Christie Digital Systems Cp2000-m, Cp2000-zx, Cp2000-xb, Cp2000-sb Specifications

							Alternative content 
Post productionReview rooms
Special events
Theatrical exhibition
Digital Cinema Solutions 
						

							Christie brings the force of cutting edge Digital Cinema 
technology to the biggest Star Wars party ever – Celebration IV  
– with the first-ever back-to-back, six-episode Saga marathon in 
the U.S. on May 23, 2007.
The state-of-the-art digital screening of all six Star Wars episodes 
on the world’s most popular DLP Cinema
® projector, the Christie 
CP2000, is one of the highlights of the massive event, which brings 
together tens of thousands of Star Wars fans from around the world.
The screening marks the first time all Star Wars episodes had been 
theatrically presented in story order (from Episode I to Episode VI),  and drew thousands of enthusiastic fans. “Star Wars Celebration IV” 
is produced by Lucasfilm Ltd. and Gen Con LLC.  
Craig Sholder, vice-president of Entertainment Solutions at Christie 
comments, “The Christie 2K DLP Cinema
® projector played a major 
role in launching Lucas’ final Star Wars movie, Episode III Revenge 
of the Sith, with digital premieres that attracted record audiences 
around the world. At Star Wars Celebration IV, Lucasfilm Ltd. and 
Christie continue their long and productive relationship, with the 
Christie CP2000 series offering the most pristine, visually stunning 
images fans have ever seen.”
  
1  IN-THEATER SOLUTIONS     
						

							Christie  understands  the  cinema  industry.  We  know  our  customers 
personally. With no margin for error, the show must always go on. Christie 
brings over 75 years of experience, knowledge and value to your cinema 
business. Count on Christie to know and understand your cinema needs – 
whether traditional or film, Digital Cinema technology.
We’re 100% committed to supporting our film products and accessories. 
Christie was the first licensee of DLP Cinema
® technology, the first Digital 
Cinema  technology  to  be  adapted  by  the  Hollywood  community.  We  were the first to market with a networked on-screen advertising solution 
to  help  support  and  grow  your  business.  Our  Managed  Services  offers 
a  series  of  professional  solutions  designed  for  total  customer  peace  of 
mind  from  consultation  to  remote  servicing  through  a  Christie-managed 
Network Operations Center.
From concept to completion, Christie is the undisputed leader in creating 
quality, effective solutions for your cinema.
    2     
						

							Specifications   CP2000-M
Dimensionsweight(L x W x H) 25 x 25 x 12”•	
96 lb•	
Lenses
zoom
optional
1. 0 5:1•	   • 1.3 0 -1.75:1   • 1.39-1.9:1   • 1. 5 - 2 . 2 :1   • 1.75 - 2 . 4 0 :1   • 1.9-3.0:1   • 2 . 4 0 - 3 .9 0 :1   • 3.90-6.52:1
1.25x Anamorphic Lens  
•	   • 1.26x Wide Converter Lens             (Use of the Anamorphic or Wide Converter Lens requires the CP2000 -M MALM)
Screen size
						

							Specifications   CP2000-M
Dimensionsweight(L x W x H) 25 x 25 x 12”•	
96 lb•	
Lenses
zoom
optional
1. 0 5:1•	   • 1.3 0 -1.75:1   • 1.39-1.9:1   • 1. 5 - 2 . 2 :1   • 1.75 - 2 . 4 0 :1   • 1.9-3.0:1   • 2 . 4 0 - 3 .9 0 :1   • 3.90-6.52:1
1.25x Anamorphic Lens  
•	   • 1.26x Wide Converter Lens             (Use of the Anamorphic or Wide Converter Lens requires the CP2000 -M MALM)
Screen size
						

