Dream Vision Inti+ User Manual

							
6.0  MENU AND PICTURE SETTING
R699810 - Inti+ Series User Manual 21 
6.0 MENU AND PICTURE SETTING
6.1 Menu Structure
MAIN MENUSUBMENUAVAILABLE OPTIONS
Picture AdjustPicture ModeInti+2 & +3 only (Movies)   Film
(Digital Cinema)  Cinema
(SF movies or anims)  Animation
(Video programs)  Natural
(Concerts)  Stage 3D
Inti+2 & +3 only THX User1
User2
User3
User4
User5
Color Profiles (Inti+2 & +3)
the list varies upon current Picture 
Mode (see page 25 for details)(Xenon, Eastman Kodak) Film1
(Xenon, Fujifilm) Film2
(Extended colors) Standard
(DCI standard) Cinema1
(HDTV standard) Cinema2
(Hollywood anime) Anime1
(Japanese anime) Anime2
(TV, sports) Video
(Games) Vivid
(Computer/Adobe RGB) Adobe
(Live concerts) Stage
(Adapted to 3D glasses) 3D
Inti+3 only Custom 1- 3 OFF
Color Temp.Preset value:5500K
6000K
6500K
7000K
7500K
8000K
8500K
9000K
9500K
High brighness
Xenon Modes (Inti+2 & +3) (Film projector) Xenon1
(DCI projector) Xenon2
Cooler temp than X2 Xenon3
Custom1 Gain, Offset
Custom2 Gain, Offset
Custom3 Gain, Offset
GammaIf Picture mode is 3D: Normal
3D, bright A (3D)
3D, classic B (3D)
If Picture mode is Film: (Eastman) Film1
(Fujifilm) Film2
(more tone than Film1) Film3
(more contrast than Film2) Film4 
						

							
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Picture AdjustGammaIf Picture mode is not Film or 3D:
(focus on tone) A
(film S curve) B
(more contrast than B) C
(brighter) D
Custom1
Custom2
Custom3
Dark/Bright Level (Inti+2 & +3)Dark Level -7 +7
Bright Level -7 +7
Picture Tone (Inti+2 & +3)White -16 +16
Red -16 +16
Green -16 +16
Blue -16 +16
Contrast-50 +50
Brightness-50 +50
Color-50 +50
Tint (redish to greenish)-50 +50
AdvancedSharpness: Sharpness 0 - 50
Detail Enhancement 0 - 50
Noise Reduction: RNR 0 - 16
MNR (SD only) 0 - 16
BNR (SD only) On, Off
Color Space (Inti+1 only): Standard Wide1
Wide2
Custom Gamma: Custom1 Custom2
Custom3
Correction value
Gamma Adjustment White Red
Green Blue
Color Management (Inti+2 & +3)  Off Custom1
Custom2
Custom3
P ause On, Off
Color:
Axis Position -30 +30
Hue -30 +30
Saturation -30 +30
Brightness -30 +30
User Name Edit: User1 - User5 edit name 10 char. max
Clear Motion Drive: Off (black F insertion weak) Mode1
(black F insertion strong) Mode2
(Interpolation weak) Mode3
(Interpolation strong) Mode4
(only for 60i or 60p) Film Motion
CMD Demo: Left, Right, Top, Bottom, Off
MPC level 0 - 3
Lens Aperture -15 +0
Lamp Power (160W) Normal (220W) High
Reset ProfileConfirm 
						

							
6.0  MENU AND PICTURE SETTING
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Input SignalHDMIInput levels (16 - 235) Standard
(0 - 255) Enhanced
(16 - 255) Super White
Level Check displays pattern
Color Space Auto YCbCr(4:4:4)
YCbCr(4:2:2)RGB
Control with HDMI (CEC) On, Off
COMP.Color Space YCbCr  RGB
PC input (Inti+2 & +3)Auto Alignment
Tr acking
Phase
Picture position Hor., Vert.
Picture PositionHorizontal Vertical
Aspect (Video only)
if 3D, only 16:9 is available4:3
16:9
Zoom
Aspect (PC only)A uto
1:1
Full
Mask5%, 2.5%, Off
Custom Left 0% - 5% Right 0% - 5%
Upper 0% - 5% Down 0% - 5%
Progressive (480i, 576i, 1080i)A uto / Off
3D Setting3D format Auto
Side-by-Side
T op & Bottom
2D
2D to 3D Conversion On, Off
Pa rallax -15 +15
Crosstalk Cancel: White, Red, Green, Blue -8 +8
Intensity -5 +5
Subtitle Adjust On, Off
InstallationLens ControlF ocus
Zoom
Shift
Image Pattern On, Off
Lock On, Off
Lens Memory Select
Lens Memory Save
Lens Memory Name Edit
Lens Cover (Inti+2 & +3 only) Auto , Open
Pixel Adjust (Inti+1 only)horiz. Red 1 - 5
horiz.Blue 1 - 5
ver t.  Red 1 - 5
ve rt. Blue 1 - 5
Pixel Adjust (Inti+2 & +3)Adjust On/Off
Adjust Area Whole, Zone
Adjust Color Red, Blue
Adjust Pattern Color Whyte, Cyan
Adjust (Pixel)
Adjust (Fine)
Reset 
						

