Casio Px3 Manual

							Appendix
E-59
English
L
Drum Assignment ListE1
F1
G1
A1
B1
C2
D2
E2
F2
G2
A2
B2
C3
D3
E3
F3
G3
A3
B3
C4
D4
E4
F4
G4
A4
B4
C5
D5
E5
F5
G5
A5
B5
C6
D6
E6
F628
29
31
33
35
36
38
40
41
43
45
47
48
50
52
53
55
57
59
60
62
64
65
67
69
71
72
74
76
77
79
81
83
84
86
88
89E
b1
F#
1
Ab1
Bb1
C#
2
Eb2
F#
2
Ab2
Bb2
C#
3
Eb3
F#
3
Ab3
Bb3
C#
4
Eb4
F#
4
Ab4
Bb4
C#
5
Eb5
F#
5
Ab5
Bb5
C#
6
Eb627
30
32
34
37
39
42
44
46
49
51
54
56
58
61
63
66
68
70
73
75
78
80
82
85
87
High Q   
Slap   
Scratch Push   
Scratch Pull   
Sticks   
Square Click   
Metronome Click   
Metronome Bell   
Standard1 Kick 2   
Standard1 Kick 1   
Side Stick   
Standard1 Snare 1   
Hand Clap   
Standard1 Snare 2   
Low Tom 2   
Closed Hi-Hat   
Low Tom 1   
Pedal Hi-Hat   
Mid Tom 2   
Open Hi-Hat   
Mid Tom 1   
High Tom 2   
Crash Cymbal 1   
High Tom 1   
Ride Cymbal 1   
Chinese Cymbal   
Ride Bell   
Tambourine   
Splash Cymbal   
Cowbell   
Crash Cymbal 2   
Vibraslap   
Ride Cymbal 2   
High Bongo   
Low Bongo   
Mute High Conga   
Open High Conga   
Open Low Conga   
High Timbale   
Low Timbale   
High Agogo   
Low Agogo   
Cabasa   
Maracas   
Short High Whistle   
Long Low Whistle   
Short Guiro   
Long Guiro   
Claves   
High Wood Block   
Low Wood Block   
Mute Cuica   
Open Cuica   
Mute Triangle   
Open Triangle   
Shaker   
Jingle Bell   
Bell Tree   
Castanets   
Mute Surdo   
Open Surdo   
Applause 1
Applause 2







Standard2 Kick 2
Standard2 Kick 1

Standard2 Snare 1

Standard2 Snare 2

Standard2 Closed Hi-Hat

Standard2 Pedal Hi-Hat

Standard2 Open Hi-Hat 


















































Room Kick 2   
Room Kick 1   

Room Snare 1   

Room Snare 2   
Room Low Tom 2   

Room Low Tom 1   

Room Mid Tom 2   

Room Mid Tom 1   
Room High Tom 2   

Room High Tom 1   














































Power Kick 2
Power Kick 1

Power Snare 1

Power Snare 2
Room Low Tom 2

Room Low Tom 1

Room Mid Tom 2

Room Mid Tom 1
Room High Tom 2 

Room High Tom 1














































Elec. Kick 2   
Elec. Kick 1   

Elec. Snare 1   

Elec. Snare 2   
Elec. Low Tom 2   

Elec. Low Tom 1   

Elec. Mid Tom 2   

Elec. Mid Tom 1   
Elec. High Tom 2   

Elec. High Tom 1   

Reverse Cymbal












































Synth1 Kick 2   
Synth1 Kick 1   
Synth1 Rim Shot   
Synth1 Snare 1   
Synth1 Hand Clap   
Synth1 Snare 2   
Synth1 Low Tom 2   
Synth1 Closed Hi-Hat 1   
Synth1 Low Tom 1   
Synth1 Closed Hi-Hat 2   
Synth1 Mid Tom 2   
Synth1 Open Hi-Hat   
Synth1 Mid Tom 1   
Synth1 High Tom 2   
Synth1 Crash Cymbal   
Synth1 High Tom 1   
Synth1 Ride Cymbal   


Synth1 Tambourine   

Synth1 Cowbell   



Synth1 High Bongo   
Synth1 Low Bongo   
Synth1 Mute Hi Conga   
Synth1 Open Hi Conga   
Synth1 Open Low Conga   





