Apple Final Cut Pro X 10.1.2 User Guide
Here you can view all the pages of manual Apple Final Cut Pro X 10.1.2 User Guide. The Apple manuals for Notebook are available online for free. You can easily download all the documents as PDF.
Page 381
Chapter 12 Color correction 3 81 •Choose an area of the image to correct: Draw one or more shape masks, and then choose whether the correction applies inside or outside the masks. You can even have the position of the masks change as the clip plays. See Target specific areas using shape masks on page 385. You can also apply multiple color corrections to a single clip and use shape masks in combination with a color mask. For example, you could use one correction to set the clip’s overall color...
Page 382
Chapter 12 Color correction 382 3 To add or remove a color tint, click Color (or press Control-Command-C), and drag the controls in the Color pane. •To adjust the tint for the whole image: Drag the Global control (the large gray control). •To adjust the tint in the darker areas of the image: Drag the Shadows control (the black control). •To adjust the tint in the midtones: Drag the Midtones control (the small gray control). •To adjust the tint in the brighter areas of the image: Drag the...
Page 383
Chapter 12 Color correction 383 Reset and turn off Color Board color corrections 1 In the Timeline, select a clip whose color corrections you want to remove. 2 In the Color Board, do any of the following: •To reset the currently selected control to its neutral state: Press Delete. •To reset all of a pane’s controls to their neutral state: Click the Reset button in the pane’s upper-right corner. •To reset all three Color Board panes back to their neutral state: In the Color section of the Video...
Page 384
Chapter 12 Color correction 384 3 In the Viewer, position the eyedropper on a color in the image that you want to isolate, and drag to select the color. Drag to select the color to mask. As you drag, two concentric circles appear. The size of the outer circle determines the range of variations in the selected color that are included in the color mask. As you change the outer circle size, the image becomes monochrome except for the color you are selecting. You can drag a new selection circle as...
Page 385
Chapter 12 Color correction 385 Target specific areas using shape masks A shape mask defines an area in the image so that you can apply color corrections either inside or outside that area. For example, you might want to emphasize a subject’s face by darkening the area around the face. You can add multiple shape masks to define multiple areas, and you can also animate the shapes so that they follow an area while a camera pans or an object moves as the clip plays. Add a shape mask 1 In the...
Page 386
Chapter 12 Color correction 386 •To rotate the shape: Drag the rotation handle (extending from the center). •To control the softness of the shape’s edge: Drag the outer circle. Setting the outer circle close to the inner circle creates a hard edge and an abrupt transition to the corrections you apply, and dragging the outer circle away from the inner circle creates a softer edge and a more gradual transition. •To hide the mask’s controls: Click the Shape Mask onscreen controls button in the...
Page 387
Chapter 12 Color correction 387 3 Position the shape mask to its starting position in the Viewer. 4 In the Video inspector, click the Keyframe button. Click here to add a keyframe. A keyframe is added at the position of the playhead. You can see it in the Timeline by pressing Control-V to open the Video Animation Editor. The keyframe appears in the Color section as a diamond at the playhead position. Keyframe indicator 5 Move the playhead to the next point in the clip where you want to define...
Page 388
Chapter 12 Color correction 388 3 In the Video inspector, click the Add Shape Mask button in the correction that has the color mask. Click here to add a shape mask to the correction. 4 Adjust the shape mask so that it overlaps the part of the color mask you want to use. 5 To adjust the color correction settings, click the Color Board button in the Video inspector. (After you make any Color Board adjustments, the button color changes.) 6 Do any of the following: •To make color correction...
Page 389
Chapter 12 Color correction 389 Note: If you have applied multiple corrections to a clip, you can drag them in the Video inspector to change their order. Rearranging the processing order can provide different results. View color correction keyframes in the Timeline If a clip has multiple corrections with animated shape masks, you can view a correction’s shape mask keyframes in the Video Animation Editor above the clip in the Timeline. 1 In the Timeline, select a clip that has multiple color...
Page 390
Chapter 12 Color correction 390 Save and apply color correction presets With Final Cut Pro, you can save a clip’s color correction settings as a preset, making it easy to apply those settings to other clips in the same project or a different project. Final Cut Pro includes several presets you can use in addition to any that you create. Note: Color correction presets save the current Color, Saturation, and Exposure settings only. They do not save the mask settings, including whether you have Inside...