							
6.0  MENU AND PICTURE SETTING
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InstallationInstallation StyleFront
Ceiling Mount (Front) Rear
Ceiling Mount (Rear)
Ke ystoneHorizontal -30 +30
Vertical -40 +40
Anamorphic(vert. stretch) A
(hor. sqeeze) B
Off
Screen Adjust1 - 3 (Inti+1 only)
000 - 255 (Inti+2 & +3)
Black Level0 +10
Display SetupBack ColorBlue, Black
Menu Positionselect position
Menu Display15sec, On
Line Display (input setting)5sec, Off
Source Display (active input)On, Off
LogoOn, Off
LanguageSelect between 12 languages
FunctionTr iggerOff
On (Power)
On (Anamorphic)
Off Timer (in hours)1H, 2H, 3H, 4H, Off
High Altitude ModeOn, Off
Control Terminal (Inti+2 & +3 only)RS-232C LAN
NetworkDisplayed if LAN is selected DHCP Client On, Off
IP Address 192.168.0.2
Subnet Mask 255.255.255.0
Default Gateway 192.168.0.254
Mac Address Display MAC
Set Display Network settings
Remote CodeA, B
Lamp ResetConfirm
InformationInput Terminal
Input Source Format
Deep Color Depth
PC Resolution
PC H Freq.
PC V Freq.
Deep Color Depth
Lamp Time
Software Version 
						

							
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6.2 Picture Adjust menu
Picture Mode and Color Profiles
The preset picture modes are available and they can be applied to any input. A picture mode retains the picture
adjustments.
The Inti+2 & +3 also have the THX profile to obtain a non over-saturated colors in a dark environment. Optimized for
dark rooms.
Color Profiles (Inti+2 & +3)
Inti+2 & +3 have 12 Color profiles, depending on the picture mode, you may choose an available color profile preset:
•Film1 available with Film Picture Profile, uses the Xenon filter and adjusted to Eastman Kodak film tone
• Film2 available with Film Picture Profile, uses the Xenon filter and adjusted to Fujifilm film tone.
• Standard will bring rich and saturated colors, available with almost any selected Picture Mode.
• Cinema1 available with Cinema Picture Profile and adjusted to HDTV standards
• Cinema2 available with Cinema Picture Profile and adjusted to DCI standards.
• Anime1 best suited to Hollywood animes.
• Anime2 best suited to Japanese animes.
• Video color profile is best suited to TV and Sport programs.
• Vivid color profile is best suited to video games entertainment.
• Adobe color profile adjusted to Adobe RGB standard.
• Stage best suited to live concert.
• 3D best with 3D content.
• Off switches off the color profiles.
Color Temperature
Color temperature stands for the spectral properties of a light source. Low color temperature implies warmer
ambiance (more yellow/red) while high color temperature implies a colder light (more blue). Depending on the
Picture Profile selected, this setting can be set to:
•Preset: from 5500K / warm colors, up to 9500K / cold colors in steps of 500K.
• Xenon1 uses the Xenon filter and color compensation to reproduce a fi\
lm projector
• Xenon2 uses the Xenon filter and color compensation to reproduce a Dig\
ital Cinema projector
• Xenon3 same as Xenon2, but within a cooler temperature.
• High Brightness used for maximum brightness output available.
• Custom1, Custom2 and Custom3 can be used to adjust color temperature to specific environment.
A Custom setting allows a fine adjustment of a Color Temperature by selecting it in the Correction Value menu.
Adjust the Gain values (bright part) and Offset values (dark part) for each color Red, Green and Blue.
Gamma
Gamma is the relationship between the color values of the data and the color values displayed. The Gamma
coefficient makes it possible to adjust the brightness of the midtones only without affecting the very bright and very
dark areas. If gamma is set too high, middle tones appear too dark. If it's set too low, middle tones appear too light.
Depending on the current active Picture mode, the Gamma setting can be set to:
• Normal: Standard tones
Video 
SourceMovies
in generalDigital Cinema or HDTVAnimation
or vivid moviesDramas
or VideosLive Concerts or Spectacles3D Movies
Picture  modeFilmCinemaAnimationNaturalStage3D
Color 
Profiles
Film1 / Wide1Cinema1Anime1VideoStage3D
Film2 / Wide2Cinema2Anime2VididStandardstandard
StandardStandardAdobe RGBVivid
Standard
Accurate color temperature may require professional tools such as dedicated software and colormeter. Wait
at least 20 minutes after startup before modifying the picture settings. 
						

