American Audio Mixer Q2422SX User Manual
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REAR PANEL - CONTROLS AND FUNCTIONS ©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 11 25. GND (GROUND TERMINALS) - Connect the ground lead of the turntables with these terminals. This will reduce humming and pop- ping noises. There are two convenient ground terminals located on the rear of the mixer. 26. AC VOLTAGE SELECTOR - Select between 115V/50Hz or 230V/60Hz. Make sure that the selector is set to the proper voltage you are using. 27. AC CONNECTION - This connection is used for your detachable AC power cord. Be sure to only plug your unit in to the recommended power supply. 28. BALANCED XLR MASTER OUTPUTS - The Master Output includes a pair XLR BALANCED JACKS as well as a pair RCA UNBALANCED JACKS (31). The 3-pin XLR jacks send a high current balanced output signal. These jacks should be used when you will be driving an amp or other audio equipment with a balanced input, or whenever you will be running a signal line greater than 15 feet. 29. LIGHT CONTROL OUTPUT - This jack provides a preset mono audio output signal. There is no way to adjust this level, however this level will directly reflect the output level of the CHANNEL SLIDERS (6). This buffered audio out- put should only be used with light controllers that can accept an external audio input signal. Great for Touch Panels and Chase Controllers. 30. PLAYER CONTROL - These jacks are used to input 1/8" mono mini plugs from a compatible American Audio "Q" series CD players also featuring Fader “Q” Start. This feature is used to remote control a CD player. By moving the mixer crossfader (30) from left to right you can start and pause a "Q" series compact disc player. In other words, when the mixer crossfader is to the left, and you move it at least 20% to the right, any player connected to the "B" PLAYER CONTROL will begin to play. When the crossfader is to 2726383033313228293635343736 25
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©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 12 the right, and you move it at least 20% to the left position, any player connected to the "A" PLAYER CONTROL will begin to play. You can create great effects similar to scratching with this feature. 31. RCA MASTER OUTPUTS - The Master Output includes a pair XLR BALANCED JACKS (28) as well as a pair RCA UNBALANCED JACKS. The RCA jacks send a low current unbalanced output signal. These jacks should only be used for shorter cable runs to signal processors or looping to another mixer. For cable runs greater than 15 feet use the XLR BALANCED JACKS (28). 32. ZONE LEVEL OUTPUTS - The RCA jacks send a low current, unbalanced output signal. These jacks should only be used for shorter cable runs to signal processors or looping to another mixer. 33. REC OUT - This is a low current unbalanced output source designed for various tape and CD recorders. The Record Out (REC OUT) level is dictated by the CHANNEL FADER LEVEL (6), it is not influenced by the MASTER VOLUME CONTROL (13). 34. CHANNEL 3 - LINE 3/ LINE 4 RCA INPUT JACKS - Connect CD players or Tape Decks to these line level inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to "Phono" inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. 35. CHANNEL 2 JACKS - PHONO 2/AUX2 INPUT JACKS - The type of input must directly reflect the selected mode of the CHANNEL 2 - LINE LEVEL SELECTOR SWITCH (36). Connect turntables equipped with MM pickup cartridge to PHONO inputs (All DJ turntable use MM pick-up cartridges). CD players or Tape Decks and other line level instruments may be connected to these jacks as long as the CHANNEL 2 - LINE LEVEL SELECTOR SWITCH (36) is in the "AUX 2" position. The red colored RCA jack represents the right channel input and the white represents the left channel input. LINE 2 RCA INPUT JACKS - Connect CD players or Tape Decks to these line level inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to "Phono" inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. 36. LINE LEVEL SELECTOR SWITCH - CHANNEL 1 - This switch is used to change the mode of CHANNEL 1 - PHONO 1/AUX1 INPUT JACKS. When connecting turntable to these jacks be sure the switch is in the PHONO position, and when using line level input devices select AUX. Always be sure main power is shut off before change the position of the Line Level Selector Switch. CHANNEL 2 - This switch is used to change the mode of CHANNEL 2 - PHONO 2/AUX2 INPUT JACKS. When connecting turntable to these jacks be sure the switch is in the PHONO position, and when using line level input devices select AUX. Always be sure main power is REAR PANEL - CONTROLS AND FUNCTIONS