Synth1 Maracas   




Synth1 Claves





















Synth2 Kick 2   
Synth2 Kick 1   
Synth1 Rim Shot   
Synth2 Snare 1   

Synth2 Snare 2   
Synth2 Low Tom 2   
Synth2 Closed Hi-Hat 1   
Synth2 Low Tom 1   
Synth2 Closed Hi-Hat 2   
Synth2 Mid Tom 2   
Synth2 Open Hi-Hat   
Synth2 Mid Tom 1   
Synth2 High Tom 2   

Synth2 High Tom 1   





Synth1 Cowbell   













Synth1 Maracas   




Synth1 Claves





















Jazz Kick 2   
Jazz Kick 1   

Jazz Snare 1   

Jazz Snare 2
























































Jazz Kick 2   
Brush Kick   
Brush Side Stick   
Brush Snare 1   
Brush Slap   
Brush Snare 2   








Brush Crash Cymbal 1   

Brush Ride Cymbal 1   

Brush Ride Bell   
Brush Tambourine   
Brush Splash Cymbal   

Brush Crash Cymbal 2   

Brush Ride Cymbal 2





























Closed Hi-Hat
Pedal Hi-Hat
Open Hi-Hat
Ride Cymbal 1




Jazz Kick 1
Concert BD

Concert SD
Castanets
Concert SD
Timpani F
Timpani F
#
Timpani G
Timpani G
#
Timpani A
Timpani A
#
Timpani B
Timpani c
Timpani c
#
Timpani d
Timpani d
#
Timpani e
Timpani f



Concert Cymbal 2

Concert Cymbal 1






























STANDARD SET 1 STANDARD SET 2 ROOM SET POWER SET ELECTRONIC SET SYNTH SET 1 SYNTH SET 2 JAZZ SET BRUSH SET ORCHESTRA SET
Key/Note Number“
” indicates a key is assigned the same tones as it is for STANDARD SET. 
						

