American Audio Mixer 14 MXR User Manual
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©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 16
14MXR MIDI TABLE
MXR MIDI interface definitionNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\
MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\
MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\
MixerNOTE: all MIDI...](http://img.usermanuals.tech/thumb/368/5498/w64_mixer-14-mxr-user-manual-1478764923_d-15.png "Page 16
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 16
14MXR MIDI TABLE
MXR MIDI interface definitionNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\
MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\
MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\
MixerNOTE: all MIDI...")
channels CUE (1) function is selected. To select a channels cue function press the CUE BUTTON (1) that is directly associated with the specific channel you wish to monitor. You may use the mixing function to blend both the Cue level and the Program level together. You can vary the output level to either hear more or less of either of the two levels. Turning the Cue Mixing knob to the CUE position (left) will allow you to hear more of the Cue level. Turning the knob to the PGM position (right) will allow you to hear more of the Program level (main output). You may also use the Cue Mixing Control to hear either the Cue level or the Program level exclusively. If the knob is in the full CUE position you will only hear the cue level, if the knob is in the full PGM position you will only hear the main output. This function is especially useful when mixing without an monitor. 8. SPLIT CUE - This button will activate the “Split Cue” function. When used with a set of stereo headphones, the Split Cue function will assign the Cue signal to the left channel of the headphones and the Program (main output) signal to the right channel of the headphones. Essentially splitting the cue signal in half. This process will allow for headphones mixing. The CUE MIXING CONTROL (7) will also work in conjunction with function. Please note that this function will only work with a set of stereo headphones. 9. SHIFT (MIDI) - The button has 2 functions a soft and a hard shift. A soft shift is performed by tog- gling the shift button, this will be indicated by a blinking shift LED. A hard shift is performed by holding down the shift button and combining it with another button. NOTE: When performing a hard shift, it’s recommended you release the secondary button before releasing the Shift button, this is to prevent MIDI latches unless the MIDI function is a temporary function. 10. MASTER VOLUME LEVEL INDICATORS - The dual MASTER LEVEL LED indicators are used to detail the master fader output level. The meters will detail the output level of both the left and right channels. 11. FADER ASSIGN SWITCH - This switch assigns a channel to the CROSSFADER (13). When a channel is assigned to the left side of the CROSSFADER (13) that channels output level is routed to and controlled by the CROSSFADER (13). Sliding the CROSSFADER (21) to left position will send the volume output of the assigned channel to the MASTER VOLUME LEVEL (3), siding the CROSSFADER (13) to right position will cut that channels volume to MASTER VOLUME LEVEL (3). The reverse is true for the right channel fader assign switch. When the assign switch is set to the “OFF” position the crossfader will have no function. 12. HEADPHONE JACK - This jack is used to connect your headphones to the mixer allowing you to monitor the cue source. Use headphones only rated at 8 ohms to 32 ohms. Most DJ headphones are rated at 16 ohm, these are highly recommended. Always be sure the CUE LEVEL VOLUME (6) is set to minimum before you put the headphones on. 13. FEATHER FADER PLUS CROSSFADER - This fader is used to blend the output signals of chan- nels one and two together. When the fader is in the full left position (channel 1), the output signal of channel one will be controlled by the master volume level. The same fundamentals will apply for chan- nel two. Sliding the fader from one position to another will vary the output signals of channels one and two respectively. When the crossfader is set in the center position, the output signals of both the channels one and channels two will be even. 14. CROSSFADER CURVE ADJUSTMENT - This rotary knob is used to change the way the cross- fader will operate. The crossfader can operate in different modes, “NORMAL CURVE”, “QUICK CURVE” or any variation of the two. (Quick Curve is usually used for scratching). ©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 11 14MXR CONTROLS AND FUNCTIONS cont.
15. CUE, SYNC, PITCH BEND, & PLAY/PAUSE (MIDI) -
CUE 1, 2, & 3 - These buttons will set or trigger hot cue 1, 2, or 3.
