Hitachi Zhd6000 Manual

							Fully Digital HDTV Production Camera 
%#
&

1SJOUFE
JO
+BQBO

						

							12
Hitachi Z-HD
6000 
HDTV Studio Production Camera
The Z-HD6000 is a high-performance HDTV portable production 
camera.
Hitachi has implemented the latest imaging technology by using 
newly developed 2.6 million pixel 3MOS sensors to create 
outstanding HD images for new achievements in high sensitivity and 
no vertical smear. 2-Piece Chassis Design
Hitachi’s 2-piece chassis allows the use of Digital Fiber, Digital Triax
and Wireless camera adapters to offer the greatest flexibility of any
camera in this price class.
Streamlined Chassis
The Z-HD6000 chassis is a fully integrated, 2-piece design with
 
no dongles or external adapters making it a fully functional HDTV 
production camera.
Each essential part of the Hitachi Z-HD6000 camera system 
has its own DSP processor. Unique, independent DSP IC’s are 
used for camera head processing, the transmission system and 
Camera Control Unit (CCU) processing. Hitachi’s new, power-
efficient digital signal processors are designed to work with future 
2K imaging technologies, offering excellent return on investment.
The Z-HD6000 achieves an outstanding signal-to-noise ratio 
specification of 60dB using Hitachi’s proprietary low-noise circuit 
technology. Standard sensitivity is rated at F12 (59.94Hz)/F13 (50Hz) 
at 2000 lx. Clear images are obtained with little noise, even at high 
gain. 
High horizontal resolution performance of 1100TVL (Luminance 
channel) is the pinnacle of picture sharpness and is an attribute of 
the most transparent signal processing path of any Hitachi digital 
camera manufactured to date. Black Stretch
The Z-HD
6000’s Black stretch function allows for better repro-
duction of dark or underexposed areas by evenly raising the 
luminance response without changing the pedestal or white clip/ 
knee settings.  It is especially useful in high contrast image venues. 
Ultra-Gamma
A new and useful function implemented in the Z-HD6000 is Ultra-
Gamma, which provides seven different responses to dramatically 
increase exposure latitude of the camera in shooting conditions 
where lighting and scenery vary widely in intensity.
Triple-masking
The triple-masking function includes 12-vector, linear matrix and 
Skin tone masking providing users wide latitude in subject image 
color control. The 12-vector color corrector provides independent 
control of hue and saturation for six primary and six secondary 
combinations of colors. A 6-axis linear matrix provides overall color 
control for excellent, precise color rendition control. The Skin tone 
masking function provides “fine painting” (hue and saturation) of skin 
tones without affecting other colors in the scene. Skin tone Detail
The Skin tone Detail functions allow a flesh-color based softening 
of the image to achieve a more youthful look for on-camera 
personalities. Two individual memories exist as well as a function to 
automatically detect the hue, saturation and luminance of the Skin 
tone to be affected. Furthermore, the Skin tone Detail level can be 
adjusted to follow the lens' zoom to avoid 'rubber faces' in wide 
angle shots while using the function.
Prompter and Floor Monitor Power
The Z-HD6000 provides enough AC power to drive both a 
teleprompter and monitor through a Hybrid Fiber or Digital Triax CCU.
Floor Monitor Digital Video
The studio ON-AIR or Floor Monitor can be connected by SDI (digital) 
