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Canon Eos 1 Instruction Manual

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    							71
    Using the Self-Timer [ ]
    3Looking into the viewfinder, com-
    pose the picture and press the shut-
    ter button halfway to focus the sub-
    ject and set the exposure.
    4Press the shutter button completely.
    The self-timer lamp blinks to indi-
    cate that the self-timer function is
    operating. The lamp starts blinking
    faster two seconds before the pic-
    ture is taken.
    •To cancel the self-timer in mid-opera-
    tion, set the main switch to .    
    ● Using the Eyepiece Shutter
    To prevent metering errors caused by light entering the eyepiece when
    pressing the shutter button with your eye away from the viewfinder, clos\
    e
    the eyepiece shutter before pressing the shutter button. Recommended
    when using the self-timer or making long time exposures.    
    Push down the eyepiece shutter lever
    in the direction of the arrow to close
    the eyepiece shutter. Lift the lever in
    the opposite direction to open.
    •Be careful not to stand in front of the lens when pressing the shutter b\
    utton, as this will
    cause the camera to misfocus.      
    00.  Part.4  RS (E)  (P.65~75)   27-01-2003   11:59   Page  71 
    						
    							•When shooting outdoors on a bright day or in a bright location such as a\
     ski slope or a
    sea shore on a fine day, take the picture within 30 seconds after swingi\
    ng the mirror up
    to avoid burning the shutter curtain.
    • Do not point the camera lens at direct sunlight when the mirror is in th\
    e up position to
    avoid burning the shutter curtain.
    • When the mirror-up function is set, the film is wound one frame at a tim\
    e, regardless of
    the film winding mode (single exposure or continuous exposure). 
    • If the self-timer is used in combination with the mirror-up function, th\
    e mirror swings up
    when the shutter button is first pressed, then the shutter releases auto\
    matically after a
    delay of 10 seconds (in 10-second self-timer mode) or 2 seconds (in 2\
    -second self-
    timer mode).
    • The timer function of the optionally available Command Back E1 cannot be\
     used in mir-
    ror-up mode.
    • When using the bulb exposure and self-timer modes in combination with th\
    e mirror-up
    function, a shutter release-type sound is heard when you remove your fin\
    ger from the
    shutter button while the self-timer is operating, but no picture is actu\
    ally taken.     
    72
    5. Locking the Mirror Up
    Setting custom function F-12 (refer to pages 90-91) lets you swing the\
    mirror up before opening the shutter and starting the exposure. This eli\
    mi-
    nates the slight vibration caused by mirror shock, ensuring maximum
    sharpness when taking close-up photos or using super-telephoto lenses.
    •Refer to “1. Setting and Resetting Custom Functions” on page 82 fo\
    r instructions
    on how to set the custom function.
    • For best results with mirror-up shooting, we recommend using the optiona\
    lly
    available Remote Switch 60T3.     
    1Press the shutter button all the way
    to swing the mirror up.
    •The mirror will stay up for 30 seconds.
    If no operation is made within 30 sec-
    onds, the mirror will automatically
    return to its normal position without
    taking a picture. Pressing the shutter
    button again will return the mirror to
    the raised position.   
    2Momentarily let up on the shutter button, then press it again completely\
    to take the picture. The mirror returns to its normal position after the\
    exposure is completed.     
    00.  Part.4  RS (E)  (P.65~75)   27-01-2003   11:59   Page  72 
    						
    							73
    Infrared film (film with extended sensitivity to infrared light) can b\
    e used to
    achieve interesting effects not possible with general-purpose film. When\
    using black-and-white infrared film, the film’s sensitivity to longer\
     wave-
    lengths requires a slight adjustment in focus using the red infrared ind\
    ex
    on the lens. Use a deep red filter to maximize the infrared effect.
    •When shooting with infrared film, use a lens equipped with a distance sc\
    ale window.
    •For black-and-white and color infrared photography, read the instruction\
    s provid-
    ed with the film for proper use.     
    6. Infrared Photography
    AF
    M
    22 22
    50mmAF
    MAF
    MAF
    M
    m
    ft3
    51081 1.5
    322 22
    5101.5
    322 22
    5101.5
    322 22
    m
    ft3
    51081 1.5
    322 22
    5101.5
    322 22
    5101.5
    322 22
    5101.5
    32 22
    1Focus the subject.
    2Set the lens’ focus mode switch to
    “
    M ”.
    3Read the focus distance from the
    distance scale window.
    • In this example, the distance from the
    camera to the subject is 3 m / 10 ft.
    4Manually align the lens’ infrared
    index with the 3 m / 10 ft index on
    the distance scale.
    •The lens’ infrared index is set for a
    wavelength of 800 nanometers.
    However, the wavelength characteristics
    of general black-and-white infrared film
    varies depending on the type (750~830
    nanometers). Therefore, to ensure prop-
    er focus when shooting with infrared
    film, we recommend to take extra shots
    with the lens adjusted slightly to the
    front and rear of the infrared index.
    •The characteristics of the lenses listed
    below are such that they do not require
    focus adjustment when using black-and-
    white infrared film. These lenses are there-
    fore not equipped with an infrared index.
    EF200mm f/1.8L USM
    EF300mm f/2.8L USM
    EF500mm f/4.5L USM
    EF600mm f/4L USM   
    00.  Part.4  RS (E)  (P.65~75)   27-01-2003   11:59   Page  73 
    						