							Specifications   CP2000-SB
Dimensionsweight(L xWxH) 46 x 25 x 56”•	
CP2000S (overall system with pedestal: 505 lb (229 kg)•	
Lenses
zoom
optionalAvailable in High Brightness or High Contrast versions•	
1. 25 -1.4 5:1•	    • 1.4 5 -1.8:1     • 1. 8 - 2 . 4 :1    • 2 . 2- 3 . 0 :1     • 3.0-4.3:1     • 4.3-6.0:1     • 5.5-8.5:1
Anamorphic Lenses (Motorized Auxiliary Lens Mount necessary for mounting of these lenses)
•	1.26:1 (for scope format)•	
Screen sizesuitable for screens from 25-100 ft•	
Specifications   CP2000-XB
Dimensions weightProjec tion head: (L x W x H) 25.6 x 49.0 x 20.5” (650 x 1250 x 520mm)•	   • Ballast: (L x W x H) 21.3 x 17.3 x 20.9” (540 x 440 x 530mm)
Projec tion head: 260 lb (118.2 kg)
•	   • Ballast: 110 lb (50 kg)   • Optional rigging frame: 105.4 lb (47.9 kg) with fork lift tubes and castors
Lenses zoom
optionalAvailable in High Brightness or High Contrast versions•	
1. 25 -1.4 5:1•	   • 1.4 5 -1.8:1   • 1. 8 - 2 . 4 :1   • 2 . 2- 3 . 0 :1   • 3.0-4.3:1   • 4.3-6.0:1   • 5.5-8.5:1
Anamorphic Lenses (Motorized Auxiliary Lens Mount necessary for mounting of these lenses)
•	1.26:1 (for scope format)•	
Screen sizeSuitable for screens from 25-100 ft•	
5  DIGITAL SOLUTIONS
CP2000-XB Splithead design
Christie’s unique split-head design revolutionizes 
the world of Digital Cinema projection. The 
separate projection head and ballast lets you 
put very high power in almost any space. The 
universal ballast gives you maximum flexibility.
Setting new standards with 2K resolution, 
Christie’s CP2000-XB has exceptional image 
quality from DLP Cinema
® technology, high 
quality optics and 15-bit image processing for 
crisp, clean images with perfect color saturation 
and spectacular video. Based on the same  popular design as the X design, the XB now 
provides over 30,000 ANSI lumens. Perfect 
for large screens and the most demanding 
3D installations! Offering the ultimate in 
networkability – on-board ChristieNET
™ 
connectivity lets you control as many units as you 
desire through our touch panel controller from a 
central location. 
Separate projection head and ballast•	
Adjustable lamp power – 1000-6500W•	
Better than 2000:1 sequential contrast and  •	
  greater than 30,000 lumens
6, 25, 50 and 100 foot umbilical lengths  •	
 for the external ballast
Most flexible high power solution in the industry•	
Highest contrast ratio in 3-chip DLP Cinema•	®
Low cost of operation•	
Self-aligning lamp •	
LiteLOC™ and LampLOC™•	
Standard suppor t for SNMP with optional  •	
 HDCP suppor t
Local control though Christie’s industr y  •	
 standard setting Touch Panel Controller 
7.63
193
.8
6.89
175
.0
25.61
650
.6
25.00
635
.0
17.00
FT CENTER
NOT TO BE USED
AS MOUNT POINTS FOR  FLYING
431
.84.00
101
.64.00
101
.6
[492 .6] 19.39  MI N HEIGHT
[21 69.4] 85. 41 MAX HEIGHT
[152.4] 6.00  MIN.  HEIGHT
[18 28.8] 72. 00 MAX HEIGHT
[66 .9]
2.64
TYP . HEIGHT OF COUPLER
ON TOP AND BOT T OM
8.14
206
.7
6.00
152
.5
18.28
464
.3
49.02
1245
.1
27.88
FT   CENTER
NOT TO BE USED 
AS MOUNT POINTS FOR  FLYING
708
.0
44.40
1127
.9
[55 ] 2. 17 MAX HEIGHT
[
17 ] . 67  MI N HEIGHT
19.79  
MOUNTING  FLANGE HEIGHT
FOR EXTRACTOR A SSEMBLY
502
.7
18.31
MIN LE NS 
465
.0
24.73
MAX LENS 628
.1
20.45
519
.3
1/2-13 UNC x 3.5 D EEP
NOT TO BE USED AS  MOUNT POINTS
7.63
193
.8
6.89
175
.0
25.61
650
.6
25.00
635
.0
17.00
FT CENTER
NOT TO BE USED
AS MOUNT POINTS FOR  FLYING
431
.84.00
101
.64.00
101
.6
[492 .6] 19.39  MI N HEIGHT
[21 69.4] 85. 41 MAX HEIGHT
[152.4] 6.00  MIN.  HEIGHT
[18 28.8] 72. 00 MAX HEIGHT
[66 .9]
2.64
TYP . HEIGHT OF COUPLER
ON TOP AND BOT T OM
8.14
206
.7
6.00
152
.5
18.28
464
.3
49.02
1245
.1
27.88
FT   CENTER
NOT TO BE USED 
AS MOUNT POINTS FOR  FLYING
708
.0
44.40
1127
.9
[55 ] 2. 17 MAX HEIGHT
[
17 ] . 67  MI N HEIGHT
19.79  
MOUNTING  FLANGE HEIGHT
FOR EXTRACTOR A SSEMBLY
502
.7
18.31
MIN LE NS 
465
.0
24.73
MAX LENS 628
.1
20.45
519
.3
1/2-13 UNC x 3.5 D EEP
NOT TO BE USED AS  MOUNT POINTS
With almost 80% worldwide market share, Christie maintains its position as a global market leader 
in Digital Cinema.
According  to  Jack  Kline,  president  and  COO,  the  dramatic  acceleration  in  the  pace  of  global 
installations is a testament to Christie’s proven technology, software, and services integrated in each 
system. “Our unparalleled success is based on more than three-quarters of a century of experience. 
Quality and world-class support services remain our number one priorities as we work with exhibitors 
to help them make the digital transition seamlessly and revolutionize the movie-going experience.”  
						