video directly from the camera head offering high quality critical 
viewing.
Professional Audio Intercom Connectors
Hitachi uses dependable XLR-professional type audio connectors 
for the 2 intercom and 2 MIC/LINE audio facilities.
Focus Assist
Focus Assist aids the camera operator in finding correct focus in the 
viewfinder . The Area Marker detects edges inside the area, while a 
focus indicator shows the actual detail level by a horizontal line.
Gray-Scale Automatic Setup
Z-HD6000 offers a Gray-Scale Auto-Setup function which 
automatically adjusts video parameters that can negatively affect 
images you are trying to capture and faithfully reproduce. Gain, 
Gamma, and Flare are corrected using a common 11-step gray 
scale chart and stored in memory.Preset Masking
The Preset Masking function recalls known industry standard
colorimetry values that are precisely calibrated at the factory.
These color standards are: STANDARD (Hitachi standard) / ITU-709 / SMPTE240M /SMPTE-WIDE / NTSC / EBU.
High-chroma detail
The High-chroma detail adjustments allow precise control of the 
detail level in highly color-saturated portions of the picture such as 
the petals of a rose or a colorful fabric.
Modern HDTV lenses can still produce optical distortions. One 
of these called “Lateral chromatic aberration” can be reduced in 
certain lens models when used with the Z-HD6000 camera system. 
The Hitachi function is called RLAC (Real-time Lens Aberration 
Correction) and it dynamically corrects images using correction data 
provided by the lens, through a digital interface with the camera.
The Z-HD6000 camera system utilizes industry standard Hybrid 
Fiber-optic cable (HFOC) connectors made of high-strength 
materials that insure durability and reliable performance under the 
most demanding TV production conditions. The maximum HFOC 
length with applied camera power and fully operational facilities 
is 4,000m (13,200 feet) with no utility power*. It provides 10X the 
distance of Multicore cable. Optical power meters at the camera 
head (via engineering menu) and CCU front panel indicate the optical 
condition of both transmitting and receiving signals independently 
to accurately depict proximity to the “digital cliff” (maximum cable 
distance) or provide basic HFOC diagnostics. 
*HFOC distance with applied CCU power differs depending on system 
configuration. It is dependent on type of lens used, viewfinder, studio 
adapter, teleprompter and other accessories that may be connected thereby 
consuming power otherwise available for the camera head. 
2.6 million pixel 3MOS sensor HDTV 
production camera
Hitachi’s advanced digital signal processing
Dockable design
Luminance response tools
Color reproduction excellence Picture sharpness enhancement
Other Useful Production Camera Features
Digital signal transmission via Hybrid Fiber 
Optical Cable
Superb High Definition picture reproduction & enhancement tools
Skin
 tone masking OFF Skin tone Detail OFF
High-chroma detail OFF
RLAC OFF
Full Frame
Skin tone masking ON (Simulated image) Skin tone Detail ON (Simulated image
）
High-chroma detail ON (Simulated image ）
RLAC ON
Real-time Lens Aberration Correction 
(
RLAC )
ULTRA GAMMA
OUTPUT VIDEO
0
0
100200 300400 500600
25
5075
100 125
150
INPUT SIGNAL
Standard
1 (
90% )
2  (
85% )
3  (
80% )
4  (
75% )
5  (
70% )
6  (
65% )
7  (
50% ) 
Fully Digital HDTV Production Camera    
						