							E-60
Appendix
DSP Effect List
The table below shows the DSP types that can be configured for each zone using zone parameters (page E-28).
The “DSP No.” column shows the DSP type numbers that appear on page 3 of the zone menu, and “Screen 
Name” shows the name (abbreviated) that appears on the screen. “DSP Name” shows the full version of the 
screen name.
For information about the parameters of a DSP type, note the value for it shown in the “Algorithm No.” column, 
and then refer to the corresponding item in the DSP Algorithm List (pages E-61 to E-66). Also note that algorithms 
01 through 17 are single effects, while numbers with M before them are multi effects.
The following two parameters are common to all of the DSP types in the table below.
Reverb Send (0 to 127)
Specifies how much of the sound that passes the DSP is sent to reverb.
Chorus Send (0 to 127)
Specifies how much of the sound that passes the DSP is sent to chorus.
DSP No.Screen NameDSP NameAlgorithm 
No.
Dynamics Fx
[1]EqualizerEqualizer01
[2] Compressor 1 Compressor 1 02
[3]Compressor 2Compressor 202
[4] Limiter Limiter 03
[5]EnhancerEnhancer04
[6] Comp-Enhancer Compressor - Enhancer M03
Reflection
[7] Reflection Reflection 07
Phaser
[8] Phaser 1 Phaser 1 12
[9]Phaser 2Phaser 212
[10] Phaser 3 Phaser 3 13
[11]Comp-PhaserCompressor - PhaserM17
Chorus/Flanger
[12]Chorus 1Chorus 105
[13] Chorus 2 Chorus 2 05
[14]Chorus 3Chorus 310
[15] Flanger Flanger 17
[16]Comp-ChorusCompressor - ChorusM04
[17] Enha-Chorus 1 Enhancer - Chorus 1 M01
[18]Enha-Chorus 2Enhancer - Chorus 2M01
Pha/Cho/Flanger Combination
[19]Phaser-Chorus 1Phaser - Chorus 1M05
[20] Phaser-Chorus 2 Phaser - Chorus 2 M05
[21]Chorus-Flan 1Chorus - Flanger 1M07
[22] Chorus-Flan 2 Chorus - Flanger 2 M07
Pan/Tremolo Fx
[23] Tremolo Tremolo 06
[24]Chorus-TremoloChorus - TremoloM02
[25] Comp-Tremolo Compressor - Tremolo M16
[26]Dist-TremoloDistortion - TremoloM14
[27] Auto Pan Auto Pan 11
[28]Comp-Auto PanCompressor - Auto PanM15
[29] Dist-Auto Pan Distortion - Auto Pan M13
[30]Phaser-APan 1Phaser - Auto Pan 1M06
[31] Phaser-APan 2 Phaser - Auto Pan 2 M06
[32]Pha-Cho-AutoPanPhaser - Chorus - Auto PanM19
Rotary Fx
[33]Rotary 1Rotary 108
[34] Rotary 2 Rotary 2 08
[35]Od Rotary 1Overdrive Rotary 109
[36] Od Rotary 2 Overdrive Rotary 2 09
Wah Fx
[37] LFO Wah LFO Wah 16
[38]Auto WahAuto Wah15
[39] Comp-LFO Wah Compressor - LFO Wah M12
[40]Comp-Auto WahCompressor - Auto WahM11
[41] LFO Wah-Chorus LFO Wah - Chorus M20
[42]Auto Wah-Cho 1Auto Wah - Chorus 1M21
[43] Auto Wah-Cho 2 Auto Wah - Chorus 2 M21
[44]Auto Wah-PhaserAuto Wah - PhaserM08
Distortion Fx
[45]CrunchCrunch14
[46] Overdrive Overdrive 14
[47]DistortionDistortion14
[48] Phaser-Dist Phaser - Distortion M18
[49]Crunch-PhaserCrunch - PhaserM09
[50] Ovrdrive-Phaser Overdrive - Phaser M09
[51]Crunch-ChoursCrunch - ChorusM10
[52] Ovrdrive-Chorus Overdrive - Chorus M10
[53]Dist-Chorus 1Distortion - Chorus 1M10
[54] Dist-Chorus 2 Distortion - Chorus 2 M10
[55]Comp-Dist-Cho 1Compressor - Distortion - Chorus 1M22
[56] Comp-Dist-Cho 2 Compressor - Distortion - Chorus 2 M22
[57]LWah-Dist-Cho 1LFO Wah - Distortion - Chorus 1M23
[58] LWah-Dist-Cho 2 LFO Wah - Distortion - Chorus 2 M23
[59]AWah-Dist-Cho 1Auto Wah - Distortion - Chorus 1M24
[60] AWah-Dist-Cho 2 Auto Wah - Distortion - Chorus 2 M24
[61]Cmp-Dist-APan 1Compressor - Distortion - Auto Pan 1M25
[62] Cmp-Dist-APan 2
Compressor - Distortion - Auto Pan 2M25
[63]Cmp-Dist-Trem 1Compressor - Distortion - Tremolo 1M26
[64] Cmp-Dist-Trem 2
Compressor - Distortion - Tremolo 2M26
DSP No.Screen NameDSP NameAlgorithm 
No. 
						

