American Audio Mixer DX5R User Manual
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power is shut off before change the position of the Line Level Selector Switch. 31. SUBWOOFER FREQUENCY LEVEL - This knob is used to adjust the subwoofer frequency level. The frequency level output can range from 80Hz to 200Hz. This adjustment will only affect the SUBWOOFER OUTPUT JACK (33). 32 . SUBWOOFER OUTPUT JACK - This jack is used to send a mono subwoofer output signal to a powered speaker or amplifier. Only connect a device that is designed to handle low frequencies to this jack. 33 . 1/4” JACK BOOTH OUTPUTS JACKS - These RCA jacks send a low current unbalanced out - put signal and are controlled by the BOOTH LEVEL (22) volume control. These jacks should only be used for shorter cable runs to signal processors or looping to another mixer. 34 . CHANNEL 4: LINE 8 RCA INPUT JACKS - These Jacks are used for line level inputs. Connect CD players or Tape Decks to LINE inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to “Phono” inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. Volume will be controlled by the channel four ROTARY FADER (6). 35 . CHANNEL 4: LINE 7 INPUT JACKS - These Jacks are used for line level inputs. Connect CD players or Tape Decks to LINE inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to “Phono” inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. Volume will be controlled by the channel four ROTARY FADER (6). 36 . CHANNEL 3: LINE 6 INPUT JACKS - These Jacks are used for line level inputs. Connect CD players or Tape Decks to LINE inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to “Phono” inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by the channel three ROTARY FADER (6). 37 . CHANNEL 3: LINE 5 INPUT JACKS - These Jacks are used for line level inputs. Connect CD players or Tape Decks to LINE inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to “Phono” inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. Volume will be controlled by the channel three ROTARY FADER (6). 38 . CHANNEL 2: LINE 4 INPUT JACKS - These Jacks are used for line level inputs. Connect CD players or Tape Decks to LINE inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to “Phono” inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by the channel two ROTARY FADER (6). 39 . CHANNEL 2: PHONO 2/LINE 3 INPUT JACKS - Use these jacks to connect either a phono cartridge turntable or a line level device. The type of input device must directly reflect the mode of the LINE LEVEL SELECTOR SWITCH (31). Turntables equipped with MM pickup cartridge (All DJ DX5R™ Controls and Features Cont. ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 11
DX5R™ Controls and Features Cont. ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 12 turntable use MM pick-up cartridges) may be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH (31) is in the “PHONO 1” position. CD players or Tape Decks and other line level instruments may be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH (31) is in the “LINE 1” position. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by the channel two ROTARY FADER (6). 40. CHANNEL 1: LINE INPUT JACKS - These Jacks are used for line level inputs. Connect CD players or Tape Decks to LINE inputs. Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should also be connected to LINE inputs. Turntables should only be connected to “Phono” inputs. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by the channel one ROTARY FADER (6). 41 . CHANNEL 1: PHONO 1/LINE 1 INPUT JACKS - Use these jacks to connect either a phono cartridge turntable or a line level device. The type of input device must directly reflect the mode of the LINE LEVEL SELECTOR SWITCH (31). Turntables equipped with MM pickup cartridge (All DJ turntable use MM pick-up cartridges) may be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH (31) is in the “PHONO 1” position. CD players or Tape Decks and other line level instruments may be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH (31) is in the “LINE 1” position. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by the channel one ROTARY FADER (6). 42 . MICROPHONE 2 CONNECTOR - This jack is used to a connect a microphone to the mixer. Connect you microphone via 1/4 inch (6.3mm) jack. The signal volume will be controlled by the MIC 2 VOLUME KNOB (16). 43 . MICROPHONE 1 CONNECTOR - This jack is used to a connect a microphone to the mixer. Connect you microphone via 1/4 inch (6.3mm) jack. The signal volume will be controlled by the MIC 1 VOLUME KNOB (3).