							34
Hitachi's Digital Triaxial cable transmission system addresses two
application requirements from our customers worldwide.
1. It is the next best, completely digital, signal transport after fiber\
-optic
   
cable. No other HDTV triaxial cable transmission system comes close.
2. In applications where traditional triax is already in use, substantial
    savings in cabling infrastructure costs can be realized.
    Hitachi's patented Digital Triax System consists of the camera head   
    
triax adaptor and the corresponding TU-HD1000 camera control unit.
The main advantages and characteristics are:   
   Hitachi's patented, fully digital, bi-directional signal transmission    
   system.
   Completely Digital - Employs no RF modulation or modems.
   Little to no signal degradation.
   Capitalizes on reduced costs and maintainability of triaxial cable &
   connectors.
   CCU includes 1080i (50/59.94) / 720p (50/59.94) cross-converter for
   D-SDI outputs.
   Can also operate on simple Coax cable with local head power.
   Built in, high-performance SDTV up/ down converters.
   Similar IO's as the CU-HD1000.
ACCESSORIES
Flexible Choice of Camera Control UnitsRemote Control Unit
System configuration chart Studio and 
Field Production Viewfinders
The Z-HD6000 camera system can employ 2 different model control 
units to suit your budget for Studio and Field production.
The CU-HD1000-S8 and CU-HD500 optical fiber CCUs (camera control 
units) can be used worldwide due to their 50/60Hz switchable 
universal power supplies. They furthermore comply with RoHS/
WEEE directives*.
The CU-HD1000-S8 additionally has the ability to output 1080i
(50/59.94) or 720p (50/59.94) and is a half-rack size 3RU’ s high,
weighing 8.5kg (approx.).
The CU-HD500 is 88mm high and, of 2-RU EIA 19-inch rack width, 
weighing 9kg. (approx.).
Both CCUs employ the same control panels, data cables, accessories 
and peripherals. The RU-1000VR is a compact remote operation panel designed for easy operation 
of standard camera functions. Iris and master black adjustments employ "VR-type" 
rotary knob controls and commonly used controls and functions are directly and 
instantaneously accessible to the video control engineer.
The RU-1500JY is a high performance touchscreen remote operation panel 
designed for ease of use. Easily adjustable using the 3.5" LCD touchscreen panel 
and rotary encoders, plus custom switches to further support the professional user 
in designing a personal workflow. The RU-1500JY provides an integrated SD card 
slot for transferring user setup and Scene File information, and Ethernet connectivity 
for control over an IP network.
The Z-HD6000 camera system offers three choices for Studio or
Field production viewfinders. Model VF-L90HD is a color 9-inch
TFT-LCD screen and Model HDF-700H is a color 7-inch TFT-LCD
screen which are designed for critical color viewing of the image.
The LCD screen offers a wide viewing angle and fast response time
for a lag free, crisp image. 
TFT-LCD screens are most suitable where precise composition 
and color evaluation of the image are required. The VF-HD500 
model is a monochrome 5-inch CRT-type unit that is more suited 
for Sports and OB applications where high-brightness and contrast 
are required. Both our Studio and Field production viewfinders can 
be outfitted with alternate mounts thereby decreasing the overall 
system cost.
   Front panel Optical Power meter.
   
Simultaneous HD-SDI and SD-SDI outputs with 2 channel embedded 
   digital audio.
   Analog RGB or Y, B-Y, R-Y component outputs. (CU-HD1000-S8)
   4 auxiliary returns. (CU-HD1000-S8)
   Dedicated teleprompter channel and AC power.
   ARIB-type color bar output.
   2 channel balanced analog Mic audio outputs.
   Genlock with composite or tri-level sync.
   2-tally (Red/Green) system.
   2-channel, 2W/4W intercom system.
   RS-232C remote control.
   TCP/IP Network connectivity via RJ45. (CU-HD1000-S8)
*RoHS is abbreviation “Restriction of Hazardous Substances” in electrical and 
electronic equipment”. It is a European Directive aiming to restrict the use of 
certain hazardous substances in the production commonly used in electrical and 
electronic equipment (EEE).
RU-1000VR RU-1500JY
CX-HD1000  Triax adaptor
TU-HD1000  Triax base station
CU-HD1000-S8 CU-HD500
2-inch viewfinder
VF-402 5-inch Viewfinder
VF-HD500
7-inch Viewfinder
HDF-700H
Viewfinder adaptorAT-550
Camera head Z-HD6000 Viewfinder adaptor
AT-750 Viewfinder adaptor
AT-500
Tripod adaptor TA-Z3 Camera adaptor
CA-HF1000 Camera control unit
CU-HD1000-S8 Remote control cable
RJ45RJ45
RJ45
Fiber cable
Triax cable
Camera control unit CU-HD500
Triax Base Station Unit TU-HD1000
Carring case
CL-1000
Portable 
Zoom Lens
RU-1000VR/RU-1500JYRemote control units
Triax adaptor CX-HD1000
9-inch Viewfinder VF-L90HD
Viewfinder adaptor AT-950/AT-951
Viewfinder adaptor AT-90 Viewfinder adaptor
AT-90
Viewfinder hoodHO-1900-R1
Network
Switch or Hub
Microphone holder
 -1000
Microphone holder MH-402
VF-HD500 Viewfinder
/AT-550
HDF-700H Viewfinder
/AT-750VF-L90HD Viewfinder
/AT-951
Optical Fiber System
Digital Triax SystemCCU Features and Benefits
Fully Digital HDTV Production Camera   
						

