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3M Digital Projector Wx20 Specifications

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    							*Indicates maximum lumens rating
    3M™ Digital Projector WX20
    When the fine details are important, the 3M Digital Projector WX20 has 1280x800 resolution for today's wide 
    format computers and laptops. High definition video looks great when displayed using the HDMI connections.  
    Compact and lightweight but fully loaded, the 3M WX20 is ideal for boardrooms, classrooms, multi-media and 
    multipurpose environments. 
    • WXGA (1280 x 800) resolution
    • 2000 lumens*  
    • 4 lbs. (1.8kg) – great for 
    the mobile user!
    • Automatic Vertical Digital Keystone
    • HDTV compatible
    • 3 Year Standard Warranty
    • HDMI connectivity
    • Customizable start-up screen
    • Great for wide format movies!
    Features
    [Video ]
    [Computer in 1 port ][HDMI ][S-Video ]
    [USB ][Audio out ][Computer in 2 port ]
    [Audio in ]    
    						
    							Note: These sizes are +10 percent. This is due to variations in the manufacture of the lens. If you are close  to one of the endpoints you should verify with your unit that the image \
    is the proper size at the proper distance. 
    Image Size 16:9
     Screen Size                                     Projection Distance (Diagonal) Minimum (m) Maximum (m)
       40"  (1.0)      50"  (1.3)    60"  (1.5)
       60"  (1.5)      75"  (1.9)    90"  (2.3)
     100" (2.5)    126"  (3.2)  151"  (3.8)
     160"  (4.1)    202"  (5.1)  243"  (6.2)
     200"  (5.1)    253"  (6.4)  304"  (7.7)
     300"  (7.6)    380"  (9.6)   456"  (11.6)
    © 3M 2008. All rights reserved. Please recycle.                Printed in USA.  v04.08  
    3M Projection SystemsBuilding A147-5N-016801 River Place Blvd.Austin, T X 78726-9000USA
    3M CanadaPO Box 5757London,Ontario, CanadaNGA  4T1
    3M Mexico, S.A. de C.V.Apartado Postal 14-139Mexico, D.F. 07070Mexico
    Important NoticeAll  statements,  technical  information,  and  recommendations  related  to  3M’s  products  are  based  on information believed to be reliable, but the accuracy or completeness is not guaranteed. Before using this product, you must evaluate it and determine if it is suitable for your intended application. You assume all risks and liability associated with such use. Any statements related to the product which are not contained in 3M’s current publications, or any contrary statements contained on your purchase order shall have no force or effect unless expressly agreed upon, in writing, by an authorized officer of 3M.
    Warranty; Limited Remedy; Limited LiabilityThis product will be free from defects in material and manufacture for a period of 3 years from the time of purchase. 3M MAKES NO OTHER WARRANTIES or CONDITIONS INCLUDING, BUT NOT LIMITED TO, ANY IMPLIED WARRANTY OR CONDITION OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. If  this  product  is  defective  within  the  warranty  period  stated  above,  your  exclusive  remedy  shall  be,  at 3M’s option, to replace or repair the 3M product or refund the purchase price of the 3M product. Except where prohibited by law, 3M will not be liable for any indirect, special, incidental or consequential loss or damage arising from this 3M product, regardless of the legal theory asserted.
    3M,  and  the  3M  logo  are  trademarks  of  3M  Company.  Used  under  license  in  Canada. All  other  trade names  referenced  are  the  service  marks,  trademarks,  or  registered  trademarks  of  their  respective companies.
    OpticalResolution  Native: W XGA (1280 x 800) Maximum: UXGA (1600 x 1200)
    Imager set 0.59”, P-Si TF T Panel
    Aspect Ratio   16:10 native and 4:3 pillar box supported Colors 16.7 million
    Contrast Ratio 50 0:1
    Brightness 2000 lumens (maximum rating) Projection Lens F1.7-1.9 (f=19 -2 3mm) 