							Appendix
E-61
English
Single-effect Algorithms
01: Equalizer
This is a three-band equalizer.
Parameter Value Ranges:
0 : Equalizer 1 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])
Adjusts the center frequency of Equalizer 1.
1 : Equalizer 1 Gain (–12 to 0 to +12)
Adjusts the gain of Equalizer 1.
2 : Equalizer 2 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])
Adjusts the center frequency of Equalizer 2.
3 : Equalizer 2 Gain (–12 to 0 to +12)
Adjusts the gain of Equalizer 2.
4 : Equalizer 3 Frequency (1.0, 1.3, 1.6, 2.0, 2.5, 3.2, 4.0, 5.0 [KHz])
Adjusts the center frequency of Equalizer 3.
5 : Equalizer 3 Gain (–12 to 0 to +12)
Adjusts the gain of Equalizer 3.
Note: The Gain value is not a dB value.
02: Compressor
Compresses the input signal, which can have the effect of 
suppressing level variation and making it possible to sustain 
dampened sounds longer.
Parameter Value Ranges:
0 : Depth (0 to 127)
Adjusts compression of the audio signal.
1 : Attack (0 to 127)
Adjusts the attack amount of the input signal. A smaller value 
causes prompt compressor operation, which suppresses the 
attack of the input signal. A larger values delays compressor 
operation, which causes the attack of the input signal to be output 
as-is.
2 : Release (0 to 127)
Adjusts the time from the point the input signal drops below a 
certain level until the compression operation is stopped.
When an attack feeling is desired (no compression at the onset of 
sound), set this parameter to as low a value as possible. To have 
compression applied at all times, set a high value.
3 : Level (0 to 127)
Adjusts the output level.
Output volume changes in accordance with the Depth setting and 
the characteristics of the input tone. Use this parameter to correct 
for such changes.
03: Limiter
Limits the input signal level so it does not rise above a preset level.
Parameter Value Ranges:
0 : Limit (0 to 127)
Adjusts the volume level of the limit at which limiting is applied.
1 : Attack (0 to 127)
Adjusts the attack amount of the input signal.
2 : Release (0 to 127)
Adjusts the time from the point the input signal drops below a 
certain level until the limit operation is stopped.
3 : Level (0 to 127)
Adjusts the output level.
Output volume changes in accordance with the Limit setting and 
the characteristics of the input tone. Use this parameter to correct 
for such changes.
04: Enhancer
Enhances the profiles of the low range and high range of the input 
signal.
Parameter Value Ranges:
0 : Low Frequency (0 to 127)
Adjusts the low range enhancer frequency.
1 : Low Gain (0 to 127)
Adjusts the low range enhancer gain.
2 : High Frequency (0 to 127)
Adjusts the high range enhancer frequency.
3 : High Gain (0 to 127)
Adjusts the high range enhancer gain.
05: Chorus
This is a stereo chorus effect using a sine wave LFO.
Parameter Value Ranges:
0 : LFO Rate (0 to 127)
Adjusts the LFO rate.
1 : LFO Depth (0 to 127)
Adjusts the LFO depth.
2 : Feedback (–64 to 0 to +63)
Adjusts the strength of feedback
3 : Wet Level (0 to 127)
Adjusts the level of the effect sound.
4 : Polarity (–, +)
Reverses the LFO signal of one channel, which changes the 
expanse of sound.
06: Tremolo
Adjusts the volume of the input signal using an LFO.
Parameter Value Ranges:
0 : Rate (0 to 127)
Adjusts the tremolo rate.
1 : Depth (0 to 127)
Adjusts the tremolo depth.
07: Early Reflection
Extracts the initial reflection sound from reverberation sound.
Parameter Value Ranges:
0 : Wet Level (0 to 127)
Adjusts the level of the effect sound.
1 : Feedback (0 to 127)
Adjusts the repeat of the reflected sound.
2 : Tone (0 to 127)
Adjusts the tone of the reflected sound.
DSP Algorithm List 
						