DELETING HOT CUE POINTS - If a hot cue point is set, it is indicated by a lit Cue button LED. If
you wish to delete a hot cue point, press the Shift button. The shift button LED will flash along with
the Cue LEDs. Press the Cue button that contains the hot cue you wish to delete. After,
press the Shift button again to disable the soft shift.
PITCH BEND - To perform temporary pitch bends in Virtual DJ, hold the Shift button and Cue 1 to
slow the track. To speed up the track hold the Shift button and press the Sync button. To reset
the pitch, hold the Shift button and press Cue 3.
SYNC - Will sync the selected deck to the opposite deck or master deck/tempo.
CUE - When the deck is playing, pressing this button will return to the 1st cue point. If the deck is
paused, pressing Cue will set a new cue point.
16. MICROPHONE SECTION -
MIC 1 & 2 GAIN CONTROL - These knobs individually control the output volume of MICRO-
PHONES 1 & 2. However, master volume is controlled by the MASTER VOLUME CONTROL (3).
MICROPHONE 1 & 2 TREBLE CONTROL - This knob is used to adjust the treble levels of the
Microphone with a maximum signal gain of 12dB or maximum signal decrease of -12dB. Turning the
knob in a counter-clockwise direction will decrease the amount of treble applied to the microphone
signal, turning the knob in a clockwise direction will increase the amount of treble applied to micro-
phone signal.
MICROPHONE 1 & 2 MIDRANGE CONTROL - This knob is used to adjust the midrange levels of
the Microphone with a maximum signal gain of 12dB or maximum signal decrease of -12dB. Turning
the knob in a counter-clockwise direction will decrease the amount of treble applied to the micro-
phone signal, turning the knob in a clockwise direction will increase the amount of treble applied to
microphone signal.
MICROPHONE 1 & 2 BASS CONTROL - This knob is used to adjust the low frequency levels of
the microphone with a maximum signal gain of 12dB or maximum signal decrease of -12dB. Turning
the knob in a counter-clockwise direction will decrease the amount of bass applied to the microphone
signal, turning the knob in a clockwise direction will increase the amount of bass applied to micro-
phone signal.
TALKOVER CONTROL - This function decreases all signal output except the microphone signal.
The amount of decrease is preset to -14dB and is not user selectable.
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 12
14MXR CONTROLS AND FUNCTIONS cont.
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 13
17. MICROPHONE 1 & 2
MICROPHONE 1 - This combo jack will accept a standard 1/4 plug or XLR 3-pin balanced male
plug. The volume output level for this microphone will be controlled by its own respective MICRO-
PHONE GAIN CONTROL (16). Note: We recommend that you use a 500-600ohm microphone for
the best sound quality.
MICROPHONE 2 - This combo jack will accept a standard 1/4 plug or XLR 3-pin balanced male
plug. The volume output level for this microphone will be controlled by its own respective MICRO-
PHONE GAIN CONTROL (16). Note: We recommend that you use a 500-600ohm microphone for
the best sound quality.
18. GND (GROUND TERMINAL) - Be sure to connect turntable ground leads to either or both of the
two available ground terminals. This will reduce the humming and popping noises associated with
magnetic phono cartridges.
19. CHANNEL 1: LINE 1 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS!
CD players, Tape Decks and other line level instruments may be connected to these jacks. The red
colored RCA jack represents the right channel input and the white represents the left channel input.
Input volume will be controlled by channel one fader. The channel SOURCE SELECTOR SWITCH (1)
must be in the “Analog” position, to monitor any source connected to these jacks.