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©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 13 shut off before change the position of the Line Level Selector Switch. 37. CHANNEL 1 INPUT JACKS - PHONO 1/AUX1 INPUT JACKS - The type of input must directly reflect the selected mode of the CHANNEL 1 - LINE LEVEL SELECTOR SWITCH (36). Connect turntables equipped with MM pickup cartridge to PHONO inputs (All DJ turntable use MM pick-up cartridges). CD players or Tape Decks and other line level instruments may be connected to these jacks as long as the CHANNEL 1 - LINE LEVEL SELECTOR SWITCH (36) is in the "AUX 1" position. The red colored RCA jack represents the right channel input and the white represents the left channel input. LINE 1 RCA INPUT JACKS - Connect CD players or Tape Decks to these line level inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to "Phono" inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. 38. MIC 2 INPUT JACK - This jack is used to a connect a microphone to the mixer. Connect you mic to MIC 2 via 1/4 inch (6.3mm) jack. The signal level will be controlled by the MIC 2 VOLUME CONTROL KNOB (18). BASS (9), MID (9), and TREBLE (9) levels can be adjusted. REAR PANEL - CONTROLS AND FUNCTIONS
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©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 14 SET-UP INSTRUCTIONS Figure 3 2 Hot (+ data) 3 Negative (- data)1 Ground/Return/ 0v) 1 2 3 Male XLR Pin Configuration: Connections (Refer to the diagrams on pages 15 & 16) Before you connect the unit's main power supply, be sure local voltage matches that of the required mixer voltage. Remember the mixer can be selected to operate with either 115v or 230v. Operational can be changed by the VOLTAGE SELECTOR (26) on the rear of the unit. Be sure the power switch is in the OFF position before making any type of connections to the mixer. Also be sure the power on all units being connected to the mixer have been switched off. Before switch the power on the mixer be sure MASTER VOLUME (13) is turned down and the power switch to all your amplifier are in the "OFF" position. Connect the mixers MASTER OUTPUT JACKS (31) to your audio system. Make sure that the chan- nels are set properly. When using the BALANCED OUTPUT JACKS (30) be sure your cable follow the above Pin Configuration (Figure 3). For recording, connect your tape recorder or cassette deck to the REC OUT JACKS (33). The Record Out level will not be influenced by the MASTER VOLUME CONTROL (13). The Record Out (REC OUT) level is dictated by the CHANNEL FADER LEVEL (6). Connect a microphone to any of the two available MIC INPUT JACKS (15 & 38). You can connect 2 turntables using the PHONO 1 (37) or PHONO 2 (35) RCA jacks on the rear panel. The mixer will only accept turntable level signal if the LINE LEVEL SWITCHES (36) are in the "PHONO" position. Connect your tape recorder, tuner, sound effects, CD player, and cassette decks etc. to the RCA LINE LEVEL INPUT JACKS on the rear panel. CD players, cassette decks and other line level instru- ments may also be connected to the PHONO RCA JACKS as long as the LINE LEVEL SWITCHES are in the "AUX" position. INPUTS/OUTPUTS: OUTPUTS: The Q-2422/SX allows you two types of output connectors BALANCED XLR (28) and UNBALANCED RCA (31, 32, & 33). Use these connection to connect the output signal from your mixer to the inputs of a cross-over, EQ, or other type processor. A balanced connection is recommended for cable runs longer that 15 feet. When constructing your own XLR cables follow the pin configuration describe below for proper connectivity. For cable runs shorter than 15 feet you may choose the RCA unbal- anced output option. The unbalanced output option may be more convenient for most users due to the abundant supply of prefabricated RCA cables on the market. INPUTS: All the input options on the mixer are unbalanced RCA's. For best results do not use cable run longer than 15 feet for any incoming audio source, longer cable runs will result in inferior sound quality.
