Antares Filter user manual
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43 A TIP: Another very useful RG function is to rhythmically turn on and off the output of an individual filter. To do this, set the filter’s gain to -infinity and patch a Rhythm Generator to the filter’s gain with a Modulation Amount of +100. The filter will be silent during empty cells and audible during filled cells. You can then fine tune the On volume by adjusting the Modulation Amount. USING THE RHYTHM GENERATORS TO TRIGGER ENVELOPES When a Rhythm Generator is assigned to trigger an Envelope, it...
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44 Output Section OUTPUT LEVEL Use the Output Level knob to set Filter’s main output level. In most cases, start by setting the highest level that does not result in clipping. The numeric display will indicate in dBs the exact amount of gain applied. You may also click in the numeric display and type in the desired value. Option (Mac)/Alt (PC) clicking the knob will reset the value to 0dB. LEVEL METER(S) When Filter is instantiated as a mono->mono plug-in, the Output Section will display a single level...
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45 Chapter 4: About the Factory Presets When you install Filter you will also get a generous collection of factory presets designed to provide examples of many of the things that you can do with Filter, from subtle harmonic sweetening to all-out wackification. While our sound designers have tried to design their presets around general audio categories (voice, guitar, drum loops, pads etc.), there’s no way they can predict the specific audio you will be processing with Filter. With that in mind, we offer...
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46 •If a preset’s Master Tempo is set to MIDI, be sure that your host is correctly configured to send MIDI clock to Filter. If it’s not getting MIDI clock (i.e., the MIDI Clock indicator is not lit), the preset will not function as it was designed to. •If a preset is not synced to your host’s MIDI clock but makes use of tempo-synced LFOs, Delays, Rhythm Generators or Envelopes, you may have to readjust the internal Master Tempo for the best effect with your particular audio. •If various time-based...
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47 Chapter 5: Fun Facts About Sturgeons •Long considered a nuisance fish and hated by commercial fishermen for the damage they did to nets, the once lowly sturgeon has finally achieved status as a top game fish. Prized by the angler for its strength and speed, gourmets and backyard chefs alike have come to savor its firm flesh. •Instead of scales, sturgeon have tough skin and rows of bony plates called scutes. •Sturgeons are the most primitive of the bony fishes (family Acipenseridae) alive today, modern...
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48 Index A Antares Audio Technologies iv Assigning MIDI controllers to the Modulation Matri 36 Attack 31, 34 authorizing Filter 3 B Beats 26 C Cell Grids 40 Challenge/Response Authorization 3 contact information iv, 5 D data displays 10 Decay Rate and Sustain Level 32 Delay 31 Delay Section 16 Delay Time/Beats - Beats Mode 17 Delay Time/Beats - Time Mode 16 Feedback 17 Mix 18 Pre/Post 18 Sync 18 Delay Time/Beats 16 Destination Selection 37
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49 E Envelope Follower 8, 34 Attack 34 Release 34 Envelope Generators 8, 29 Envelope overview 30 F factory presets 45 Feedback 17 Filter Display Style 11 Filter License Agreement v Filter Output 19 Gain 19 Pan 20 Phase Invert 19 Filter Routing 22 Filter Settings 13 Filter Type 15 Frequency 15 Frequency Link 14 On 13 Poles 16 Q (Resonance) 15 Solo 13 Filter Type 15 Bandpass 16 Flat 16 Highpass 15 Lowpass 15 Notch 16 Frequency 15 Frequency Link 14 Function Display Selector...
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50 L Level Meter(s) 11, 44 LFO 8, 26, 27, 36, 46 Long Pulse 28 Ramp Down 27 Ramp Up 27 Random Hold 28 Random Ramp 28 Random Slew 28 Short Pulse 28 Sine 27 Square 28 Triangle 27 License Agreement v M Master Section 11 Filter Display Style 11 MIDI Clock Indicator 11 MIDI Setup 12 Tap Tempo 12 Tempo 12 Tempo Source 11 MG 33 MIDI 8, 11, 12, 33, 36, 41 MIDI Clock Indicator 11 MIDI Setup 12 Mix 18 Modulation Amount 37 Modulation Matrix 8, 35 Assigning MIDI controllers 36 Cell Grids...
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51 S Shape 27 So what exactly is Filter? 6 Solo 13 Source Selection 36 sturgeons 47 Sync 18 Sync To Master 25, 38 T Tap Tempo 12 technical support 5 Tempo 12 Tempo Source 11 Tempo/Beats 39 Time Base 30 Trigger Indicator 33 Trigger Selector 32 U Using the Rhythm Generators as Modulation Sources 42 to Trigger Envelopes 43