20. CHANNEL 2: INPUTS - The type of input must directly reflect the selected mode of the CHAN-
NEL LINE LEVEL SELECTOR SWITCH (21). CD players, Tape Decks and other line level instruments
may be connected to these jacks. The red colored RCA jack represents the right channel input and
the white represents the left channel input. Input volume will be controlled by channel two fader. The
channel SOURCE SELECTOR SWITCH (1) must be in the “Analog” position, to monitor any source
connected to these jacks. Turntables equipped with MM pickup cartridge (All DJ turntable use MM
pick-up cartridges) may be connected to these jacks as long as the CHANNEL LINE LEVEL SELEC-
REAR PANEL
14MXR CONTROLS AND FUNCTIONS cont.
2120172218192926252423282718
TOR SWITCH (23) is in the “PHONO” position. When CD players, Tape Decks and other line level instruments are connected to these jacks the CHANNEL LINE LEVEL SELECTOR SWITCH (21) is in the “LINE” position. Never connect line level instruments (CD players, tape decks, etc.) to these jacks when the CHANNEL LINE LEVEL SELECTOR SWITCH (21) is in the “PHONO” position, THIS MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel input and the white represents the left channel input. The channel SOURCE SELECTOR SWITCH (1) must be in the “Analog” position, to monitor any source connected to these jacks. 21. CHANNEL LINE LEVEL SELECTOR SWITCHES - These switches are used to change the volt- age line levels of there respected Phono / Line RCA inputs jacks. When connecting turntables with magnetic cartridges to these jacks be sure the corresponding switch is in the “PHONO” position, and when using line level input devices be sure this switch is in the “LINE” position. Always be sure main power is shut off before change the position of the Line Level Selector Switch. 22. CHANNEL 3: INPUTS - The type of input must directly reflect the selected mode of the CHAN- NEL LINE LEVEL SELECTOR SWITCH (21). CD players, Tape Decks and other line level instruments may be connected to these jacks. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by channel three fader. The channel SOURCE SELECTOR SWITCH (1) must be in the “Analog” position, to monitor any source connected to these jacks. Turntables equipped with MM pickup cartridge (All DJ turntable use MM pick-up cartridges) may be connected to these jacks as long as the CHANNEL LINE LEVEL SELECTOR SWITCH (21) is in the “PHONO” position. When CD players, Tape Decks and other line level instruments are connected to these jacks the CHANNEL LINE LEVEL SELECTOR SWITCH (21) is in the “LINE” position. Never connect line level instruments (CD players, tape decks, etc.) to these jacks when the CHANNEL LINE LEVEL SELECTOR SWITCH (21) is in the “PHONO” position, THIS MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel input and the white represents the left channel input. The channel SOURCE SELECTOR SWITCH (1) must be in the “Analog” position, to monitor any source connected to these jacks. 23. CHANNEL 4: LINE 4 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS! CD players, Tape Decks and other line level instruments may be connected to these jacks. The red colored RCA jack represents the right channel input and the white represents the left channel input. Input volume will be controlled by channel one fader. The channel SOURCE SELECTOR SWITCH (1) must be in the “Analog” position, to monitor any source connected to these jacks. 24. RCA MASTER OUTPUTS - The Master Output includes a pair XLR BALANCED JACKS (26) as well as a pair of RCA Unbalanced Jacks. The RCA jacks send a low current unbalanced output signal. These jacks should only be used for shorter cable runs to signal processors or looping to another mixer. For cable runs greater than 15 feet use the XLR BALANCED JACKS (26). 25. BOOTH OUTPUTS - The VMS4 offers a secondary output usually used to monitor your mix or to route to an outboard recording device. This output has independent volume control “Booth” knob. 26. BALANCED XLR MASTER OUTPUT JACKS - The Master Output includes a pair of XLR Balanced jacks as well as a pair of RCA UNBALANCED JACKS (24). The 3-pin XLR jacks send a high current balanced output signal. These jacks should be used when you will be driving an amp or other audio equipment with a balanced input, or whenever you will be running a signal line greater than 15 feet. Always, use these jacks whenever possible. 27. USB PORT - Connect to your PC for MIDI interface and USB interface (audio in and outs). 14MXR CONTROLS AND FUNCTIONS cont. ©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 14
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 15
28. MAIN POWER SWITCH - This is the main power ON/OFF button. Before main power is
applied, be sure you have made all connections to the mixer. Also be sure your amplifier(s) is(are)
tuned off. Remember to avoid damaging pops to the speakers, the mixer is turned on first and
turned off last.