    Vertical Lens Shift 10:1 (fixed)
    Throw Ratio (Distance: Image Width)1.5:1 - 1.8:1
    Screen Size (range)30-300 inches  
    Zoom/Focus  Manual
    Zoom Ratio 1. 2:1
    Optional Lenses N /ALamp   UHB 190W (normal mode), 142W (whisper mode)
    Lamp Life 2000 hours (normal mode)Up to 3000 hours (whisper mode)
    SizeDimensions (W x H x D)  10.7 x 2.3 x 8 in. (274 x 59 x 205mm)
    Weight 4 lbs  (1.8kg)
    WarrantiesFor details see www.3m.com/meetings/warrantiesProjector  3 years or 2500 hours
    Lamp 90 days or 180 hours with remainder of 1 year prorated
    Ultra Value Warranty Enhancement (optional) Includes 1 free lamp, free loaner while unit isbeing repaired and expedited service. Not available outside U.S.
    System SpecificationsVideo Compatibility    NTSC, NTSC 4.43, PAL, PAL-M, PAL-N, SECAM 
    SDTV/HDTV 525i(480i), 525p(480p), 625i (576i)/ 750p(720p@60Hz), 1125i(1080i@60Hz), 1125p(1080p@60Hz)
    Digital Audio Compatibility (HDMI) Linear PCM 32kHz, 44.1kH, 48kHz
    Close Caption CC1-4, TE X T1-4 (NTSC only)
    Digital Keystone Correction Vertical ±30 degrees
    Audio Output 1 Watt
    Startup Screen Customizable
    Noise Level Normal 41dB; Whisper 34dB
    Horizontal Scan 3 1. 5 -10 6 k H z
    Vertical Scan 5 6 -12 0 H z
    Power Consumption 310W (during operation); 5W (standby mode set to saving*) *All RS-232 functions are disabled except Turn On. The Monitor Out and Audio Out are disabled. Power consumption will be greater when a HDMI source is connected.
    Power Supply Universal: 100-120V/220-240V, 50/60Hz
    Regulatory Approvals  UL, cUL, FCC Part 15 -Class B, CE, EN60950
    Operating Temperature 41°- 95°F (5°- 35°C)
    Storage Temperature -4°- 140°F (-20°- 60°C)
    Altitude Sea level to 6000 ft. (1,829m)
    800.328.1371   |   www.3m.com/meetings
    Specifications subject to change without notice.   
    Hg—LAMP  CONTAINS  MERCURY.  Manage  in  accordance  with  disposal  laws.  See www.lamprecycle.org or call 1-800-328-1371(USA), 1-800-364-3577 (Canada). For product disposal see www.eiae.org (USA) or www.epsc.ca (Canada).
    Technical Support• Free unlimited software downloads and updates     available on our website at www.3m.com/meetings
    • 24/7 Technical Support by calling 800.328.1371
    ConnectionsComputer Computer In1, In2 15 Pin HD-Sub - analog computer inputUSB USB Type A-Mouse EmulationAudio In 3.5mm stereo mini jack - PC audio inputAudio Out 3.5mm stereo mini jack - computer and video audio outputVideoHDMI  Digital Audio and Video InputS-Video  4 Pin Mini-Din–S-Video inputVideo  RCA-Composite Video input
    Accessories IncludedPower cords (US, UK, Europe)Remote control with batteriesLens capSoft case VGA cable RCA Video/Audio cable RCA /Stereo Mini Audio cable USB cable
    Optional AccessoriesLamp replacement kit ( W X20)   78-6969-9946-1Universal ceiling mount     78-6969-9 8 74 - 5Soft rolling bag   78-6969-9716 -8Ultra Value Enhanced Warranty  ( W X20)   U.S. only     78-6969-9944-6    
    						
    							 
    Creative Professional3 
    Table of Contents 
    1- Introduction  ................................................................. 9 
    Welcome!.............................................................................................................................. 9
    All Systems Include:  ......................................................................................................... 9
    E-MU 1212M System  ..................................................................................................... 10
    E-MU 1820 System  ........................................................................................................ 10
    E-MU 1820M System  ..................................................................................................... 10
    Notes, Tips and Warnings  .......................................................................................... 10
     
