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Canon Dpp 4 Manual

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    Introduction
    Contents
    Downloading  Images
    Viewing  Images
    Printing  ImagesEditing
    Images
    Reference/ Index
    6
    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
    Shooting8
    Specifying 
    Preferences
    You can specify settings for processing images in DPP. JPEG image quality
    [Remove block noise and mosquito noise]
    
    You can improve the quality of a JPEG image by reducing the noise 
    particular to JPEG images. 
    This setting is also effective when RAW images are converted to 
    JPEG images and saved (p.80, p.100)  and for JPEG images that to 
    be saved with a different name. The higher the JPEG image’s 
    compression rate, the better the effect. And when the compression 
    rate is low, the effect of noise reduction may not be noticeable.
    Image processing
     Modified Picture Style settings
    You can select whether the [Color tone], [Color saturation], [Contrast], 
    [Unsharp mask] and [Sharpness] settings will be changed accordingly or 
    retained, when you change the Picture Style.
    
    If you checkmark the chec kbox, the [Color tone], [Color saturation], 
    [Contrast] and [Sharpness] setti ngs will be changed to match the 
    camera’s preset settings, when you change the Picture Style.
    
    If you remove the check mark, the [Color tone], [Color saturation], 
    [Contrast] and [Sharpness] settings  will be retained, even if you 
    change the Picture Style.
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    Printing  ImagesEditing
    Images
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    6
    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
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    Specifying 
    Preferences
    You can specify settings relating to color management, such as settings 
    for work color space, conditions for color matching, etc. Default settings of Work color space
    You can select the color space  (p.118) to be applied as a default setting 
    of RAW images from five types. The color space set will be applied as 
    the color space when a RAW image is converted and saved  (p.80, 
    p.100) or printed  (p.94 to p.96).
    
    If you change the color space, and you restart DPP, the set color 
    space is applied as the default color space.
    
    You can check the color space that is set in an image in all windows 
    except the quick check window.
    
    If you checkmark [Use shooting color space as work color space], 
    the color space specified with t he camera when the image was shot 
    will be set as work color space.
    Color Management
     Color matching settings (color setting of the monitor)
    Where a profile  (p.117) is attached to the monitor you are using, you can 
    display an image in more faithful colors by setting the profile.
    
    If you select [Use the OS settings], the color profile set in Windows 
    will also be applied in DPP. If you  are using multiple monitors, the 
    profile set for each monitor is applied to DPP.
    