29. AC CONNECTION - This connector is used to supply main power to the unit via the included
detachable power cord. The power connection uses an I.E.C. type connector, use only the supplied,
polarized AC power cord. Use only a power cord that matches this type of connection. Be sure to
only connect this unit to a power outlet that matches the printed power label on the unit. Never use
a power cord when the ground prong has been removed or broken off. The ground prong is used to
reduce the risk of electrical shock in case of an electrical short. This cord is designed to fit in one
direction only. Do not attempt to force a cord if it does not fit, be sure the cord is being inserted
properly.
FUSE HOLDER – This housing stores the 10 amp GMA protective fuse. Always replace with the
exact same type fuse, unless otherwise instructed, by an authorized American Audio® service tech-
nician. Replacing with any other type of fuse than that of the recommended fuse will void your unit
warranty.
14MXR CONTROLS AND FUNCTIONS cont.
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 16 14MXR MIDI TABLE MXR MIDI interface definitionNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerControl number is in decimal formatControl number is in decimal formatAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller mode DescriptionControl typeMIDI ValuesRemarks Shift MICROPHONEMIC 1 ON/OFFButton / LED7600H = released, 7FH = pressedNote on 90H (91H)MIC 1 GAINRotary VRNAMIC 1 TREBLERotary VR2100H min to 7FH maxControl change B0H (B1H)MIC 1 MIDRotary VR2200H min to 7FH maxControl change B0H (B1H)MIC 1 BASSRotary VR2300H min to 7FH maxControl change B0H (B1H)MIC 2 ON/OFFButton / LED7700H = released, 7FH = pressedNote on 90H (91H)MIC 2 GAINRotary VRNAMIC 2 TREBLERotary VR2500H min to 7FH maxControl change B0H (B1H)MIC 2 MIDRotary VR2600H min to 7FH maxControl change B0H (B1H)MIC 2 BASSRotary VR2700H min to 7FH maxControl change B0H (B1H)TALKOVERButton / LED7800H = released, 7FH = pressedNote on 90H (91H) MIXERUSB / ANALOG 1Button8900H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 1 GAINRotary VR000H min to 7FH maxControl change B0H (B1H)MIDILOG 1 TREBLERotary VR100H min to 7FH maxControl change B0H (B1H)MIDILOG 1 MIDRotary VR200H min to 7FH maxControl change B0H (B1H)MIDILOG 1 BASSRotary VR300H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 1Button / LED4200H = released, 7FH = pressedNote on 90H (91H)MIDILOG 1 LINESlide VR400H min bottom to 7FH max topControl change B0H (B1H) USB / ANALOG 2Button9000H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 2 GAINRotary VR500H min to 7FH maxControl change B0H (B1H)MIDILOG 2 TREBLERotary VR600H min to 7FH maxControl change B0H (B1H)MIDILOG 2 MIDRotary VR700H min to 7FH maxControl change B0H (B1H)MIDILOG 2 BASSRotary VR800H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 2Button / LED4300H = released, 7FH = pressedNote on 90H (91H)MIDILOG 2 LINESlide VR900H min bottom to 7FH max topControl change B0H (B1H) USB / ANALOG 3Button9100H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 3 GAINRotary VR1000H min to 7FH maxControl change B0H (B1H)MIDILOG 3 TREBLERotary VR1100H min to 7FH maxControl change B0H (B1H)MIDILOG 3 MIDRotary VR1200H min to 7FH maxControl change B0H (B1H)MIDILOG 3 BASSRotary VR1300H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 3Button / LED4400H = released, 7FH = pressedNote on 90H (91H)MIDILOG 3 LINESlide VR1400H min bottom to 7FH max topControl change B0H (B1H) USB / ANALOG 4Button9200H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 4 GAINRotary VR1500H min to 7FH maxControl change