Argus Camera Argus C44 Manual
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Page 11
t{ ttl shutter speed and aperture settings The C44 Camera features a quick-action control center where aperture, shutter speed, focus, winding and shutter release controls are conveniently grouped for easy and rapid adjustment. You will want to adjust shutter speed and aperture settings according to thespeed of your film, the amount of light available and the kind of subject you are shooting. The right combination of shutter speed and aperture setting will give you a properly exposed negative or color...
Page 12
lrt|:,tI.rf APERTURE The amount of light passing through the lens while the shutter is open is controlled by the aperture setting (f:stop). In the Argus C44, you have a wide choice of settings, ranging from the smallest opening, f:22, to the largest opening, f:2.8. Each f:stop admits twice as much light as thepreceding one. For example, f:5.6 admits twice as much light as f:8. The triangularpointer between f:5.6 and f:8 on the aper- ture ring indicates f:6.3, an intermediate or half-stop setting. The...
Page 13
OUT OF FOCUSIN FOCUS focusing The precision, superimposed image- type rangefinder in your Argus C44 is coupled directly and permanently to the lens mount. The combined rangefinder-viewfinder allows you to compose your picture and focus through the same eyepiece. You automatically focus the lens for sharp pictures by turning the rangefinder dial until the double image in the small circular spot becomes a single image. The camera may be held in either a horizontal or vertical position to best suit...
Page 14
depth of f$efid The aperture setting not only controls the amount of light that reaches the film, but also determines depth of field, which is the range of sharp focus in front of and beyond the subject focused upon. The illustrations on this page show you the difference in range of sharp focus when the smallest and largest apertures are used at the same distance settings. The camera in the illustration is focused on 8 feet. By reading between identical f: numbers on the depth of field scale, you see...
Page 15
beautiful colc>n transparencie Sunlight shining directly on the picture subject from behind the photographer is generally the best lighting for outdoor color pictures . . . and the best time of day is mid-morning or mid-afternoon. The lower angle of mortting or afternoon sun enhances scenic shots with longer dramatic shadows. Directly overhead, the sun causes shadows to be uninteresting and very black. They can be troublesome when shooting pictures of people. Pictures taken in the shade with the proper...
Page 16
Scenic shots like this one mahe excellent subjects for color slides. A lisht-colored subject against a dark background always makes q,n effectiue shot. Use a blue flashbulb to lighten the shadow side of a back-lighted subject. FI LM Super Anscochrome Daylight Ektachrome Daylight Anscochrome Daylight Ektachrome Type F* Anscochrome Flash Type* Kodachrome Daylight(or indoor type with filter*) n85Q-type correction filters must be used with indoor type color films exposed in daylight. Consult manufacturers...
Page 17
black and /hite photos Modern black and white film, coupled with the fine lenses of your Argus C44, will produce perfect photographic results, but checking composition before snapping the shutter always results in pictures of more dramatic interest. Try framing the scene with some nearby foreground, and include people when you can to add human interest. Watch for that unusual angle from which to shoot the picture, or try a close-up using a neutral background to place emphasis on your picture subject....
Page 18
Shoot head-on to stop action Use filters fordramatic cloud effects Frame your picture for a feeling of depth FI LM Kodak Tri-X Ansco Ultra Speed PanKodak Plus-X Ansco Supreme Kodak Panatomic-X 0pen the lens one stop more for dark subjects;close the lens one stop for light subjects.When using filters, or if subject is shaded from the sun, larger apertures must be used.Always consult instructions packed with your film or filters. Cloudy Dull f :5.6 Shutter SpeedBright SunHazy SunCloudy Bright 16...
Page 19
attaching flash gun : rgus C44 fash rnit is designed to ac- tommodate two size C 1photoflash batteries or I r B-C power unit. To 1 install batteries, remove [ ;he back of the battery !ii^r by grasping it at ,iihe sides and pulling ;lirectly outward.,1., I.-\ When inserting batter- ies, be sure to position the left-hand cell top-up and the right-hand cell top-down. Photoflash batteries should be re- placed after four months use or as soon as 50 to 60 flash exposures have been made. Be sure flash unit...
Page 20
The side-to-side move- Jment of the flash syn- chronization selector to+-(M (20 millisecond de- lay) or X (zero delay)-permits use of several types of flash equip- _ment at various shutter speeds. (Consult Guide on page 20). C Any midget-base flash Iamp may be used. Align studs on base of lamp with slots in reflec- tor socket and push lamp in as far as it wilt go while supporting bat- tery case with other hand. Do not turn lamp after insertion. continued www.orphancameras.com