Antares AutoTune 5 user manual
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©2006 Antares Audio Technologies. All rights reserved. Certified Isinglass-free™ All trademarks are property of their respective owners. Antares Audio Technologies 231 Technology Circle, Scotts Valley, California 95066 USA www.antarestech.com Printed in USA Rev 1.0 PN P23035-0906-M01 Hi Five!
The Obligatory Legal Mumbo-Jumbo The Antares Auto-Tune 5 software and this User’s Manual are protected by copyright law. Making copies, adaptations, or derivative works without the prior written authorization of Antares Audio Technologies, is prohibited by law and constitutes a punishable violation of the law. Antares Audio Technologies retains all ownership rights to the Auto-Tune 5 software and its documentation. Use of Auto-Tune 5 is limited by the following license agreement. Please carefully read all the terms and conditions of this license agreement. At the time of installation of the Auto-Tune 5 software you will be presented with a copy of the agreement and asked whether or not you agree to it. Continuing with the installation process beyond that point constitutes such agreement. Auto-Tune 5 License Agreement Antares Audio Technologies grants you a non-transferable, non-exclusive license to use Auto-Tune 5 under the terms and conditions stated in this agreement. Use of Auto-Tune 5 indicates your agreement to the following terms and conditions. License You may: 1. Use Auto-Tune 5 on only one computer at a time. Transferring your license from computer to computer requires the use of an iLok USB smart key. You may not: 1. Make copies of Auto-Tune 5 or of the user manual in whole or in part except as expressly provided for in this agreement. Your right to copy Auto-Tune 5 and the user manual is limited by copyright law. Making copies, verbal or media translations, adaptations, derivative works, or telecommunication data transmission of Auto-Tune 5 without prior written authorization of Antares, is prohibited by law and constitutes a punishable violation of the law. 2. Make alteration or modifications to Auto- Tune 5 (or any copy) or disassemble or de-compile Auto-Tune 5 (or any copy), or attempt to discover the source code of Auto-Tune 5. 3. Sub-license, lease, lend, rent, or grant other rights in all or any portion of Auto-Tune 5 (or any copy) to others. Term of the Agreement This agreement is effective until terminated by you or Antares. You may terminate the agreement at any time by notifying Antares and destroying all copies of the manual, and erasing Auto-Tune 5 from all machine-readable media, whether on-line or on archival copies. In the event of breach of any of the terms of this agreement, you shall pay the attorney’s fees of Antares that are reasonably necessary to enforce the agreement plus resulting damages. Limited Warranty And Disclaimer AUTO-TUNE 5 AND ACCOMPANYING MATERIALS ARE PROVIDED “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. Antares Audio Technologies does not warrant that the functions contained in the program will meet your requirements. The entire risk as to the use, quality, and performance of Auto-Tune 5 is with you.
SOME JURISDICTIONS DO NOT ALLOW LIMITATIONS ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS. YOU MAY ALSO HAVE OTHER RIGHTS WHICH VARY FROM JURISDICTION TO JURISDICTION. Limitation of Liability IN NO EVENT WILL ANTARES BE LIABLE FOR ANY DAMAGES, INCLUDING LOSS OF DATA, LOST PROFITS OR OTHER SPECIAL, INCIDENTAL, CONSEQUENTIAL OR INDIRECT DAMAGES ARISING FROM THE USE OF AUTO-TUNE 5 OR ACCOMPANYING MATERIALS. THIS LIMITATION WILL APPLY EVEN IF ANTARES OR ITS AUTHORIZED AGENT HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. YOU ACKNOWLEDGE THAT THE LICENSE FEE REFLECTS THIS ALLOCATION OF RISK. SOME JURISDICTIONS DO NOT ALLOW LIMITATION OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU. Whew! Now that that’s over, let’s get on to the good stuff.