							Specifications   CP2000-SB
Dimensionsweight(L xWxH) 46 x 25 x 56”•	
CP2000S (overall system with pedestal: 505 lb (229 kg)•	
Lenses
zoom
optionalAvailable in High Brightness or High Contrast versions•	
1. 25 -1.4 5:1•	    • 1.4 5 -1.8:1     • 1. 8 - 2 . 4 :1    • 2 . 2- 3 . 0 :1     • 3.0-4.3:1     • 4.3-6.0:1     • 5.5-8.5:1
Anamorphic Lenses (Motorized Auxiliary Lens Mount necessary for mounting of these lenses)
•	1.26:1 (for scope format)•	
Screen sizesuitable for screens from 25-100 ft•	
Specifications   CP2000-XB
Dimensions weightProjec tion head: (L x W x H) 25.6 x 49.0 x 20.5” (650 x 1250 x 520mm)•	   • Ballast: (L x W x H) 21.3 x 17.3 x 20.9” (540 x 440 x 530mm)
Projec tion head: 260 lb (118.2 kg)
•	   • Ballast: 110 lb (50 kg)   • Optional rigging frame: 105.4 lb (47.9 kg) with fork lift tubes and castors
Lenses zoom
optionalAvailable in High Brightness or High Contrast versions•	
1. 25 -1.4 5:1•	   • 1.4 5 -1.8:1   • 1. 8 - 2 . 4 :1   • 2 . 2- 3 . 0 :1   • 3.0-4.3:1   • 4.3-6.0:1   • 5.5-8.5:1
Anamorphic Lenses (Motorized Auxiliary Lens Mount necessary for mounting of these lenses)
•	1.26:1 (for scope format)•	
Screen sizeSuitable for screens from 25-100 ft•	
CP2000-SB
Christie’s CP2000 Series projectors are the most 
deployed Digital Cinema projection solution in 
the world. Designed for exhibitors, the CP Series 
delivers high performance projection for a variety of 
screen sizes with a flexible design to accommodate 
future upgrades and reduce the cost of ownership.
Christie’s CP Series sets a new level of 
performance for Digital Cinema technology. 
Choices in brightness and power levels offer 
flexibility for a variety of screen sizes in existing 
theater infrastructures and protects today’s 
investments for tomorrow’s development.
Digital Cinema projectors ideally suited  •	
 for large screen theaters (max 100 or 75 feet*),  
  post-production houses and multi-media  
 theatrical productions      
 *(DCI spec at 100% lamp life screen gain 1.2”)
1.2” 2k DMD™ DLP Cinema•	® display device
Network connectivity to major theater  •	
 automation systems and servers
Ethernet based touch panel controller for  •	
 local user inter face
Number of colors – 35 trillion•	
Available with 1-7kW switching power supply •	
  Our digital projectors are still number one 6  
						