							56
SPECIFICATIONS
VF-HD500 B&W CRT Studio Viewfinder
B&W CRT Viewfinder VF-HD500 (
59.94Hz )
 /  VF-HD500E  (
50Hz )
 
Construction
CRT
Resolution
Functions
Internal Tally
Tally controls
Mass
Power consumption High-impact plastic
5-inch B&W 4 : 3 CRT with removable hood
750TVL
Bright, Contrast, Peaking, knobs VR front-facing
Red/ Green, Front-facing high brightness lamp
Tally On/ Off
1.8kg, 4lbs
15W 
(
approx. )
Camera Head Z-HD6000 / Z-HD6000E
Imaging Device
TV System
Optical system
Optical Filters
Sensitivity
Signal to Noise Ratio
Horizontal resolution
Registration
Lens mount
Gain selection
Electronic Shutter
Power consumption
Dimensions 
Mass
Operating temperature
Input & Output 2/3-inch, MOS image sensor  
Total pixels : 2,270
(
H )
 × 1,144 (
V )
  2.6 million pixels
1,920 (
H )
  ×
 1,080 (
V ) 
/ 59.94i    1,920 (
H )
  ×
 1,080 (
V ) 
/ 50i
F1.4 prism
1x manual filter wheel w/4 filter positions
Clear, Cross,  1/16ND, 1/64ND
ECC  (
Electronic Color Correction ) with 5 settings
( 3200K, 4300K, 5600K, 6300K, 8000K )
60dB  (
1080i ) (
typical )
1100TVL
0.01 %  (
excluding lens characteristics )
B4 bayonet-type
L   (
low )
 -3, 0 dB
M  (
medium )
 0, +3, +6, +9, +12, +15, +18, +21dB
H  (
high )
 +3, +6, +9, +12, +15, +18, +21, +24dB
Camera head 16 W Head only  (
without VF )
133  (
W )
 x 191  (
H )
 x 262  (
D )
 mm
2.1kg, 4.6lbs. Camera head
-10ºC to +45ºC, 14ºF to 113ºF
1x BNC HD-SDI VF out  (
Character ON/OFF )
 
or HD-SDI RET out
4-pin Multi connector for remote control panel
20-pin Multi VF connector, 12-pin Multi LENS connector
3-pin XLR MIC-1 connector, SD Memory Card Slot
 2-inch Viewfinder VF-  402 (
59.94Hz )
 / VF-402E  (
50Hz )
 7-inch Viewfinder HDF-700H
Construction
Resolution
Functions
Internal tally
Tally switch Metal Die-cast chassis & mount 
2-inch BW 16:9 CRT 
Diopter 
(
CRT Focus Ring )
VF angle rotation
X-Y mechanical movement  650 TV lines
BRIGHT, CONTRAST, PEAKING knob VR  (
front facing )Red/Green
Tally switch OFF
NORMAL
HIGH 
Picture Resolution
Input Signals
Internal tally
Dimensions
Mass 800 
(
H )
 x 480  (
V )
Analog Y/Pb/Pr
Red/Green
195  (
W )
 x 153  (
H )
 x 50  (
D )
mm
1.0kg, 2.2lbs approx.
OFF ONOFF ONL
OFF HCHROMA
1MARKER TALLY
2 BRIGHTCONTRAST PEAKPOWERBACKLIGHT
230204196
102
175
185147
153
83107
86
252 65.5140
140.4
HDF-700H LCD Color Studio Viewfinder
VF-L90HD LCD Color Studio Viewfinder
Fiber Camera Adaptor CA-HF1000

/ 
CA-HF1000E 
CCU connector
Video transmission system
Intercom
Program audio
Teleprompter power output
Microphones
Return/ Aux switcher
Video Inputs & Outputs
Other I/O
Mass 1x-type HFOC female connector 
(
 LEMO/Tajimi Type  )
 
