Epson Powerlite Home Cinema 6500 Ub Users Guide

							
Making Basic Adjustments31
2. Do one of the following:
■Select one of the numeric correction values using the u or d button on the remote 
control and press the
 Enter button. You see the setting reflected in the graph on the 
right. The horizontal axis represents the  input signal level, and the vertical axis 
represents the output signal level. Press the 
Gamma button to exit.
■Select Customized. Then continue with the next step.
3. Do one of the following:
■Select Adjust it from the image. You see a gamma icon on the projected image. Use 
the arrow buttons to move the icon to the area of brightness you want to adjust, then 
press 
Enter. The custom gamma graph appears with the channel selected for 
adjustment. Press the  u or d button to adjust and then press 
Enter.
■
Select Adjust it from the graph. When the gamma graph appears, use the  l or  r 
button to select the point on the graph that you want to adjust, and then use the 
u ord button to adjust the settings. Press 
Enter to save your setting and exit. 
Adjusting RGBCMY
Use this feature to adjust the hue, saturation, and brightness for each of the red (R), 
green (G), blue (B), cyan (C), magenta (M), and yellow (Y) color components.
1. Press the 
RBGCMY button. You see the following displayed on the screen:
2. Use the  u or d button on the remote control to select the color you want to adjust, and 
press the 
Enter button.
3. Select the 
Hue, Saturation, or Brightness for that color, and use the  l or  r button to 
make the adjustment.
4. Press 
Esc to adjust another color, or press RGBCMY to exit.
Note:  You can also adjust the offset and gain using the RGB setting in the projector’s menu 
system (see page 41). 
						

							
32Making Basic Adjustments
Locking the Projector
The projector includes two lock settings to prevent the image from being accidentally 
changed once it’s adjusted, and to keep children from turning on the projector without adult 
supervision. 
To access the lock settings, follow these steps:
1. Press the 
Menu button on the remote control.
2. Use the menu navigation buttons to open the 
Settings 
menu.
3. Choose from these options:
■ Child Lock to disable the  Ppower button on the 
projector’s control panel unless it is pressed for 
about 3 seconds. (You can use the  Ppower button 
to turn it off, however.) Since you can still use the 
remote control to turn on the projector, you may 
want to keep it away from children’s reach.
■ Control Panel Lock to disable all the buttons on the projector’s control panel. A 
lock icon appears on the screen whenev er you press a button with Control Panel 
Lock turned on. To operate the projector,  you must use the remote control. To 
cancel Control Panel Lock, press and hold the
 Enter button on the projector’s 
control panel for at least 7 seconds.
4. Press 
Menu to exit the menu system. 
If you turned on the Control Panel Lo ck, the projector buttons are now locked.
If you turned on the Child Lock, turn off th e projector and let it cool down. The Child 
Lock takes effect after the cool-down period.
Caution:  If the Direct Power On setting is turned on (see page 47), using the main power 
switch can cause the projector to start even though the Child Lock is in use.
Menu 
button Menu 
navigation 
buttons 
						

							
Making Detailed Adjustments33
Making Detailed Adjustments
You can use the projector’s on-screen menus to make detailed adjustments to the image 
quality—such as the brightness, contrast, sharpn ess, and color. You can also change the menu 
display, sleep mode settings, and other projector features. 
Using the Menu System
You can access the menu system either from the remote control or the buttons on the 
projector’s control panel. You can access the full  menu or a line menu that lets you change 
selected settings. You can also change the me nu language and control how the menus display 
(see page 35). 
Note:  If you press  Blank on the remote control while a menu is being displayed, the menu screen 
disappears. This is useful  for checking the effects of y our image adjustments. Press  Blank again 
to make the menu reappear.
1. To display the full menu, press the Menu button on the projector or remote control. You 
see a display like this one:
Note:  You may see different options, depending on your projector model and how your 
equipment is connected to it.
2. Press the  u or  d button to highlight a main menu option (Image, Signal, Settings, 
Memory, Info or Reset), then press the Enter button to select it.
3. Press the  u or  d button to highlight a setting, then press the 
Enter button.
Main menu 
options Settings available 
for the highlighted 
menu 
						

							
34Making Detailed Adjustments
4. Press the u, d , l , or  r button to change settings as necessary. You may have to press the 
Enter button to confirm your choice. 
5. When you’re finished, press the 
Esc button to return to the previous menu or press the 
Menu button to exit the menu system.
To display one of the  line menus, press the 
Enter button. You see a display like this at the 
bottom of the image:
Press the  u or  d button to select the setting you want to adjust:
■Brightness (see page 36)
■Contrast (see page 36)
■Sharpness (see page 37)
■Color Saturation (see page 40)
■Tint (see page 40)
■Absolute Color Temperature (see page 40)
■Skin Tone (see page 40)
Press the  l or  r button to adjust the setting. Press the 
Menu or Esc button to close the line 
menu when you’re done.
Note:  When a line menu is displayed, you can press  Default on the remote control to reset the 
menu to its factory setting. 
						