							
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•A (3D): bright picture.
•B  (3D): classic.
• Film1: Eastman gamma
• Film2: Fujifilm gamma
• Film3: more tone than Film1
• Film4: more contrast than Film2
• Gamma A: focus on tone
• Gamma B: for film and movie projection (S curve).
• Gamma C: for film and movie projection with more detailed blacks than setting B.
• Gamma D: this setting is recommended for bright midtones and Computer like projection.
• Custom1
• Custom2
• Custom3
The Custom data can be set to:
• Correction Value: a unique value that will act as a gamma coefficient between 1.8 and 2.6.
• Gamma Adjustment: the gamma curve can be adjusted for each color Red, Green and Blue.
• Copy: copy the adjusted values to temporal memory.
•P aste: paste values stored in memory to current profile.
• Reset: reset to the default 2.2 gamma coefficient.
Gamma Adjustment can be copied from all modes. Paste can only be used for Custom modes.
Dark / Bright Level
This setting modifies the gamma curve locally in the dark and bright areas.
• Dark Level adjust gamma curve between 0IRE and 15IRE, from -7 to +7.
•B right Level adjust gamma curve between 85IRE and 100IRE from -7 to +7.
Picture Tone (Inti+2 & +3 only)
It allows a fine adjustment steps of the global picture brightness while maintaining the correct contrast level to keep
good black and bright levels. Available when Film Picture profile is selected:
• White: sets the overall exposure from -16 (under-exposed, darker) up to +16 (over-exposed, brighter)
• Red/Green/Blue: to set individually each color channel exposure.
Contrast
The contrast function is used to adjust the contrast between the light and dark areas of the displayed image. A
correct contrast setting is important for good image reproduction. Adjust the Contrast value between -50 and 50.
Brightness
The brightness function is used to adjust the overall light output. Adjust the Brightness value between -50 and 50.
Color
The Color function (or Saturation) is used to adjust the saturation levels. Adjust the Color value between -50 and 50.
Tint
The hue function is used to adjust the color tint to obtain true color reproduction. Adjust the Tint value between -50
(more red) and 50 (more green).
Advanced
6.2.0.1 Sharpness
a. Sharpness: this function is used to adjust the image sharpness of the picture.
Adjust the Sharpness value between 0 (soft) and 50 (sharper but noisier).
b. Detail Enhancement function is used to improve picture details such as strong
lines and color separations in order to make them stand out. Set it between 0
(soft) and 50 (strong). 
						

							
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6.2.0.2 Noise Reduction (SD video only)
a. RNR: Random Noise Reduction. You can set it from 0 up to 16 to reduce the
picture random noise.
b. MNR: Mosquito Noise Reduction function is used to reduce the Mosquito noise
on the picture, generally found in compressed digital video signals such as
television broadcast or encoded movies. Adjust the MNR value from 0 up to 16 to
reduce the typical broadcast picture mosquito noise
c. BNR: Block Noise Reduction uses a large portion of the picture to reduce the digital noise, this ensures a higher quality filter. Adjust the BNR value to On or
Off.
6.2.0.3 CTI (SD video only)
Color Transition Improvement. Set it to Off, Low, Middle or High to reduce the color
smear (color contour correction). Caution: this function may alter the original picture
chrominance.
6.2.0.4 Color Space (Inti+1 only)
Standard: Digital Cinema Initiatives (DCI) color space.
Wide1: wider color gamut than standard. Color space used for HDTV.
Wde2: same color space as DCI but within a wider color gamut
6.2.0.5 Color Management (TSL adjustments Inti+2 & +3 only)
The Color Management gives the installer an unique calibration ease with the
integrated Color Adjustment menu: each primary, secondary colors and orange can
be independently calibrated to obtain a precise color balance in a snap.
Adjust the Red, Green, Blue, Yellow, Cyan, Magenta and Orange Tints, their
saturations and luminances and store them into Custom1, Custom2 or Custom3
profiles.
6.2.0.6 User Name Edit 
You can edit the picture modes names User1 to 5 using a maximum length of 10
characters. You can use alphabet letters, numbers and symbols:
a. Select the user name you want to edit from User1 to User5.
b. Press [OK] to enter the edit mode.
c. The input cursor displays the place where the new character will be insert. It will move automatically as a character is selected. Use [UP], [DOWN], [LEFT] or
[RIGHT] to select a character and press [OK] to insert it.
d. Press BACK] to exit edit mode.
Clear: To delete a character: Move the cursor to the desired location and press [OK]
to delete the specific character.
All Clear: To delete all characters.
OK: To save the current name, a save confirmation will appear.
6.2.0.7 Crystal Motion Drive (120Hz)
The Crystal Motion function uses a 120Hz video processing to render a smooth a\
nd
clear motion for movies shot at 24Hz or HD movies at 60Hz. Set the correct level
between:
Mode1: weak black frame insertion
Mode2: strong black frame insertion
Mode3: weak interpolation
Mode4: strong interpolation
Film Motion: inverse telecine interpolation
User Name Edit
MENUBACK
! !
NameUser 1
Clear All Clear OK
Exit
Select Operate
Picture Adjust
SPACE
 Select cursor Input cursor
Character list 
						

