American Audio Mixer 19 MXR User Manual
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left side of the mixer. Samples 4-6 are stored under Cue buttons 1-3 located on the right side of the board. The Controller Mode Button LED will blink when the Sampler is active. 10. MASTER VOLUME LEVEL INDICATORS - The dual MASTER LEVEL LED indicators are used to detail the master output level. The meters will detail the output level of both the left and right channels. 11. CUE MIXING CONTROL - This functions allows you to monitor the Cue level as well as the Program (main output) level in your headphones. A channels Cue Level may only be monitored if the channels CUE (4) func- tion is selected. To select a channels cue function press the CUE BUTTON (4) that is directly associated with the specific channel you wish to monitor. You may use the mixing function to blend both the Cue level and the Program level together. You can vary the output level to either hear more or less of either of the two levels. Turning the Cue Mixing knob to the CUE position (left) will allow you to hear more of the Cue level. Turning the knob to the PGM position (right) will allow you to hear more of the Program level (main output). You may also use the Cue Mixing Control to hear either the Cue level or the Program level exclusively. If the knob is in the full CUE position you will only hear the cue level, if the knob is in the full PGM position you will only hear the main output. This function is especially useful when mixing without an monitor. 12. HEADPHONE JACK - This jack is used to connect your headphones to the mixer allowing you to monitor the cue source. Use headphones only rated at 8 ohms to 32 ohms. Most DJ headphones are rated at 16 ohm, these are highly recommended. Always be sure the CUE LEVEL VOLUME (6) is set to minimum before you put the headphones on. 13. CHANNEL VOLUME FADER - These faders are used to control the output signal of any source assigned to its particular channel. However, master volume is controlled by the MASTER VOLUME CONTROL (7). 14. FEATHER FADER PLUS CROSSFADER - This fader is used to blend the output signals of channels one and two together. When the fader is in the full left position (channel 1), the output signal of channel one will be controlled by the master volume level. The same fundamentals will apply for channel two. Sliding the fader from one position to another will vary the output signals of channels one and two respectively. When the crossfader is set in the center position, the output signals of both the channels one and channels two will be even. 15. FADER ASSIGN KNOB - This knob assigns a channel to the CROSSFADER (14). When a channel is assigned to the left side of the CROSSFADER (14) that channels output level is routed to and controlled by the CROSSFADER (14). Sliding the CROSSFADER (14) to left position will send the volume output of the assigned channel to the MASTER VOLUME LEVEL (7), siding the CROSSFADER (14) to right position will cut that chan- nels volume to MASTER VOLUME LEVEL (7). The reverse is true for the right channel fader assign switch. When the assign switch is set to the “OFF” position the crossfader will have no function. 16. CROSSFADER CURVE ADJUSTMENT - This rotary knob is used to change the way the crossfader will operate. The crossfader can operate in different modes, “NORMAL CURVE”, “QUICK CURVE” or any variation of the two. (Quick Curve usually used for scratching). 17. CUE, SYNC, PITCH BEND, & PLAY/PAUSE - CUE 1, 2, & 3 - These buttons will set or trigger hot cue 1, 2, or 3. DELETING HOT CUE POINTS - If a hot cue point is set, it is indicated by a lit Cue button LED. If you wish to delete a hot cue point, press the Shift button. The shift button LED will flash along with the Cue LEDs. Press the Cue button that contains the hot cue you wish to delete. After, press the Shift button again to disable the soft shift.. PITCH BEND - To perform temporary pitch bends in Virtual DJ, hold the Shift button and Cue 1 to slow the track. To speed up the track hold the Shift button and press the Cue 3 button. To reset the pitch, hold the Shift button and press Cue 2. SYNC - Will sync the selected deck to the opposite deck or master deck/tempo. CUE - When the deck is playing, pressing this button will return to the 1st cue point. If the deck is paused, pressing Cue will set a new cue point. ©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 11 19MXR CONTROLS AND FUNCTIONS cont.