							E-62
Appendix
08: Rotary
This is a rotary speaker simulator.
Parameter Value Ranges:
0 : Speed (Slow, Fast)
Switches the speed mode between fast and slow.
1 : Brake (Rotate, Stop)
Stops speaker rotation.
2 : Fall Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from fast 
to slow.
3 : Rise Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from slow 
to fast.
4 : Slow Rate (0 to 127)
Adjusts the speaker rotation speed in the slow speed mode.
5 : Fast Rate (0 to 127)
Adjusts the speaker rotation speed in the fast speed mode.
09: Drive Rotary
This is an overdrive - rotary speaker simulator.
Parameter Value Ranges:
0 : Overdrive Gain (0 to 127)
Adjusts overdrive gain.
1 : Overdrive Level (0 to 127)
Adjusts the overdrive output level.
2 : Speed (Slow, Fast)
Switches the speed mode between fast and slow.
3 : Brake (Rotate, Stop)
Stops speaker rotation.
4 : Fall Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from fast 
to slow.
5 : Rise Acceleration (0 to 127)
Adjusts acceleration when the speed mode is switched from slow 
to fast.
6 : Slow Rate (0 to 127)
Adjusts the speaker rotation speed in the slow speed mode.
7 : Fast Rate (0 to 127)
Adjusts the speaker rotation speed in the fast speed mode.
10: 3-Phase Chorus
This is a 3-phase chorus effect using two LFOs with different sine 
wave rates.
Parameter Value Ranges:
0 : Rate 1 (Fast LFO State) (0 to 127)
Adjusts the rate of LFO 1.
1 : Depth 1 (Fast LFO Depth) (0 to 127)
Adjusts the depth of LFO 1.
2 : Rate 2 (Slow LFO State) (0 to 127)
Adjusts the rate of LFO 2.
3 : Depth 2 (Slow LFO Depth) (0 to 127)
Adjusts the depth of LFO 2.
4 : Wet Level (0 to 127)
Adjusts the level of the effect sound.
11: Auto Pan
Performs continual left-right panning of the input signal using an 
LFO.
Parameter Value Ranges:
0 : Rate (0 to 127)
Adjusts the panning rate.
1 : Depth (0 to 127)
Adjusts the panning depth.
12: Stereo Phaser
This is a stereo phaser that modulates the phase using a sine wave 
LFO.
Parameter Value Ranges:
0 : Resonance (0 to 127)
Adjusts the strength of the resonance.
1 : Manual (–64 to 0 to +63)
Adjusts the reference phaser shift amount.
2 : Rate (0 to 127)
Adjusts the LFO rate.
3 : Depth (0 to 127)
Adjusts the LFO depth.
4 : Wet Level (0 to 127)
Adjusts the level of the effect sound.
13: Phaser
This is a monaural phaser that modulates the phase using a sine 
wave LFO.
Parameter Value Ranges:
0 : Resonance (0 to 127)
Adjusts the strength of the resonance.
1 : Manual (–64 to 0 to +63)
Adjusts the reference phaser shift amount.
2 : Rate (0 to 127)
Adjusts the LFO rate.
3 : Depth (0 to 127)
Adjusts the LFO depth.
4 : Wet Level (0 to 127)
Adjusts the level of the effect sound.
14: Distortion
This effect provides Distortion + Amp Simulator.
Parameter Value Ranges:
0 : Gain (0 to 127)
Adjusts the input signal gain.
1 : Low (0 to 127)
Adjusts the low-range gain.
The cutoff frequency depends on the DSP type.
2 : High (0 to 127)
Adjusts the high gain.
The cutoff frequency depends on the DSP type.
3 : Level (0 to 127)
Adjusts the output level. 
						

							Appendix
E-63
English
15: Auto Wah
This is a “wah” effect that can automatically shift the frequency in 
accordance with the level of the input signal.
Parameter Value Ranges:
0 : Input Level (0 to 127)
Adjusts the input level. The input signal can become distorted 
when the level of the sound being input, the number of chords, or 
the Resonance value is large. Adjust this parameter to eliminate 
such distortion.
1 : Resonance (0 to 127)
Adjusts the strength of resonance.
2 : Manual (0 to 127)
Adjusts the wah filter reference frequency.
3 : Depth (–64 to 0 to +63)
Adjusts the depth of the wah in accordance with the level of the 
input signal.
Setting a positive value causes the wah filter to open in direct 
proportion with the level of the input signal, producing a bright 
sound. Setting a negative value causes the wah filter to close in 
direct proportion with the level of the input signal, producing a 
dark sound. Even when the wah filter is closed, high level input 
will cause it to reopen.
16: LFO Wah
This is a “wah” effect that can automatically affect the frequency 
using an LFO.
Parameter Value Ranges:
0 : Input Level (0 to 127)
Adjusts the input level. The input signal can become distorted 
when the level of the sound being input, the number of chords, or 
the Resonance value is large. Adjust this parameter to eliminate 
such distortion.
1 : Resonance (0 to 127)
Adjusts the strength of resonance.
2 : Manual (0 to 127)
Adjusts the wah filter reference frequency.
3 : LFO Rate (0 to 127)
Adjusts the LFO rate.
4 : LFO Depth (0 to 127)
Adjusts the LFO depth.
17: Flanger
This is a flanger that uses a sine wave LFO.
Parameter Value Ranges:
0 : LFO Rate (0 to 127)
Adjusts the LFO rate.
1 : LFO Depth (0 to 127)
Adjusts the LFO depth.
2 : Feedback (–64 to 0 to +63)
Adjusts the strength of feedback
3 : Wet Level (0 to 127)
Adjusts the level of the effect sound.
Multi-effect Algorithms
A multi-effect is one connected to multiple single 
effects (page E-61).
“M01: Multi01 (Enhancer - Chorus)”, for example, is a 
multi-effect connected to two single effects: Enhancer 
and Chorus. The parameters included in a multi-effect 
algorithm are the same as the each of the connected 
single-effect algorithms. However, the following two 
parameters are specific to multi effects.
*** Skip (Off, On)
This parameter is included in M05, M06 (Phaser Skip), 
M08 (Wah Skip), etc.
It makes it possible for one of the effects of a multi 
effect (such a Wah in the case of Wah Skip) to be 
bypassed. Turning this parameter on causes the 
corresponding effect to be bypassed.
Note that depending on whether *** Skip is On or Off, 
there may be some difference in the level of notes that 
pass through the multi effect. Whether or not the level 
difference occurs depends on the settings of the other 
parameters of the multi effect. Adjust the Level, Depth, 
and other parameters for the skipped effect as 
required.
Routing
This parameter is included in M11 and M12. It swaps 
the routing of the effect.
The following shows only the parameters of multi-
effect algirithms (M01 through M26).
M01: Multi01 (Enhancer - Chorus)
0 : Enhancer Low Frequency
1 : Enhancer Low Gain
2 : Enhancer High Frequency
3 : Enhancer High Gain
4:Chorus Rate
5:Chorus Depth
6 : Chorus Feedback
7 : Chorus Wet Level
M02: Multi02 (Chorus - Tremolo)
0:Chorus Rate
1:Chorus Depth
2 : Chorus Feedback
3 : Chorus Wet Level
4:Tremolo Rate
5:Tremolo Depth
6:Chorus Polarity 
						