							
6.0  MENU AND PICTURE SETTING
28R699810 - Inti+ Series User Manual
Additionally, you can set the Clear Motion Demo side-by-side or top-and-bottom.
6.2.0.8 MPC Level
This setting adjust the increased resolution perception. Default setting for film,
cinema and THX profiles is 1, otherwise 2. Adjust between 0 and 3.
6.2.0.9 Lens Aperture
The lens is equipped with a variable electronic aperture. This function is used to
optically adjust the light output depending on the viewing conditions and the light
ambiance. Adjust from the correct aperture from partially closed to fully opened.
6.2.0.10 Lamp Power
Set the lamp power used by the current Picture Profile:
Normal: lamp is set to 160W
High: lamp is set to 220W.
To av oid any damage to the lamp, you can’t changed the lamp power within 90
seconds from the projector startup or 60 seconds after lamp power change.
Reset
Reset the current Picture Profile to default settings.
6.3 Input Signal menu
HDMI Inputs
This menu is available if the selected active input is HDMI1 or HDMI2.
6.3.0.1 Input
A uto: The input dynamic range is automatically detected and configured.
Standard: Force dynamic range to 16-235.
Enhance: Force dynamic range to 0-255.
Super White: Force dynamic range to 16-255.
6.3.0.2 Check Input Levels
The following pattern is overlaid to current picture to confirm that the correct input
level has been selected.
Use the Input Levels pattern to confirm the correct HDMI dynamic range setting.
6.3.0.3 Color Space
A uto: The source color space is automatically detected and configured.
YCbCr(4:4:4): Set color space to YCbCr 4:4:4.
YCbCr(4:2:2): Set color space to YCbCr 4:2:2.
RGB: Set color space to RGB 4:4:4.
6.3.0.4 Control with HDMI (CEC*)
Off: By default the CEC communications are disabled.
On: Enables CEC communications to be sent to the projector through HDMI cable.
*CEC stands for Consumer Electronic Control
Component
This menu is available if the selected active input is Component.
•Y  Pb/Cb Pr/Cr: Select this option if the COMP. input is connected to a component video signal.
• RGB: Select this option if the COMP. input is used with a RGB video source.
PC (Inti+2 & +3 only)
This menu is available if the selected active input is PC (Sub-D15) input.
•A uto Alignment: Automatically adjusts Tracking, Phase and Picture Position
•T racking: Adjust the horizontal size and display area of the picture. 
						