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 12 18. MICROPHONE 1 - This combo jack will accept a standard 1/4 plug or XLR 3-pin balanced male plug. The volume output level for this microphone will be controlled by its own respective MICROPHONE GAIN CON- TROL (1). Note: We recommend that you use a 500-600ohm microphone for the best sound quality. 19. MICROPHONE 2 - This jack accepts a standard 1/4 plug. The volume output level for this microphone will be controlled by its own respective MICROPHONE GAIN CONTROL (1). Note: We recommend that you use a 500-600ohm microphone for the best sound quality. 20. MICROPHONE 3 - This jack accepts a standard 1/4 plug. This microphone will be controlled through the Channel 4 fader. The Channel 4 EQ will also effect the microphone output. Be sure to flip the SOURCE SELECTOR SWITCH (3) to the “MIC 3” position to operate this microphone’s input signal. Note: We recom- mend that you use a 500-600ohm microphone for the best sound quality. 21. CHANNEL 1: LINE 1 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS! CD players, Tape Decks and other line level instruments may be connected to these jacks. The red colored RCA jack rep- resents the right channel input and the white represents the left channel input. Input volume will be controlled by channel one fader. The channel SOURCE SELECTOR SWITCH (3) must be in the “Analog” position, to monitor any source connected to these jacks. 22. CHANNEL 2: INPUTS - The type of input must directly reflect the selected mode of the CHANNEL LINE LEVEL SELECTOR SWITCH (23). CD players, Tape Decks and other line level instruments may be connected to these jacks. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by channel two fader. The channel SOURCE SELECTOR SWITCH (3) must be in the “Analog” position, to monitor any source connected to these jacks. Turntables equipped with MM pickup cartridge (All DJ turntable use MM pick-up cartridges) may be connected to these jacks as long as the CHANNEL LINE LEVEL SELECTOR SWITCH (23) is in the “PHONO” position. When CD players, Tape Decks and other line level instruments are connected to these jacks the CHANNEL LINE LEVEL SELECTOR SWITCH (23) is in the “LINE” position. Never connect line level instruments (CD players, tape decks, etc.) to these jacks when the CHANNEL LINE LEVEL SELECTOR SWITCH (23) is in the “PHONO” position, THIS MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel input and the white represents the left channel input. The channel SOURCE SELECTOR SWITCH (3) must be in the “Analog” position, to monitor any source connected to these jacks. 23. GND (GROUND TERMINAL) - Be sure to connect turntable ground leads to either or both of the two available ground terminals. This will reduce the humming associated with magnetic phono cartridges. CHANNEL LINE LEVEL SELECTOR SWITCHES - These switches are used to change the voltage line levels of there respected Phono / Line RCA inputs jacks. When connecting turntables with magnetic car- tridges to these jacks be sure the corresponding switch is in the “PHONO” position, and when using line REAR PANEL 19MXR CONTROLS AND FUNCTIONS cont. 2221182319202429282726253130
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 13 level input devices be sure this switch is in the “LINE” position. Always be sure main power is shut off before change the position of the Line Level Selector Switch. 24. CHANNEL 3: INPUTS - The type of input must directly reflect the selected mode of the CHANNEL LINE LEVEL SELECTOR SWITCH (23). CD players, Tape Decks and other line level instruments may be connected to these jacks. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by channel three fader. The channel SOURCE SELECTOR SWITCH (3) must be in the “Analog” position, to monitor any source connected to these jacks. Turntables equipped with MM pickup cartridge (All DJ turntable use MM pick-up cartridges) may be connected to these jacks as long as the CHANNEL LINE LEVEL SELECTOR SWITCH (23) is in the “PHONO” position. When CD players, Tape Decks and other line level instruments are connected to these jacks the CHANNEL LINE LEVEL SELECTOR SWITCH (23) is in the “LINE” position. Never connect line level instruments (CD players, tape decks, etc.) to these jacks when the CHANNEL LINE LEVEL SELECTOR SWITCH (23) is in the “PHONO” position, THIS MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel input and the white represents the left channel input. The channel SOURCE SELECTOR SWITCH (3) must be in the “Analog” position, to monitor any source connected to these jacks. 25. CHANNEL 4: LINE 4 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS! CD players, Tape Decks and other line level instruments may be connected to these jacks. The red colored RCA jack rep- resents the right channel input and the white represents the left channel input. Input volume will be controlled by channel one fader. The channel SOURCE SELECTOR SWITCH (3) must be in the “Analog” position, to monitor any source connected to these jacks. 26. RCA MASTER OUTPUTS - The Master Output includes a pair XLR BALANCED JACKS (28) as well as a pair of RCA Unbalanced Jacks. The RCA jacks send a low current unbalanced output signal. These jacks should only be used for shorter cable runs to signal processors or looping to another mixer. For cable runs greater than 15 feet use the XLR BALANCED JACKS (28). 27. BOOTH OUTPUTS - The VMS4 offers a secondary output usually used to monitor your mix or to route to an outboard recording device. This output has independent volume control “Booth” knob. 28. BALANCED XLR MASTER OUTPUT JACKS - The Master Output includes a pair of XLR Balanced jacks as well as a pair of RCA UNBALANCED JACKS (26). The 3-pin XLR jacks send a high current balanced output signal. These jacks should be used when you will be driving an amp or other audio equipment with a balanced input, or whenever you will be running a signal line greater than 15 feet. Always, use these jacks whenever possible. 29. USB PORT - Connect to your computer for MIDI interface and USB interface (audio in and outs). 30. MAIN POWER SWITCH - This is the main power ON/OFF button. Before main power is applied, be sure you have made all connections to the mixer. Also be sure your amplifier(s) is(are) tuned off. Remember to avoid damaging pops to the speakers, the mixer is turned on first and turned off last. 31. AC CONNECTION - This connector is used to supply main power to the unit via the included detach- able power cord. The power connection uses an I.E.C. type connector, use only the supplied, polarized AC power cord. Use only a power cord that matches this type of connection. Be sure to only connect this unit to a power outlet that matches the printed power label on the unit. Never use a power cord when the ground prong has been removed or broken off. The ground prong is used to reduce the risk of electrical shock in case of an electrical short. This cord is designed to fit in one direction only. Do not attempt to force a cord if it does not fit, be sure the cord is being inserted properly. FUSE HOLDER – This housing stores the 10 amp GMA protective fuse. Always replace with the exact same type fuse, unless otherwise instructed, by an authorized American Audio® service technician. Replacing with any other type of fuse than that of the recommended fuse will void your unit warranty. 19MXR CONTROLS AND FUNCTIONS cont.