DX5R™ Typical Mixer Set-Up C A S S E T T E D E C K TURNTABLE P A R A M E T ER TIM E P A R A M E T E R R A T IO E J E CT P O W ER C U E1 2 3 4 5 6 7 8 9 0R E L O O PS I N G L ELO O PR E M A I NN O N S T OPT O T ALE L A P S EDMTSP R O G R AML O C KK EYS Y N C.B E A TFP I T CHB PMC U EA U T OB PM O FF O N F X M IXB OPE N T ER P A N F L A N G ER S K I D P H A S E F X S E L E C T S G L / C TN T I M E R E V . P L A Y T E M PO L O C K4 % / 8 % / 16% T R A NS E C H O S C R A T C H F I LT E R HOLD O N / O F F S A M P L E P I T CH TURNTABLE ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 13 ASSIGN CH LINE 7 LINE 8 CUE CUE ASSIGN CH 010 5 CUE BOOTH LEVELMASTER LEVEL PHONES CUE MIXING CUE PGM 0010 POWER LINE 5 LINE 6 PHONO 2/LINE 3 LINE 4 PHONO 1/LINE 1 LINE 2 40 CUE MASTER LEVEL CUE LEVEL 010 OFF1234 OFF1234 +-BASSLOWMID HIGHMID TREBLE- -+-+ MIC 1 + 5 L R-30 2010 7 4 2 0 2 4 7 10+ dB dB BASS TREBLE -15+15 OFF ON "Q" START ON OFF "Q" START 010 GAIN -10-5-3-10+1+3+5+10+15100 MIC 1 SPLIT CUE ONOFF 5 SUBWOOFER OUT010 MIC 2 +15-15 010-10010 0-3-5-1+1+3+5 0 +10 +1510 GAIN -10010 0-3-5-1+1+3+5 0 +10 +1510 GAIN -10010 0-3-5-1+1+3+5 0+10 +1510 GAIN 010 FADER "Q" START OFF ONMIC 1 OFF ONMIC 2
DX5R™ Typical Mixer Output Connections Set-Up Speaker Cables XLR Balanced Cables ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 14 ASSIGN CH LINE 7 LINE 8 CUE CUE ASSIGN CH 010 5 CUE BOOTH LEVELMASTER LEVEL PHONES CUE MIXING CUE PGM 0010 POWER LINE 5 LINE 6 PHONO 2/LINE 3 LINE 4 PHONO 1/LINE 1 LINE 2 40 CUE MASTER LEVEL CUE LEVEL 010 OFF1234 OFF1234 +-BASSLOWMID HIGHMID TREBLE- -+-+ MIC 1 + 5 L R-30 2010 7 4 2 0 2 4 7 10+ dB dB BASS TREBLE -15+15 OFF ON "Q" START ON OFF "Q" START 010 GAIN -10-5-3-10+1+3+5+10+15100 MIC 1 SPLIT CUE ONOFF 5 SUBWOOFER OUT010 MIC 2 +15-15 010-10010 0-3-5-1+1+3+5 0 +10 +1510 GAIN -10010 0-3-5-1+1+3+5 0 +10 +1510 GAIN -10010 0-3-5-1+1+3+5 0+10 +1510 GAIN 010 FADER "Q" START OFF ONMIC 1 OFF ONMIC 2
Due to fog residue, smoke, and dust, cleaning the mixer should be carried out periodically to optimize light output. 1. Use normal glass cleaner and a soft cloth to wipe down the outside casing. 2. Use a cleaner specially designed for electronics to spray in and around the knobs and switch. This will reduce small particle built up that can effect the proper operation of the mixer. 3. Clean should be carried out every 30-60 days. 4. Always be sure to dry all parts completely before plugging the mixer in. Cleaning frequency depends on the environment in which the mixer operates (i.e. smoke, fog residue, dust, dew). DX5R™ Cleaning DX5R™ Cross Fader Replacement ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 15 The crossfader is “Hot Swapable” which means it may be replaced at any time, even when power is applied. Only replace with American Audio Part Feather Fader Plus. Replacing with any other model fader may seriously damage your mixer. Replacing the Crossfader: 1. Disconnect the mixers main power supply 2. Using a number two Phillips screw driver, unscrew the each of the stainless steel retaining screws that hold the crossfader in place. 3. Gently remove the crossfader from its seated position. You may need to wiggle the crossfader slightly to remove it. 4. After removing the crossfader, disconnect the ribbon cable that attaches the crossfader to the PC board. Grasp the crossfader by its base and pull the ribbon cable by its connector not the actual cables. The connector is designed to only fit one way, so don’t worry about the connec- tors orientation. 5. Connect the new crossfader to the ribbon cable and reassemble in reverse order.