							
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•Phase: Adjust flickering and blurred pictures.
• Picture Position: Adjust the display position of the picture.
Picture Position
Depending on your source, you may find that the picture should be adjusted into the screen, adjust the\
 horizontal
and vertical position of the picture into the screen.
Some signals may not be fully displayed, adjust this setting properly when necessary.
Aspect Ratio
When watching a movie or video program, you can manually set the desired aspect ratio to fill your screen. Select
the correct aspect ratio depending on your source:
6.3.0.1 For Video  sources
a. 4:3. The original source is considered as 4:3 format. Generally SDTV broadcasts.
b.16:9. The picture size is 16:9, generally most recent DVDs, Blu-Ray discs or
HDTV broadcasts.
c. Zoom. The zoom function is useful to zoom in the picture and eliminate black bars.
6.3.0.2 For PC sources
a. Auto. Zoom the picture to fill either the screen height or the screen base \
whichever happens first.
b. 1:1 mode, pixel to pixel mapping, no scaling.
c. Full. Stretch the picture full screen
Mask
Depending on your source, you may enable or disable this feature to hide the outer area of the picture. The Mask
function can hide the unexpected scaling artefacts found in broadcast program. You can set it to Off, 2.5% or 5%
globally or for each side of the screen.
Progressive (only 480i, 576i, 1080i)
Interlaced signals are converted to progressive signals using video images from the surrounding. This function is
only available for interlaced input signals: 480i, 576i and 1080i.
3D Setting
6.3.0.1 3D Formats
Use this function to choose the correct 3D input format. Some input signals may
contain 3D data such as 1080p Side-by-Side but encoded as if they were in 2D. This
unit may treat them as standard 2D signals and will not project correctly. In such
cases, configure the signal manually between Side-by-Side, Top & Bottom and 2D. In
other cases, you may select Auto setting.
6.3.0.2 2D to 3D Conversion
Y ou can use the 2D to 3D Conversion to convert 2D pictures into a quasi-3D picture.
The quality of the result may differ from quality of original 2D picture. Turn it On or
Off.
6.3.0.3 Parallax
Use this function to adjust the amount of misalignment of the left and r\
ight 3D video
images. Adjust settings according to your preference between -15 and +15.
This option may reduce eye-strain produced by a strong 3D effect with a low setting
or enforce a too soft 3D effect with a high setting. The correct Parallax value also
depends on your projection screen size.
When watching 3D content, only 16:9 aspect ratio is available.
The parallax is an important parameter for 3D movies that directly affects comfort during 3D projection. It is
admitted that generally the maximum value of the parallax must not exceed 6,5 cm which is an average
v alue of people’s distance between their left and right eyes and because the parallax value changes with
the screen size, it is important to set this parameter to a value with which everyone feels comfortable with the 3D
effect. In general, women and children have smaller faces and may feel better with a smaller parallax value. Do not
hesitate to alter this settings if you feel eye-strains or headaches. 
						

							
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6.3.0.4 Crosstalk Cancel
Can be adjust with a 3D signal input but not when 2D to 3D Conversion is On. This
function is to lessen the residual cross-talk found between 3D video images. Adjust
the Parallax value and then the Cross-talk settings in order to cancel the residual
cross-talk without loosing picture quality.
Adjustments White, Red, Green and Blue: -8 +8
6.3.0.5 Intensity (2D to 3D Conversion is On)
Use this function to adjust depth perception during 2D to 3D conversion. Adjust
setting from 1 up to 5.
6.3.0.6 Subtitle Adjust (2D to 3D Conversion is On)
Use this function to automatically identify subtitles during 2D to 3D conversion. There
may be instances where automatic identification does not work, or video images are
accidentally identified as subtitles and therefore not converted into 3D. Set if On or
Off.
6.4 Installation Menu
Lens Control
This menu gives access to the control of the lens. Browse into this menu to adjust:
6.4.0.1 Focus
Adjust the lens focus to obtain a clear picture.
6.4.0.2 Zoom
Adjust the lens zoom to fill the screen with the picture.
6.4.0.3 Shift
Adjust lens shift to center the picture into the screen.
6.4.0.4 Image Pattern
If set to On, an internal pattern will be generated to adjust the current setting. If you
want to use an external generator, turn this option to Off.
6.4.0.5 Lock
Once the Lens is correctly set, you may lock this setting menu by turning the Lens
control Lock to On. Any attempt to access the Lens control menu will lead to the
display of a warning message.
6.4.0.6 Lens Memory Select
Call up saved lens adjustment data to configure the lens to the save settings.
6.4.0.7 Lens Memory Save
Store into memory 1 up to 3 the lens focus, zoom and shift configuration.
6.4.0.8 Lens Memory Name Edit
You can edit the Lens Memory Name within the limit of 10 characters. Same
procedure as Section 6.2.0.6, “User Name Edit”, page 27.
6.4.0.9 Lens Cover (Inti+2 & +3)
Control the behavior of the Lens Cover: 
a. Auto: the lens cover opens or closes when the projector switches On or Off.
b. Open: the lens cover is always open.
Pixel Adjust (Inti+1 only)
The Inti+1 picture pixel alignment can be adjusted within 1 pixel steps. This menu allows a fine adjustment of the red
and blue panels separately.
•Horizontal Red and Blue (1 to 5)
•V ertical Red and Blue (1 to 5)
Pixel Adjust (Inti+2 & +3 only)
The Inti+2 & +3 pixel adjustment is extremely fine: each color can be adjust within 1/16 pixel steps on 121 individual
adjustment zones.
6.4.0.1 Adjust
Enable the pixel adjustment On or Off.