							7 DIGITAL ACCESSORIES
Christie ACT
The Christie ACT puts control of your single 
screen, multiplex or entire theater chain 
in your hand. Christie’s flexible theater 
automation solution and powerful open 
architecture can integrate fully with any 
end user application. With its flexibility, 
programmability and user-friendly GUI – the 
average user can easily customize tasks and 
events to specifically suit the needs of their 
own theater operation/complex. 
The Christie ACT is a 2RU steel box with
general purpose I/O, 2 high current (10A) 
relays, 10 1A relays, RS-232, RS-422, accessory 
power,  and Ethernet.
The main user interface used for setup
and operation can be accessed from any
external computer’s web browser.
Completely programmable by end users  •	
 via easy to use web interface 
Includes device support for all    •	
  CP Series D-Cinema projectors and    
 various audio processors 
Users can define nearly unlimited amount  •	
 of “virtual actuators” 
Automation via simple GUI or advanced scripting•	
Sharing scripts between multiple Christie ACTs•	
Predefined scripts for supporting known devices•	
Ethernet, RS-232 and RS-422•	
Customized support for any product with  •	
 published interface specifications
Cine-IPM 2K
The Christie Cine-IPM 2K is the preferred choice 
for post-production and cinemas the world 
over, bringing the latest alternative content to 
the big screen. Using a comprehensive 10-bit 
image processing package, the Cine-IPM 2K 
takes control of the incoming signal and will 
display any standard output format regardless 
of the source. The Cine-IPM 2K accurately 
displays non-cinema or alternative content 
such as broadcast television, satellite, business 
presentations and HDTV sources.
The Christie Cine-IPM 2K offers image scaling, 
image processing and reformatting. It handles 
both standard and HD sources and integrates 
easily for use with any CP Series projectors. 
Additional input modules are available to 
accommodate virtually any digital or analog source.
RGBHV/YPbPr: 5-BNC•	
DVI-I: digital/analog•	
RGB/YPbPr•	
1 composite, 1 S-video•	
Dual SD/HD-SDI interface module•	
Easy to reach front panel connections •	
Advanced 10-bit image scaling capabilities  •	
 for all sources
Ideal for displaying alternative content•	
Suitable for satellite television rebroadcast,  •	
 corporate presentations
Illuminated LCD status display•	
Optional input modules for HD-SDI and SDI•	
Formats virtually any incoming video source  •	
 for proper display on any CP series projector
Optional Christie Twist™ module allows  •	
  blending of multiple projectors onto one  
 screen or the automatic calibration of multiple  
 projectors onto a single screen
Wide Converter Lens (WCL)
The WCL achieves an accurate unattended 
zoom from a “flat” image format of 1.85:1 
to a “scope” image format of 2.39:1. At the 
same time, it maintains the full resolution of 
the source data. Other possible solutions are 
either impractical, cost-prohibitive or simply do 
not exist. The WCL simply mounts in front of 
a standard prime lens and expands the image 
just like a zoom of 1.26X, expanding the image 
to effectively decrease the throw ratio. For 
example, it converts the zoom range of our 
2.2-3.0 lens to 1.75-2.38. In essence, the WCL is 
a focal length adapter.
Motorized Auxiliary Lens 
Mount (MALM) 
The motorized auxiliary lens mount (MALM) 
moves the WCL out of the light path, so that it 
does not affect the “flat” image focus, location 
or performance in any way.  Only lenses with 
the throw ratios of 1:45-1.8, 1.8-2.4, 2.2-3.0 and 
3.0-4.3 are certified to work with the WCL.  
						