    Select the [Monitor profile], click the [Browse] button. You can 
    select a profile for your monitor in the dialog box that appears.
    If you use a profile created using a  third-party monitor color reader, 
    images can be displayed in even more precise colors.
     Printing profile (color setting of the printer)
    Where a profile is not attached to the printer you are using to print 
    images, you can print an image, simulating the colors displayed on 
    screen by setting the profile in DPP. Precise coloring with a third-party monitor color readerWhen you set a profile for printing in DPP, set the color adjustment 
    function of the printer driver to off. If it is left on, the image may not 
    be printed in colors close to those displayed on screen.
    Even if the default setting is changed, the new default setting is not 
    applied to edited (i.e., adjusted using the tool palette, cropped, dust-
    erased) images. Change the settings individually.
    Changes are not applied to the edited imageYou can set a color space that is different from the default settings
    for each image  (p.79).
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    Processing 
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    7Remote 
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    Specifying 
    Preferences
    You can set layout for screen display. User interface size and position
    By checkmarking the [Restore defaults at startup] checkbox, the 
    positions and sizes of each window revert to their original settings for 
    next time you start up DPP. The checkmark is also removed from the 
    checkbox for the next startup.View Settings
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    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
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    Specifying 
    Preferences
    Reference
    Troubleshooting ......... ............................................   114
    Deleting the Software (Uninstalling) ......................   115
    Image Frame Information in the Main Window 
    and Edit Image Win dow.........................................  116
    Glossary ........ ........................................................   117
    Index ................................ ......................................  119
    About This Instructio n Manual ........................   123
    Trademarks .............. ......................................  123
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    Large Numbers 
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    7Remote 
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    Specifying 
    Preferences
    TroubleshootingIf DPP is not operating correctly, refer to the subjects below.
     Select an administrator-level privilege ([Computer administrator], 
    [Administrator], etc.) when setting the user. You cannot install the 
    software if the user setting other than an administrator-level privilege 
    is selected. For detailed informati on on selecting an administrator-
    level privilege, refer to your computer User’s Manual.
     DPP does not operate correctly on a computer if its system 
    requirements are not met. Use DPP on a computer with compatible 
    system requirements  (p.2).
     Even if your computer has the RAM capacity (memory) described in 
    the system requirements  (p.2), if other applications are running at the 
    same time as DPP, you may not have sufficient RAM (memory). Exit 
    any applications other than DPP.
     Depending on the card reader and computer OS used, SDXC cards 
    may not be correctly detected. In such a case, connect your camera 
    and computer with the provided interface cable, and transfer the 
    images to your computer using EOS Utility.
     Images that are not supported by DPP are not displayed. There are 
    various types of JPEG and TIFF images, so JPEG images other than 
    Exif 2.2, 2.21 or 2.3 compatible images and TIFF images other than 
    Exif compatible images may not to be displayed properly  (p.2).Installation can not be completed correctlyDPP does not workThe card reader does  not detect the SD cardImages are not displayed properly
    Contents that can only be adjusted for RAW images cannot be 
    applied as a recipe to JPEG images or TIFF images.
     If a RAW image which has a color space other than sRGB is 
    converted and saved as a JPEG or TIFF image  (p.79, p.111), the 
    colors will be subdued when viewed in software that is only 
    compatible with sRGB color space. In such a case, set the RAW 
    image’s color space to sRGB, convert and save again as a JPEG or 
    TIFF image, and then view the image.
     If the color of the monitor that displays an image is not adjusted 
    correctly, or if the profile for a printer that is to print image is not set 
    up, the color of the image displayed on screen and the color of the 
    printed photograph may differ greatly. If the color of the monitor that 
    displays images is corrected  (p.111) and the profile for a printer is set 
    up correctly  (p.111), the color of a printed photograph and the color of 
    an image on screen can be more closely matched. Using a Canon 
    printer automatically sets up the profiles for the printer, so you only 
    need to set the color of the monitor to bring the colors closer to each 
    other.
     If a large number of images are printed in batches, printing may stop 
    in the middle or the images may not be printed. Reduce the number of 
    images to print or increase the memory on your computer.A recipe could not be pasted  (applied) to another imageColors are subdued in the image when viewed with 
    other softwareThe colors of the image displayed on screen and 
    the colors of the printed image do not matchPrinting a large number of images in batches 
    cannot be performed
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    Downloading  Images
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    Printing  ImagesEditing
    Images
    Reference/ Index
    6
    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
    Shooting8
    Specifying 
    Preferences
    Deleting the Software (Uninstalling) Exit any applications before uninstalling the software.
     Log in under an administrator-level  privilege when uninstalling the 
    software.
     Uninstall the software according to the OS software uninstalling 
    method.
     To prevent computer malfunctions, always restart your computer after 
    you have uninstalled the software. Re -installing the software without 
    first restarting your computer is partic ularly likely to result in computer 
    malfunctions.
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    Printing  ImagesEditing
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    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
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    Specifying 
    Preferences
    Image Frame Information in the Ma in Window and Edit Image Window
    Trimming (cropping) range
    *2 
    (p.62)
    Check mark  (p.28, p.29)
    Pinned image setting mark 
    (p.16) Multiple image display mark 
    (p.17)