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Typical Mixer Set-Up (Inputs) This image details a typical DJ Set Up consisting of a microphone, turntables, CD players, and a tape deck. Note: Turntables can only be connected to the PHONO LEVEL RCA JACKS (37, 35). Be sure the LINE LEVEL SELECTOR SWITCHES (36) are in the "PHONO" position when using turntables. ©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 15 SET-UP INSTRUCTIONS CD PLAYER ��������� P A R A M E T ER TIM E P A R A M E T E R R A T I O E J E CT P O W ER C U E1 2 3 4 5 6 7 8 9 0R E L O O PS I N G L ELO O PR E M A I NN O N S T OPT O T ALE L A P S EDMTSP R O G R AML O C KK EYS Y N C.B E A TFP I T CHB PMC U EA U T OB PM O FF O N F X M IXB OP E N T ER P A N F L A N G ER S K I D P H A S E F X SE L E CT S G L / C TN T I M E R E V . P L A Y T E M PO L O C K4 % / 8 % / 16% T R A NS E C H O S C R A T C H F I LT E R HOLD O N / O F F S A M P L E P I T CH ��������� C A S S E T T E D E C K
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Typical Balanced Output Set-up This image details a typical stereo output layout. Note the use of the Balanced XLR Jacks on both the mixer and the amplifier. Always use the balanced output jacks whenever possible. The balanced output jacks should always be used for cable runs in excess of 10 feet. Using the balanced jacks will ensure a clean signal through out the entire audio system. Typical Stereo Set-Up (Output) Figure 9 ©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 16 SET-UP INSTRUCTIONS
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©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 17 The crossfader is "Hot Swappable" which means it may be replaced at any time, even when power is applied. Only replace with American Audio Part Feather Fader Plus. Replacing with any other model fader may seriously damage your unit. Replacing the Crossfader 1. Disconnect the mixers main power supply 2. Using a number two Phillips screw driver, unscrew the each of the stainless steel retain screws that hold the crossfader in place. 3. Gently remove the crossfader from its seated position. You may need to wiggle the crossfader slightly to remove it. 4. After removing the crossfader, disconnect the ribbon cable that attaches the crossfader to the PC board. Grasp the crossfader by its base and pull the ribbon cable by its connector not the actual cables. The connector is designed to only fit one way, so don't worry about the connec- tors orientation. 5. Connect the new crossfader to the ribbon cable and replace in reverse order. Operating Determinations When installing this mixer, please make sure that the device is not exposed to extreme heat, mois- ture or dust! There should not be any cables lying around. Doing so endangers you as well as oth- ers. Do not operate the mixer in extremely hot (more than 30°C/100°F) or extremely cold (less than 5°C / 40°F) surroundings. Keep away from direct sunlight and heaters. Operate the mixer only after becoming familiar with its functions. Do not permit operation by per- sons not qualified for operating the mixer. Most damages are the result of unprofessional operation! Never use spray cleaners to clean the faders! Never use solvents or abrasive detergents to clean the mixer! It is recommended that you use a soft damp cloth. Please consider that unauthorized modifications on the device are forbidden due to safety reasons! OPERATING DETERMINATIONS CROSSFADER REPLACEMENT INSTRUCTIONS
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Technical Specifications - Model Q-2422/SX Model: Q-2422/SX™, 2 Channel Mixer Power supply: AC 115/230V, 50/60Hz selectable Dimensions: 19” W x 7” D x 2.25” H / 482x 176x 65mm Weight: 8.5 lbs. / 3.8 kg Crossfader: FF-Plus - Optical detecting faders start control - Low grounding impedance crossfader Power Consumption: 5W typical, 7W w/ full headphone output Headphone impedance: 16 Ohms Input Sensitivity (Level/Impedance): Line: -14dBV (200mV) 12K Ohm +/- 2dB Microphone: -49 dBV (3.6mV / 3K Ohms +/- 3 dB Phono: -48dBV (4mV) 47K Ohms +/- 3dB Aux: -14 dBV (200mV) / 47K Ohms +/- 2dB Output Sensitivity (Level/Impedance): Rec Out (RCA): -10dBV (316mV) / 2.2K Ohms +/- 2dB Master Out (RCA): 0dBV (1V) / 610 Ohms +/-2dB Phones (Load+32 Ohms): -8dBV (0.4V) /33 Ohms +/-2dB Maximum Output (Load = 47K, THD = 5%) Rec: < 18dBV (8V) Master (RCA): < 18dBV (8V) Balanced (XLR): < 18dBV (8V) Channel Balance: Within 3dB Frequency Response: Line: 20Hz - 20KHz, ± 1dB Phono: 20Hz - 20KHz, ± 1.5dB (RIAA) Aux: 