							E-64
Appendix
M03: Multi03 (Compressor - Enhancer)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4 : Enhancer Low Frequency
5 : Enhancer Low Gain
6 : Enhancer High Frequency
7 : Enhancer High Gain
M04: Multi04 (Compressor - Chorus)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4:Chorus Rate
5:Chorus Depth
6:Chorus Feedback
7 : Chorus Wet Level
8:Chorus Polarity
M05: Multi05 (Phaser - Chorus)
0 : Phaser Resonance
1:Phaser Manual
2:Phaser Rate
3:Phaser Depth
4 : Phaser Wet Level
5:Chorus Rate
6:Chorus Depth
7:Chorus Feedback
8 : Chorus Wet Level
9:Chorus Polarity
10 : Phaser Skip
M06: Multi06 (Phaser - Auto Pan)
0 : Phaser Resonance
1:Phaser Manual
2:Phaser Rate
3:Phaser Depth
4 : Phaser Wet Level
5 : Auto Pan Rate
6:Auto Pan Depth
7 : Phaser Skip
M07: Multi07 (Chorus - Flanger)
0:Chorus Rate
1:Chorus Depth
2:Chorus Feedback
3 : Chorus Wet Level
4 : Flanger Rate
5 : Flanger Depth
6 : Flanger Feedback
7 : Flanger Wet Level
8:Chorus Polarity
9 : Flanger Polarity
M08: Multi08 (Auto Wah - Phaser)
0 : Wah Input Level
1 : Wah Resonance
2:Wah Manual
3 : Wah Depth
4 : Phaser Resonance
5:Phaser Manual
6:Phaser Rate
7:Phaser Depth
8 : Phaser Wet Level
9:Wah Skip
M09: Multi09 (Distortion - Phaser)
0:Distortion Gain
1:Distortion Low
2 : Distortion High
3:Distortion Level
4 : Phaser Resonance
5:Phaser Manual
6:Phaser Rate
7:Phaser Depth
8 : Phaser Wet Level
9:Distortion Skip
M10: Multi10 (Distortion - Chorus)
0:Distortion Gain
1:Distortion Low
2 : Distortion High
3:Distortion Level
4:Chorus Rate
5:Chorus Depth
6 : Chorus Feedback
7 : Chorus Wet Level
8:Chorus Polarity
9:Distortion Skip
M11: Multi11 (Compressor - Auto Wah)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4 : Wah Input Level
5 : Wah Resonance
6:Wah Manual
7 : Wah Depth
8:Wah Skip
9 : Routing (C-W: Comp-Wah, W-C: Wah-Comp)
M12: Multi12 (Compressor - LFO Wah)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4 : Wah Input Level
5 : Wah Resonance
6:Wah Manual
7:Wah LFO Rate
8 : Wah LFO Depth
9:Wah Skip
10 : Routing (C-W: Comp-Wah, W-C: Wah-Comp) 
						

