3M Streaming Projector Manual

							3M™ Streaming Projector SPR1000
© 2012 3M. All Rights Reserved.
 51
EnglishDescription Resolution  
(width x height) Refresh Rate
Aspect Ratio
720 x 576p 50 Hz16:9
720p 1280 x 720p 59.94/60 Hz16:9
1280 x 720p 50 Hz16:9
1080i 1920 x 1080i 59.94/60 Hz16:9
1440 x 1080i 50 Hz16:9
Audio Support
Audio Format: Linear PCM
Number of Channels: 2
Sampling Frequency: 32, 44.1, and 48 kHz
Number of Bits Per Sample: 16, 20 or 24 bits 
						

							3M™ Streaming Projector SPR1000
 52 © 2012 3M. All Rights Reserved.
English
Accessory List
Call 1-866-831-1656 to order 3M accessories. 
						

							3M™ Streaming Projector SPR1000
© 2012 3M. All Rights Reserved.
 53
EnglishLimited Warranty
The 3M™ Streaming Projector (the “3M Product”) is warranted to be free from 
defects in material or manufacture for a period of 90 days from the date or purchase. 
If the product does not conform to the warranty within the warranty period, 3M’s 
exclusive obligation is to repair, replace or refund the purchase price of the non-
conforming product. To the extent permitted by law, 3M will not be liable for indirect, 
incidental, special or consequential damages, irrespective of the legal theory asserted. 
If the product needs service, please call 1-866-631-1656. For the detailed terms 
and conditions of the warranty go to http://www.3MPocketProjector.com/support, or 
contact us at 1-866-631-1656 or [email protected] 
						

							3M™ Streaming Projector SPR1000
 54 © 2012 3M. All Rights Reserved.
English
Regulatory Notices
FCC STATEMENT - CLASS B
This equipment has been tested and found to comply with the limits for a Class B 
digital device, pursuant to part 15 of the FCC Rules. These limits are designed to 
provide reasonable protection against harmful interference in a residential installation. 
This equipment generates, uses and can radiate radio frequency energy and, if not 
installed and used in accordance with the instructions, may cause harmful interference 
to radio communications. However, there is no guarantee that interference will not 
occur in a particular installation. If this equipment does cause harmful interference to 
radio or television reception, which can be determined by turning the equipment off 
and on, the user is encouraged to try to correct the interference by one or more of the 
following measures:
•	Reorient or relocate the receiving antenna.
•	 Increase the separation between the equipment and receiver.
•	 Connect the equipment into an outlet on a circuit different from that to which the 
receiver is connected.
•	 Consult the dealer or an experienced radio/ T V technician for help.
NOTICE: This Class B digital apparatus complies with Canadian ICES-003. 
						

							3M™ Streaming Projector SPR1000
© 2012 3M. All Rights Reserved.
 55
EnglishINSTRUCTIONS TO USERS: This equipment complies with the requirements of FCC 
equipment provided that the following conditions are met. If the cables include a EMI 
ferrite core, attach the ferrite core end of the cable to the projector. Use the cables 
which are included with the projector or specified.
Note: Changes or modifications not expressly approved by the party responsible for 
compliance could void the user’s authority to operate the equipment.
CE Statement
ElectroMagnectic Compatibility Statement: Meets 2004/108/EC Directive
Low Voltage Directive: Meets 2006-95-EC Directive.
WEEE Statement
The following information is only for EU-members States: The   
mark shown to the right is in compliance with Waste Electrical  
and Electronic Equipment Directive 2002/96/EC ( WEEE).   
The mark indicates the requirement NOT to dispose of the   
equipment as unsorted municipal waste, but use the return and   
collection systems according to local law. 
						

							3M™ Streaming Projector SPR1000
 56 © 2012 3M. All Rights Reserved.
English
RoHS Statement
Restriction of the Use of Certain Hazardous Substances in Electrical and Electronic 
Equipment (known as “RoHS”), 2011/65/EU of the European Parliament and of the 
Council and the Regulation 1907/2006 (known as “REACH”) relating to “Substances 
of Very High Concern” (“SVHC’s”), the European Union’s Directive 94/62/EC relating 
to packaging, the U.S. Lacey Act and other similar laws (“Substance Laws”). Product 
will not contain substances in excess of permitted concentration values established 
by Substance Laws unless the applicable specifications specifically permit that 
substance in a higher concentration value. Without limiting the forgoing, substances 
in the product will not exceed the following maximum concentration values in any 
homogeneous material (“Restricted Values”): (a) 0.1% (by weight) for each of lead, 
mercury, hexavalent chromium, polybrominated biphenyls or polybrominated diphenyl 
ethers; or (b) 0.01% (by weight) for cadmium. 
						

