker: Press CENTER, then LEVEL +/–.
•For the right front speaker: Press FRONT R, then
LEVEL +/–.
•For the right surround speaker: Press SURR R, then
LEVEL +/–.
•For the left surround speaker: Press SURR L, then
LEVEL +/–.
•For the subwoofer: Press SUBWFR, then LEVEL +/–.
Note:
When you press LEVEL +/– once, the current level for the
selected speaker appears on the display, and the test tone
comes out of the selected speaker.
If no adjustment is done for about 4 seconds, the adjustment
mode for the selected speaker is canceled.
4 Press TEST again to stop the test tone.
To adjust the effect level:
1 Press SOUND.
The 10 keys are activated for sound adjustments.
2 Press EFFECT repeatedly to select the effect level
(EFFECT 1 to EFFECT 5).
The source indication resumes about 4 seconds after the
adjustment.
 Adjusting the Equalization Patterns
You can adjust the equalization patterns to your preference.
•Once you have made adjustment, it is memorized for each source.
¶
Equalization adjustment—DEQ 63HZ, DEQ250HZ,
DEQ 1KHZ, DEQ 4KHZ, DEQ16KHZ
You can adjust five frequencies (63 Hz, 250 Hz, 1 kHz,
4 kHz, 16 kHz) within the range of –8 dB to +8 dB in 2 dB
steps.
•When adjustment is made, the DIGITAL EQ indicator lights
up on the display.
To flat the equalization pattern, set all the frequencies to
“0 (0 dB)” in step 4 of “Basic Procedure” (on page 21). The
DIGITAL EQ indicator goes off from the display.
Note:
The equalization patterns affect the front speaker sounds only.
 Adjusting the Speaker Output Levels
You can adjust the speaker output levels.
•Once you have made adjustment, it is memorized for each source.
¶
Adjustable speakers—SUBWFR LEVEL,
FRONT L LEVEL, FRONT R LEVEL, CENTER LEVEL,
SURR L LEVEL, SURR R LEVEL
You can adjust the connected speakers’ output levels within the
range of –10 dB to +10 dB.
Note:
If you have deactivated a speaker (see page 18), the output level
adjustment for the speaker is not adjustable.
 Adjusting the Sound Parameters for the
Surround and DSP Modes
You can adjust the Surround and DSP sound parameters to your
preference. (For Surround and DSP modes, see pages 23 and 26.)
¶
Adjustable parameters
You can adjust the following parameters:
For DAP modes and Mono Film
•Once you have made adjustment, it is memorized for each
mode.
EFFECT:Adjust the effect level. As the number increases,
the effect becomes stronger.
(Adjustable range: 1 to 5. Normally select “3.” )
For Pro Logic II Music only
PANORAMA CTRL: Select “PANORAMA ON” to add
“wraparound” sound effect with side-wall image.
•To cancel it, select “PANORAMA OFF.”
Adjusting Sound
TEST
EFFECT
LEVEL
CD-
DISC REC PAUSE
SURR RSURR L
SUBWFRCENTER
FRONT RFRONT L
REWFF
TA/NEWS/INFO
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Using the Surround Modes
This unit activates a variety of Surround modes automatically. The basic settings and adjustments stored (see pages
16 to 22) are applied automatically.
Reproducing Theater Ambience
In a movie theater, many speakers are located on the walls to
reproduce impressive multi-surround sounds, reaching you from all
directions.
With these many speakers, sound localization and sound movement
can be expressed.
Surround modes built in this receiver can create almost the same
surround sounds as you can feel in a real movie theater—with only
a limited number of the speakers.
Introducing the Surround Modes
Dolby Digital*1
Dolby Digital is a digital signal compression method, developed
by Dolby Laboratories, and enables multi-channel encoding and
decoding (1ch up to 5.1ch).
•When Dolby Digital signal is detected through the digital input,
the 
 indicator lights up on the display.
Dolby Digital 5.1CH
Dolby Digital 5.1CH (DOLBY DIGITAL) encoding method
records and digitally compresses the left front channel, right front
channel, center channel, left surround channel, right surround
channel, and LFE channel signals (total 6 channels, but the LFE
channel is counted as 0.1 channel. Therefore, called 5.1 channel).
Dolby Digital enables stereo surround sounds, and sets the cutoff
frequency of the surround treble at 20 kHz, compared to 7 kHz for
Dolby Pro Logic. As such, the sound movement and “being-there”
feeling are enhanced much more than Dolby Pro Logic.
Another digital surround encoding format introduced by Dolby
Laboratories is Dolby Digital EX, which adds the third surround
channels, called “surround back.”