							
Making Detailed Adjustments35
Changing How the Menus Display
Use these options to control how the menus display.
■Language
Select from 21 languages to use in the menu system. 
■Menu Position
Use the arrow buttons to choose a position  on the screen for displaying the menu.
■Menu Color
Select a color scheme for displaying the menus.
Adjusting the Picture Quality
Before fine-tuning the image using these adjustments, make sure you have already selected the 
best Color Mode for your picture and viewing environment, as described on page 29. Then 
use the settings in this section to finish adjusting the picture to your liking. 
Most image quality settings are saved independen tly for each input source (Video, S-Video, 
HDMI, Component, PC) and color mode. After you finish adjusting the settings for one 
input source, switch to the other input sour ces you’ll be using and make any necessary 
adjustments.
Input Brightness Settings
If the signal from connected equipment is weak  and images appear dark, you can adjust the 
Brightness and Contrast settings. You can ad just brightness and contrast for each image 
source and color mode.
Adjust this setting first, then fine-tune the image with the remaining settings.
The Brightness setting controls how much light is produced by the projector, and the 
Contrast setting adjusts the di fference between the bright and dark areas of the projected 
image. The other settings listed on the followin g page control how the projector interprets the 
light and dark areas of the picture. 
Settings > Language
Settings > Display > Menu Position
Settings > Display > Menu Color 
						

							
36Making Detailed Adjustments
■Brightness
Adjust the brightness so it’s suitable for yo ur viewing conditions. For example, if you’re 
projecting in a brightly lit  room or onto an especially large screen, you may need to 
increase the brightness. Decrease the brightness  for dark rooms or small screens; this also 
reduces power consumption and fan noise, and helps to prolong the life of the lamp. 
■ Contrast
This setting adjusts the differenc e between bright and dark areas.
■Auto Iris
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29).
When this setting is on, the amount of li ght produced by the lamp is automatically 
adjusted according to the brightness of the image. Select either 
Normal or High Speed 
to indicate how quickly you would like the lamp to respond to changes in the brightness 
of the image. The setting is stored separately for each image source and color mode.
■ Setup Level
Note:  This setting can be used only when an NTSC signal is being input through the Video or 
S-Video port, or when a video signal is being input through the Component video ports.
This setting adjusts the threshold at which dark areas of the image are rendered black 
(0 IRE). For compatibility with most DVD and video equipment sold in the United 
States, leave this setting at 0%. Check your video equipment’s specifications to be sure of 
the correct setting. 
■ EPSON Super White
Note:  This setting can be used only when a composite video, S-Video, or component video 
signal is being input and the Color Mode is set to Natural, Theatre, Theatre Black 1, or Theatre 
Black 2 (see page 29).
If bright parts of the image are washed  out or overexposed (when the input signal 
contains values over 100 IRE), turn  this setting on to compensate. 
Image > Brightness
Image > Contrast
Image > Auto Iris
Signal > Advanced > Setup Level
Signal > Advanced > EPSON Super White 
						

							
Making Detailed Adjustments37
■HDMI Video Range
Note:  This setting can be used only when HDMI1 or HDMI2 is selected as the image source 
(see page 24). This setting cannot be used when the Color Mode is set to x.v. Color (see 
page 29).
If your video equipment has an HDMI port and you’ve connected it to the projector 
using an HDMI cable, set the level of the projector to match that of the video equipment.
■ Brightness Control
This setting controls the light output from the projector. On high, the projector produces 
a brighter image and the lamp uses more power.  To save power and extend the life of the 
lamp, select the low brightness setting.
Sharpness and Picture Quality Settings
If the image looks fuzzy, or if it contains no ise or flickering, you can use these settings to 
correct it.
■ Sharpness
Use this function to make lines and edges appe ar more distinct in the image. This setting 
is stored separately for each image sour ce and color mode setting. You can select 
Standard to adjust the sharpness of the entire image, or select Advanced to access the 
following submenu:
Note:  The Advanced setting cannot be used with  a signal input through the PC port.
Choose Thin-Line Enhancement to sharpen details such as hair and clothing. Choose 
Thick-Line Enhancement to sharpen large contours and backgrounds. 
You can also access this  setting by pressing the 
Sharpness button on the remote control.
Signal > Advanced > HDMI Video Range
Image > Brightness Control
Image > Sharpness 
						