    2 - Installation  ................................................................ 11 
    Setting Up the Digital Audio System ................................................................................ 11
    Notes for Installation  ................................................................................................. 11
    Safety First!  .................................................................................................................12
    Connector Types  ............................................................................................................ 12
    Installing the E-MU 1010 PCI Card .................................................................................. 13
    Install the Sync Daughter Card or 0202 Daughter Card.................................................. 14
    E-MU 0202 & AudioDock .......................................................................................... 15
    Rubber Feet  ................................................................................................................. 16
    Rack Mounting the AudioDock ..................................................................................... 16
    Software Installation ..........................................................................................................17
    Installing the E-MU 1010 Drivers  ............................................................................. 17
    Windows XP, Windows XP x64, Windows Vista, Windows Vista x64  .................... 17
    Uninstalling all Audio Drivers and Applications  ..................................................... 17
    Note About Windows Logo Testing  .......................................................................... 18
     
    3 - PCI Card & Interfaces  ................................................. 19 
    The E-MU 1010 PCI Card .................................................................................................. 19
    Connections ...................................................................................................................19
    EDI Connector ............................................................................................................ 19
    S/PDIF Digital Audio Input & Output  ...................................................................... 19
    ADAT Optical Digital Input & Output  ...................................................................... 19
    IEEE1394 Firewire  ...................................................................................................... 20
    The 0202 Daughter Card ................................................................................................... 20
    Connections ...................................................................................................................20
    Analog Inputs and Outputs  ....................................................................................... 20
    MIDI In/Out  ............................................................................................................... 20
    The AudioDock ..................................................................................................................21
    Front Panel Connections  ............................................................................................... 22
    Preamp Section ........................................................................................................... 22
    MIDI 1 In/Out  ............................................................................................................ 22
    S/PDIF Optical Out  .................................................................................................... 22
    Headphone Output & Volume Control  .................................................................... 22 
    						
    							 
    4E-MU 1820M/1820/1212M PCI Digital Audio System 
    The AudioDock Front Panel Indicators  ........................................................................ 23
    The MIDI Input Indicators ......................................................................................... 23
    The Clock Source and Sample Rate Indicators  ......................................................... 23
    The Clock Source LEDs  .............................................................................................. 23
    The Sample Rate Indicators  ....................................................................................... 23
    Rear Panel Connections ................................................................................................. 24
    Line Level Analog Inputs  ........................................................................................... 24
    Turntable Inputs & Ground Lug  ................................................................................ 24
    Line Level Analog Outputs  ........................................................................................ 24
    Computer Speaker Analog Outputs  .......................................................................... 25
    MIDI 2 In/Out  ............................................................................................................ 25
    EDI Connector (Card)  ............................................................................................... 25
    The Sync Daughter Card .................................................................................................... 26
    Connections ...................................................................................................................26
     
    4 - The PatchMix DSP Mixer ............................................. 27 
    PatchMix DSP ..................................................................................................................... 27
    Overview of the Mixer........................................................................................................ 27
    Mixer Window  ................................................................................................................ 28
    Mixer Block Diagram  ..................................................................................................... 28
    Pre Fader or Post Fader  .............................................................................................. 28
    E-MU Icon in the Windows Taskbar ................................................................................. 29
    The Toolbar ........................................................................................................................ 29
    The Session ......................................................................................................................... 30
    New Session ....................................................................................................................30
    Open Session  ..................................................................................................................31
    Save Session  .................................................................................................................... 31
    Session Settings  ..............................................................................................................31
    System Settings  ........................................................................................................... 31
    Using External Clock  .................................................................................................. 32
    MIDI Settings  .............................................................................................................. 32
    I/O Settings  ................................................................................................................. 33
    Input Mixer Strips............................................................................................................... 35
    Input Type ................................................................................................................... 35
    Mixer Strip Creation ...........................................................................................................36
    Multichannel WAVE Files  .............................................................................................. 37
    Windows Media Player/DVD/Surround Sound Playback  ....................................... 37
    Insert Section  .................................................................................................................. 38
    Working with Inserts  .................................................................................................. 38
    The Insert Menu  ......................................................................................................... 39
    Using External Sends & Returns  ................................................................................ 40
    ASIO Direct Monitor Send/Return  ............................................................................ 41
    Meter Inserts  ............................................................................................................... 42
    To Set the Input Levels of a Strip ................................................................................... 42
    Making the Best Possible Recording  ......................................................................... 43
    Trim Pot Insert ............................................................................................................ 44
    Test Tone/Signal Generator Insert  ............................................................................. 44
    Managing Your Inserts  ................................................................................................... 45
    Aux Section  ..................................................................................................................... 46
    Sidechain Diagram  ..................................................................................................... 46
    Pre or Post Fader Aux Sends  ...................................................................................... 47
    Level, Pan, Solo & Mute Controls  ................................................................................. 48
    Main Section....................................................................................................................... 49
    TV Screen & Selectors  ..................................................................................................... 50 
    						