B0H (B1H)MIDILOG 4 TREBLERotary VR1600H min to 7FH maxControl change B0H (B1H)MIDILOG 4 MIDRotary VR1700H min to 7FH maxControl change B0H (B1H)MIDILOG 4 BASSRotary VR1800H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 4Button / LED4500H = released, 7FH = pressedNote on 90H (91H)MIDILOG 4 LINESlide VR1900H min bottom to 7FH max topControl change B0H (B1H) XF ASSIGN 1 LeftRotary Select9300H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 LeftRotary Select9400H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 LeftRotary Select9500H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 LeftRotary Select9600H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 1 RightRotary Select9700H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 RightRotary Select9800H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 RightRotary Select9900H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 RightRotary Select10000H = no assign, 7FH = assignNote on 90H (91H) CROSSFADERSlide VR3100H min left to 7FH max rightControl change B0H (B1H)CROSSFADER CURVERotary VR3300H min to 7FH maxControl change B0H (B1H) MASTERRotary VR2800H min to 7FH maxControl change B0H (B1H)BOOTHRotary VR3000H min to 7FH maxControl change B0H (B1H)CUE MIXRotary VR3400H min (cue/CH1) to 7FH max (master/CH2)Control change B0H (B1H)CUE GAINRotary VR3500H min to 7FH maxControl change B0H (B1H)SPLIT CUEButton / LED41 / 4100H = released, 7FH = pressedNote on 90H (91H) FILTERLPF/HPF CH1Rotary VR3700H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 1 PUSHButton / LED22 / 2200H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH1Rotary Encoder363FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 1 PUSHButton / LED23 / 2300H = released, 7FH = pressedNote on 90H (91H)LPF/HPF CH2Rotary VR3900H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 2 PUSHButton / LED24 / 2400H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH2Rotary Encoder383FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 2 PUSHButton / LED25 / 2500H = released, 7FH = pressedNote on 90H (91H)LPF/HPF CH3Rotary VR4100H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 3 PUSHButton / LED61 / 6100H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH3Rotary Encoder403FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 3 PUSHButton / LED62 / 6200H = released, 7FH = pressedNote on 90H (91H)LPF/HPF CH4Rotary VR4300H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 4 PUSHButton / LED63 / 6300H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH4Rotary Encoder423FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 4 PUSHButton / LED64 / 6400H = released, 7FH = pressedNote on 90H (91H) Left ButtonsCUE LeftButton / LED12 / 1200H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| LeftButton / LED13 /1300H = released, 7FH = pressedNote on 90H (91H)HOT START 1 LeftButton / LED18 / 1800H = released, 7FH = pressedNote on 90H (91H)HOT START 2 LeftButton / LED19 / 1900H = released, 7FH = pressedNote on 90H (91H)HOT START 3 LeftButton / LED20 / 2000H = released, 7FH = pressedNote on 90H (91H)SYNC LeftButton / LED21 / 2100H = released, 7FH = pressedNote on 90H (91H) Center ButtonsLOAD LeftButton / LED101 / 10100H = released, 7FH = pressedNote on 90H (91H)LOAD RightButton / LED102 / 10200H = released, 7FH = pressedNote on 90H (91H)LEFT navigateButton103 00H = released, 7FH = pressedNote on 90H (91H)RIGHT navigateButton104 00H = released, 7FH = pressedNote on 90H (91H)UP navigateButton105 00H = released, 7FH = pressedNote on 90H (91H)DOWN navigateButton 10600H = released, 7FH = pressedNote on 90H (91H)Center