							57
EditingEditing Layers
The Modulation Matrix Subpage
The Matrix page of synth and sample layers gives you access to additional 
modulations of the layer. The concept of controlling one parameter by another is 
called modulation. HALion Sonic offers many fixed assigned modulations such as the 
amplitude and filter envelopes, or pitch key follow.
To assign additional modulations, use the modulation matrix. Assigning modulations 
means to interconnect modulation sources such as LFOs and envelopes, with 
modulation destinations like pitch, cutoff, amplitude, etc. The modulation matrix offers 
you up to 32 freely assignable modulations, each with a source, a modifier and a 
destination with adjustable depth. All modulation sources and destinations can be 
assigned several times. The polarity of each source can be switched between unipolar 
and bipolar behavior. A selectable modifier and user-definable curves and ranges give 
you further control over the modulation.
To access the modulation matrix, proceed as follows:
1.Go to the Edit page and select the synth or sample layer you want to adjust.
2.Click the Matrix subpage button.
The modulation matrix is divided into two sections separated by the vertical scroll bar. 
The section to the left displays the modulation rows. Here, you can assign modulation 
sources to destinations and adjust the modulation depth. In the section to the right, 
you find settings for the curve and range editor to make further adjustments for the 
currently selected modulation source.
Using the Modulation Rows
The modulation rows allow you to interconnect modulation sources with modulation 
destinations and to adjust the modulation depth.
•The parameters for setting up a modulation can be accessed via 32 rows. Each 
row is identified by a number which is displayed to the left of the row. Use the 
scroll bar in the middle to access rows that are currently not visible.
•You can select modulation sources by using the Source pop-up menu at the top 
left of each row (see 
“Modulation Sources” on page 59).
•The Modifier pop-up menu in the lower left of each row allows you to select a 
second modulation source that controls the intensity of the first source or a 
modifier that alters the modulation signal of the first source (see 
“Modulation 
Modifiers” on page 63).
•To switch the polarity of a source between unipolar and bipolar behavior, click the 
button to the right of the corresponding source. Modifiers do not have a polarity. 
Therefore, the polarity option is hidden when you select a modifier.
•To select the modulation destination, use the pop-up menu to the right of a row 
(see 
“Modulation Destinations” on page 60).
•Use the horizontal fader below the destination to adjust the modulation depth. 
Usually, the modulation depth adjusts in percent (-100
 % to +100  %). If you select 
pitch as modulation destination, the modulation depth adjusts in semitones (-60 to 
+60 semitones). 
						

							58
EditingEditing Layers
•Click the Bypass button in front of the depth control to switch off the modulation 
temporarily.
Managing Modulation Rows
To copy or move a modulation row, proceed as follows:
1.On the context menu for the source row, select “Copy Modulation Row” or “Cut 
Modulation Row”.
2.On the context menu for the target row, select “Paste Modulation Row”.
•To insert an empty row, select “Insert Modulation Row” from the context menu.
•To remove a modulation row, select “Remove Modulation Row” from the context 
menu.
Note that the list always contains 32 rows. If you remove a row, an empty row is 
appended to the list. 
ÖYou can copy modulation rows across different programs and between different plug-
in instances.
MIDI Controller and Note Expression Smoothing
When a MIDI or a Note Expression controller is selected as modulation source, the 
Smoothing parameter is available. This allows for parameter changes to occur more 
gradually.
The following settings are available:
- Default: Uses the global Smoothing parameter set up on the Options page.
- 1 ms to 1000 ms: Determines the amount of smoothing.
- Off: Deactivates the Smoothing parameter.
Unipolar vs. Bipolar Sources
The polarity of a modulation source specifies the value range it produces.
•Unipolar sources produce positive values only. The sources modulate between 0 
and +1.
•Bipolar sources produce negative and positive values. The sources modulate 
between -1 and +1.
By default, some sources are unipolar and others are bipolar. However, you can 
change the polarity of a modulation source any time you want.
•To change the polarity of a source, click the button to the right of the 
corresponding source.
Using the Curve and Range Editor
You can set up a curve and range for each modulation source.
•The curve and range editor displays the settings of the currently selected source 
marked by a frame in the corresponding modulation row. To adjust the settings of 
a different source, click the button to the left of the source you want to edit.
•The curve editor allows you to change the characteristic of a modulation. The 
displayed curve is superimposed on the modulation source.
This way, you can change the modulation, for example, from linear to exponential or 
logarithmic behavior.
•By setting the minimum and maximum values, the modulation stays within the 
specified range only. In addition, you can specify an offset and a range for the 
modulation.
For example, with an offset and range of +50 % only the second half of the 
displayed curve will be superimposed on the modulation. 
						

