Creative Emu 1820m Manual
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Page 121
7 - Appendix SMPTE Background E-MU 1820M/1820/1212M PCI Digital Audio System 121 Duplicating SMPTE time code The Sync Daughter Card always generates clean SMPTE from the SMPTE output when reading SMPTE in. This time code is in sync with the incoming SMPTE and can be used to feed other devices in your studio or to clean up old SMPTE tracks. Copying SMPTE code from track to track produces deterioration of the signal with each generation, although one generation of dubbing will probably be OK. Other...
Page 122
7 - Appendix MIDI Time Code (MTC) 122Creative Professional MIDI Time Code (MTC) MTC and SMPTE do NOT synchronize at the sample rate and are not locked to word clock in any way. SMPTE and MTC are used to synchronize music but do not have the required resolution to sample-lock digital audio. MIDI time code is basically SMPTE time code adapted to the world of MIDI. MTC specifies “absolute” location information in hours:minutes:seconds:frames, just like SMPTE. There are two main kinds of messages...
Page 123
7 - Appendix Word Clock In/Out E-MU 1820M/1820/1212M PCI Digital Audio System 123 Word Clock In: Receives word clock (sample clock) from another digital device such as a digital video deck, digital recorder or digital mixer. Word Clock Out: Sends word clock (sample clock) to another digital recorder. Word clock is always output, whether it is generated by the internal clock or passed through from the word clock input. 75Ω On/Off: Termination for the word clock input can be switched on or off in the...
Page 124
7 - Appendix Getting in Sync 124Creative Professional Getting in Sync Whenever you connect external digital audio devices together, you need to be aware of how they are synchronized to each other. Simply connecting digital out to digital in doesn’t guarantee that two digital devices are synced, even if audio is being passed. Unless you have set one to be the Master and the other a Slave, they are probably NOT synchronized and the quality of your audio will suffer. S/PDIF and ADAT are two commonly...
Page 125
7 - Appendix Useful Information E-MU 1820M/1820/1212M PCI Digital Audio System 125 Useful Information AES/EBU to S/PDIF Cable Adapter This simple adapter cable allows you to receive AES/EBU digital audio via the S/PDIF input on the E-MU 1010 PCI card. This cable may also work to connect S/PDIF out from the 1010 PCI card to the AES/EBU input of other digital equipment. Cables - balanced or unbalanced? All inputs and outputs on the E-MU Digital Audio System are designed to use either balanced or...
Page 126
7 - Appendix Useful Information 126Creative Professional Unbalanced Cables Unbalanced cables have one conductor and one ground (shield) and usually connect via unbalanced 1/4 phone plugs or RCA phono plugs. The shield stays at a constant ground potential while the signal in the center conductor varies in positive and negative voltage. The shield completely surrounds the center “hot” conductor and is connected to ground in order to intercept most of the electrical interference encountered by the...
Page 127
7 - Appendix Technical Specifications E-MU 1820M/1820/1212M PCI Digital Audio System 127 Technical Specifications Specifications: 1820M System GENERAL Sample Rates44.1 kHz. 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz from internal crystal. Externally supplied clock from S/PDIF, ADAT (or word clock with optional Sync Card) Bit Depth16 or 24-bits Hardware DSP100MIPs custom audio DSP. PCI Bus-Mastering DMA subsystem reduces CPU usage. Zero-latency direct hardware monitoring with effects. 1394 Firewire...
Page 128
7 - Appendix Technical Specifications 128Creative Professional MIC PREAMP/LINE INPUT TypeTFPro™ combination microphone preamp and line input Frequency Response+0.8/-0.1 dB, 20 Hz - 20kHz Stereo Crosstalk< 120 dB, 1kHz LINE INPUT Gain Range:-12 to +28 dB Max Level: -17 dbV (19.2 dBu) THD+N:-100 dB (.001%), 1 kHz at -1 dBFS Dynamic Range:107 dB (A-weighted, min. gain) SNR: 107 dB (A-weighted, min. gain) Input Impedance: 10K ohm CMRR: > 40 dB (60Hz) MICROPHONE PREAMP Gain Range:-10 to +50 dB Max Level: -12...
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7 - Appendix Technical Specifications E-MU 1820M/1820/1212M PCI Digital Audio System 129 TURNTABLE INPUTRIAA equalized phono input Frequency Response:+/-0.5 dB, 50 Hz - 20 kHz THD+N:-76 dB (.015%) (1 kHz, 10 mV RMS unbalanced input) SNR:90 dB (1kHz, 10 mV RMS unbalanced input) Stereo Crosstalk:< -80 dB (1kHz at -1 dBFS) Maximum Level:Professional: 80 mV RMS Consumer: 20 mV RMS Input Capacitance:220 pF Input Impedance:47K ohm DIGITAL I/O S/PDIF• 2 in/2 out coaxial (transformer coupled) • 2 in/3 out optical...
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7 - Appendix Technical Specifications 130Creative Professional Specifications: 1820 System GENERAL Sample Rates44.1 kHz. 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz from internal crystal. Externally supplied clock from S/PDIF, ADAT (or word clock with optional Sync Card) Bit Depth16 or 24-bits Hardware DSP100MIPs custom audio DSP. PCI Bus-Mastering DMA subsystem reduces CPU usage. Zero-latency direct hardware monitoring with effects 1394 Firewire Core - Texas Instruments Converters & OpAmpsADC -...
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