Epson Projector 5020UBe User Manual
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Making Detailed Adjustments41 Adjusting the Picture Quality Before fine-tuning the image using these adjustments, make sure you have already selected the best Color Mode for your picture and viewing environment, as described on page 34. Then use the settings in this section to finish adjusting the picture to your liking. Most image quality settings are saved independently for each input signal type, input source (Video, HDMI, WirelessHD, Component, PC), and color mode. After you finish adjusting the settings for one input source, switch to the other input sources you’ll be using and make any necessary adjustments. Input Brightness Settings If the signal from connected equipment is weak and images appear dark, you can adjust the Brightness and Contrast settings. You can adjust brightness and contrast for each image source and color mode. The Brightness setting controls how much light is produced by the projector, and the Contrast setting adjusts the difference between the bright and dark areas of the projected image. The other settings in this section control how the projector interprets the light and dark areas of the picture. ■Brightness Adjust the brightness so it’s suitable for your viewing conditions. For example, if you’re projecting in a brightly lit room or onto an especially large screen, you may need to increase the brightness. Decrease the brightness for dark rooms or small screens; this also reduces power consumption and fan noise, and helps to prolong the life of the lamp. ■Contrast This setting adjusts the difference between bright and dark areas. Image > Brightness Image > Contrast
42Making Detailed Adjustments ■Auto Iris When this setting is on, the light output is automatically adjusted according to the brightness of the image. Select either Normal or High Speed to indicate how quickly you would like the projector to respond to changes in the brightness of the image. The setting is stored separately for each image source and color mode. It is best to use High Speed for content that frequently changes from bright to dark images. Normal can be used for all other content. ■Setup Level Note: This setting can be used only when an NTSC (480i) signal is being input through the Video port, or when a video signal is being input through the Component video ports. This setting adjusts the threshold at which dark areas of the image are rendered black (0 IRE). For compatibility with most DVD and video equipment sold in the United States, leave this setting at 0%. Check your video equipment’s specifications to be sure of the correct setting. ■EPSON Super White Note: This setting can be used only when the signal is input through the, WirelessHD, HDMI1 or HDMI2 ports with the Color Mode set to Natural, THX, THX 3D, Cinema, or 3D Cinema (see page 34). If bright parts of the image are washed out or overexposed (when the input signal contains values over 100 IRE), turn this setting on to compensate. ■HDMI Video Range Note: This setting can be used only when WirelessHD, HDMI1 or HDMI2 is selected as the image source (see page 24). This setting cannot be used when Epson Super White is set to On. If your video equipment has an HDMI port and you’ve connected it to the projector using an HDMI cable, set the level of the projector to match that of the video equipment. Image > Auto Iris Signal > Advanced > Setup Level Image > Advanced > EPSON Super White Signal > Advanced > HDMI Video Range
Making Detailed Adjustments43 ■Power Consumption This setting controls the light output from the projector. On Normal, the projector produces a brighter image and the lamp uses more power. To save power and extend the life of the lamp, select ECO. Sharpness and Picture Quality Settings If the image looks fuzzy, or if it contains noise or flickering, you can use these settings to correct it. ■Sharpness Use this function to make lines and edges appear more distinct in the image. This setting is stored separately for each image source and color mode setting. You can select Standard to adjust the sharpness of the entire image, or select Advanced to access the following submenu: Note: The Advanced setting cannot be used with a signal input through the PC port. Choose Thin-Line Enhancement to sharpen details such as hair and clothing. Choose Thick-Line Enhancement to sharpen large contours and backgrounds. Choose Vert. Line Enhancement to increase vertical image sharpness. Choose Horiz. Line Enhancement to increase horizontal image sharpness. ■Progressive Converts interlaced to progressive signals. Leave the setting on Film/Auto for viewing movies on a player that produces interlaced output. Select Video for watching videos captured with a video camera. Set to Off when viewing images with a large amount of movement. Note: This setting can be used only when viewing a composite video signal, or 480i or 576i, or 1080i signals input through the Component, WirelessHD, HDMI1, or HDMI2 ports (see page 89). Image > Power Consumption Image > Sharpness Signal > Progressive
44Making Detailed Adjustments ■Motion Detection This setting specifies how signals are converted to progressive signals. Select a lower setting for slow-moving or still images ( S) or select a higher number for video images ( M). Note: This setting can be used only when viewing a composite video signal, or 480i or 576i, or 1080i signals input through the Component, HDMI1, or HDMI2 ports (see page 89). ■Noise Reduction Note: This is not be available with a signal input through the PC port. This setting reduces flickering of analog images. You can select from 3 levels of noise reduction. ■Frame Interpolation This setting compares the current and previous frames, then creates a frame between them to reduce fuzziness and produce clearer moving images. You can select from 3 levels of frame interpolation. You can also access this setting by pressing the Frame Int button on the remote control. ■Super-resolution Note: This feature is not available when projecting in 3D. This setting sharpens blurred images, enhancing the apparent detail of the image. You can select from 3 levels of enhancement. Note that intentionally blurred parts of the image, such as out-of-focus backgrounds, may become sharper. Signal > Motion Detection Signal > Advanced > Noise Reduction Signal > Frame Interpolation Signal > Super-resolution