1-YEAR LIMITED WARRANTY A. American Audio ® hereby warrants, to the original purchaser, American Audio® products to be free of manufacturing defects in material and workmanship for a period of 1 Year (365 days) from the date of purchase. This warranty shall be valid only if the product is purchased within the United States of America, including possessions and territories. It is the owner’s responsibility to establish the date and place of purchase by acceptable evidence, at the time service is sought. B. For warranty service, send the product only to the American Audio ® factory. All shipping charges must be pre-paid. If the requested repairs or service (including parts replacement) are within the terms of this warranty, American Audio ® will pay return shipping charges only to a designated point within the United States. If the entire instrument is sent, it must be shipped in its original package. No acces - sories should be shipped with the product. If any accessories are shipped with the product, American Audio® shall have no liability whatsoever for loss of or damage to any such accessories, nor for the safe return thereof. C. This warranty is void if the serial number has been altered or removed; if the product is modified in any manner which American Audio ® concludes, after inspection, affects the reliability of the product; if the product has been repaired or serviced by anyone other than the American Audio ® factory unless prior written authorization was issued to purchaser by American Audio ®; if the product is damaged because not properly maintained as set forth in the instruction manual. D. This is not a service contract, and this warranty does not include maintenance, cleaning or peri - odic check-up. During the period specified above, American Audio ® will replace defective parts at its expense, and will absorb all expenses for warranty service and repair labor by reason of defects in material or workmanship. The sole responsibility of American Audio ® under this warranty shall be limited to the repair of the product, or replacement thereof, including parts, at the sole discretion of American Audio ®. All products covered by this warranty were manufactured after January 1, 1990, and bear identifying marks to that effect. E. American Audio ® reserves the right to make changes in design and/or improvements upon its prod- ucts without any obligation to include these changes in any products theretofore manufactured. F. No warranty, whether expressed or implied, is given or made with respect to any accessory sup - plied with products described above. Except to the extent prohibited by applicable law, all implied warranties made by American Audio ® in connection with this product, including warranties of mer- chantability or fitness, are limited in duration to the warranty period set forth above. And no warran - ties, whether expressed or implied, including warranties of merchantability or fitness, shall apply to this product after said period has expired. The consumer’s and or Dealer’s sole remedy shall be such repair or replacement as is expressly provided above; and under no circumstances shall American Audio® be liable for any loss or damage, direct or consequential, arising out of the use of, or inability to use, this product. G. This warranty is the only written warranty applicable to American Audio ® Products and supersedes all prior warranties and written descriptions of warranty terms and conditions her etofore published. DX5R™ Warranty The DX5R™ carries a one year (365 days) limited warranty. Please fill out the enclosed warranty card to validate your purchase. All returned service items whether under warranty or not, must be freight pre-paid and accom - pany a return authorization (R.A.) number. The R.A. number must be clearly written on the outside of the return package. A brief description of the problem as well as the R.A. number must also be written down on a piece of paper and included in the shipping container. If the unit is under warranty, you must provide a copy of your proof of purchase invoice. You may obtain a R.A. number by contacting customer support at (800) 322-6337 . DX5R™ Registration ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 16
Technical Specifications - Model: DX5R, 4 Channel Rotary Audio Mixer. POWER SUPPLY: AC 115/230V, 50/60Hz (External 18V~800mA Power Supply) DIMENSIONS: 254 (W) x 308 (D) x 102.5 (H) mm WEIGHT: 5.5 Lbs./2.8Kgs CROSSFADER: Optical detecting fader start control - Low Residue Resistance Crossfader. POWER CONSUMPTION: 12 Watts Typical / 16 Watt with full headphone output HEADPHONE IMPEDANCE: 16 Ohms ENVIRONMENTAL CONDITION: Operating Temperature 5 to 35 deg. C Humidity 25 to 85% RH (non-condensing) Storage Temperature -20 to 60 deg. C INPUT SENSITIVITY: LINE: 10K ohm input impedance 70mV rms sensitivity for 0dBm outpu t PHONO: 47Kohm input impedance 1.1mV rms sensitivity @ 1KHz for 0dBm output MICROPHONE: 10Kohm input impedance unbalanced 1.0mV rms sensitivity for 0dBm output 500mV rms max Input Sensitivity (Level/ Impedance): Note: 0dBV=1Vrms OUTPUT SENSITIVITY: MASTER OUT: 9V rms max HeadPHONES: 0.5W into 47ohm FREQUENCY RESPONSE: LINE: 20Hz-22KHz +/-0.5dB PHONO: +/-1dB except for controlled attenuation of -3dB @ 20Hz to reduce rumble and feedback MICROPHONE: 20Hz-15KHz +/-0.5dB SIGNAL TO NOISE RATIO: (MAXIMUM OUTPUT): LINE: Better than 94dB PHONO: Better than 85dB MIC: Better than 76dB THD - Total Harmonic Distortion: MASTER OUTPUT: Less Than 0.1% EQUALIZER: BASS: +12/-12dB @100Hz LOW MIDDLE: +12/-12dB @1KHz HIGH MIDDLE: +12/-12dB @4KHz TREBLE: +12/-12dB @12KHz Components and parts are subject to change for improvements within the range of the specifications. DX5R™ Specifications ©American Audio® - www.AmericanAudio.us - DX5R™ Instruction Manual Page 17
©American Audio® A Division of the American DJ Group of Companies American Audio World Headquarters: 4295 Charter Street Los Angeles, CA 90058 USA Tel: 323-582-2650 Fax: 323-582-2610 Web: www.AmericanAudio.us E-mail: [email protected]