20Hz - 20KHz, ± 1dB Microphone: 20Hz - 20KHz, +1,-3dB THD - Total Harmonic Distortion (1Khz, 0dBV Output): Master Output (Load = 47K Ohms): Less than 0.2% Phono (Load = 32K Ohms): Less than 0.5% Channel Equalizer: Bass: +12 ± 1dB, -22 ± 2 dB at 70KHz Mid: +12 ± 1dB, -27 ± 2 dB at 1KHz Treble: +13 ±1dB, -17 ± 2 dB at 13KHz Microphone Equalizer: Bass: +12 ± 1dB, -12 ± 1 dB at 100KHz Treble: +12 ± 1dB, -12 ± 1 dB at 10KHz NOTES: The specifications are subject to change to any improvement by negotiations in advance.The parts are subject to change to any improvement within the range of the specifications. ©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 18 TECHNICAL SPECIFICATIONS
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2-YEAR LIMITED WARRANTY A. American Audio® hereby warrants, to the original purchaser, American Audio® products to be free of manufacturing defects in material and workmanship for a period of 2 Year (730 days) from the date of purchase. This warranty shall be valid only if the product is purchased within the United States of America, including possessions and territories. It is the owner’s responsibility to establish the date and place of purchase by acceptable evidence, at the time service is sought. B. For warranty service, send the product only to the American Audio® factory. All shipping charges must be pre-paid. If the requested repairs or service (including parts replacement) are within the terms of this warranty, American Audio® will pay return shipping charges only to a designated point within the United States. If the entire instrument is sent, it must be shipped in its original package. No acces- sories should be shipped with the product. If any accessories are shipped with the product, American Audio® shall have no liability whatsoever for loss of or damage to any such accessories, nor for the safe return thereof. C. This warranty is void if the serial number has been altered or removed; if the product is modified in any manner which American Audio® concludes, after inspection, affects the reliability of the product; if the product has been repaired or serviced by anyone other than the American Audio® factory unless prior written authorization was issued to purchaser by American Audio®; if the product is damaged because not properly maintained as set forth in the instruction manual. D. This is not a service contract, and this warranty does not include maintenance, cleaning or peri- odic check-up. During the period specified above, American Audio® will replace defective parts at its expense, and will absorb all expenses for warranty service and repair labor by reason of defects in material or workmanship. The sole responsibility of American Audio® under this warranty shall be limited to the repair of the product, or replacement thereof, including parts, at the sole discretion of American Audio®. All products covered by this warranty were manufactured after January 1, 1990, and bear identifying marks to that effect. E. American Audio® reserves the right to make changes in design and/or improvements upon its products without any obligation to include these changes in any products theretofore manufactured. F. No warranty, whether expressed or implied, is given or made with respect to any accessory sup- plied with products described above. Except to the extent prohibited by applicable law, all implied warranties made by American Audio® in connection with this product, including warranties of mer- chantability or fitness, are limited in duration to the warranty period set forth above. And no warranties, whether expressed or implied, including warranties of merchantability or fitness, shall apply to this product after said period has expired. The consumer’s and or Dealer’s sole remedy shall be such repair or replacement as is expressly provided above; and under no circumstances shall American Audio® be liable for any loss or damage, direct or consequential, arising out of the use of, or inability to use, this product. G. This warranty is the only written warranty applicable to American Audio® Products and supersedes all prior warranties and written descriptions of warranty terms and conditions heretofore published. WARRANTY ©American Audio® - www.AmericanAudio.com - Q-2422/SX User Instructions page 19
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American Audio World Headquarters: 4295 Charter Street Los Angeles, CA 90058 USA Tel: 323-582-2650 Fax: 323-582-2610 Web: www.AmericanAudio.com E-mail: [email protected]