    Image type
    *1
    File name
    Rating mark  (p.28, p.29)
    GPS mark*3
    Lens aberration correction mark (p.67)
    Digital Lens Optimizer mark  (p.71)
    Unsaved editing content mark
    *
    1Displayed on RAW+JPEG images displayed as a 
    single image (p.11) .
    [ ] is displayed in RAW images.
    *2When aspect ratio information is attached to a shot 
    image, the image is displayed as a cropped image. *
    3Displayed on images shot on a GPS function-
    compatible Canon camera.
     (p.10, p.87)
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    GlossaryRAW imageEOS DIGITAL camera RAW images are recorded in an uncompressed 
    14bit or 12bit format.
    Because RAW images are special  images in an undeveloped status, 
    you need software with development processing functions such as DPP 
    in order to view them. The advantage of the undeveloped RAW images 
    is that you can make a variety of  adjustments to RAW images with 
    almost no deterioration of the image.
    * “RAW” meaning “in a natural condition ” or “not processed or refined”.JPEG imageThe most ordinary image in non-reversible compressed 8bit format. 
    The advantage of this is that by saving at a high compression rate, the 
    file size can be small, even for image data that has a high pixel count. 
    Because during saving and compression part of the data is thinned out 
    to make the file size small, every time you edit or save, the image 
    deteriorates.
    With DPP, even if you repeat editing/saving, only the recipe data is 
    modified, and no overwriting or compression occurs so the original 
    image data does not deteriorate.
    * JPEG is an abbreviation of “Joint Photographic Experts Group”.TIFF imageBitmap-format image recorded in a  8bit/16bit uncompressed format.
    Because TIFF images are in uncompressed format, they are suitable for 
    saving an image while maintaining the original high image quality.
    * TIFF is an abbreviation of “Tagged Image File Format”.RecipeThe “Image processing conditions information” for RAW images that can 
    be edited in DPP is called a “recipe”.
    Further, in DPP, you can perform image editing on JPEG and TIFF 
    images that use “recipes” as with RAW images.
    bit numberBinary unit of information volume in the color of an image. The number 
    shows the number of bits per pixel.
    The larger the number of bits, the more the color numbers and the 
    gradation becomes smoother. A one-bit image is a black-and-white 
    image.Color Management System (Color Matching)Digital cameras that shoot images, monitors that display images, and 
    printers that print images each have a different way of creating color. For 
    this reason, there may be a difference between the color of an image 
    when viewed on a monitor and when printed.
    A color management system is a system for managing color in order to 
    bring these colors closer together.  With DPP, you can more closely 
    match color between different devices using ICC profiles between 
    different devices.ICC profilesICC profiles are files containing color information such as color 
    characteristics and color space for various devices, set by the ICC 
    (International Color Consortium). Mo st devices such as the monitor we 
    use to view images or the printer we use to print images can be 
    managed (color management) using these ICC profiles and the color 
    between different devices can be more closely matched.
    DPP has color management that uses these ICC profiles.Tone CurveA tone curve shows values before adj ustment (input) as the horizontal 
    axis on a graph, and the values after adjustment (output) as the vertical 
    axis. Since the values of before adjustment and after adjustment are the 
    same before any adjustment is made, the tone curve displays as a 
    straight line from bottom left to top right, and by changing this tone 
    curve, you can adjust in detail the image’s brightness, contrast and 
    color. The more you go right on the horizontal axis, the more the plus 
    value it becomes, and the higher you  go on the vertical axis, the more 
    the plus value it becomes.
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    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
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    Specifying 
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    Color spaceA color space is the reproducible color range (color gamut 
    characteristics). DPP supports the following five kinds of color space.
    sRGB  : Standard color space for Windows. Widely used for 
    the standard color space of monitors, digital 
    cameras, and scanners.
    Adobe RGB  : A wider color space than sRGB. Mainly used for 
    printing for business purposes.
    Apple RGB  : Standard color space for Macintosh. A slightly 
    wider color space than sRGB.
    ColorMatch RGB  : A slightly wider color space than sRGB. Mainly 
    used for printing for business purposes.
    Wide Gamut RGB  : A wider color space than Adobe RGB.
    Refer to the color chart below for the color area of each color space.
    Color chart of color spaces compatible with DPP
    Color range that can be 
    seen by the human eye
    Gamma  value
    White point 
    (color temp.)
    sRGB 2.2 6500K(D65)
    Adobe RGB 2.2 6500K(D65)
    Apple RGB 1.8 6500K(D65)
    ColorMatch RGB 1.8 5000K(D50)
    Wide Gamut RGB 2.2 5000K(D50)
    CMYK simulation profilesA profile that simulates colors when printing in a CMYK environment 
    (printing machine, etc.). With DPP, you can simulate color with four 
    types of profile.
    Euro Standard  : Profile normally used for book printing in 
    Europe, suitable for simulation of standard 
    European printing.
    JMPA  : Profile normally used for book printing, etc. in 
    Japan, suitable for simulation of magazine 
    advertising standard color printing.
    U.S.Web Coated  : Profile normally used for book printing in 
    North America, suitable for simulation of 
    North American standard printing.
    JapanColor2001 type3 : Profile becoming a standard in the Japanese  printing industry, suitable for simulation of 
    JapanColor standard printing.Rendering intentRendering intents are color conver sion methods when printing an image. 
    The conversion method of each rendering intent is shown below.
    Perceptual  : Before and after conversion, all colors are 
    converted to maintain the relationship between 
    colors. Even where colors slightly change, you 
    can print a natural-looking image which has 
    maintained color harmony. However, 
    depending on the image, the saturation may 
    change overall.
    Relative Colorimetric  : There will not be much conversion to colors 
    which are similar before and after conversion, 
    but colors which are not similar are converted 
    appropriately. Because there are little changes 
    to similar colors which comprise most of an 
    image, you can print a natural-looking image in 
    which the saturation has not changed greatly. 
    However, depending on the image, there are 
    cases where the overall tone of an image 
    changes somewhat as colors which are not 