SMPTE-304M-type
Fully digital, bi-directional, 10-bit, 4 : 2 : 2 sampling, 
SMPTE-274M
2x channel, 5-pin each XLR, channel selection, 
MIC on/off, volume
2x, PGM audio level controls w/ Chnl1 & Chnl2 intercom mix
1x 5-pin, 230VAC, 60W to 100W, external prompter Tally drive out  
(  depending on configuration accessories  )
Chnl1 & 2 Line or MIC level select  (
 MENU  )
, 
with phantom power on/off
2-channel, 4-input remote AUX/VF video select connector 
(  RET control  )
2x HD-SDI out, 1x SD analog teleprompter out sharedwith Genlock in
1x 5-pin script lamp +12VDC  (
1.0A max )
1x 6-pin VF AUX return 
(  for use in cranes or extended Head/VF configurations  )
1x 4-pin XLR, 12VDC, power input
2.2kg, 4.8lbs.
 9-inch viewfinder VF-L90HD y
Internal tally
Dimensions
Mass
Attachment (
Option )
Construction
Number of pixels
Color temperature
Input Signals
Functions
BRIGHT, CONTRAST, PEAKING knob VR
power on/off, tally on/off, Marker on/off, 
(center marker, 4 : 3 marker, area marker )
1080i/720p field frequency 59.94/50Hz
1280 
(
H )
 x 768  (
V )
 normal scan  (
16:9 )
6500K
Analog Y/Pb/Pr/SYNC
Red/Green
230 (
W )
 x 185 (
H )
 x 86 (
D )
 
1.6kg, 3.5lbs
AT-951 (
mass : 1.6kg, 3.5lbs AT-90 (
mass : 0.7kg, 1.54lbs )
DIMENSIONS
F12 @ 2000 lx
(3200 K, 89.9% reflectance) F13 @ 2000 lx
(3200 K, 89.9% reflectance)
1/100, 1/250, 1/500, 1/1000, 
1/2000, AES 1/60, 1/250, 1/500, 1/1000, 
1/2000, AES
Model Name
Z-HD6000Z-HD6000E
Camera Control Unit CU-HD1000-S8  (
59.94Hz )
 
/ CU-HD1000E-S8  (
50Hz )
Camera Control Unit CU
‐HD500  (
59.94Hz )
 /  CU ‐HD500E  (
50Hz )
Genlock
Digital Return 1/2/3/4
Analog Return 1/2
Prompt
Intercom  ( 
Headset  )
Communication
        Intercom
        PGM
        R/G TALLY
Output signals
yy ENCR
yy R-Y or
yy R
yy Y  or
yy G
yy B-Y or
yy B
Digital Out
PIX  ( 
R,G,B,ENCR  )
WFM OUT  (
R,G,B,ENCR )
MIC OUT 1
MIC OUT 2
Intercom  ( 
headset  )
Remote 1
Remote 2
TALLY OUT
R/G Tally
WFM control
Power supply voltage    
 
 
HFOC maximum cable distanceOperating temperature
Mass
Power consumption 1x BNC, B-BST 0.45Vp-p/75Ω 
(
loop through) 
HDTV tri-level sync 0.60Vp-p/75Ω  (
loop through)
4x BNC, HD SDI or SD SDI
2x BNC, VS or VBS 1.0Vp-p/75Ω  (
loop through)
1x BNC, VS or VBS 1.0Vp-p/75Ω  (
loop through)
5-pin XLR, -60dBm
0dBm / 600Ωat 4Wire,0dbu or -15dbu/200Ωat 2Wire
0dBm / 600Ω
DC or contact supply
 