Compared to the conventional Dolby Digital 5.1CH, these newly
added surround back channels can reproduce more detailed
movements behind you while viewing the video software. In
addition, surround sound localization will become more stable.
•You can use Virtual Surround Back (see page 20) when playing
back Dolby Digital Surround EX software. This function creates
the great surround effect from the behind as if you have
connected the surround back speakers.
Dolby Pro Logic II
Dolby Pro Logic II is a multi-channel playback format to convert
2-channel software into 5-channel (plus subwoofer). The matrix-
based conversion method used for Dolby Pro Logic II makes no
limitation for the cutoff frequency of the surround treble and
enables stereo surround sound.
•This receiver provides two types of Dolby Pro Logic II modes—
Pro Logic II Movie (PLII MOVIE) and Pro Logic II Music
(PLII MUSIC).
When Dolby Pro Logic II is activated, the 
PRO LOGIC
indicator lights up on the display.
PLII MOVIE:Suitable for playing any Dolby Surround
encoded software. You can enjoy a sound field
very close to the one created with discrete 5.1-
channel sounds.
PLII MUSIC:Suitable for playing any 2-channel stereo
software. You can enjoy wide and deep sounds. Subwoofer
Left front
speaker
(L)Right front
speaker
(R) Center speaker
(C)
Left surround
speaker (LS)Right surround
speaker (RS)
*1Manufactured under license from Dolby Laboratories. “Dolby”, “Pro
Logic”, and the double-D symbol are trademarks of Dolby
Laboratories.
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DTS*2
DTS is another digital signal compression method, developed by
Digital Theater Systems, Inc., and enables multi-channel encoding
and decoding (1ch up to 6.1ch).
•When DTS signal is detected through the digital input, the 
indicator lights up on the display.
DTS Digital Surround
DTS Digital Surround (DTS SURROUND) is another discrete
5.1-channel digital audio format available on CD, LD, and DVD
software.
Compared to Dolby Digital, the DTS Digital Surround format has a
lower audio compression rate which enables it to add breadth and
depth to the sounds reproduced. As such, DTS Digital Surround
features natural, solid, and clear sound.
Another multi-channel digital encoding format introduced by Digital
Theater Systems, Inc. is DTS Extended Surround (DTS-ES).
It greatly improves the 360-degree surround impression and space
expression by adding the third surround channel—surround back
channel.
DTS-ES includes two signal formats with different surround signal
recording methods—DTS-ES Discrete 6.1ch and DTS-ES Matrix
6.1ch.
•You can use Virtual Surround Back (see page 20) when playing
back DTS-ES software. This function creates the great surround
effect from the behind as if you have connected the surround back
speakers.
DTS 96/24
In recent years, there has been increasing interest in higher sampling
rates both for recording and for reproducing at home. Higher
sampling rates allow wider frequency range and greater bit depths
provide extended dynamic range.
DTS 96/24 is a multi-channel digital signal format (fs 96 kHz/24
bits) introduced by Digital Theater Systems, Inc. to deliver “better-
than-CD sound quality” into the home.
•When DTS 96/24 signal is detected, the 
 indicator
lights up. You can enjoy its 5.1-channel sound with full-quality.What is Linear PCM?
Uncompressed digital audio data used for DVDs, CDs and Video
CDs.
DVDs support 2 channels with sampling rates of 48/96 kHz, at
quantization of 16/20/24 bits. On the other hand, CDs and Video
CDs are limited to 2 channels with 44.1 kHz at 16 bits.
•When Linear PCM signal is detected, the 
indicator lights up.
What is Dual Mono?
Dual Mono can be easily understood when you think of the
bilingual broadcast or the MTS (Multichannel Television Sound)
format used for TV programs (however, the Dual Mono format
is not identical with those analog formats).
This format is now adopted in Dolby Digital, DTS, and so on. It
allows two independent channels (called main channel and sub-
channel) to be recorded separately.
•When Dual Mono signal is detected, the 
 indicator
lights up. You can select either channel you want to listen to
(see page 19).
When using the Surround mode, the sounds come out of the
activated speakers which the Surround mode requires.
•If either the surround speakers or center speaker is set to “NONE”
in the speaker setting, the corresponding channel signals are
allocated to and emitted through the front speakers.
•If both the surround speakers and center speaker are set to
“NONE” in the speaker setting, JVC’s original 3D-PHONIC
processing (which has been developed to create the surround
effect through the front speakers only) is used. The 3D-PHONIC
indicator lights up on the display.
3D Headphone Mode—3D H PHONE
If you activate Surround when the front speakers are deactivated,
3D Headphone Mode is activated without respect to the type of
software played back. “3D H PHONE” appears on the display
and the DSP and H.PHONE indicators also light up.