Contents Chapter 1 Getting Started What’s New in Auto-Tune 5 3 Installing and Authorizing 5 Technical Support 6 Chapter 2 Introducing Auto-Tune 5 Some background 7 A little bit about pitch 7 How Auto-Tune 5 detects pitch 9 How Auto-Tune 5 corrects pitch 9 Automatic Mode 10 Graphical Mode 12 Chapter 3 Auto-Tune 5 Controls Common Controls 15 Automatic Mode Controls 18 MIDI Functions 23 Graphical Mode Controls 30 Pen Tablet Input 39 Chapter 4 Auto-Tune 5 Tutorial Tutorial 1: Automatic Mode Basics 41 Tutorial 2: Targeting Ignores Vibrato Function 42 Tutorial 3: Natural Vibrato Function 43 Tutorial 4: MIDI Functions 44 Tutorial 5: Graphical Mode Basics 45 Tutorial 6: Precision 46 Tutorial 7: Make Curve Function 47 Tutorial 8: Import Auto Function 49
vi Chapter 5 New Features Quick Start Guide 51 Chapter 6 Creative Applications 57
Welcome! On behalf of everyone at Antares Audio Technologies, we’d like to offer both our thanks and congratulations on your decision to purchase Auto-Tune 5, the most powerful intonation correction tool in the world. Before you proceed any farther, we’d like to strongly encourage you to register and authorize your copy of Auto-Tune 5. (You can skip ahead to the Authorization and Installation instructions on page 5. We’ll wait.) Also, if you’re planning on discarding that lovely Auto-Tune 5 box, it’s probably a good idea to write down the serial number that appears on the bottom of the box for future reference. (The inside cover of this manual would be a good place.) As an Auto-Tune 5 owner, you are entitled to receive notification of any software upgrades, technical support, and advance announcements of upcoming products. But we can’t send you stuff unless we know who and where you are. So please, register. At Antares, we are committed to excellence in quality, customer service, and technological innovation. With your purchase of Auto-Tune 5, you have created a relationship with Antares which we hope will be long and gratifying. Let us know what you think. You can count on us to listen. Again, thanks. The Whole Antares Crew
Chapter 1: Getting Started If you are new to Auto-Tune, we encourage you to read this manual and work through the tutorials in Chapter 4. It’s the quickest way to become familiar with what Auto-Tune 5 does and how it does it. If you are upgrading from a previous version of Auto-Tune, you will find that most of what you’re already doing will continue to work in Auto-Tune 5, only better. To get up to speed quickly, just check out the new feature overview below and then refer to the detailed New Feature Quick Start Guide in Chapter 5, which will tell you everything you need to know to make use of Auto-Tune 5’s new capabilities. What’s New in Auto-Tune 5 The following are the key new features that have been added in Auto-Tune 5: General Features • Improved pitch detection algorithm: While Auto Tune’s patented pitch detection technology has always provided unmatched speed and accuracy, Auto-Tune 5 introduces improvements in performance with marginal quality (noisy, poorly isolated, etc.) audio. • A sleek new interface: As Auto-Tune’s features have proliferated from version to version, we have continually focused on maintaining its ease of use. With Auto-Tune 5, we have undertaken a complete graphic redesign. The result is both easy on the eyes and logically groups related controls for intuitive functionality. • Consolidated Pitch Tracking control: The previously separate Automatic and Graphical Mode Tracking controls have been consolidated into a single control and relocated to the Options dialog for set-it-and-forget-it simplicity. Automatic Mode Features • Humanize function: For those concerned about pitch correction that is “too perfect,” the Humanize function allows you to set a fast retune speed for short notes, while still allowing natural variation in held notes, for results that are even more natural and realistic. • Realtime natural vibrato adjustment: The new realtime Natural Vibrato function allows you to modify (either increasing or decreasing) the depth of any vibrato that is present in the original performance. Graphical Mode Features • Larger Pitch Edit Display: As you’ve no doubt noticed, the Pitch Edit Display is now bigger. Lots bigger. • Sync to host transport (host dependent): For hosts that provide valid time information, Auto-Tune 5 will now maintain sync with the host program. Once you have tracked audio and created correction curves, you can move around in your track at will. No more having to always start playback at exactly the same location.
• Selectable Clock Source: For hosts that do not provide valid time information, Auto-Tune 5’s clock display and selection functions let you use an internal time reference for Auto-Tune 4 style operation. • Realtime pitch tracking display: During the Track Pitch process, the graphic representation of the pitch will be displayed in realtime as the audio plays. • Full-time correction mode (host dependent): Whenever Auto-Tune 5 is not specifically tracking audio (and correction curves exist), Auto-Tune 5 will be operating in correction mode. There is no longer any need to press a “Correct Pitch” button. Besides being convenient, that makes possible the following feature: • Multiple simultaneous Graphical Mode instances (host dependent): You can now have multiple instances of Auto-Tune Graphical Mode operating on different tracks simultaneously, even if their windows are not open. In previous versions, since you had to have plug-in windows open to engage Correct Pitch mode, only open instances could be active. No longer. • Editing functions no longer modal: You can now use all of the graphical editing features while Auto-Tune 5 is either tracking or correcting pitch. • Enhanced Envelope Display functionality: We’ve made some changes to the Envelope Display to make it much more useful for quick and easy navigation around your audio: When in “ALL” mode, the display automatically scales to precisely encompass the tracked audio (rather than defaulting to the entire length of the buffer). The behavior of the various editing tools has been changed such that for every tool except the I-Beam, moving the cursor onto the Envelope Display causes the tool to temporarily change into the Magnifying Glass Tool (perfect for quickly moving to another portion of your audio without having to manually change tools). Using the I-Beam to make a selection on the Envelope Display now automatically causes the Pitch Graph Display to move to the selected audio. • Realtime graphical vibrato depth adjustment: The Adjust Vibrato control allows you to modify the depth of vibrato in your audio while preserving the contour of the original vibrato. Moving this control results in a real-time graphical representation of the resulting vibrato contour. • Dedicated Snap To Note button: When using the Line Tool, clicking this button constrains the tool to exact scale notes. • Dedicated Clear All Data function: Provides a convenient method to instantly clear all saved tracked audio and correction curve data. How To Use This Manual If this is your first experience of Auto-Tune, you will find that Auto-Tune 5 has a very friendly user-interface and is extraordinarily easy to use. However, because Auto-Tune 5 does things that have never been done before, a few aspects of the user-interface may not be immediately obvious. You should at least read either Chapter 3, Auto-Tune 5 Controls, or Chapter 4, Auto-Tune 5 Tutorial, to learn the essential information you will need to operate Auto-Tune 5. And as we mentioned above, if you are upgrading from Auto-Tune 4, go straight to Chapter 5, the New Feature Quick Start Guide, to learn everything you need to know (about Auto-Tune’s new features, anyway).