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Antares MDT user manual

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    							MDT UserÕs Manual71 Clip Sentry
    and a gain decrease indicated by the I/O Curve results in a gain decrease in
    the overall output.
    In this way, the AP Þlter modes are able to accomplish compression and
    expansion computations without artifacts from the parametric equalizer
    Þlters.
    However, these effects are limited to the I/O Curve operating within plus
    and minus 12 dB of the 45 degree 1:1 diagonal. Operating above +12 dB of
    the diagonal causes the parametric equalizer artifacts to again dominate the
    output as they would in the non-AP case. This is not a serious problem.
    Operating below -12 dB is more of a problem: Because there is a zero degree
    phase shift in the center of each pass band, these frequencies will be
    handled properly. However, the phase changes in the crossover and stop
    band of each Þlter will cause the sound at these frequencies to not be
    correctly subtracted, leaving a signiÞcantly audible sound in the output.
    Clip Sentry
    Because MDT simulates the smooth sound of analog compressors, it is easy
    to create data that exceeds to +1,-1 digital range. This is because of the
    behavior of the Attack Time slider, which allows you to control the rate of
    gain reduction due to a sudden increase in sound level. As in the analog
    world, even a fast attack time will let through a faster transient. Since most
    users jack-up the output gain to compensate for compression, these fast
    transients almost always result in clipped data.
    Clip Sentry is a high speed digital limiter designed to prevent clipping by a
    reducing gain only when clipping is about it occur. 
    When Clip Sentry is activated by pressing the Clip Sentry button, the audio
    data is routed through a new buffer, creating delayed output data. Before
    each sample is put into the buffer, it is multiplied by the current gain. If an
    clipping occurs, then the current gain is gradually reduced so that when the
    culprit audio data appears at the output end of the buffer, the new current
    gain does not create clipping. The current gain is then gradually restored
    using a release time algorithm. 
    						
    							MDT UserÕs Manual72 Stereo Sound Processing
    The current gain is a combination of gain from the gain curve and the gain
    slider. The Clip Sentry processing occurs in the sequence described in the
    diagram:
    From this diagram, you see that the Gain Curve is broken up into two parts.
    The Þrst part is a new curve that has gain reduction only. This reduction is
    compensated for by the second part, a gain increase after Clip Sentry.
    Hence, the data coming into Clip Sentry is never clipped. The only existing
    limitation of MDT 4.00 is that the maximum curve gain plus the Gain Slider
    cannot exceed +48dB.
    Clip Sentry can attenuate the gain by as much as -30dB to stop clipping. 
    Stereo Sound Processing
    The left and right channels of stereo signals are processed completely
    separately except for a single exception: they both share the same levels.
    The signal level computation is described in the Þrst section of this chapter
    using the compute level ßowchart. In the case of stereo data, the data
    presented to the compute level algorithm alternates between the left and
    right channels: L, R, L, R, L, ...
    As a result of this arrangement, the same gain will be applied to both
    channels of the stereo data at any instant in time.
    Another result is that incorrect compression/expansion results will occur if
    the two channels contain differing material, or if the channels are not scaled
    relative to one-another. In these cases, the louder channel (over the period
    of the time scales involved) will dominate the computation. 
    Compressor process with 
    Gain reduction, only, 
    from Gain Curve.
    Gain Curve gain 
    increase and 
    Gain Slider.CLIP 
    SENTRY 
    						
    							MDT UserÕs Manuallxxiii
    Symbols
    ÒSoft KneeÓ Compressor 17
    Òsoft kneeÓ compressor 36
    ÒTubeÓ Compander 18, 36
    ÒtubeÓ companders 37
    Numerics
    3 Band 56
    3 band 68
    3 Band AP 57
    3 band AP 70
    5 Band 57, 68
    5 Band AP 57, 70
    A
    AP Filter Modes 70
    AP mode 40
    Attack Slider 53
    Attack Time 31
    attack time 19
    auto read 50
    auto touch 50
    Automation 49, 53
    B
    Bypass Button 54
    C
    Clip 48
    clip light 48
    Clip Sentry 48, 71
    Clip Sentry Buf Len 48
    Clip Sentry Buf Len (mS) slider 55
    Clip Sentry Button 54
    Clip Sentry Release 48
    Clip Sentry Release (mS) slider 55
    Clipping Indicator 55
    Compare Button 62
    Compression 13
    compression ratio 14, 30
    Compressor 30
    Compressor with Noise Gate 35
    Control Surface Support 56
    D
    De-esser 45
    delay 48
    Delay Window 56
    Delete SettingsÉ 29 
    						
    							lxxivMDT UserÕs Manual
    digital Þlters 40
    DSP Plug-ins 22
    Dynamic EQ 47
    dynamic range 13, 30
    E
    effect of changing attack time 19
    effect of changing release time 19
    Expander/Gate 34
    expansion 18
    F
    Filter Mode Menu 56
    Filter Modes 40, 68
    Þlter pass band center frequencies 69
    Flat 43
    Flat Button 58
    Flat button 49
    Full Band 56
    Full Band Filter Mode 68
    G
    Gain Adjust Algorithm 65
    gain reduction 14, 30
    Gain Slider 58
    Gain slider 31
    H
    high speed digital limiter 48
    I
    I/O Curve 23, 25, 66
    I/O Curve position and gain 26
    In/Out Grid 15, 16, 25
    input level offset 66
    Input Level Offset Arrows 27
    Input Offset 43, 44
    Input  Offset Adjust Arrows 58
    Input Offset Arrow 50
    Input Offset Display 28
    Input Offset Levels 49
    Installing The JVP 11
    inverse gain functions 24
    Inverted Gain Curves 51
    L
    Levelx 50
    look-ahead peak averaging 22
    lower terminator 24, 35 
    						
    							MDT UserÕs Manuallxxv
    M
    MDT As A  Compressor 15
    MDT Basics 21
    mixing 13
    Multiband Applications 39
    multiband center frequencies 69
    Multiband Compressor 40
    multiband mode 39
    Multiband Peak Level Indicators 39
    O
    Owner Registration 11
    P
    Peak Level Indicator 22, 28
    processing algorithms 65
    pumping 19
    R
    Ratio 14
    Release Time 31
    release time 19, 22
    Reset 43
    Reset Button 61
    Reset button 49
    Reset Settings 29
    S
    Save Settings AsÉ 29
    Setting Menu 28
    Settings menu 49
    Single Band Applications 30
    Spectral Enhancer 45, 46
    Stereo Sound Processing 72
    T
    TDM Settings 62
    Technical Support 11
    Theory of Operation 65
    Threshold 14
    threshold 24
    Tonal Balance 43
    Tonal Balance In Multiband Mode 42
    transfer characteristic 23
    Tutorial 21
    U
    upper terminator 24 
    						
    							lxxviMDT UserÕs Manual
    V
    Variable 43, 44
    Variable Button 63
    Variable button 49 
    						
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