3x BNC, VBS 1.0Vp-p/75Ω
1x BNC, NTSC : 0.7Vp-p, PAL : 0.525Vp-p/ 75Ω  
VS 1.0Vp-p/ 75Ω  (
Selectable )
1x BNC, VS 1.0Vp-p/ 75Ω
1x BNC, VS 1.0Vp-p/ 75Ω  (
Selectable )
1x BNC, NTSC : 0.7Vp-p, PAL : 0.525Vp-p/ 75Ω 
VS 1.0Vp-p/ 75Ω  (
Selectable )
3x BNC, HD-SDI (Embedded audio available )
3x BNC, HD-SDI or SD-SDI selectable (Embedded audio available)HD-SDI or SD-SDI selectable PIX (Embedded audio available)
1x BNC, VS or VBS 1.0Vp-p/ 75Ω
1x BNC, VS or VBS 1.0Vp-p/ 75Ω
1x XLR, 3-pin, 0dBm/ 600Ω
1x XLR, 3-pin, 0dBm/ 600Ω 
1x XLR, 5-pin, 0dBu Max +15dB
1x 4-pin,  1.5Vp-p or 1x D-sub, 9-pin RS-232C (Switchable)
1x 4-pin, 1.5Vp-p
1x D-sub 9-pin
Contact or Voltage selectable
1x D-sub 15-pin  WFM 0-7, 0/5V,
CU-HD1000J   AC100V @ 50/60Hz 
CU-HD1000U   AC117V @ 60Hz 
CU-HD1000E   AC230V @ 50Hz
4,000m  (
13,200 feet )
 with no utility power* y
0°C to 40°C, 32°F to 104°F
8.5kg, 19.1lbs.
210W approx.  (
AC operation, including SK-HD1000,  
VF-402 and AUX POWER OUT 100VA )
1x D-sub 25-pin,Incom,Tally
Genlock
Digital Return 1/2
Prompt
Intercom ( 
Headset  )
Communication
          Intercom
          PGM
          R/G TALLY
Digital Out
MIC OUT 1
MIC OUT 2
Intercom  ( 
headset  )
Remote 1
Remote 2
MIC REMOTE
TALLY OUT
R/G Tally
WFM control
Power supply voltage    
 
 
HFOC maximum cable distanceOperating temperature
Mass
Power consumption 1x BNC, B-BST 0.45Vp-p/75Ω 
(
loop through) 
HDTV tri-level sync 0.60Vp-p/75Ω  (
loop through)
1x BNC, HD SDI or SD SDI
1x BNC, VS or VBS 1.0Vp-p/75Ω  (
loop through)
5-pin XLR, -60dBm
1xD-sub 25-pin,Incom,Tally
0dBm / 600Ω at 4Wire, 0dbu or -15dbu / 200Ω at 2Wire
0dBm / 600Ω
Contact or DC supply
2x BNC, HD-SDI  (
Embedded audio available )
4x BNC, HD-SDI or SD-SDI selectable (Embedded audio available)HD-SDI or SD-SDI selectable PIX (Embedded audio available)
1x XLR, 3-pin, 0dBm/ 600Ω
1x XLR, 3-pin, 0dBm/ 600Ω 
1x XLR, 5-pin, 0dBu Max +15dB
1x 4-pin, 1.5Vp-p
 1x 4-pin, 1.5Vp-p
1x D-sub 15-pin MIC1.2 GAIN
1x D-sub 9-pin
Contact or Voltage selectable
1x D-sub 15-pin  WFM 0-7, 0/5V
CU-HD500J   AC100V @ 50/60Hz 
CU-HD500U   AC117V @ 60Hz 
CU-HD500E   AC230V @ 50Hz
4,000m  (
13,200 feet )
 with no utility power*
0°C to 40°C, 32°F to 104°F
9kg, 19.8lbs
300W approx.  (
AC operation, including SK-HD1000,  
VF-402 and AUX POWER OUT 100VA )
* The maximum length of the cable supplying power to the camera varies w\
ith   the camera system configuration and with the type of optical fiber cab\
le.
Traix Base Station TU
‐HD1000  (
59.94Hz )
 /  TU ‐HD1000E  (
50Hz )
Genlock
Digital Return 1/2/3/4
Analog Return 1/2
Prompt
Intercom  ( 
Headset  )
Communication
       Intercom
       PGM
       R/G TALLY
Output signals
yy ENCR
yy R-Y or
yy R
yy Y  or
yy G
yy B-Y or
yy B
Digital Out
PIX  ( 
R,G,B,ENCR  )
WFM OUT  (
R,G,B,ENCR )
MIC OUT 1
MIC OUT 2
Intercom  ( 
headset  )
Remote 1
Remote 2
 TALLY OUT
R/G Tally
WFM control
Power supply voltage    
 
