Home
>
Christie Digital Systems
>
Projector
>
Christie Digital Systems Ds+5k, Kc-8k, Dw3k-6k, Kc, Mirage S+2-4-8k, Dlv1400-dx, Matrix 4000 Users Manual
Christie Digital Systems Ds+5k, Kc-8k, Dw3k-6k, Kc, Mirage S+2-4-8k, Dlv1400-dx, Matrix 4000 Users Manual
Here you can view all the pages of manual Christie Digital Systems Ds+5k, Kc-8k, Dw3k-6k, Kc, Mirage S+2-4-8k, Dlv1400-dx, Matrix 4000 Users Manual. The Christie Digital Systems manuals for Projector are available online for free. You can easily download all the documents as PDF.
Page 71
Section 3: Operation User’s Manual 3-45. Figure 3.10. CIE 1931 Chromaticity Diagram NOTE: Keep new x,y coordinates within the original color gamut triangle shown here. PROCEDURE FOR X,Y ADJUSTMENTS: See 3.10, Using Multiple Projectors. COLOR SATURATION: Use this submenu if you do not have specific color coordinates in mind and will simply judge color performance by eye or meter. Like the Color Adjustment by X,Y submenu, each color control actually defines new x/y coordinates...
Page 72
Section 3: Operation 3-46 User’s Manual Black Level Blending — SUBMENU Black Level Blending is a feature that eliminates the differences between black levels when edge blending multiple projectors. The Black Level Blending submenu provides many controls to allow the edges of adjacent images to be smoothly overlapped creating a “seamless” image. Edge blending smoothes white levels, and if edge blending is not in use, Black Level Blending is disabled. Black Level Blending provides a simple...
Page 73
Section 3: Operation User’s Manual 3-47. Test Pattern Choose the desired internal test pattern to display, or select OFF to turn off a test pattern. Alternatively, use the Te s t key for cycling through test patterns. NOTE: There is a centerline (both horizontal and vertical) in the Edge Blending test pattern. The intersection of these lines is the true center of the projector’s display area. Test Pattern Grey Level Set the desired level of grey for displaying in the full gray...
Page 74
Section 3: Operation 3-48 User’s Manual Two sets of values are automatically saved with these controls—one value for Input #1, and one for Input #2 (analog). The current set of values depends on which source is in use. This enables a source to be processed correctly via 2 different inputs. Figure 3.11. Using “Odd Pixel Adjustment” NOTES: 1) Adjust offset before gain, since offset affects gain. 2) A value of 128 represents no change in normal odd pixel offset or gain. 3) Odd Pixel...
Page 75
Section 3: Operation User’s Manual 3-49. LiteLOC™ Calibration NOTES: 1) LiteLOC™ Calibration takes up to two minutes. 2) For best results, allow the projector to warm up for 15 minutes prior to calibration. LiteLOC™ Calibration defines the range of power needed to maintain lamp brightness. Select Calibrate LiteLOC for calibration using your projector’s unique specifications (recommended) rather than standard specifications. The projector will revert to the default back-up in the event of...
Page 76
Section 3: Operation 3-50 User’s Manual PIP (Picture-in-Picture) and Seamless Switching are independent but related projector features that both utilize two image-processing paths within the projector. In the case of Picture-in-Picture, this double processing enables you to display two different images simultaneously – typically a smaller “secondary” image within a large “primary” background. In a seamless switch, the double processing essentially occurs between displays so that a full...
Page 77
Section 3: Operation User’s Manual 3-51. Swap Main and PIP Image Toggle the current picture-in-picture relationship so that the primary (main) image becomes secondary (PIP), and the secondary image becomes primary. Swapping is available only when PIP is enabled. NOTE: There may be a slight delay when swapping the Primary and Secondary images. PIP Enable Short cut: Press on the Remote if menu not present. Toggle to display from two sources at once (Picture-in- Picture) or the primary...
Page 78
Section 3: Operation 3-52 User’s Manual PIP Border Color Select the desired color for the PIP window border. NOTES: 1) Numbers 7 and 8 on the Picture-in-Picture and Switching submenu control switching parameters. 2) Disable PIP in order to work with Seamless Switching. 3) Disable PIP and Best Switching for Interlaced sources > 35kHz. Seamless Switching is the ability to instantly and/or smoothly switch sources, and is controlled with options 7 and 8 in the PIP and Switching menu. To...
Page 79
Section 3: Operation User’s Manual 3-53. Numbers Select Main Image Use Numbers Select Main Image to use the numeric keys #1-8 as input keys. This remapping of the keypad (see right) can be particularly useful with PIP displays, providing a convenient shortcut for changing the primary (background) image without first having to return to the Main menu. Select “Always” to use the keys in this manner all of the time, even with single displays. For normal keypad function, select Never...
Page 80
Section 3: Operation 3-54 User’s Manual NOTES: 1) If you change modes over the life of a lamp, the lamp limit you originally expected may no longer be possible. 2) Turning the lamp on and off reduces lamp life significantly, as do other factors. 3) It is recommended that Lamp Limit not exceed the expected lamp life, otherwise a lamp could become dangerously fragile with overuse. Set which LAMP MODE you want to use in order to control the light output. You can choose to run the lamp as...