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Apple IPhone IOS 90 User Guide

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Page 131

Liv e  P hoto s
Liv e P ho to s ( iP ho ne 6 s a nd  i P ho ne 6 s P lu s) g o  b eyo nd  s n ap sh o ts  to  c ap tu re  l ife  th e w ay i t h ap pens
—in  m ovem ent a nd  s o und .
Tak e a  L iv e P hoto . 
To ta ke a  L iv e P ho to , ta p  th e T ake P ic tu re  b utto n. Y ou r e co rd  w hat h ap pens j u st
befo re  a nd  a fte r y o ur p ho to , a lo ng w ith  th e a ud io . T he s c re en i n d ic ate s th e d ura ti o n o f th e L iv e P ho to
exp osu re .
Pla y a  L iv e P hoto . 
Tap  th e...

Page 132

HDR
HDR
 ( H ig h D ynam ic  R ange) h elp s y o u g et g re at s h o ts  i n  h ig h-c o ntr a st s itu ati o ns. W hen s h o oti n g w ith
th e i S ig ht c am era , i P ho ne ta kes m ulti p le  p ho to s i n  r a p id  s u ccessio n, a t d iffe re nt e xp osu re  s e tti n gs—
and  b le nd s th em  to geth er. T he r e su lti n g p ho to  h as b ette r d eta il i n  th e b rig ht a nd  m id to ne a re as.
Use  H DR. 
(iS ig ht c am era s a nd  th e F aceT im e c am era  o n i P ho ne 5 s o r l a te r)...

Page 133

Cam era  s ettin gs
Go to  S etti n gs >  P ho to s &  C am era  f o r c am era  o pti o ns, w hic h i n clu d e:
iC lo ud  P ho to  L ib ra ry , M y P ho to  S tr e am , a nd  i C lo ud  P ho to  S harin g
Burs t p ho to s
Slid esh o w
Grid
HDR
Vid eo
Adju st th e v olu m e o f th e s h utte r s o und  w ith  th e R in ger a nd  A le rts  s e tti n gs i n  S etti n gs >  S ound s. O r
mute  th e s o und  u sin g th e R in g/S ile nt s w itc h. ( In  s o m e c o untr ie s, m uti n g i s  d is a b le d .) 

Page 134

G et th e c urre nt te m pera tu re  a nd  te n-d ay f o re cast f o r o ne o r m ore  c iti e s a ro und  th e w orld , w ith  h o urly
fo re casts  f o r th e n ext 1 2 h o urs . W eath er u se s L ocati o n S erv ic es to  g et th e f o re cast f o r y o ur c urre nt
lo cati o n.
S w ip e u p  to  s e e y o ur d eta ile d  f o re cast. S w ip e l e ft o r r ig ht to  s e e w eath er f o r a no th er c ity , o r ta p  
,
th en c ho ose  a  c ity  f r o m  th e l is t. T he l e ftm ost s c re en s h o w...

Page 135

“W hen i s  s u nris e  i n  P aris ? ”
See a ll c it ie s a t o nce . 
Pin ch th e s c re en o r ta p  
.
Pre vie w  a  c it y ’s  w eath er. 
On i P ho ne 6 s a nd  i P ho ne 6 s P lu s, p re ss a  c ity  i n  y o ur l is t o f l o cati o ns to
peek a t th e w eath er f o re cast, th en p re ss a  l ittl e  d eep er to  o pen i t.
Turn  lo ca l w eath er o n o r o ff. 
Go to  S etti n gs >  P riv acy >  L ocati o n S erv ic es. S ee 
.
Use  iC lo ud t o  p ush  y our lis t o f c it ie s t o  y our o th...

Page 136

C lo ck a t a  g la n ce
T he f ir s t c lo ck d is p la ys th e ti m e b ase d  o n y o ur l o cati o n w hen y o u s e t u p  i P ho ne. A dd o th er c lo cks to
s h o w  th e ti m e i n  o th er m ajo r c iti e s a nd  ti m e z o nes.
C lo ck 

Page 137

Ala rm s a n d tim ers
Want iP hone t o  w ak e y ou? 
Tap  A la rm , th en ta p  
.  S et y o ur w ake-u p  ti m e a nd  o th er o pti o ns, th en
giv e th e a la rm  a  n am e ( lik e “ G ood m orn in g”).
No w astin g t im e! 
You c an a ls o  u se  th e s to pw atc h to  k eep  ti m e, r e co rd  l a p  ti m es, o r s e t a  ti m er to
ale rt y o u w hen ti m e’s  u p .
Set a n a la rm , t im er, o r s to pw atc h  f r o m  t h e H om e s c re en. 
On i P ho ne 6 s a nd  i P ho ne 6 s P lu s, p re...

Page 138

F in d p la ces
W ARNIN G : 
For i m porta nt i n fo rm ati o n a b out n av ig ati o n a nd  a v oid in g d is tr a cti o ns th at c o uld  l e ad  to
d angero us s itu ati o ns, s e e 
. S ee a ls o  
.
M ove a ro und  M ap s b y d ra ggin g th e s c re en. T o f a ce a  d iffe re nt d ir e cti o n, r o ta te  w ith  tw o f in gers . T o
re tu rn  to  n o rth , ta p  th e c o m pass 
 i n  th e u p per r ig ht.
Ask  S ir i. 
Say s o m eth in g l ik e:
“F in d  c o ffe e n ear m e”
“S ho w  m e th e G...

Page 139

On i P ho ne 6 s a nd  i P ho ne 6 s P lu s, y o u c an f in d  n earb y p la ces f r o m  th e H om e s c re en. P re ss th e M ap s
ic o n, ta p  S earc h N earb y, th en c ho ose  a n i n te re st.
Searc h  f o r a  lo ca tio n. 
Tap  th e s e arc h f ie ld . Y ou c an s e arc h f o r a  l o cati o n i n  d iffe re nt w ays. F or
exam ple :
In te rs e cti o n ( “ 8 th  a nd  M ark et” )
Are a ( “ G re enw ic h V illa ge”)
Land m ark  ( “ G uggenheim ”)
Zip  c o de
Busin ess ( “ m ovie s,”  “ re sta...

Page 140

Im porta nt: 
Map s d ep end s o n d ata  s e rv ic es. T hese  d ata  s e rv ic es a re  s u b je ct to  c hange a nd  m ay n o t
be a v aila b le  i n  a ll a re as, r e su lti n g i n  m ap s a nd  l o cati o n-b ase d  i n fo rm ati o n th at m ay b e u nav aila b le ,
in accura te , o r i n co m ple te . C om pare  th e i n fo rm ati o n p ro vid ed  i n  M ap s to  y o ur s u rro und in gs. U se
co m mon s e nse  w hen n av ig ati n g. A lw ays o bse rv e c urre nt r o ad  c o nd iti o ns a nd  p...
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