 
Operating temperature
Mass
Power consumption 1x BNC, B-BST 0.45Vp-p/75Ω 
(
loop through) 
HDTV tri-level sync 0.60Vp-p/75Ω  (
loop through)
4x BNC, HD SDI or SD SDI
2x BNC, VS or VBS 1.0Vp-p/75Ω  (
loop through)
1x BNC, VS or VBS 1.0Vp-p/75Ω  (
loop through)
5-pin XLR, -60dBm
0dBm / 600Ω at 4Wire,0dbu or -15dbu/200Ω at 2Wire
0dBm/ 600Ω
DC or contact supply
 
3x BNC, VBS 1.0Vp-p/75 Ω
1x BNC, NTSC : 0.7Vp-p, PAL : 0.525Vp-p/ 75Ω  
VS 1.0Vp-p/ 75Ω  (
Selectable )
1x BNC, VS 1.0Vp-p/ 75Ω
1x BNC, VS 1.0Vp-p/ 75Ω  (
Selectable )
1x BNC, NTSC : 0.7Vp-p, PAL : 0.525Vp-p/ 75Ω 
VS 1.0Vp-p/ 75Ω  (
Selectable )
3x BNC, HD-SDI (Embedded audio available )
3x BNC, HD-SDI or SD-SDI selectable (Embedded audio available)HD-SDI or SD-SDI selectable PIX (Embedded audio available)
1x BNC, VS or VBS 1.0Vp-p/ 75Ω
1x BNC, VS or VBS 1.0Vp-p/ 75Ω
1x XLR, 3-pin, 0dBm/ 600Ω
1x XLR, 3-pin, 0dBm/ 600Ω 
1x XLR, 5-pin, 0dBu Max +15dB
1x 4-pin,  1.5Vp-p or 1x D-sub, 9-pin RS-232C (Switchable)
1x 4-pin, 1.5Vp-p
 1x D-sub 9-pin
Contact or Voltage selectable
1x D-sub 15-pin  WFM 0-7, 0/5V,
TU-HD1000J   AC100V @ 50/60Hz 
TU-HD1000U   AC117V @ 60Hz 
TU-HD1000E   AC230V @ 50Hz
0°C to 40°C, 32°F to 104°F
7.9Kg,17.4lbs. y
210W approx.  (
AC operation, including SK-HD1000,  
VF-402 and AUX POWER OUT 100VA )
1x D-sub 25-pin,Incom,Tally
Triax Camera Adaptor CX-HD1000 
(
59.94Hz ) 
/ CX-HD1000E  (
50Hz )
CCU connector
Video transmission system
Intercom
Program audio
Teleprompter power output
Microphones
Return/ Aux switcher
Video Inputs & Outputs
Other I/O
Mass 1x-Triax connector
Fully digital, bi-directional, 10-bit, 4 : 2 : 2 sampling, 
SMPTE-274M
2x channel, 5-pin each XLR, channel selection, 
MIC on/off, volume
2x, PGM audio level controls w/ Chnl1 & Chnl2 intercom mix
1x 5-pin, 230VAC, 60W to 100W, external prompter Tally drive out  
(  depending on configuration accessories  )
Chnl1  Í 2
, Line or MIC level select  (
MENU )
,
with phantom power on/off
Remote AUX/VF video select connector 
(  RET control  )
2x HD-SDI out  ( 
1x HD/SD-SDI Cam/Ret, SD-SDI PPT switchable  )1x SD analog out (
VBS/PPT )
, Genlock  (
Tri-level sync )
 switchable
1x 5-pin script lamp +12VDC  (
1.0A max )
1x 6-pin VF AUX return 
(  for use in cranes or extended Head/VF configurations  )
1x 4-pin XLR, 12VDC, power input
2.6kg, 5.7lbs
Fully Digital HDTV Production Camera