*2“DTS” and  “DTS 96/24” are trademarks of Digital Theater Systems,
Inc.
Using the Surround Modes
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•For analog sources and digital 2-channel software, you can
select one of the following Surround modes. Each time you
press SURROUND, Surround modes change as follows:
•For Dual Mono software, you can select the channel you
listen to. (See page 19.)
To adjust the speaker output level, see page 22.
To cancel the Surround mode
Press SURROUND/DSP OFF.
When playing Dolby Digital Surround EX or DTS-ES software
You can enjoy Virtual 6.1-channel playback using Virtual
Surround Back.
To activate Virtual Surround Back, see page 20.
PLII MOVIE(Dolby Pro Logic II  Movie)PLII MUSIC(Dolby Pro Logic II  Music)
PRO LOGIC
DUALMONO
SB
VIRTUAL SB
Activating the Surround Modes
Available Surround modes vary depending on the incoming signals.
Activating one of the Surround modes for a source automatically
recalls the memorized settings and adjustments (see pages 16 to
22).
Activating the Surround Modes
Automatically
You can enjoy the Surround mode simply by selecting the source
(with digital input selected for that source).
•Auto Surround also works when the input mode changes from
analog to digital.
To activate Auto Surround, see page 20.
Activating the Surround Modes Manually
1 Select and play any source.
•Make sure you have selected the analog or digital input mode
correctly.
2 Press SURROUND to activate the Surround
mode.
•For Dolby Digital multi-channel digital software (except
2-channel and Dual Mono software), incoming signals are
automatically detected and “DOLBY DIGITAL” is activated.
•For DTS multi-channel digital software (except 2-channel
and Dual Mono software), incoming signals are
automatically detected and “DTS SURROUND” is activated.
Note:
When the Dolby Digital or DTS multi-channel digital signal stops
coming in, “PLII MOVIE” will be activated.
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: Suitable for audio sources
: Suitable for video sources
Using the DSP Modes
This unit activates a variety of DSP modes automatically. The basic settings and adjustments stored (see pages 16 to
22) are applied automatically.
Early reflectionsReflections from
behind
Reproducing the Sound Field
The sound heard in a concert hall, club, etc. consists of direct sound
and indirect sound—early reflections and reflections from behind.
Direct sounds reach the listener directly without any reflection. On
the other hand, indirect sounds are delayed by the distances of the
ceiling and walls. These direct sounds and indirect sounds are the
most important elements of the acoustic surround effects.
DSP modes can create these important elements, and give you a real
“being there” feeling.
Introducing the DSP Modes
DSP modes include the following modes—
•Digital Acoustic Processor (DAP) modes—HALL 1, HALL 2,
LIVE CLUB, DANCE CLUB, PAVILION, THEATER 1,
THEATER 2
•ALL CH STEREO
•MONO FILM—Used for all types of 2-channel signals (including
Dual Mono signal)
3D Headphone Mode—3D H PHONE
If you press DSP when the front speakers are deactivated, 3D
Headphone Mode is activated without respect to the type of
software played back. “3D H PHONE” appears on the display
and the DSP and H.PHONE indicators light up.To use DSP modes, press DSP so that the DSP modes change as
follows.
The DSP indicator also lights up on the display.
= HALL 1= HALL 2= LIVE CLUB
= DANCE CLUB= PAVILION= ALL CH STEREO
= THEATER  1= THEATER 2= MONO FILM
= (Back to the beginning)
Digital Acoustic Processor (DAP) modes
You can use the following DAP modes in order to reproduce a more
acoustic sound field in your listening room.
HALL 1:Reproduces the spatial feeling of a large shoebox-
shaped hall designed primarily for classical
concerts. (Its seating capacity is about 2000.)
HALL 2:Reproduces the spatial feeling of a large vineyard-
shaped hall designed primarily for classical
concerts. (Its seating capacity is about 2000.)
LIVE CLUB:Reproduces the spatial feeling of a live music club
with a low ceiling.
DANCE CLUB:Reproduces the spatial feeling of a rocking dance
club.
PAVILION:Reproduces the spatial feeling of an exhibition hall
with a high ceiling.
THEATER 1*:Reproduces the spatial feeling of a large theater
where the seating capacity is about 600.
THEATER 2*:Reproduces the spatial feeling of a small theater
where the seating capacity is about 300.
*The built-in Dolby Pro Logic II decoder is activated when playing
back 2-channel analog or digital source. The  
PRO LOGICindicator lights up.
When using the DAP mode, the sounds come out of all the
connected and activated speakers.
