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Antares Microphone Modeler user manual

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    							31
    Appendix
    Listed below are all of the mics that we have modeled as of the date
    this manual went to press. (Be sure to check the Antares web site
    frequently for additional models.)
    Please Note: All trademarks appearing below are the property of
    their respective owners. The following manufacturer names and
    model designations are used solely to identify the microphones
    analyzed in the development of our digital models and do not in
    any way imply any association with or endorsement by any of the
    named manufacturers
    AKGC12A Large Diaphragm Condenser
    A classic multipurpose studio mic (this one dates
    from the late 60s)
    C414
    C414B/ULS Limited Edition Gold
    C414B/ULS Modified by Audio Upgrades (mod1)
    C414B/ULS Modified by Jim Williams (mod2)
    Large Diaphragm Condenser
    Multipurpose studio mic
    460B/CK61-ULS Small Diaphragm Condenser
    Precise, neutral recording mic
    D112 Large Diaphragm Dynamic
    Classic kick drum and bass guitar mic
    D 790 Large Diaphragm Dynamic
    Hand-held vocal
    C1000S Small Diaphragm Condenser
    With a battery power option, often used for field
    recording
    C 3000 Large Diaphragm Condenser
    General purpose
    C 4000 B Dual-Diaphragm  Condenser
    Solid state version of the SolidTube, general
    purpose 
    						
    							32
    AlesisAM61 Large Diaphragm Condenser w/tube circuitry
    A rich warm sound ideal for vocals and
    instruments
    Audio Engineering Associates
    R44C Large Diaphragm Boundary - Ribbon
    Replica of the classic RCA 44 ribbon mic
    Audio-TechnicaATM11 Dynamic
    Drums
    ATM31 Small Diaphragm Condenser
    General purpose
    AT853Rx Electret Condenser
    Hanging choir mic
    AT3525 Large Diaphragm Condenser
    Vocals and general purpose
    AT4047/SV Large Diaphragm Condenser
    Recreates the sound of vintage F.E.T. condenser
    mics
    AT4033a/SM Large Diaphragm Condenser
    General purpose, drum overheads
    AT4050 Large Diaphragm Condenser
    General purpose
    AT4055 Large Diaphragm Condenser
    Live vocal mic
    AT4060 Large Diaphragm Condenser - Tube Circuitry
    Vocals and general purpose
    AudixD4 Dynamic
    Kick drum, acoustic bass, piano, sax
    OM2 Dynamic
    Hand held vocal
    OM3-xb Dynamic
    General purpose
    OM5 Dynamic
    Vocals
    Please Note: All trademarks appearing above are the property of
    their respective owners. The manufacturer names and model desig-
    nations are used solely to identify the microphones analyzed in the
    development of our digital models and do not in any way imply any
    association with or endorsement by any of the named manufacturers. 
    						
    							33
    B & K4007 Large Diaphragm Prepolarized Condenser
    Close-micing drums, percussion, brass
    beyerdynamicM-500 Limited Edition Classic (Silver)
    Large Diaphragm Condenser
    Vocal, instruments
    MC-834 Large Diaphragm Condenser
    Vocals , piano, strings, brass, voice-overs
    BraunerVM1 Large Diaphragm Tube Condenser w/Class A amp
    Reference recording
    CADEquitek E100 Condenser
    Vocal, instrument, drum overheads
    Equitek E200 Condenser
    Vocal, orchestra, acoustic guitar, kick drum
    Equitek E350 Servo Condenser
    Vocal, piano, overhead, acoustic guitar, amps
    C400S Large Diaphragm Condenser
    General Studio
    VSM1 Single Valve Condenser
    Vocal, strings, guitar
    95Ni Dynamic
    Vocal, instrument amps
    Coles4038 Large Diaphragm Boundary - Ribbon
    Sax, horns, piano, guitar
    EarthworksZ30x Enhanced Cardioid Condenser
    Vocal, guitar, drums, general purpose
    TC30K Omni Condenser
    Drums, guitar, bass
    ElectroVoicePL20 Mid Diaphragm Dynamic
    Early predecessor to the RE20 - Bass, drums, vocals,
    electric guitar
    N/D357 Mid Diaphragm Dynamic
    Frequency expressly contoured for female vocals
    Groove TubesMD-1 Large Diaphragm Tube Condenser
    Studio vocal, general purpose
    Please Note: All trademarks appearing above are the property of
    their respective owners. The manufacturer names and model desig-
    nations are used solely to identify the microphones analyzed in the
    development of our digital models and do not in any way imply any
    association with or endorsement by any of the named manufacturers. 
    						