    							 
    Creative Professional5 
    Effect ........................................................................................................................... 50
    Input ........................................................................................................................... 51
    Output ........................................................................................................................51
    Auxiliary Effects & Returns  ............................................................................................ 52
    Sidechain Diagram  ..................................................................................................... 52
    Sync/Sample Rate Indicators  ......................................................................................... 52
    Output Section  ............................................................................................................... 53
    Main Inserts  ................................................................................................................ 53
    Main Output Fader ..................................................................................................... 53
    Output Level Meters  ................................................................................................... 53
    Monitor Output Level  ................................................................................................ 53
    Monitor Balance Control  ........................................................................................... 53
    Monitor Output Mute  ................................................................................................ 53
     
    5 - Effects  ....................................................................... 55 
    Overview ............................................................................................................................. 55
    The Effects Palette............................................................................................................... 55
    FX Insert Chains  ............................................................................................................. 56
    The Order of Effects  ....................................................................................................... 57
    Creating, Renaming & Deleting Categories or Presets  ............................................. 57
    Importing and Exporting Core FX Presets and FX Insert Chains ............................. 58
    FX Edit Screen ..................................................................................................................... 59
    User Preset Section  ......................................................................................................... 60
    Core Effects and Effects Presets  ..................................................................................... 61
    List of Core Effects.............................................................................................................. 62
    DSP Resource Usage ....................................................................................................... 62
    Core Effects Descriptions ................................................................................................... 63
    1-Band Para EQ  .............................................................................................................. 63
    1-Band Shelf EQ  ............................................................................................................. 63
    3-Band EQ  ......................................................................................................................64
    4-Band EQ  ......................................................................................................................65
    Auto-Wah ........................................................................................................................ 66
    Chorus ............................................................................................................................ 67
    Compressor ....................................................................................................................67
    Basic Controls ............................................................................................................. 68
    Distortion ....................................................................................................................... 69
    Flanger ............................................................................................................................ 70
    Freq Shifter  ..................................................................................................................... 71
    Leveling Amp ..................................................................................................................72
    Lite Reverb  ...................................................................................................................... 73
    Mono Delays - 100, 250, 500, 750, 1500, 3000  .......................................................... 74
    Phase Shifter  ................................................................................................................... 75
    Rotary .............................................................................................................................. 75
    Speaker Simulator  .......................................................................................................... 76
    Stereo Delays - 100, 250, 500, 750, 1500  .................................................................... 77
    Vocal Morpher ................................................................................................................ 79
    Gate ................................................................................................................................. 80
    Applications ................................................................................................................ 80
    Parameters .................................................................................................................. 81
    Threshold .................................................................................................................... 81
    Release Time  ............................................................................................................... 81
    Max Gain Reduction  .................................................................................................. 81
    Lookahead .................................................................................................................. 81
    Level Meter .................................................................................................................. 82 
    						