							
38Making Detailed Adjustments
■Progressive
The projector uses 3D DigiScan HD Circuitr y Processing for video-sourced images. For 
film-sourced images, the projector uses 3-2 pulldown detection and optimizes the image 
accordingly.
Leave this setting on 
Video for most purposes. Set to Film/Auto (Home Cinema 6100) 
or 
Auto (Home Cinema 6500 UB) when the input source is a film, and you want to 
project an image closer to its original so urce. With the Home Cinema 6100, set to 
Off 
when viewing images with a large amount  of movement. With the Home Cinema 
6500 UB, set to 
Film if flickering appears with the Auto setting.
Note:  This setting can be used only when viewing co mposite video or S-Video signals, or 480i 
or 576i, or 1080i signals input through the Component, HDMI 1, or HDMI 2 ports (see page 68).
■ Motion Detection (Home Cinema 6100 only)
This setting specifies how signals are conver ted to progressive signals. Select a lower 
setting for slow-moving or still images (
S) or select a higher number for video images 
(
M).
Note:  This setting can be used only when viewing composite video or S-Video signals, or 480i 
or 576i, or 1080i signals input through the Co mponent, HDMI 1, or HDMI 2 ports (see page 68).
■Noise Reduction
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29) or 
with a signal input  through the PC port.
This setting reduces flickering of analog im ages. You can select from 3 levels of noise 
reduction.
■ Mosquito NR (Home Cinema 6500 UB only)
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29) or 
with a signal input  through the PC port.
This setting reduces grainy noise that can a ppear around the edges of MPEG images. You 
can select from 3 levels.
Signal > Progressive
Signal > Motion Detection
Signal > Advanced > Noise Reduction
Signal > Advanced > Mosquito NR 
						

							
Making Detailed Adjustments39
■Block NR (Home Cinema 6500 UB only)
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29) or 
with a signal input  through the PC port.
This setting reduces block noise that can appe ar when projecting MPEG images that have 
been compressed at a low bit rate.
■ 2-2 Pull-down (Home Cinema 6100 only)
Note:  This setting can be used only when viewing a 1080p/24Hz signal input through the 
Component, HDMI1, or HDMI2 ports (see page 68). This setting cannot be used when the 
Color Mode is set to x.v. Color (see page 29) or with a signal input through the PC port.
This setting allows you to select whethe r images are projected with 2-2 pulldown 
detection or 2-3 pulldown detection. Select 
On for 2-2 pulldown detection.
■ 4-4 Pull-down (Home Cinema 6500 UB only)
Note:  This setting can be used only when viewing NTSC, M-PAL, or PAL60 signals input 
through the Video or S-Video ports, or 480i, 1080i /60Hz, or 1080p/24Hz signals input through 
the Component, HDMI1, or HDMI2 ports (see  page 68). This setting cannot be used when the 
Color Mode is set to x.v. Color (see page 29) or with a signal input through the PC port.
This setting allows you to select whethe r images are projected with 4-4 pulldown 
detection or 2-3 pulldown detection. Select 
On for 4-4 pulldown detection.
■ Frame Interpolation (Home Cinema 6500 UB only)
This setting compares the current and prev ious frames, then creates a frame between 
them to reduce fuzziness and produce clearer moving images. You can select from 3 levels 
of frame interpolation.
Signal > Advanced > Block NR
Signal > Advanced > 2-2 Pull-down
Signal > Advanced > 4-4 Pull-down
Signal > Frame Interpolation 
						

							
40Making Detailed Adjustments
Color Settings
If the image colors don’t look correct, you can adjust them using these settings. Use the first 
three settings described below to  make the most visible changes. If you only need to make 
slight adjustments, you can fine-tune the picture with the remaining settings. Most color 
settings are stored separately for each image source and color mode.
■ Color Saturation
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29) or 
with a signal input  through the PC port.
Adjusts the color intensity of the image. 
■Tint
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29) or 
with a signal input  through the PC port.
Shifts the color balance between magenta and green. 
■Abs. Color Temp.
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29).
Shifts the color balance between red and blue, making the image appear warmer or 
cooler.
■Skin Tone
Note:  This setting cannot be used when the Color Mode is set to x.v. Color (see page 29).
Makes fine adjustments to the tint and contro ls the amount of magenta or green in the 
image. Also useful for correcting black- and-white images, if they look tinted.
Image > Color Saturation
Image > Tint
Image > Abs. Color Temp.
Image > Skin Tone