    							34
    LawsonL47MP Large Diaphragm Tube Condenser
    Vocals, acoustic guitar, strings, piano, choir,
    orchestra, sax
    Manley LabsReference Gold Large Diaphragm Tube Condenser
    Ultra high quality recording
    MicroTechGefell UMT 800 Large Diaphragm Condenser
    Close-miced vocals, horns, ensembles
    NeumannU 47 Large Diaphragm Tube Condenser
    A classic vocal mic. Sinatra’s first choice.
    U 87
    U 87 70th Anniversary Gold Edition
    Large Diaphragm Condenser
    Vocals, piano, acoustic bass, drums, acoustic guitar
    M 149 Large Diaphragm Tube Condenser
    “The best mic I have EVER used.” ~Chuck Surack
    (Thanks Chuck!)
    TLM 103 Large Diaphragm Condenser
    Vocals, acoustic guitar, horns, piano
    TLM 193 Large Diaphragm Condenser
    Vocals, acoustic guitar, drum overheads, strings,
    sax
    KM 184 Small Diaphragm Condenser
    Acoustic guitar, drum overheads, hi hat, strings,
    percussion, piano
    OktavaMC-012 Small Diaphragm Condenser
    General purpose instruments and live performance
    MK-319 Large Diaphragm Condenser
    Vocal, general purpose
    RCABK5A Uniaxial Ribbon
    Vocal, general purpose
    RodeNT1 Large Diaphragm Condenser
    Vocals, instruments
    NT2 Large Diaphragm Condenser
    Vocals, acoustic guitar, winds, piano
    NTV Large Diaphragm Tube Condenser
    Vocal, general studio
    Please Note: All trademarks appearing above are the property of
    their respective owners. The manufacturer names and model desig-
    nations are used solely to identify the microphones analyzed in the
    development of our digital models and do not in any way imply any
    association with or endorsement by any of the named manufacturers. 
    						
    							35
    RoyerR-121 Ribbon
    Electric guitar, overhead drums, orchestral, choral,
    room micing
    SennheiserMD421 Large Diaphragm Dynamic
    Drums, vocals guitar, amps
    MD441 Large Diaphragm Dynamic
    Designed to simulate the sound of a condenser
    mic for vocal, sax
    E609 Large Diaphragm Dynamic
    Live performance guitar amp and drum mic
    E835S Large Diaphragm Dynamic
    Live performance vocal
    ShureBeta 52 Large Diaphragm Dynamic
    Kick drum, bass amp, acoustic bass
    Beta 57A Large Diaphragm Dynamic
    Drums, guitar amplifiers, brass, woodwinds, vocals.
    Beta 87A Large Diaphragm Condenser
    Vocals, live performance
    Beta 98D/S Mini Condenser
    Toms, snares, percussion
    SM7A Dynamic
    Vocals, bass amp
    SM57 Large Diaphragm Dynamic
    Guitar, guitar amp, drums
    SM58 Large Diaphragm Dynamic
    Vocals, general purpose
    ShureSM81 Large Diaphragm Condenser
    Guitar, cymbals, strings, vocals, piano
    SM98A Large Diaphragm Condenser
    Drums, brass, winds
    KSM32 Large Diaphragm Condenser
    Vocals, acoustic guitar, winds, ensembles, and
    drum overheads.
    VP88 Large Diaphragm Condenser - Single Point Stereo
    Modeled in MS (mono simulation) mode
    Please Note: All trademarks appearing above are the property of
    their respective owners. The manufacturer names and model desig-
    nations are used solely to identify the microphones analyzed in the
    development of our digital models and do not in any way imply any
    association with or endorsement by any of the named manufacturers. 
    						
    							36
    SonyC800G Large Diaphragm Tube Condenser
    Vocals: studio and post-production
    C37P Tube Condenser
    General purpose
    C48 Large Diaphragm FET Condenser
    Vocals, guitar
    TelefunkenU-47 Large Diaphragm Tube Condenser
    An extremely rare vintage version of the U-47
    from the days when Telefunken distributed mics
    for Neumann. This sample is still equipped with
    the original tube.
    Please Note: All trademarks appearing above are the property of
    their respective owners. The manufacturer names and model desig-
    nations are used solely to identify the microphones analyzed in the
    development of our digital models and do not in any way imply any
    association with or endorsement by any of the named manufacturers. 
    						