Making Detailed Adjustments45 Color Settings If the image colors don’t look correct, you can adjust them using these settings. Use the first three settings described below to make the most visible changes. If you only need to make slight adjustments, you can fine-tune the picture with the remaining settings. Most color settings are stored separately for each image source and color mode. ■Color Saturation Note: This setting cannot be used with a signal input through the PC port. Adjusts the color intensity of the image. ■Tint Note: This setting cannot be used with a signal input through the PC port. Shifts the color balance between magenta and green. ■Abs. Color Temp. Shifts the color balance between red and blue, making the image appear warmer or cooler. ■Skin Tone Makes fine adjustments to the tint and controls the amount of red or green in the image. Also useful for correcting black-and-white images, if they look tinted. ■RGB Use the RGB settings to fine-tune the color of the image. You can adjust the offset and gain for each signal color (red, green, and blue). Use Offset to adjust darker shades and Gain for the lightest shades. Image > Color Saturation Image > Tint Image > Abs. Color Temp. Image > Skin Tone Image > Advanced > RGB
46Making Detailed Adjustments ■RGBCMY Use the RGBCMY settings to adjust the hue, saturation, and brightness of the six color components (red, green, blue, cyan, magenta, yellow). After adjusting each color, press Esc to move to another menu option. You can also access this setting by pressing the RGBCMY button on the remote control. See page 37 for more information. ■Gamma You can select from five gamma settings (2.0 to 2.4) or customize your own setting from your image or a displayed graph. Lower values will increase the contrast of dark areas, but tend to blur the bright areas. Higher values will darken the light areas. See page 36 for more information. 3D Setup Use the options in the 3D Setup menu to adjust 3D brightness, the 3D display format and other 3D settings. Note: You should only adjust the 3D Format and Inverse 3D Glasses settings if 3D images aren’t displaying correctly. Changing these settings unnecessarily may cause problems with 3D projection. ■3D Display Enables or disables 3D mode. You can also change this setting by pressing the 2D/3D button on the remote control. ■2D-to-3D Conversion Enable this setting to convert 2D images from an HDMI or WirelessHD source (PowerLite Home Cinema 5020UBe only) into 3D content. Image > Advanced > RGBCMY Image > Advanced > Gamma Signal > 3D Setup > 3D Display Signal > 3D Setup > 2D-to-3D Conversion
Making Detailed Adjustments47 ■3D Format Use this setting to select the 3D format supported by your video device. In most cases, the projector will correctly detect the 3D format when this option is set to Auto. You should only select the 2D, Side by Side, or Top and Bottom formats when your projector doesn’t properly display 3D images. See your video source documentation for information on which mode to select. ■3D Depth Adjust the slider to change the depth of the 3D effect. ■3D Brightness Adjusts the brightness of 3D images. Select the Medium or High settings if the 3D display is too dark. ■Diagonal Screen Size Match this setting to the size of the projected 3D image to maximize the 3D effect and the quality of the image. ■Inverse 3D Glasses Reverses the timing for the left and right shutters on the 3D active shutter glasses. Only enable this function if 3D images are not displaying correctly. ■3D Viewing Notice Enables or disables the viewing notice that is displayed when 3D mode is activated. Signal > 3D Setup > 3D Format Signal > 3D Setup > 3D Depth Signal > 3D Setup > 3D Brightness Signal > 3D Setup > Diagonal Screen Size Signal > 3D Setup > Inverse 3D Glasses Signal > 3D Setup > 3D Viewing Notice
48Making Detailed Adjustments Adjustments for Computer Images In addition to the settings described previously, you can adjust the Tracking and Sync settings for analog RGB computer images. Normally, these settings are adjusted automatically by the projector. If you notice that the image is blurry or contains dark vertical bands, you may need to adjust the settings yourself. ■Auto Setup Leave this setting on so that the projector automatically adjusts the tracking, sync, and position of the image. ■Tracking Adjust the tracking to eliminate vertical bands. It is easiest to adjust the tracking when the image contains a lot of fine detail (such as black text on a white background). Note: This setting is only available with a signal input through the PC port. ■Sync. Adjust the synchronization to eliminate blurriness. For best results, make sure the tracking is properly adjusted first. Note: This setting is only available with a signal input through the PC port. Signal > Auto Setup Signal > Tracking Signal > Sync.
Making Detailed Adjustments49 WirelessHD Settings (PowerLite Home Cinema 5020UBe only) Use these options to manage the WirelessHD connection and access the WirelessHD reception monitor. ■Device Connections Select this option to display a list of available WirelessHD devices. Note: The MAC Address of the included WirelessHD Transmitter can be found on the bottom of the transmitter. Use the arrow keys to navigate the menu and press Enter to select a device. ■WirelessHD Enables or disables the projector’s WirelessHD connection. ■Reception Select this option to display the WirelessHD reception monitor. Note: If WirelessHD reception is poor, try moving the transmitter to a different location. ■Reset Select this option to reset all WirelessHD settings and return them to their default values. Settings > WirelessHD > Device Connections Settings > WirelessHD > WirelessHD Settings > WirelessHD > Reception Settings > WirelessHD
50Making Detailed Adjustments Split Screen Setup Press the Menu button while in Split Screen mode to access this menu. ■Screen Size Adjusts the size of the two screens. Choose Larger Left to increase the size of the left screen, Larger Right to increase the size of the right screen, or Equal to split the display evenly between the two screens. Note: Depending on the source and resolution of each input, the two screens may not appear to be of equal size when the Equal option is selected. ■Source Select this option to open the Source menu and select which inputs should be displayed in split screen mode. The Left and Right columns represent the left and right screens. Use the arrow buttons on the remote control to highlight Left or Right for the source you want to display. Press Enter on the remote control to select an option. Once you have finished making your selections for both screens, select Execute to exit the Source menu and apply these settings. Note: Certain combinations of sources can’t be selected. Invalid input combinations will be grayed out. See page 33 for a complete list of available source combinations. ■Swap Screens Select this option to quickly switch the images on the left and right sides of the split screen display. Split Screen Setup > Screen Size Split Screen Setup > Source Split Screen Setup > Swap Screens