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 14 19MXR MIDI TABLE MXR MIDI interface definitionNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerControl number is in decimal formatControl number is in decimal formatAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller mode DescriptionObjectMIDI DecimalValuesRemarks (Shift)micMIC 1 ON/OFFButton / LED76 / 7600H = released, 7FH = pressedNote on 90H (91H)MIC 1 GAINKNOBXXN/AN/AMIC 1 TREBLERotary VR2100H min to 7FH maxControl change B0H (B1H)MIC 1 BASSRotary VR2200H min to 7FH maxControl change B0H (B1H)REVERB MIC1Rotary VR2300H min to 7FH maxControl change B0H (B1H)REVERB MIC1 PUSHButton / LED61 / 6100H = released, 7FH = pressedNote on 90H (91H)MIC 2 ON/OFFButton / LED77 / 7700H = released, 7FH = pressedNote on 90H (91H)MIC 2 GAINKnobXXN/AN/AMIC 2 TREBLERotary VR2500H min to 7FH maxControl change B0H (B1H)MIC 2 BASSRotary VR2600H min to 7FH maxControl change B0H (B1H)REVERB MIC2Rotary VR2700H min to 7FH maxControl change B0H (B1H)REVERB MIC2 PUSHButton / LED63 / 6300H = released, 7FH = pressedNote on 90H (91H) MIXERMIDILOG 1 GAINRotary VR000H min to 7FH maxControl change B0H (B1H)MIDILOG 1 TREBLERotary VR100H min to 7FH maxControl change B0H (B1H)MIDILOG 1 MIDRotary VR200H min to 7FH maxControl change B0H (B1H)MIDILOG 1 BASSRotary VR300H min to 7FH maxControl change B0H (B1H)USB / ANALOG 1Slide switch8900H = USB, 7FH = ANALOGNote on 90H (91H)CUE MIDILOG 1Button4200H = released, 7FH = pressedNote on 90H (91H)MIDILOG 1 LINESlide VR400H min bottom to 7FH max topControl change B0H (B1H)MIDILOG 2 GAINRotary VR500H min to 7FH maxControl change B0H (B1H)MIDILOG 2 TREBLERotary VR600H min to 7FH maxControl change B0H (B1H)MIDILOG 2 MIDRotary VR700H min to 7FH maxControl change B0H (B1H)MIDILOG 2 BASSRotary VR800H min to 7FH maxControl change B0H (B1H)USB / ANALOG 2Slide switch9000H = USB, 7FH = ANALOGNote on 90H (91H)CUE MIDILOG 2Button4300H = released, 7FH = pressedNote on 90H (91H)MIDILOG 2 LINESlide VR900H min bottom to 7FH max topControl change B0H (B1H)MIDILOG 3 GAINRotary VR1000H min to 7FH maxControl change B0H (B1H)MIDILOG 3 TREBLERotary VR1100H min to 7FH maxControl change B0H (B1H)MIDILOG 3 MIDRotary VR1200H min to 7FH maxControl change B0H (B1H)MIDILOG 3 BASSRotary VR1300H min to 7FH maxControl change B0H (B1H)USB / ANALOG 3Slide switch9100H = USB, 7FH = ANALOGNote on 90H (91H)CUE MIDILOG 3Button4400H = released, 7FH = pressedNote on 90H (91H)MIDILOG 3 LINESlide VR1400H min bottom to 7FH max topControl change B0H (B1H)MIDILOG 4 GAINRotary VR1500H min to 7FH maxControl change B0H (B1H)MIDILOG 4 TREBLERotary VR1600H min to 7FH maxControl change B0H (B1H)MIDILOG 4 MIDRotary VR1700H min to 7FH maxControl change B0H (B1H)MIDILOG 4 BASSRotary VR1800H min to 7FH maxControl change B0H (B1H)USB/ LINE4/ MIC 3 SWITCHSlide switch7800H = USB or ANALOG, 7FH = MIC3Note on 90H (91H)CUE MIDILOG 4Button4500H = released, 7FH = pressedNote on 90H (91H)MIDILOG 4 LINESlide VR1900H min bottom to 7FH max topControl change B0H (B1H) XF ASSIGN 1 LeftRotary Select9300H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 LeftRotary Select9400H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 LeftRotary Select9500H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 LeftRotary Select9600H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 1 RightRotary Select9700H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 RightRotary Select9800H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 RightRotary Select9900H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 RightRotary Select10000H = no assign, 7FH = assignNote on 90H (91H)CROSSFADERSlide VR3100H min left to 7FH max rightControl change B0H (B1H)CROSSFADER CURVERotary VR3300H min to 7FH maxControl change B0H (B1H) CONTROLLER MODEButton / LED10800H = released, 7FH = pressedNote on 90H (91H)MASTERRotary VR2800H min to 7FH maxControl change B0H (B1H)BOOTHRotary VR3000H min to 7FH maxControl change B0H (B1H)CUE MIXRotary VR3400H min (cue/CH1) to 7FH max (master/CH2)Control change B0H (B1H)CUE LEVELRotary