    							37
    Acknowledgments
    As you might imagine, sourcing and modeling all of those mics was
    (and remains) an interesting logistical challenge. Luckily for us, we
    have had assistance from a variety of interested dealers, manufac-
    turers, studios and individuals who were all willing to let us subject
    their precious microphones to our arcane modeling ritual.
    Thanks to all those listed below:
    Rob Actis
    Actis Company, San Diego, CA
    Audio Engineering Associates
    Pasadena, CA
    Audix Corporation
    Wilsonville, OR
    Demien Bannister
    Bananas at Large, San Rafael, CA
    jeramy bassermann
    Opus Nine, El Granada, CA
    Robert Berry
    soundtek studios, Campbell, CA
    Ken Capitanich
    Mars Studios, Aptos, CA
    Eric Chun
    Creative Music Services,
    Auburn, CA
    Cutting Edge Audio
    San Francisco, CA
    Guitar Showcase
    San Jose, CA
    Stephen Jarvis
    San Francisco, CA
    Manley Laboratories
    Chino, CANational Sound Engineering
    Norcross, GA
    Glen Peiser
    Guitar Center San Jose
    Santa Cruz Sound Company
    Santa Cruz, CA
    Paul Savasta
    Odyssey Pro Sound, Salem, MA
    Skip’s Music
    Sacramento, CA
    David Staats
    Castro Valley, CA
    Studio Tech Supply
    Dallas, TX
    Chuck Surack
    Sweetwater Sound,
    Ft. Wayne, IN
    Trakworx
    San Francisco, CA
    Wind Over the Earth
    Boulder, CO
    And, of course, our own
    Michael “Mr. Microphone” Logue
    and mic tester extraordinaire
    Kelly Montgomery. 
    						
    							39
    Index
    Symbols
    “(w)”  14, 17
    A
    About the technology  11
    Acknowledgments  37
    Antares Audio Technologies
    contacting  9
    Antares Microphone Modeler
    about the technology  11
    authorizing  8
    controls  13
    installing  8
    overview  10
    what it does  11
    Authorizing Antares Microphone
    Modeler  8
    Automation and the Mic Menus  25
    B
    Bypass  14, 15, 17, 18, 29, 30
    C
    Challenge String  9
    “Challenge/Response”  8
    Controls  13
    Input Section  13
    Modeled Mic Section  17
    Output Level  22
    Preserve Source  20
    Source Mic Section  14
    Tube Saturation  21
    Creative techniques  30
    Customizing the Source and Model
    Mic Menus  24
    D
    Drive control  21
    F
    Frequency boost, excessive  27
    I
    Input  12
    Input Gain  13
    Input Microphone, choice of  26
    Installing Antares Microphone
    Modeler  8
    “inv”  23
    L
    Level Meter  13
    Live or Mixdown?  12
    Low-Cut Menu  15, 17
    M
    Managing mic menus  24
    Mic Model Files  23
    Microphone  26
    hybrid  20
    off-axis response  27
    omnidirectional mode  16, 19
    polar pattern selection  27
    technique  27
    transient response  28
    Variation in  26
    Microphone Models  23, 31
    Modeled Mic  12
    Modeled Mic Section
    Low-Cut Menu  18
    Modeled Mic Menu  17
    Pattern  18
    Proximity  19 
    						
    							40
    O
    Off-Axis Response  27
    Operation  12
    Output  13
    Output Level  22
    Overview  10
    P
    Pattern  16
    cardioid  16, 18
    hypercardioid  16, 18
    omni  16, 18
    Polar pattern selection  27
    Preserve Source  20
    Proof of Purchase  8
    Proximity  16, 17, 19
    Proximity Effect  16, 19
    S
    Serial number
    location of  7, 8
    Signal Flow  12
    Source Mic  12
    Source Mic Section  14
    Low-Cut Menu  15
    Pattern  16
    Proximity  16
    Source Mic Menu  14
    Spectral Shaping Tool™  10
    Submitting suggestions  23
    T
    Technical Support  9
    Transient Response  28
    Tube Saturation
    10, 11, 12, 21, 22, 30
    W
    What it does  11 
    						
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