    							74
    7. Checking the Depth of Field
    Depth of field is the range of focus in
    front of and behind the subject in
    which objects appear sharp. The depth
    of field varies from shallow to deep
    depending on the aperture setting, the
    angle of view of the lens in use and the
    camera to subject distance. To check
    the depth of field before taking a pic-
    ture, press the depth-of-field preview
    button. The camera will close down the
    lens’ diaphragm to the shooting aper-
    ture, allowing you to see the range of
    sharpness in the viewfinder.    
    The LCD panel can be illuminated for easy
    viewing at night or in low light situations. To
    illuminate the LCD panel, press the panel
    illumination button ( ). The panel will
    remain illuminated for approximately 6 sec-
    onds. To turn off the illumination before 6
    seconds elapse, press the panel illumina-
    tion button ( ) again. The LCD panel illu-
    mination goes out automatically approx. 2
    seconds after a picture is taken.    
    P
    ULTR
    AS
    OUM
    ONE SHOT
    8. Illuminating the LCD Panel
    • Exposure setting is locked when the depth-of-field preview button is pre\
    ssed. 
    • The depth-of-field preview button does not function during the cameras \
    autofocus
    operation.      
    •You can keep the LCD panel illuminated longer than 6 seconds by pressing\
     any opera-
    tion button again while the illumination timer is activated.
    • The LCD panel cannot be illuminated during bulb exposures.   
    00.  Part.4  RS (E)  (P.65~75)   27-01-2003   11:59   Page  74 
    						
    							75
    •Shooting mode ......................................
    • AF mode ................................................
    • Metering mode ......................................
    • Film winding mode ................................
    • Custom functions................................... Not affected     
    Single exposure ( )
    Evaluative metering
    One-shot AF
    Program AE ( P) mode
    9. Resetting the Camera to Its Initial Settings
    ● Resetting All Camera Functions
    You can reset all of the camera’s func-
    tions (except for the custom functions)
    to their default settings by opening the
    palm door and pressing the clear but-
    ton. After resetting, the camera’s func-
    tions are set as shown below:    
    When custom function F-8 is set for center-weighted average metering ins\
    tead of evalua-
    tive metering, and the metering mode is set to partial metering or spot \
    metering, pressing
    the clear button will reset all of the camera functions except for the m\
    etering mode, which
    remains at the current setting.   
    DRIVE
    CLEAR
    AEB
    DRIVE
    CLEAR
    CF
    AEB
    ● Resetting All Custom Functions
    You can reset all of the custom func-
    tions to their initial settings by pressing
    the custom function button before
    pressing the clear button.    
    1
    2
    00.  Part.4  RS (E)  (P.65~75)   27-01-2003   11:59   Page  75 
    						
    							76
    V  Using Flash
    Attaching an EOS dedicated speedlite to the
    camera’s accessory shoe enables advanced
    flash photography with the operational sim-
    plicity of normal AE shooting. In addition to
    overall exposure compensation, independent
    compensation of just the flash exposure is
    possible from the camera side.
    Operation of the built-in three-zone
    (center, right, left) automatic flash
    sensor corresponds to the five focus-
    ing points, increasing flash exposure
    precision by automatically weighting
    the exposure to the center when aut-
    ofocusing at the center point, or to
    the left or right when autofocusing at
    one of the side points.
    00. Part.5  RS (E)  (P.76~80)   27-01-2003   12:38   Page  76 
    						
    							77
    1. Using EOS Dedicated Speedlites
    EOS dedicated Speedlites (540EZ, 430EZ, 420EZ, 300EZ, etc.) make
    flash photography as simple as pointing and shooting. Moreover, built-in\
    advanced functions make it easy to achieve professional fill-in flash
    effects in outdoor settings as well as automatic control of flash exposu\
    re
    when shooting at night or indoors. These units feature a built-in AF aux\
    il-
    iary light function that assists autofocus in dark situations.
    By simply attaching an EOS Speedlite to the camera and turning it on, an\
    appropriate flash synchronization speed (1/250 sec. or slower) is auto\
    -
    matically set on the camera. As soon as the flash is charged, the flash
    charge completion indicator appears in the viewfinder. For details, refe\
    r to
    your speedlite’s instruction book.        
    ●Automatic Flash Output Reduction Control
    When using a dedicated speedlite to take a photo of a subject lit by sky\
    -
    light-type illumination, the camera automatically reduces the flash unit\
    ’s
    light output so as not to overexpose the subject.    
    • The 540EZs AF auxiliary light is designed to work with all five of the \
    EOS-1 N’s focus
    points. Other EZ Speedlites AF auxiliary light works with only the cent\
    er focusing point.
    • The 480EG does not emit an AF auxiliary light.
    • The aperture values displayed on the camera and speedlite LCD panels may\
     some-
    times differ. However, the exposure will be correct. 
    • When using flash in AI Servo AF mode, the flash unit’s AF auxiliary l\
    ight will not func-
    tion. In situations requiring use of the AF auxiliary light, switch to O\
    ne-shot AF mode.  
    You can turn off the automatic flash out-
    put reduction control function for strongly-
    backlit subjects which need extra illumi-
    nation from the flash.   Custom Function 
    (Refer to pages 90–91)
    00.  Part.5  RS (E)  (P.76~80)   27-01-2003   12:38   Page  77 
    						
