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Antares AutoTune user manual

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Page 31

Auto-Tune UserÕs Manual31 Lesson 5: Using the Make Curve Button
5. Press the Zoom/Select tool and drag out a box on the pitch view that 
encloses the red curve for the Ò-getherÓ part of the last word, Òto-getherÓ. 
You will see the following:
6. Use the zoom/select tool and drag out a selection of Ò-getherÓ in the 
Envelope Graph. You will see the following:
7. Press the Make Curve button. Auto-Tune will compute a new curve 
object from the existing pitch data.
The new curve may be difÞcult to see at...

Page 32

Auto-Tune Tutorial
32Auto-Tune UserÕs Manual
9. Use the Pointer tool again and click precisely on the left end of the curve. 
Drag this straight up, stretching the curve so it falls along the D3 tone.
10.Grab the curve by clicking on it and drag it straight down so it falls on the 
C3 line.The Pitch Graph should now appear:
11.Set the Retune slider to 0, press Correct Pitch and play back the sound.
I canÕt say much for her voice in this segment, but at least this one note is a
little better in tune. An...

Page 33

Auto-Tune UserÕs Manual33 Lesson 5: Using the Make Curve Button
1. Use the line tool to draw a horizontal tine as shown below.
2. Set the Retune slider to 20, press Correct Pitch and play back the sound.
Vibratos and other pitch gestures occur with related loudness gestures. Spe-
ciÞcally, with vibratos, some vocalists produce mostly pitch variations and
little loudness variations while others produce small pitch variations and a
lot of loudness variations. (Some have called the latter a Tremolo.)...

Page 34

Auto-Tune Tutorial
34Auto-Tune UserÕs Manual
¥The second technique is to draw a ßat line segment across the duration
of a tone at the desired pitch and then use the Retune slider set in the
range 20 to 40. This has the effect of gently moving the pitch downwards
the desired pitch. The slower values of 20 to 40 will let through a vibrato
but still draw the overall pitch closer to being in tune. The average pitch
will eventually settle to the given line and the pitch gestures will occur
both sharper and...

Page 35

Auto-Tune UserÕs Manual35 Lesson 6: Using the Make Auto Button
6. Press the Zoom/Select tool and drag out a box on the pitch view that 
encloses the red curve for the Òcrowd all rushedÓ words. You will see the 
following:
7. Use the zoom/select tool and drag out a selection in the Envelope 
Graph, as shown: 

Page 36

Auto-Tune Tutorial
36Auto-Tune UserÕs Manual
8. Press the Make Auto button. Auto-Tune will compute a new curve object 
from the existing pitch data:
Assuming this entire phrase is at the pitch E3, then there are several prob-
lem spots, indicated above, where the pitch is being incorrectly adjusted
towards neighboring tones.
9. To hear the processed sound that would produced in Automatic Mode, 
set the Graphical Mode Retune Slider to 0, (fast), press Correct Pitch 
and play back the sound..
10.Switch to...

Page 37

Auto-Tune UserÕs Manual37 More Information and Usage Tips
More Information and Usage Tips
The decision to use the Graphical Mode instead of the Automatic Mode is
taken when the Automatic Mode doesnt achieve the desired result. This is
most often the case when pitch errors cross the boundary from one tone to
another and you dont want to mess with continually adding and removing
tones from the scale.
In Graphical Mode, correcting pitch involves listening to a short passage
and making several attempts at a...

Page 38

Auto-Tune Tutorial
38Auto-Tune UserÕs Manual 

Page 39

Auto-Tune UserÕs Manual39
CHAPTER 4Auto-Tune Controls
ÒJust the facts, MaÕamÓ
- Bill Gannon, Dragnet
This chapter is reference text for all of the controls used in the Auto-Tune
interface. This chapter simply describes the function of each control. How
these controls are used together for intonation correction is described in
Chapter 3, Auto-Tune Tutorial. Much of the information in this chapter is
also presented in Chapter 3. However, some of the less important controls
are only explained here....

Page 40

Auto-Tune Controls
40Auto-Tune UserÕs Manual
Historical tunings:
¥Ling Lun: a twelve-tone scale dating from 2700 B.C. China.
¥Scholars Lute: a seven-tone scale dating from 300 B.C. China.
¥Greek diatonic genus: a seven-tone scale from ancient Greece.
¥Greek chromatic genus: a seven-tone scale from ancient Greece.
¥Greek enharmonic genus: a seven-tone scale from ancient Greece.
¥Pythagorean: a twelve-tone scale dating from 600 B.C. Greece. This scale
is derived by tuning twelve pure perfect Þfths upward...
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