    							 
    6E-MU 1820M/1820/1212M PCI Digital Audio System 
    Gain Reduction Meter  ................................................................................................ 82
    Reshaper ......................................................................................................................... 83
    Applications ................................................................................................................ 83
    Multimode EQ  ............................................................................................................... 86
    Applications ................................................................................................................ 86
    Parameters .................................................................................................................. 87
    Lowpass .......................................................................................................................87
    Highpass ..................................................................................................................... 87
    Highpass -> Lowpass  .................................................................................................. 88
    Highpass || Lowpass  .................................................................................................. 88
    Band Pass  .................................................................................................................... 89
    Band Cut  ..................................................................................................................... 89
    RFX Compressor ............................................................................................................. 90
    Signal Flow  ................................................................................................................. 90
    Parameters .................................................................................................................. 91
    Threshold .................................................................................................................... 91
    Gain Reduction Meter  ................................................................................................ 91
    Ratio ............................................................................................................................ 91
    Attack .......................................................................................................................... 91
    Release ........................................................................................................................91
    Gain ............................................................................................................................. 92
    Advanced Parameters  ................................................................................................. 92
    Soft Knee  .....................................................................................................................92
    Gate ............................................................................................................................. 94
    Comp Lookahead/Delay ............................................................................................ 94
    Auto-Release ............................................................................................................... 95
    Max Compression  ...................................................................................................... 96
    Neg Compression  ....................................................................................................... 96
    Input Mode  ................................................................................................................. 97
    Example Settings  ........................................................................................................ 98
    Multimode EQ Settings ............................................................................................ 100
    Compressor Settings  ................................................................................................ 100
    E-MU PowerFX ................................................................................................................. 101
    Automating E-MU PowerFX  ........................................................................................ 103
    E-MU PowerFX Resource Availability  ......................................................................... 103
    Rendering Audio with E-MU PowerFX ........................................................................... 105
    General Tips for Rendering using PowerFX  ............................................................ 105
    Tips for using Freeze Mode on Cubase LE  .............................................................. 105
    Using E-MU PowerFX with WaveLab and SoundForge  ............................................. 105
    E-MU E-Wire VST ............................................................................................................. 106
    E-Delay Compensator  .................................................................................................. 107
    E-Delay Compensator Use ....................................................................................... 108
    E-Delay Units Parameter .......................................................................................... 108
    Grouping Tracks  ....................................................................................................... 109
     
    6 - Using High Sample Rates  ......................................... 111 
    Overview ........................................................................................................................... 111
    E-MU 1820 System at 88.2k/96k (1010 PCI Card & AudioDock)  ........................... 111
    E-MU 1212M System at 88.2k or 96k (1010 PCI Card & I/O Card)  ........................ 112
    E-MU 1820 System at 176.4kHz or 192kHz (1010 PCI Card & AudioDock)  ......... 113
    E-MU 1212 System at 176.4k/192k (1010 PCI Card & I/O Card)  ........................... 113
    WDM Recording and Playback Behavior .................................................................... 115 
    						
    							 
    Creative Professional7 
    7 - Appendix  ................................................................. 117 
    Sync Daughter Card Supplement .................................................................................... 117
    SMPTE Conversion  ...................................................................................................... 117
    SMPTE Features  ........................................................................................................ 117
    SMPTE Options  ............................................................................................................ 117
    SMPTE Modes of Operation  ........................................................................................ 118
    Host Mode  ................................................................................................................ 118
    External Mode  .......................................................................................................... 118
    Flywheel Mode  ......................................................................................................... 118
    Flywheel Modes  ........................................................................................................ 118
    Stripe Mode  .............................................................................................................. 119
    SMPTE Background .......................................................................................................... 119
    Types of SMPTE  ........................................................................................................ 119
    Why use SMPTE?  .......................................................................................................... 120
    Striping SMPTE ............................................................................................................. 120
    Avoiding SMPTE problems .......................................................................................... 120
    Duplicating SMPTE time code ................................................................................. 121
    Other Tips for using SMPTE  .................................................................................... 121
    Example SMPTE Connection ....................................................................................... 121
    MIDI Time Code (MTC) .................................................................................................. 122
    Word Clock In/Out .......................................................................................................... 122
    Getting in Sync .................................................................................................................124
    Useful Information .......................................................................................................... 125
    AES/EBU to S/PDIF Cable Adapter  ............................................................................. 125
    Cables - balanced or unbalanced?  .............................................................................. 125
    Balanced Cables  ....................................................................................................... 125
    Unbalanced Cables  .................................................................................................. 126
    Digital Cables  ............................................................................................................... 126
    Grounding .................................................................................................................... 126
    Phantom Power ............................................................................................................ 126
    Appearance Settings in Windows  ............................................................................ 126
    Technical Specifications ................................................................................................... 127
    Internet References ........................................................................................................... 135
    Forums ...................................................................................................................... 135
    Note concerning the Microsoft GS Wavetable Software Synth  ................................. 135
     