							Appendix
E-65
English
M13: Multi13 (Distortion - Auto Pan)
0:Distortion Gain
1:Distortion Low
2 : Distortion High
3:Distortion Level
4 : Auto Pan Rate
5:Auto Pan Depth
6:Distortion Skip
7:Auto Pan Skip
M14: Multi14 (Distortion - Tremolo)
0:Distortion Gain
1:Distortion Low
2 : Distortion High
3:Distortion Level
4 : Tremolo Rate
5 : Tremolo Depth
6:Distortion Skip
7 : Tremolo Skip
M15: Multi15 (Compressor - Auto Pan)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4 : Auto Pan Rate
5:Auto Pan Depth
6:Auto Pan Skip
M16: Multi16 (Compressor - Tremolo)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4 : Tremolo Rate
5 : Tremolo Depth
6 : Tremolo Skip
M17: Multi17 (Compressor - Phaser)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4 : Phaser Resonance
5:Phaser Manual
6:Phaser Rate
7:Phaser Depth
8 : Phaser Wet Level
9 : Phaser Skip
M18: Multi18 (Phaser - Distortion)
0 : Phaser Resonance
1:Phaser Manual
2:Phaser Rate
3:Phaser Depth
4 : Phaser Wet Level
5:Distortion Gain
6:Distortion Low
7 : Distortion High
8:Distortion Level
9 : Phaser Skip
M19: Multi19 (Phaser - Chorus - Auto Pan)
0 : Phaser Resonance
1:Phaser Manual
2:Phaser Rate
3:Phaser Depth
4 : Phaser Wet Level
5:Chorus Rate
6:Chorus Depth
7 : Chorus Feedback
8 : Chorus Wet Level
9 : Auto Pan Rate
10 : Auto Pan Depth
M20: Multi20 (LFO Wah - Chorus)
0 : Wah Input Level
1 : Wah Resonance
2:Wah Manual
3:Wah LFO Rate
4 : Wah LFO Depth
5:Chorus Rate
6:Chorus Depth
7 : Chorus Feedback
8 : Chorus Wet Level
9:Chorus Polarity
M21: Multi21 (Auto Wah - Chorus)
0 : Wah Input Level
1 : Wah Resonance
2:Wah Manual
3 : Wah Depth
4:Chorus Rate
5:Chorus Depth
6 : Chorus Feedback
7 : Chorus Wet Level
8:Chorus Polarity
M22: Multi22 (Compressor - Distortion - Chorus)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4:Distortion Gain
5:Distortion Low
6 : Distortion High
7:Distortion Level
8:Chorus Rate
9:Chorus Depth
10 : Chorus Feedback
11 : Chorus Wet Level
12 : Chorus Polarity
13 : Distortion Skip 
						

							E-66
Appendix
M23: Multi23 (LFO Wah - Distortion - Chorus)
0 : Wah Input Level
1 : Wah Resonance
2:Wah Manual
3:Wah LFO Rate
4 : Wah LFO Depth
5:Distortion Gain
6:Distortion Low
7 : Distortion High
8:Distortion Level
9:Chorus Rate
10 : Chorus Depth
11 : Chorus Feedback
12 : Chorus Wet Level
13 : Chorus Polarity
14 : Distortion Skip
M24: Multi24 (Auto Wah - Distortion - Chorus)
0 : Wah Input Level
1 : Wah Resonance
2:Wah Manual
3 : Wah Depth
4:Distortion Gain
5:Distortion Low
6 : Distortion High
7:Distortion Level
8:Chorus Rate
9:Chorus Depth
10 : Chorus Feedback
11 : Chorus Wet Level
12 : Chorus Polarity
13 : Distortion Skip
M25: Multi25 (Compressor - Distortion - Auto Pan)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4:Distortion Gain
5:Distortion Low
6 : Distortion High
7:Distortion Level
8 : Auto Pan Rate
9:Auto Pan Depth
10 : Distortion Skip
11 : Auto Pan Skip
M26: Multi26 (Compressor - Distortion - Tremolo)
0:Compressor Depth
1:Compressor Attack
2 : Compressor Release
3:Compressor Level
4:Distortion Gain
5:Distortion Low
6 : Distortion High
7:Distortion Level
8 : Tremolo Rate
9 : Tremolo Depth
10 : Distortion Skip
11 : Tremolo Skip 
						