							   8
DLP Cinema® Lenses
High Brightness Prime Lenses
(for use in commercial exhibition)
Part number Description
108-274101-011.25 – 1.45:1 •	
108-275101-011.45 – 1.8:1•	
108-276101-011.8 – 2.4:1•	
108-277101-01 2.2 – 3.0•	
108-278101-013.0 – 4.3:1•	
108-279101-014.3 – 6.0:1•	
108-280101-015.5 – 8.5:1•	
High Contrast Prime Lenses
(for use in Post Production and Review Rooms)
Part number Description
38-809079-511.25 – 1.45:1 •	
38-809061-511.45 – 1.8:1•	
38-809052-511.8 – 2.4:1•	
38-809053-51 2.2 – 3.0•	
38-809069-513.0 – 4.3:1•	
38-809081-514.3 – 6.0:1•	
38-809080-515.5 – 8.5:1•	
(for use with CP20 0 0 -M)
Part number Description
108-319104-011. 0 5:1•	
108-320106-011.30 – 1.75”1•	
coming soon1.39 – 1.9:1•	
coming soon1.5 – 2.2:1•	
108-321107-011.75 – 2.40:1•	
coming soon1.9 – 3.0:1•	
108-322108-012.40 – 3.90:1•	
108-323109-013.90 – 6.52:1•	
Digital Cinema dimmer
Christie Digital Cinema dimmers are 
available in 1,2, and 4-channel versions 
for both 110/115V and 220 VAC, 50/60Hz 
operation. Programming for each of the 
four presets for intensity levels and fade 
times are digitally controlled by the input 
keypad at the dimmer. The front panel has 
LED indicators (for both power and channel 
output level) and a manual panic activation/
reset button (instant lights/up/full). Optional 
dimmer mounted circuit breakers are also 
available. UL and CSA listed. 
Extra large heat sink for trouble-free    •	
  “cool” operation
Easy to read display shows light level and  •	
 up/down fade times
Simple 3-button programming:    •	
 Up/Down/Set
Emergency ON/back to previous state•	
Channel light level and status indicators•	
Simple connections and wiring layout•	
Solid state digital control system,    •	
 effortless automation interfacing
*Note: specify 110V or 220V
Part number Description
700107-019 or 020*DCD 2 x 2400W  •	 dimmer
700107-021 or 022*DCD 2 x 2400W  •	 dimmer with   breakers
700107-023 or 024*DCD 4 x 2400W  •	 dimmer
700107-026 or 027*DCD 4 x 2400W    •	 dimmer with    breakers
CDXL high performance 
short arc lamps
Christie’s CDXL high performance xenon lamps 
are highly efficient and allow you to reduce the 
lamp size in your film console from the originally 
specified lamp while maintaining or improving 
brightness. 
Originally designed for the CP series of Christie 
projectors these lamps have performed great 
in film consoles. For more information visit our 
website at christiedigital.com
CXL short arc lamps
Proven the most reliable cinema lamps used 
today, Christie’s CXL Xenon short arc lamps are 
the best commercially available option on the 
market with the most even light distribution - 
balanced like natural sunlight.  
Available in 900-7500W configurations. Contact 
your Christie Sales Representative for the 
configuration best suited to meet your needs.  
						

							9 MANAGED SERVICES
Christie draws upon 75 years’ experience working with Fortune 1000 
companies to deliver a portfolio of proven, reliable, managed services 
to support its customers’ hardware and software assets. Services can 
vary from consultation, site selection and implementation to remote 
monitoring and control, preventative servicing, logistics and training. 
Supporting a wide array of manufacturers’ projectors, visual displays, 
servers, switches and networking products, Christie’s best-in-class  technical and field application engineers can address the most difficult 
infrastructure challenges.
From cinema to on-screen advertising to large group training centers, 
Christie Managed Services delivers the complete range of technical support 
to meet the unique technology needs of every organization, from a round-
the-clock, 24/7 support to Pay-Per-Incident and everything in-between.
TERMS AND CONDITIONS OF SALE
Today’s businesses rely on increasingly complex technology to 
operate efficiently and maintain their competitive edge. Management 
is challenged more than ever before to provide the knowledge 
and expertise to support their company’s expanding technology 
infrastructure – all while staying within a defined budget.