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Canon F1 Instruction Manual

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Page 41

20 METER COUPLING RANGE
20 Meter Coupling Range
With an FD 50mm f/1.4 lens and ISO 100/21 
(ASA 100/21 DIN) lm, the New
Canon F-1s built-in exposure meter couples within a range of EV.- 1 (4 sec. at
f/1.4) to EV 20 (1/2000 sec. at f/22). In aperture-priority AE or stoppeddown AE,
the coupling range is EV-1 to EV 19 (1/1000 sec. at f/22).
EV (Exposure Value) is a numerical value of exposure which is based on proper
combinations of shutter speed and aperture. The cameras EV coupling range varies
with...

Page 42

21 METERING SENSITIVITY AREAS
21 Metering Sensitivity Areas
With the New Canon F-1, a special optical element in each focusing screen de-
termines the metering sensitivity area. Thus the metering area can be changed,
according to the sub ect you are shooting and the lens in use, simply by replacing
the focusing screen.
There are three dierent light measuring areau available, each designed to suit par-
ticular metering requirements. 1. Center-weighted Average Metering
With this system, the meter reads...

Page 43

21 METERING SENSITIVITY AREAS
3. Spot Metering
Spot metering is ideal for sub jects which require carefully-aimed, precise measure-
ment. Since the metering area is 3% of the eld of view, you can select a small,
exact area from the overall scene. It is especially advantageous for metering inac-
cessible sub jects and when shooting with a telephoto lens. Also very eective for
stage and close-up photography. This system is not suitable for AE photography;
for best results, use manual exposure metering....

Page 44

21 METERING SENSITIVITY AREAS
44 

Page 45

22 EXPOSURE COMPENSATION
22 Exposure Compensation
With center-weighted average metering, the cameras meter reads the average bright-
ness of the sub jects in a scene, with special emphasis placed on those in the center.
Certa n lighting conditions, however, may necessitate exposure correction. If there
is bright light, such as the sun or a window, behind the sub ject, the meter may be
in
uenced by that light and your sub ject will be underexposed. On the other hand,
if you are shooting an actor on a...

Page 46

22 EXPOSURE COMPENSATION
1. Manual Exposure
After setting the desired shutter speed, turn the aperture ring until the aperture
needle aligns with the meter needle. You can now over- or underexpose the sub ject in
one-half f/stop increments simply by turning the aperture ring to a larger or smaller
aperture. Note that the diameter of the aperture needles circle is equivalent to one
f/stop. This method of exposure correction is useful, for example, when shooting a
sub ject with strong backlight. 46 

Page 47

22 EXPOSURE COMPENSATION
2. Exposure Compensation Dial
The exposure compensation dial allows you to make exposure corrections in incre-
ments as small as 1/3 f/stop. To ma1te a correction, simply turn the dial, while
pressing the lock release button, until the desired correction aligns with the index. 47 

Page 48

22 EXPOSURE COMPENSATION
The whole numbers are for increasing exposure while the fractions are for reducing
exposure. The numbers 2 and 1/2 are equivalent to one f/stop (or one step of
the shutter dial), while 4 and 1/4 are equivalent to two f/stops (or two steps of
the shutter dial). The intermediate settings indicate increments of 1/3 f/stop. The
table above shows which settings can be used depending on the ISO lm speed.
This means of exposure compensation is possible regardless of the exposure mode,...

Page 49

22 EXPOSURE COMPENSATION
Note
When it is dicult to determine exactly how much correction to make, bracket the
exposure. using any of the three methods.
4. Pushing the ISO Rating
There may be occasions when, due to insucient lighting, you are forced to use
undesirably slow shutter speeds. In this case, you can push the ISO setting on
the camera to a higher value. Usually this is done by multiplying the normal ISO
lm speed by a multiple of two, such as two or four. The entire roll of lm must
be shot at...

Page 50

23 REWINDING THE FILM
23 Rewinding the Film
When you have reached the end of the lm, the lm advance lever will stop before
the end of its stroke. 1. Turn the rewind lever in the direction of the arrow and push it down until it
locks. 2. Unfold the rewind crank and turn it in the direction of the arrow. You will
hear a sound as you turn the rewind crank which indicates the lm is being
rewoun t When you no longer hear the sound, the lm is completely rewound. 3. Pressing the safety stopper, open the...
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