							Function Transmitted Recognized Remarks
Basic 
Channel1 - 16
1 - 161 - 16
1 - 16 Default 
Changed
Note
Number0 - 127 0 - 127
0 - 127*
1 True voice
Program
Change
OO
0 - 127:True # After 
To u c h
Control
Change
X
XX
O
Pitch BenderOO
System ExclusiveOO
Key’s
Ch’s Velocity
O 9nH v = 1 - 127
X 8nH v = 64
O 9nH v = 1 - 127
X 9nH v = 0, 8nH v =** Note ON
Note OFF ModeMode 3
X
Mode 3
X
Default
Messages
Altered
System 
Common
X
X
XX
X
X: Song Pos
: Song Sel
: Tune
Aux 
Messages
Remarks
X
O
X
XX
O
O
X: Local ON/OFF
: All notes OFF
: Active Sense
: Reset System 
Real Time
O
OX
X: Clock
: Commands
Model PX-3Version : 1.0
Mode 1 : OMNI ON, POLY 
Mode 3 : OMNI OFF, POLYMode 2 : OMNI ON, MONO 
Mode 4 : OMNI OFF, MONOO : Yes
X : No
*3
°
±
µ
¶¬ ³¸
·
±°
±±
±¶
±·
±¸
±¹
¶´
¶µ
¶¶
¶·
·±
·²
·³
·´
·¶
··
·¸
¸°
¸±
¸²
¸³
¸´
¹±
¹³
±°°¬ ±°±
±²°
±²±
°­±²·Âáîë óåìåãô
Íïäõìáôéïî
Ðïòôáíåîôï Ôéíå
Äáôá åîôòù ÌÓ¬ ÍÓ *
³
Öïìõíå
Ðáî
Åøðòåóóéïî
ÄÓРÐáòáíåôåò° *
³
ÄÓРÐáòáíåôåò± *
³
ÄÓРÐáòáíåôåò² *
³
ÄÓРÐáòáíåôåò³ *
³
Äáíðåò
Ðïòôáíåîôï Ó÷éôãè
Óïóôåîõôï
Óïæô ðåäáì
Æéìôåò Òåóïîáîãå
Òåìåáóå Ôéíå
Áôôáãë Ôéíå
Æéìôåò Ãõô Ïææ
Öéâòáôï òáôå
Öéâòáôï äåðôè
Öéâòáôï äåìáù
ÄÓРÐáòáíåôåò´ *
³
ÄÓРÐáòáíåôåòµ *
³
ÄÓРÐáòáíåôåò¶ *
³
ÄÓРÐáòáíåôåò· *
³
Ðïòôáíåîôï Ãïîôòïì
Òåöåòâ óåîä
Ãèïòõó óåîä
ÒÐΠÌÓ¬ ÍÓ *
³
Áìì óïõîä ïææ
Òåóåô áìì ãïîôòïììåò 
ò 

ò *
² 

ò 

ò 

ò 

ò 

ò *
² 

ò 

ò 

ò 

ò 

ò 

ò 

ò 

ò 

ò *
² 

ò 

ò 

ò 

ò 

ò 

ò 

ò 

ò 

ò 

ò 

ò *
² 

ò 

ò 

ò 

ò *
² 

ò 

ò *
²
ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò

ò
MIDI Implementation Chart
** : no relation
** : sin relación
*1 : Depends on tone
*2 : One of these Control Change messages is sent when the corresponding function is assigned to the 
ASSIGNABLE 1 or ASSIGNABLE 2 button.
*3 : For details, see MIDI Implementation at http://world.casio.com/
.
*1 : Depende del tono
*2 : Se envía uno de estos mensajes de cambio de control cuando se asigna la función correspondiente 
al botón ASSIGNABLE 1 o ASSIGNABLE 2.
*3 : Si desea más información, vea Implementación MIDI en http://world.casio.com/
. 
						

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Esta marca de reciclaje indica que el empaquetado se 
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MA1003-A  Printed in China
 PX3ES1AC