•If surround speakers are set to “NONE” in the speaker setting,
JVC’s original 3D-PHONIC processing (which has been
developed to create the surround effect through the front speakers
only) is used. The 3D-PHONIC indicator lights up on the display.
Direct sounds
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DSP
All Channel Stereo
This mode can reproduce a larger stereo sound field using all the
connected (and activated) speakers.
•If the surround speakers are set to “NONE,” you cannot select
“ALL CH STEREO.”
Mono Film
In order to reproduce a more acoustic sound field in your listening
room while viewing monaural sound video software (analog and
2-channel digital signals), you can use this mode.
The surround effect will be added, and the sound localization of
actor’s words will be improved. This mode cannot be used for
multi-channel digital signals.
When “MONO FILM” is used, the sounds come out of all the
connected and activated speakers.
•If surround speakers are set to “NONE” in the speaker setting,
JVC’s original 3D-PHONIC processing (which has been
developed to create the surround effect through the front speakers
only) is used. The 3D-PHONIC indicator lights up on the display.
•If incoming signals change from 2-channel digital signal to
another digital signal type, “MONO FILM” is canceled and an
appropriate Surround mode is activated.
Activating the DSP Modes
Activating one of the DSP modes for a source automatically
recalls the memorized settings and adjustments (see pages 16 to
22).
1 Select and play any source.
2 Press DSP repeatedly until the DSP mode you
want appears on the display.
•Each time you press the button, the DSP modes change as
follows:
= HALL 1= HALL 2= LIVE CLUB
= DANCE CLUB= PAVILION= ALL CH STEREO
= THEATER  1= THEATER 2= MONO FILM
= (Back to the beginning)
Note:
When the surround speakers are set to “NONE,” the 3D-PHONIC
processing is applied to the DSP modes (the 3D-PHONIC indicator
also lights up).
To adjust the effect level (except All Channel Stereo), see page
22.
To cancel the DSP mode
Press SURROUND/DSP OFF. Sound reproduced from normal stereo
Sound reproduced from All Channel Stereo mode
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Operating JVC’s Audio/Video Components
You can operate JVC’s audio and video components with this receiver’s remote control, since control signals for JVC’s
components are preset in the remote control.
Tuner
You can always perform the following operations:
FM/AM:Alternate between FM and AM.
After pressing FM/AM, you can perform the following operations
on a tuner:
1 – 10, +10:Select a preset channel number directly.
For channel number 5, press 5.
For channel number 15, press +10, then 5.
For channel number 20, press +10, then 10.
FM MODE:Change the FM reception mode.
CD player
After pressing CD, you can perform the following operations on a
CD player:
3:Start playing.
4:Return to the beginning of the current (or previous)
track.
¢: Skip to the beginning of the next track.
7:Stop playing.
8:Pause playing. To resume, press 3.
1 – 10, +10:Select a track number directly.
For track number 5, press 5.
For track number 15, press +10, then 5.
For track number 20, press +10, then 10.
For track number 30, press +10, +10, then 10.
Operating Audio Components
Sound control section (Amplifier)
You can always perform the following operations:
STANDBY/ON 
 AUDIO:
Turn on or off the receiver.
VOLUME +/–:Adjust the volume level.
MUTING:Turn on or off sound muting.
ANALOG/DIGITAL:Switch the analog and digital input
alternately.
DIMMER:Dim or brighten the display.
SLEEP:Set the Sleep Timer.
SURROUND:Turn on and select Surround modes.
DSP:Turn on and select DSP modes.
SURROUND/DSP OFF:
Turn off the Surround and DSP mode.
After pressing SOUND, you can perform the following operations
by using the 10 keys:
FRONT L then LEVEL +/–:Adjust the left front speaker output
level.
FRONT R then LEVEL +/–:Adjust the right front speaker output
level.
CENTER then LEVEL +/–: Adjust the center speaker output level.
SURR L then LEVEL +/–: Adjust the left surround speaker
output level.
SURR R then LEVEL +/–: Adjust the right surround speaker
output level.
SUBWFR then LEVEL +/–: Adjust the subwoofer output level.
EFFECT: Adjust the effect level.
TEST: Turn on or off test tone output.
Note:
After adjusting sounds, press the corresponding source selection
button to operate your target source by using the 10 keys; otherwise,
the 10 keys cannot be used for operating your target source.
IMPORTANT:
To operate JVC’s audio and video components using the supplied remote control:
•When using the remote control, aim the remote control directly at the remote sensor on each component, not on the receiver.
•Refer also to the manuals supplied with your components.
•Some JVC’s VCRs can accept two types of the control signals— remote code “A” and “B.” Before using this remote control, make sure
that the remote control code of the target VCR is set to code “A.”
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