    Index ............................................................................ 139 
    						
    							 
    8E-MU 1820M/1820/1212M PCI Digital Audio System 
    						
    							 
    1- Introduction
    Welcome!
    E-MU 1820M/1820/1212M PCI Digital Audio System9 
    1- Introduction 
    Welcome! 
    Thank you for purchasing the E-MU 1820M, E-MU 1820 or E-MU 1212M digital audio 
    system. Your computer is about to be transformed into a powerful audio processing 
    workstation. We’ve designed this E-MU digital audio system to be logical, intuitive and 
    above all, to provide you with pristine sound quality. All three systems offer unprece-
    dented value by providing studio-quality, 24-bit/192kHz multi-channel recording and 
    playback at an astounding price. 
    All Systems Include:
     
    The E-MU 1010  PCI Card is the heart of all three systems. Its powerful hardware DSP 
    processor allows you to use over 16 simultaneous hardware-based effects, which place 
    minimal load on your computer’s CPU. The Firewire port provides high-speed connec-
    tivity to the Creative NOMAD® portable digital audio player, external CD-RW drives and 
    other Firewire compatible devices such as DV camcorders, printers, scanners and digital 
    still cameras. The E-MU 1010  PCI Card also provides eight-channels of ADAT® optical 
    digital input and output, as well as a S/PDIF stereo digital input and output.
    The PatchMix DSP mixer application is included in all the systems. PatchMix DSP 
    delivers unmatched flexibility in routing your audio between physical inputs and 
     
    E-MU Digital Audio System Components
    E-MU 1212ME-MU 1820E-MU 1820M
     
    • E-MU 1010 PCI Card
    • E-MU 0202 I/O Daughter Card
    • 0202 I/O Card Cable
    • (2) MIDI Adapter Cables
    •  
    D.A.S. Software/Driver
    Installation CD-ROM
     
    •  
    Prod. Tools Software Bundle 
    CD-ROM 
    • Quick Start Guide
    • E-MU 1010 PCI Card
    • AudioDock
    • EDI (E-MU Digital Interface Cable)
    • PC Power Adapter Cable
    • Headphone Splitter Cable
    •   
    D.A.S. Software/Driver 
    Installation CD-ROM
     
    •   
    Prod. Tools Software Bundle 
    CD-ROM 
    • Quick Start Guide
    • E-MU 1010 PCI Card
    • AudioDockM
    • E-MU Sync Daughter Card
    • Sync Card Cable
    • EDI (E-MU Digital Interface Cable)
    • PC Power Adapter Cable
    • Headphone Splitter Cable
    •   
    D.A.S. Software/Driver Installation CD
     
    •   
    Prod. Tools Software Bundle CD 
    • Quick Start Guide 
    Inputs & Outputs
    Inputs & OutputsInputs & Outputs
     