encoder PushButton107 00H = released, 7FH = pressedNote on 90H (91H)CENTER ENCODERRotary Encoder523FH=CCW, 41H = CWControl change B0H (B1H)CONTROLLER MODEButton / LED108 /11000H = released, 7FH = pressedNote on 90H (91H)Shifttouch button / LED109 / 11100H = released, 7FH = pressedNote on 90H Right ButtonsCUE RightButton / LED46 / 4600H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| RightButton / LED47 / 4700H = released, 7FH = pressedNote on 90H (91H)HOT START 1 RightButton / LED52 / 5200H = released, 7FH = pressedNote on 90H (91H)HOT START 2 RightButton / LED53 / 5300H = released, 7FH = pressedNote on 90H (91H)HOT START 3 RightButton / LED54 / 5400H = released, 7FH = pressedNote on 90H (91H)SYNC RightButton / LED55 / 5500H = released, 7FH = pressedNote on 90H (91H)
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 17 MXR MIDI interface definitionNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerNOTE: all MIDI messages use channel 1 or channel 2, Directions OUT and IN are relative to the\ MixerControl number is in decimal formatControl number is in decimal formatAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseAll rotary VRs start at the minimum in the leftmost position and increas\ e to the maximum when turned clockwiseFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller modeFor all commands except LED, when in controller mode, add 2 to the channel number when Controller mode is on. Ex: Note on 90H (91H) becomes Note on 92H in controller mode DescriptionControl typeMIDI ValuesRemarks Shift MICROPHONEMIC 1 ON/OFFButton / LED7600H = released, 7FH = pressedNote on 90H (91H)MIC 1 GAINRotary VRNAMIC 1 TREBLERotary VR2100H min to 7FH maxControl change B0H (B1H)MIC 1 MIDRotary VR2200H min to 7FH maxControl change B0H (B1H)MIC 1 BASSRotary VR2300H min to 7FH maxControl change B0H (B1H)MIC 2 ON/OFFButton / LED7700H = released, 7FH = pressedNote on 90H (91H)MIC 2 GAINRotary VRNAMIC 2 TREBLERotary VR2500H min to 7FH maxControl change B0H (B1H)MIC 2 MIDRotary VR2600H min to 7FH maxControl change B0H (B1H)MIC 2 BASSRotary VR2700H min to 7FH maxControl change B0H (B1H)TALKOVERButton / LED7800H = released, 7FH = pressedNote on 90H (91H) MIXERUSB / ANALOG 1Button8900H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 1 GAINRotary VR000H min to 7FH maxControl change B0H (B1H)MIDILOG 1 TREBLERotary VR100H min to 7FH maxControl change B0H (B1H)MIDILOG 1 MIDRotary VR200H min to 7FH maxControl change B0H (B1H)MIDILOG 1 BASSRotary VR300H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 1Button / LED4200H = released, 7FH = pressedNote on 90H (91H)MIDILOG 1 LINESlide VR400H min bottom to 7FH max topControl change B0H (B1H) USB / ANALOG 2Button9000H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 2 GAINRotary VR500H min to 7FH maxControl change B0H (B1H)MIDILOG 2 TREBLERotary VR600H min to 7FH maxControl change B0H (B1H)MIDILOG 2 MIDRotary VR700H min to 7FH maxControl change B0H (B1H)MIDILOG 2 BASSRotary VR800H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 2Button / LED4300H = released, 7FH = pressedNote on 90H (91H)MIDILOG 2 LINESlide VR900H min bottom to 7FH max topControl change B0H (B1H) USB / ANALOG 3Button9100H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 3 GAINRotary VR1000H min to 7FH maxControl change B0H (B1H)MIDILOG 3 TREBLERotary VR1100H min to 7FH maxControl change B0H (B1H)MIDILOG 3 MIDRotary VR1200H min to 7FH maxControl change B0H (B1H)MIDILOG 3 BASSRotary VR1300H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 3Button / LED4400H = released, 7FH = pressedNote on 90H (91H)MIDILOG 3 LINESlide VR1400H