VR3500H min to 7FH maxControl change B0H (B1H) FILTERFILTER PUSH AButton / LED22 / 2200H = released, 7FH = pressedNote on 90H (91H)FILTER PUSH BButton / LED24 / 2400H = released, 7FH = pressedNote on 90H (91H)FILTER CH ARotary VR3700H min to 7FH maxControl change B0H (B1H)FILTER CH BRotary VR3900H min to 7FH maxControl change B0H (B1H) LEFT BUTTONSCUE LeftButton / LED12 / 1200H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| LeftButton / LED13 / 1300H = released, 7FH = pressedNote on 90H (91H)HOT START 1 LeftButton / LED18 / 1800H = released, 7FH = pressedNote on 90H (91H)HOT START 2 LeftButton / LED19 / 1900H = released, 7FH = pressedNote on 90H (91H)HOT START 3 LeftButton / LED20 / 2000H = released, 7FH = pressedNote on 90H (91H)SYNC LeftButton / LED21 / 2100H = released, 7FH = pressedNote on 90H (91H) RIGHT BUTTONSCUE RightButton / LED46 / 4600H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| RightButton / LED47 /4700H = released, 7FH = pressedNote on 90H (91H)HOT START 1 RightButton / LED52 /5200H = released, 7FH = pressedNote on 90H (91H)HOT START 2 RightButton / LED53/ 5300H = released, 7FH = pressedNote on 90H (91H)HOT START 3 RightButton / LED54 / 5400H = released, 7FH = pressedNote on 90H (91H)SYNC RightButton / LED55 / 5500H = released, 7FH = pressedNote on 90H (91H) CENTER CONTROLSLOAD LeftButton / LED101 / 10100H = released, 7FH = pressedNote on 90H (91H)LOAD RightButton / LED102 / 10200H = released, 7FH = pressedNote on 90H (91H)LEFT navigateButton10300H = released, 7FH = pressedNote on 90H (91H)RIGHT navigateButton10400H = released, 7FH = pressedNote on 90H (91H)UP navigateButton10500H = released, 7FH = pressedNote on 90H (91H)DOWN navigateButton10600H = released, 7FH = pressedNote on 90H (91H)CENTER ENCODERRotary Encoder523FH=CCW, 41H = CWControl change B0H (B1H)Center encoder PushButton107 00H = released, 7FH = pressedNote on 90H (91H)Shifttouch button / LED109 / 11100H = released, 7FH = pressedNote on 90H
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 15 19MXR MIDI TABLE MXR MIDI interface definitionNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerNOTE: all MIDI messages use channel 1 or channel 2(Shift), Directions \ OUT and IN (LED) are relative to the MixerControl number is in decimal formatControl number is in decimal formatAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwise For all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the chann\ el number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller mode DescriptionObjectMIDI DecimalValuesRemarks (Shift)micMIC 1 ON/OFFButton / LED76 / 7600H = released, 7FH = pressedNote on 90H (91H)MIC 1 GAINKNOBXXN/AN/AMIC 1 TREBLERotary VR2100H min to 7FH maxControl change B0H (B1H)MIC 1 BASSRotary VR2200H min to 7FH maxControl change B0H (B1H)REVERB MIC1Rotary VR2300H min to 7FH maxControl change B0H (B1H) REVERB MIC1 PUSHButton / LED61 / 6100H = released, 7FH = pressedNote on 90H (91H)MIC 2 ON/OFFButton / LED77 / 7700H = released, 7FH = pressedNote on 90H (91H)MIC 2 GAINKnobXXN/AN/AMIC 2 TREBLERotary VR2500H min to 7FH maxControl change B0H (B1H)MIC 2 BASSRotary VR2600H min to 7FH maxControl change B0H (B1H)REVERB MIC2Rotary VR2700H min to 7FH maxControl change B0H (B1H)REVERB MIC2 PUSHButton / LED63 / 6300H = released, 7FH = pressedNote on 90H (91H) MIXERMIDILOG 1 GAINRotary VR000H min to 7FH maxControl change B0H (B1H)MIDILOG 1 TREBLERotary VR100H min to 7FH maxControl change B0H (B1H)MIDILOG 1 MIDRotary VR200H min to 7FH maxControl change B0H (B1H)MIDILOG 1 BASSRotary VR300H min to 7FH maxControl change B0H (B1H) USB / ANALOG 1Slide switch8900H = USB, 7FH = ANALOGNote on 90H (91H) CUE MIDILOG 1Button4200H = released, 7FH = pressedNote on 90H (91H)MIDILOG 1 LINESlide VR400H min bottom to 7FH max topControl change B0H (B1H)MIDILOG 2 GAINRotary VR500H min to 7FH maxControl