    similar and highlights change.
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    Printing  ImagesEditing
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    Processing 
    Large Numbers 
    of RAW Images
    7Remote 
    Shooting8
    Specifying 
    Preferences
    AAdjust JPEG Images ...........................................................................   39
    Adjust TIFF Images.............................................................................   39
    Adjusting Adjustment Contents (Recipe) .....................................................   85
    Apply Adjustments........................................................................   84
    Automatic Adjustment (Gradation, Luminance)............................   49
    Brightness ..............................................................................   41, 53
    Brightness of Highlights................................................................   46
    Brightness of Shadows.................................................................   46
    Click White Balance ...............................................................   44, 54
    Color Saturation ...........................................................................   47
    Color Temperature .......................................................................   45
    Color Tone....................................................................................   47
    Contrast ..................................................................................   46, 53
    Copy Adjustments ........................................................................   84
    Dynamic Range ......................................................................   48, 57
    Filter Effect ...................................................................................   48
    Hue .........................................................................................   58, 59
    Monochrome ................................................................................   47
    Personal White Balance ...............................................................   98
    Picture Style File ..........................................................................   43
    Saturation ...............................................................................   58, 59
    Save Adjustments ........................................................................   84
    Sharpness ....................................................................................   51
    Tone Curve Adjustment................................................................   55
    Toning Effect ..........................................................................   47, 48
    White Balance ..............................................................................   43
    Adjusting Brightness ...........................................................................   41
    Adjusting Tone Curve .........................................................................   55
    Adjustment Contents (Recipe) ....................................................   83, 117
    Adobe RGB .......................................................................................   118
    AF Points ............................................................................................   17
    Apple RGB ........................................................................................   118
    Arrange Images ............................................................................   30, 31
    Auto Lighting Optimizer.......................................................................   50
    Automatic Adjustment (Gradation, Luminance) ..................................   49
    Automatic Dust Erasure Processing ...................................................   75
    BBasic Adjustment Tool Palette............................................................. 41
    Batch Apply White Balance to Images (Personal White Balance).......  98
    Batch Change the File Name of Images............................................  103
    Batch Convert/Save Images (Batch Process) ...................................  100
    Batch Process (Batch Save JPEG and TIFF Images) .......................  100
    Batch Process of Multiple Images Change File Name ......................................................................  103
    Convert/Save (Batch Process)....................................................  100
    Personal White Balance................................................................  98
    Recipe Data ..................................................................................  83
    Transfer.......................................................................................  102
    Batch Settings Window..............................................................  100, 102
    Batch Transfer Images ......................................................................  102
    Batch Transfer Images to Image Editing Software ............................  102
    Before/After Comparison Display ........................................................  19
    bit Number .........................................................................................  117
    Bookmark ............................................................................................  35
    Brightness............................................................................................  53CChange File Name............................................................................. 103
    Change the Display .............................................................................  10
    Changing the File Name of Images in the Order in the Main 
    Window ..............................................................................................  103
    Check Mark ...........................................................................  28, 29, 116
    Chromatic Aberration Correction .........................................................  67
    Chrominance Noise Reduction ............................................................  60
    Click White Balance.......................................................................  44, 54
    CMYK Simulation ..............................................................................  118
    Collection Window ...............................................................................  89
    Color Blur Correction ...........................................................................  67
    Color Chart ........................................................................................  118
    Color Management (Color Matching) ................................................  117
    Color Space ................................................................................  118
    ICC Profiles .................................................................................  117
    Color Management (Preferences) .....................................................  111
    Index
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