    							78
    2. Flash Exposure Compensation
    This function lets you vary the automatic flash exposure level of EOS de\
    d-
    icated speedlites. The flash exposure can be compensated up to ±3 sto\
    ps
    in 1/3-stop increments.        
    1Set the quick control dial switch to .
    2While pressing the metering mode
    selector / flash exposure compensa-
    tion button, turn the quick control
    dial to set the desired compensation
    amount.
    •The flash exposure compensation
    amount is displayed in the LCD
    panel’s exposure compensation dis-
    play.
    • In the LCD display, the “+” side indi-
    cates overexposure compensation,
    and the “–” side indicates underexpo-
    sure compensation.
    32112303211230
    Flash exposure compensation can also
    be set in 1/2-stop increments.    
    AF
    ISOMODE
    Flash exposure compensation
    •
    Example showing +2/3-stop flash
    exposure compensation.
    Custom Function 
    (Refer to pages 86–87)
    00.  Part.5  RS (E)  (P.76~80)   27-01-2003   12:38   Page  78 
    						
    							79
    When using the 300TL Speedlite, set the flash mode button to a position \
    other than MHi or
    MLo. TTL automatic flash exposure is possible.       
    Canon Speedlites other than those mentioned above can be used in manual \
    mode.   
    Flash Exposure Compensation
    3Releasing the metering mode selec-
    tor / flash exposure compensation
    button completes the flash expo-
    sure compensation setting. The
    LCD panel returns to its normal
    condition andlights in the dis-
    play to indicate that flash exposure
    compensation is set. (The compen-
    sation amount is not displayed.)
    • Flash exposure compensation remains
    set until manually canceled. To cancel,
    repeat step 2 to return the flash expo-
    sure compensation amount to 0.
    • The exposure compensation amount
    remains set even if the main switch is
    set to “ ”.     
    The optionally available Command Back E1 does not have a quick control d\
    ial. When
    using this command back, set the flash exposure compensation by turning \
    the main dial
    while simultaneously pressing the metering mode selector / flash exposur\
    e compensation
    button and focusing point selector.   
    ● Speedlites Capable of Flash Exposure Compensation
    This camera can perform flash exposure compensation with all Canon EOS d\
    edi-
    cated Speedlites. The 540EZ and 430EZ Speedlites are also equipped with \
    a built-
    in flash exposure compensation function. When this camera is used with t\
    he 540EZ
    or 430EZ and flash exposure compensation is set on both the camera and f\
    lash
    unit, the settings on the flash unit have priority and override the came\
    ra setting.
    •Flash exposure compensation with EOS dedicated Speedlites is supported with
    the Canon Off-camera Shoe Cords and Canon multiple flash accessories con\
    -
    nected to the camera by TTL Hot Shoe Adapters 2 and 3.     
    ONE SHOT
    321123
    Av
    0
    00.  Part.5  RS (E)  (P.76~80)   27-01-2003   12:38   Page  79 
    						
    							80
    3. Using Non-dedicated Flash Equipment
    This camera’s shutter can synchronize with non-dedicated portable fla\
    sh
    units at up to 1/250 sec. and with studio strobes at up to 1/125 sec.
    Before use, test the flash unit at various shutter speeds to make sure i\
    t
    synchronizes properly with the camera.
    ●PC Terminal
    Flash units equipped with a synchro cord can be used by connecting the
    cord to the camera’s PC terminal. The PC terminal is equipped with a \
    lock
    screw to prevent accidental disconnection.
    The PC terminal provides only an X-sync contact and synchronizes at all
    shutter speeds up to 1/250 sec. 
    •TTL automatic flash control is not possible.      
    • Flash units can be connected to both the PC terminal and accessory shoe \
    for multiple
    flash setups.      
    ●We recommend using Canon dedicated speedlites with this
    camera.
    • Use of flash units (having two or more contacts on the hot shoe) or fl\
    ash accessories
    that are designed for dedicated use with other brands of cameras will no\
    t work properly
    and may result in damage to your EOS camera.
    • Use of flash units of other brands with a trigger circuit voltage in exc\
    ess of 6 volts DC
    may damage your camera. Consult your nearest authorized Canon service fa\
    cility to
    confirm the compatibility.
    00.  Part.5  RS (E)  (P.76~80)   27-01-2003   12:38   Page  80 
    						
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