change B0H (B1H)MIDILOG 2 TREBLERotary VR600H min to 7FH maxControl change B0H (B1H)MIDILOG 2 MIDRotary VR700H min to 7FH maxControl change B0H (B1H)MIDILOG 2 BASSRotary VR800H min to 7FH maxControl change B0H (B1H)USB / ANALOG 2Slide switch9000H = USB, 7FH = ANALOGNote on 90H (91H)CUE MIDILOG 2Button4300H = released, 7FH = pressedNote on 90H (91H)MIDILOG 2 LINESlide VR900H min bottom to 7FH max topControl change B0H (B1H)MIDILOG 3 GAINRotary VR1000H min to 7FH maxControl change B0H (B1H)MIDILOG 3 TREBLERotary VR1100H min to 7FH maxControl change B0H (B1H)MIDILOG 3 MIDRotary VR1200H min to 7FH maxControl change B0H (B1H)MIDILOG 3 BASSRotary VR1300H min to 7FH maxControl change B0H (B1H)USB / ANALOG 3Slide switch9100H = USB, 7FH = ANALOGNote on 90H (91H)CUE MIDILOG 3Button4400H = released, 7FH = pressedNote on 90H (91H)MIDILOG 3 LINESlide VR1400H min bottom to 7FH max topControl change B0H (B1H)MIDILOG 4 GAINRotary VR1500H min to 7FH maxControl change B0H (B1H)MIDILOG 4 TREBLERotary VR1600H min to 7FH maxControl change B0H (B1H)MIDILOG 4 MIDRotary VR1700H min to 7FH maxControl change B0H (B1H)MIDILOG 4 BASSRotary VR1800H min to 7FH maxControl change B0H (B1H)USB/ LINE4/ MIC 3 SWITCHSlide switch7800H = USB or ANALOG, 7FH = MIC3Note on 90H (91H)CUE MIDILOG 4Button4500H = released, 7FH = pressedNote on 90H (91H)MIDILOG 4 LINESlide VR1900H min bottom to 7FH max topControl change B0H (B1H) XF ASSIGN 1 LeftRotary Select9300H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 LeftRotary Select9400H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 LeftRotary Select9500H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 LeftRotary Select9600H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 1 RightRotary Select9700H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 RightRotary Select9800H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 RightRotary Select9900H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 RightRotary Select10000H = no assign, 7FH = assignNote on 90H (91H)CROSSFADERSlide VR3100H min left to 7FH max rightControl change B0H (B1H)CROSSFADER CURVERotary VR3300H min to 7FH maxControl change B0H (B1H) CONTROLLER MODEButton / LED10800H = released, 7FH = pressedNote on 90H (91H)MASTERRotary VR2800H min to 7FH maxControl change B0H (B1H)BOOTHRotary VR3000H min to 7FH maxControl change B0H (B1H)CUE MIXRotary VR3400H min (cue/CH1) to 7FH max (master/CH2)Control change B0H (B1H)CUE LEVELRotary VR3500H min to 7FH maxControl change B0H (B1H) FILTERFILTER PUSH AButton / LED22 / 2200H = released, 7FH = pressedNote on 90H (91H) FILTER PUSH BButton / LED24 / 2400H = released, 7FH = pressedNote on 90H (91H)FILTER CH ARotary VR3700H min to 7FH maxControl change B0H (B1H)FILTER CH BRotary VR3900H min to 7FH maxControl change B0H (B1H) LEFT BUTTONS CUE LeftButton / LED12 / 1200H = released, 7FH = pressedNote on 90H (91H) PLAY/PAUSE >|| LeftButton / LED13 / 1300H = released, 7FH = pressedNote on 90H (91H) HOT START 1 LeftButton / LED18 / 1800H = released, 7FH = pressedNote on 90H (91H) HOT START 2 LeftButton / LED19 / 1900H = released, 7FH = pressedNote on 90H (91H) HOT START 3 LeftButton / LED20 / 2000H = released, 7FH = pressedNote on 90H (91H) SYNC LeftButton / LED21 / 2100H = released, 7FH = pressedNote on 90H (91H) RIGHT BUTTONSCUE RightButton / LED46 / 4600H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| RightButton / LED47 /4700H = released, 7FH = pressedNote on 90H (91H)HOT START 1 RightButton / LED52 /5200H = released, 7FH = pressedNote on 90H (91H)HOT START 2 RightButton / LED53/ 5300H = released, 7FH = pressedNote on 90H (91H)HOT START 3 RightButton / LED54 / 5400H = released, 7FH = pressedNote on 90H (91H)SYNC RightButton / LED55 / 5500H = released, 7FH = pressedNote on 90H (91H) CENTER CONTROLS LOAD LeftButton / LED101 / 10100H = released, 7FH = pressedNote on 90H (91H) LOAD RightButton / LED102 / 10200H = released, 7FH = pressedNote on 90H (91H) LEFT navigateButton10300H = released, 7FH = pressedNote on 90H (91H) RIGHT navigateButton10400H = released, 7FH = pressedNote on 90H (91H) UP navigateButton10500H = released, 7FH = pressedNote on 90H (91H) DOWN navigateButton10600H = released, 7FH = pressedNote on 90H (91H)CENTER ENCODERRotary Encoder523FH=CCW, 41H = CWControl change B0H (B1H) Center encoder PushButton107 00H = released, 7FH = pressedNote on 90H (91H)Shifttouch button / LED109 / 11100H = released, 7FH = pressedNote on 90H
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 16 19MXR TYPICAL MIXER SET-UP TU RNTA BLE This image details a typical DJ Set Up consisting of a microphone, turntables, CD players, and a tape deck. Note: Turntables can only be connected to the PHONO LEVEL RCA JACKS. Be sure the LINE LEVEL SELECTOR SWITCHES are in the "PHONO" position when using turntables. T U RNTA BLE
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 17 19MXR TYPICAL MIXER SET-UP Speaker Cables Balanced XLR male to XLR female Cables American Audio V4001™ Typical Balanced Output Set-up This image details a typical stereo output layout. Note the use of the Balanced XLR Jacks on both the mixer and the amplifier. Always use the balanced output jacks whenever possible. The balanced output jacks should always be used for cable runs in excess of 15 feet. Using the balanced jacks will ensure a clean signal through out the entire audio system.
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 18 Due to fog residue, smoke, and dust, cleaning the mixer should be carried out periodically to residue build up. 1. Use normal glass cleaner and a soft cloth to wipe down the outside casing. 2. Use a cleaner specially designed for electronics to spray in and around the knobs and switch. This will reduce small particle built up that can effect the proper operation of the mixer. 3. Cleaning should be carried out every 30-60 days to prevent heavy built up. 4. Always be sure to dry all parts completely before plugging the mixer in. Cleaning frequency depends on the environment in which the mixer operates (i.e. smoke, fog residue, dust, dew). The crossfader is “Hot Swapable” which means it may be replaced at any time, even when power is applied. Only replace with American Audio Part Feather Fader Plus. Replacing with any other model fader may seriously damage your mixer. Replacing the Crossfader: 1. Disconnect the mixers main power supply 2. Using a number two Phillips screw driver, unscrew the each of the stainless steel retain screws that hold the crossfader in place. 3. Gently remove the crossfader from its seated position. You may need to wiggle the crossfader slightly to remove it. 4. After removing the crossfader, disconnect the ribbon cable that attaches the crossfader to the PC board. Grasp the crossfader by its base and pull the ribbon cable by its connector not the actual cables. The connector is designed to only fit one way, so don’t worry about the connec tors orientation. 5. Connect the new crossfader to the ribbon cable and replace in reverse order. 19MXR CLEANING 19MXR CROSS FADER REPLACEMENT
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 19 19MXR TROUBLESHOOTING Trouble Shooting: Listed below are common problems you may encounter, and solutions. There is no power to the unit: Be sure you have connected the power cord to a correct wall outlet. There is little or no sound: 1. Check the input selector switch. Make sure it is set to the device that is currently playing. 2. Check to see if the connection cables are connected properly. The sound is distorted: 1. Make sure that the Gain level control is not set to high. Crossfader is not working: Check and see if any channels have been assigned to the crossfader.