min bottom to 7FH max topControl change B0H (B1H) USB / ANALOG 4Button9200H = USB, 7FH = ANALOGNote on 90H (91H)MIDILOG 4 GAINRotary VR1500H min to 7FH maxControl change B0H (B1H)MIDILOG 4 TREBLERotary VR1600H min to 7FH maxControl change B0H (B1H)MIDILOG 4 MIDRotary VR1700H min to 7FH maxControl change B0H (B1H)MIDILOG 4 BASSRotary VR1800H min to 7FH maxControl change B0H (B1H)CUE MIDILOG 4Button / LED4500H = released, 7FH = pressedNote on 90H (91H)MIDILOG 4 LINESlide VR1900H min bottom to 7FH max topControl change B0H (B1H) XF ASSIGN 1 LeftRotary Select9300H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 LeftRotary Select9400H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 LeftRotary Select9500H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 LeftRotary Select9600H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 1 RightRotary Select9700H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 2 RightRotary Select9800H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 3 RightRotary Select9900H = no assign, 7FH = assignNote on 90H (91H)XF ASSIGN 4 RightRotary Select10000H = no assign, 7FH = assignNote on 90H (91H) CROSSFADERSlide VR3100H min left to 7FH max rightControl change B0H (B1H)CROSSFADER CURVERotary VR3300H min to 7FH maxControl change B0H (B1H) MASTERRotary VR2800H min to 7FH maxControl change B0H (B1H)BOOTHRotary VR3000H min to 7FH maxControl change B0H (B1H)CUE MIXRotary VR3400H min (cue/CH1) to 7FH max (master/CH2)Control change B0H (B1H)CUE GAINRotary VR3500H min to 7FH maxControl change B0H (B1H)SPLIT CUEButton / LED41 / 4100H = released, 7FH = pressedNote on 90H (91H) FILTERLPF/HPF CH1Rotary VR3700H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 1 PUSHButton / LED22 / 2200H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH1Rotary Encoder363FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 1 PUSHButton / LED23 / 2300H = released, 7FH = pressedNote on 90H (91H)LPF/HPF CH2Rotary VR3900H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 2 PUSHButton / LED24 / 2400H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH2Rotary Encoder383FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 2 PUSHButton / LED25 / 2500H = released, 7FH = pressedNote on 90H (91H)LPF/HPF CH3Rotary VR4100H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 3 PUSHButton / LED61 / 6100H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH3Rotary Encoder403FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 3 PUSHButton / LED62 / 6200H = released, 7FH = pressedNote on 90H (91H)LPF/HPF CH4Rotary VR4300H min to 7FH maxControl change B0H (B1H)LPF/HPF MIDILOG 4 PUSHButton / LED63 / 6300H = released, 7FH = pressedNote on 90H (91H)BANDWIDTH CH4Rotary Encoder423FH=CCW, 41H = CWControl change B0H (B1H)BANDWIDTH MIDILOG 4 PUSHButton / LED64 / 6400H = released, 7FH = pressedNote on 90H (91H) Left ButtonsCUE LeftButton / LED12 / 1200H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| LeftButton / LED13 /1300H = released, 7FH = pressedNote on 90H (91H)HOT START 1 LeftButton / LED18 / 1800H = released, 7FH = pressedNote on 90H (91H)HOT START 2 LeftButton / LED19 / 1900H = released, 7FH = pressedNote on 90H (91H)HOT START 3 LeftButton / LED20 / 2000H = released, 7FH = pressedNote on 90H (91H)SYNC LeftButton / LED21 / 2100H = released, 7FH = pressedNote on 90H (91H) Center ButtonsLOAD LeftButton / LED101 / 10100H = released, 7FH = pressedNote on 90H (91H)LOAD RightButton / LED102 / 10200H = released, 7FH = pressedNote on 90H (91H)LEFT navigateButton103 00H = released, 7FH = pressedNote on 90H (91H)RIGHT navigateButton104 00H = released, 