    (8) Ch. ADAT Optical In
    (8) Ch. ADAT Optical Out
    (2) Ch. S/PDIF Digital In
    (2) Ch. S/PDIF Digital Out
    (1) MIDI Input & Output
    (2) 24-bit Bal. Line Inputs
    (2) 24-bit Bal. Line Outputs
    (8) Ch. ADAT Optical In
    (8) Ch. ADAT Optical Out
    (2) Ch. S/PDIF Digital Ins
    (4) Ch. S/PDIF Digital Out
    (2) MIDI Inputs & Outputs
    (6) 24-bit Bal. Line Inputs
    (8) 24-bit Bal. Line Outputs
    (2) Mic./Line Preamp Inputs
    (2) Turntable Preamp Inputs
    (1) Stereo Headphone Out
    (4) Computer Speaker Outs
    (8) Ch. ADAT Optical In
    (8) Ch. ADAT Optical Out
    (2) Ch. S/PDIF Digital In
    (4) Ch. S/PDIF Digital Out
    (2) MIDI Ins & 3 MIDI Outs
    (6) 24-bit Bal. Line Inputs
    (8) 24-bit Bal. Line Outputs
    (2) Mic./Line Preamp Inputs
    (2) Turntable Preamp Inputs
    (1) Stereo Headphone Out
    (4) Computer Speaker Outs
    (1) Word Clock In & Out
    (1) SMPTE (LTC) In & Out 
    						
    							 
    1- Introduction
    Welcome!
    10Creative Professional 
    outputs, virtual (ASIO/WAVE) inputs and outputs and internal hardware effects and 
    buses—no external mixer needed. You can add digital effects, EQs, meters, level controls 
    and ASIO/WAVE sends anywhere you like in the signal chain. 
    Because the effects and mixing are hardware-based, there is no latency when you record. 
    You can even record a dry signal while monitoring yourself with effects! Mixer setups 
    can be saved and instantly recalled for specific purposes such as recording, mixdown, 
    jamming, special effect setups, playing games, watching DVDs, or general computer use. 
     
    E-MU 1212M System
     
    The E-MU 1212M includes the 0202 Daughter Card, which provides 2 line level, 
    balanced analog inputs, 2 line level, balanced analog outputs, plus MIDI input and 
    output. This is no-compromise audio interface, using ultra-high performance 
    24-bit/192kHz A/D - D/A converters to deliver an unbelievable 120dB dynamic range. 
    E-MU 1820 System 
     
    The E-MU 1820 includes the AudioDock, which is a half rack-space, audio interface. The 
    AudioDock adds the following input and output capabilities to the system: two mic/line 
    inputs with TFPro™ preamps, 6 balanced line level analog inputs, an RIAA stereo 
    turntable preamp, 8 balanced line level outputs, an assignable headphone output, two 
    sets of MIDI I/O ports, an additional S/PDIF optical output, and four stereo mini phone 
    jacks for easy connection to powered speaker systems. Combined with the digital I/O on 
    the 1010  PCI card, you have a total of 18 inputs and 20 outputs! Of course, professional-
    quality, 24-bit A/D and D/A converters with automatic DC blocking are used 
    throughout.  
    E-MU 1820M System 
     
    The E-MU 1820M system includes the AudioDockM, and is a no compromise, 
    mastering-grade system, which includes all the features of the 1820 system. The 1820M 
    system is distinguished by the addition of ultra-high performance 24-bit/192kHz 
    A/D - D/A converters which deliver an unbelievable 120dB dynamic range.
    The Sync Daughter Card comes standard with the 1820M system and can be purchased 
    as an optional upgrade to the 1820 and 1212M systems. The Sync Card adds Word 
    Clock in and out for sample-synchronizing outboard digital equipment and SMPTE 
    longitudinal time code in/out for syncing other recording equipment. A separate MIDI 
    Time Code output port on the Sync Card eliminates timing problems caused by 
    combining MTC with MIDI performance data.
    You’ll want to keep up with the latest software and options for your E-MU digital audio 
    system. You can find all of this, plus other helpful information, at the E-MU Website: 
    http://www.emu.com.
     
    Notes, Tips and Warnings 
    Items of special interest are presented in this document as notes, tips and warnings.
    f
     
    Notes 
     provide additional information related to the topic being discussed. Often, 
    notes describe the interaction between the topic and some other aspect of the 
    system.
    E
     
    Tips 
     describe applications for the topic under discussion. 
     
      
    Warnings 
     are especially important, since they help you avoid activities that can 
    cause damage to your files, your computer or yourself. 
    						
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