©American Audio® - www.americanaudio.us - 19MXR Instruction Manual Page 20 1-YEAR LIMITED WARRANTY A. American Audio® hereby warrants, to the original purchaser, American Audio® products to be free of manufacturing defects in material and workmanship for a period of 1 Year (365 days) from the date of purchase. This warranty shall be valid only if the product is purchased within the United States of America, including possessions and territories. It is the owner’s responsibility to establish the date and place of purchase by acceptable evidence, at the time service is sought. B. For warranty service, send the product only to the American Audio® factory. All shipping charges must be pre-paid. If the requested repairs or service (including parts replacement) are within the terms of this warranty, American Audio® will pay return shipping charges only to a designated point within the United States. If the entire instrument is sent, it must be shipped in its original package. No acces- sories should be shipped with the product. If any accessories are shipped with the product, American Audio® shall have no liability whatsoever for loss of or damage to any such accessories, nor for the safe return thereof. C. This warranty is void if the serial number has been altered or removed; if the product is modified in any manner which American Audio® concludes, after inspection, affects the reliability of the product; if the product has been repaired or serviced by anyone other than the American Audio® factory unless prior written authorization was issued to purchaser by American Audio®; if the product is damaged because not properly maintained as set forth in the instruction manual. D. This is not a service contract, and this warranty does not include maintenance, cleaning or peri- odic check-up. During the period specified above, American Audio® will replace defective parts at its expense, and will absorb all expenses for warranty service and repair labor by reason of defects in material or workmanship. The sole responsibility of American Audio® under this warranty shall be limited to the repair of the product, or replacement thereof, including parts, at the sole discretion of American Audio®. All products covered by this warranty were manufactured after January 1, 1990, and bear identifying marks to that effect. E. American Audio® reserves the right to make changes in design and/or improvements upon its prod- ucts without any obligation to include these changes in any products theretofore manufactured. F. No warranty, whether expressed or implied, is given or made with respect to any accessory sup- plied with products described above. Except to the extent prohibited by applicable law, all implied warranties made by American Audio® in connection with this product, including warranties of mer- chantability or fitness, are limited in duration to the warranty period set forth above. And no warran- ties, whether expressed or implied, including warranties of merchantability or fitness, shall apply to this product after said period has expired. The consumer’s and or Dealer’s sole remedy shall be such repair or replacement as is expressly provided above; and under no circumstances shall American Audio® be liable for any loss or damage, direct or consequential, arising out of the use of, or inability to use, this product. G. This warranty is the only written warranty applicable to American Audio® Products and supersedes all prior warranties and written descriptions of warranty terms and conditions heretofore published. The 19MXR carries a one year limited warranty. We recommend you fill out the enclosed warranty card to validate your purchase. All returned service items whether under warranty or not, must be freight pre-paid and accompany a R.A. (return authorization) number. If the mixer is under warranty, you must provide a proof of purchase invoice. You may obtain a R.A. number by contacting our customer support team on our toll free number. Please contact American Audio® customer support at (800) 322-6337 for a R.A. number. All package not displaying a R.A. number on the outside of the package will be returned to the shipper. 19MXR WARRANTY