							59
EditingEditing Layers
•The curve editor offers different presets which you can select from the pop-up 
menu above the curve. To set up your own curve, select the Custom preset from 
the pop-up menu.
•You can edit the curve graphically with the mouse when the Custom preset is 
selected. Double-click in the editor to insert a new node. Double-click on a node 
to delete it. Drag the nodes to new positions to adjust the basic shape of the 
curve. Drag the lines between the nodes up or down to change the curvature.
Setting up a Modulation
To set up a modulation, proceed as follows:
1.Select the synth or sample layer you want to adjust.
2.Click the Matrix subpage button.
3.In one of the modulation rows, select a modulation source and destination, such as 
LFO1 as source and Pitch as destination.
4.Use the horizontal fader below the destination to adjust the modulation depth.
5.Play a few notes to hear the modulation.
6.You can select a modifier or change the polarity of the source.
For example, from the “Source 2” pop-up menu, select Pitch Bend as the modifier 
and set its polarity to unipolar.
7.Play a few notes to hear the modulation and use the pitchbend wheel from the 
example.
8.Finally, use the curve and range editor to limit the modulation range or to adjust the 
characteristic of the modulation.
Modulation Sources
The modulation sources are available from the Source and Modifier pop-up menus. 
HALion Sonic offers you the following modulation sources:
OptionDescription
LFO P1The first LFO of the layer which produces cyclic modulation signals. 
LFO P1 is polyphonic which means that each voice is modulated 
independently.
LFO P2The second LFO of the layer which produces cyclic modulation 
signals. LFO P2 is polyphonic which means that each voice is 
modulated independently.
LFO M3The third LFO of the layer which produces cyclic modulation signals. 
LFO M3 is monophonic and modulates all voices simultaneously.
LFO M4The fourth LFO of the layer which produces cyclic modulation 
signals. LFO M4 is monophonic and modulates all voices 
simultaneously.
Amp EnvelopeThe amplifier envelope of the layer. The shape of the envelope equals 
the modulation signal. The amplifier envelope is unipolar.
Filter EnvelopeThe filter envelope of the layer. The shape of the envelope equals the 
modulation signal. The Filter envelope is unipolar.
Pitch EnvelopeThe pitch envelope of the layer. The shape of the envelope equals the 
modulation signal. The pitch envelope is bipolar.
User EnvelopeThe user envelope of the layer. The shape of the envelope equals the 
modulation signal. The user envelope is bipolar.
Step ModulatorThe step modulator of the layer. This produces cyclic, rhythmically 
stepped modulation signals. The step modulator is bipolar. 
						

							60
EditingEditing Layers
Modulation Destinations
Depending on the selected type of layer, the available modulation destinations vary. 
HALion Sonic offers you the following modulation destinations:
GlideThe glide signal of the source. Glide is unipolar.
Key FollowThis produces an exponential modulation signal derived from the 
MIDI note number. Exponential means this source works with 
destinations such as Pitch or Cutoff. Key follow is bipolar.
Note-on VelNote-on velocity (how fast you hit a key) can be used as a modulation 
signal. Note-on Vel is unipolar.
Note-on Vel 
Squared
The squared version of Note-on Vel. Squared means you need to 
press the key harder to produce higher modulation values.
Note-on Vel 
Normalized
The note-on velocity is normalized via the velocity range of the 
corresponding sample zone. At the lowest velocity of the sample 
zone the modulation will be 0, at the highest velocity it will be 1.
Note-off VelNote-off velocity (how fast you released a key) can be used as a 
modulation signal. Note-off Vel is unipolar. While most of the MIDI 
keyboards cannot send note-off velocity messages, your sequencer 
software will in most cases be able to produce such messages.
Pitch BendThe position of the pitchbend wheel can be used as a modulation 
signal. Pitch Bend is bipolar.
Modulation WheelThe position of the modulation wheel can be used as a modulation 
signal. Modulation Wheel is unipolar.
AftertouchAftertouch (how hard you press a key down after you hit it) can be 
used as a modulation signal. Aftertouch is unipolar. Some MIDI 
keyboards cannot send aftertouch messages. However, your 
sequencer software will in most cases be able to produce such 
messages.
MIDI ControllerAny of the 127 available MIDI controllers can be used as a 
modulation signal. You can select the MIDI controller from the 
corresponding submenu.
Quick ControlThe quick controls of the layer can be used as a modulation signal. 
You can select the quick control from the corresponding submenu.
Note ExpressionThe eight note expression parameters of the program can be used as 
modulation signals for the layer. You can select the note expression 
parameter from the corresponding submenu.
NoiseProduces a random modulation signal. Noise is bipolar.
OutputThe audio output of the layer can be used as a modulation signal. 
Output is bipolar.
Bus 1-16Modulations that have been sent to one of the sixteen busses can be 
used as sources again. This way, you can combine several 
modulations to produce more complex signals. Select the 
corresponding modulation bus to assign it as source. 
OptionDescription
PitchModulates the pitch of the layer. For example, assign one of the LFOs 
to create a vibrato effect. When Pitch is selected, the modulation 
depth adjusts in semitones (-60 to +60).
CutoffModulates the filter cutoff of the layer. For example, assign the step 
modulator to create rhythmic patterns in the spectral timbre.
Option Description