7FH = pressedNote on 90H (91H)UP navigateButton105 00H = released, 7FH = pressedNote on 90H (91H)DOWN navigateButton 10600H = released, 7FH = pressedNote on 90H (91H)Center encoder PushButton107 00H = released, 7FH = pressedNote on 90H (91H)CENTER ENCODERRotary Encoder523FH=CCW, 41H = CWControl change B0H (B1H)CONTROLLER MODEButton / LED108 /11000H = released, 7FH = pressedNote on 90H (91H)Shifttouch button / LED109 / 11100H = released, 7FH = pressedNote on 90H Right ButtonsCUE RightButton / LED46 / 4600H = released, 7FH = pressedNote on 90H (91H)PLAY/PAUSE >|| RightButton / LED47 / 4700H = released, 7FH = pressedNote on 90H (91H)HOT START 1 RightButton / LED52 / 5200H = released, 7FH = pressedNote on 90H (91H)HOT START 2 RightButton / LED53 / 5300H = released, 7FH = pressedNote on 90H (91H)HOT START 3 RightButton / LED54 / 5400H = released, 7FH = pressedNote on 90H (91H)SYNC RightButton / LED55 / 5500H = released, 7FH = pressedNote on 90H (91H) 14MXR MIDI TABLE
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 18 14MXR TYPICAL MIXER SET-UP CASSETTE DECK TU RNTA BLE This image details a typical DJ Set Up consisting of a microphone, turntables, CD players, and a tape deck. Note: Turntables can only be connected to the PHONO LEVEL RCA JACKS. Be sure the LINE LEVEL SELECTOR SWITCHES are in the "PHONO" position when using turntables. T U RNTA BLE
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 19 14MXR TYPICAL MIXER SET-UP Speaker Cables Balanced XLR male to XLR female Cables American Audio V4001™ Typical Balanced Output Set-up This image details a typical stereo output layout. Note the use of the Balanced XLR Jacks on both the mixer and the amplifier. Always use the balanced output jacks whenever possible. The balanced output jacks should always be used for cable runs in excess of 15 feet. Using the balanced jacks will ensure a clean signal through out the entire audio system.
©American Audio® - www.americanaudio.us - 14MXR Instruction Manual Page 20 Due to fog residue, smoke, and dust, cleaning the mixer should be carried out periodically to residue build up. 1. Use normal glass cleaner and a soft cloth to wipe down the outside casing. 2. Use a cleaner specially designed for electronics to spray in and around the knobs and switch. This will reduce small particle built up that can effect the proper operation of the mixer. 3. Cleaning should be carried out every 30-60 days to prevent heavy built up. 4. Always be sure to dry all parts completely before plugging the mixer in. Cleaning frequency depends on the environment in which the mixer operates (i.e. smoke, fog residue, dust, dew). The crossfader is “Hot Swapable” which means it may be replaced at any time, even when power is applied. Only replace with American Audio Part Feather Fader Plus. Replacing with any other model fader may seriously damage your mixer. Replacing the Crossfader: 1. Disconnect the mixers main power supply 2. Using a number two Phillips screw driver, unscrew the each of the stainless steel retain screws that hold the crossfader in place. 3. Gently remove the crossfader from its seated position. You may need to wiggle the crossfader slightly to remove it. 4. After removing the crossfader, disconnect the ribbon cable that attaches the crossfader to the PC board. Grasp the crossfader by its base and pull the ribbon cable by its connector not the actual cables. The connector is designed to only fit one way, so don’t worry about the connec tors orientation. 5. Connect the new crossfader to the ribbon cable and replace in reverse order. 14MXR CLEANING 14MXR CROSS FADER REPLACEMENT