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Canon EOS 450D Instruction Manual

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    B: Setting the White BalanceN
    2Select [Custom WB].
     Under the [2] tab, select [Custom 
    WB], then press .
    XThe SET screen will appear.
    3Import the white balance data.
     Select the image that was captured in 
    step 1, then press .
    XOn the dialog screen which appears, 
    select [OK] and the data will be 
    imported.
     When the menu reappears, press the 
     button to exit the menu.
    4Select the custom white balance.
     Press the  button.
     Press the  key to select , 
    then press .
     If the exposure obtained in step 1 is way off, a correct white balance 
    might not be obtained.
     If the image was captured while the Picture Style was set to 
    [Monochrome] (p.68), it cannot be selected in step 3. 
    						
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    You can correct the white balance that has been set. This adjustment 
    will have the same effect as using a commercially-available color 
    temperature conversion filter or color compensating filter. Each color 
    can be corrected to one of nine levels.
    This is for advanced users who are familiar with using color temperature 
    conversion or color compensating filters.
    1Select [WB SHIFT/BKT].
     Under the [2] tab, select [WB 
    SHIFT/BKT], then press .
    XThe WB correction/WB bracketing 
    screen will appear.
    2Set the white balance correction.
     Press the  key to move the “ ” 
    mark to the desired position.
     B is for blue, A is amber, M is 
    magenta, and G is green. The color in 
    the respective direction will be 
    corrected.
     On the upper right, “SHIFT” indicates 
    the direction and correction amount.
     Pressing the  button will 
    cancel all the [WB SHIFT/BKT] 
    settings.
     Press  to exit the setting and 
    return to the menu.
    3 White Balance CorrectionN
    White Balance Correction
    Sample setting: A2, G1
     During the white balance correction,  will be displayed in the 
    viewfinder and on the LCD monitor.
     One level of the blue/amber correction is equivalent to 5 mireds of a color 
    temperature conversion filter. (Mired: A measurement unit indicating the 
    density of a color temperature conversion filter.) 
    						
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    3 White Balance CorrectionN
    With just one shot, three images having a different color tone can be recorded 
    simultaneously. Based on the color temperature of the current white balance 
    setting, the image will be bracketed with a blue/amber bias or magenta/green 
    bias. This is called white balance bracketing (WB-BKT). White balance 
    bracketing is possible up to ±3 levels in single-level increments.
    Set the white balance bracketing 
    amount.
     In step 2 for white balance correction, 
    when you turn the <
    6> dial, the “ ” 
    mark on the screen will change to “     ” 
    (3 points). Turning the <
    6> dial to the 
    right sets the B/A bracketing, and turning 
    it to the left sets the M/G bracketing.
    XOn the right side of the screen, “BKT” 
    indicates the bracketing direction and the 
    bracketing amount is also displayed.
     Pressing the  button will cancel 
    all the [
    WB SHIFT/BKT] settings.
     Press  to exit the setting and 
    return to the menu.
    Bracketing Sequence
    The images will be bracketed in the following sequence: 1. Standard 
    white balance, 2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard 
    white balance, 2. Magenta (M) bias, 3. Green (G) bias.
    White Balance Auto Bracketing
    B/A bias ±3 levels
     During WB bracketing, the maximum burst for continuous shooting will be lower 
    and the number of possible shots will also decrease to one-third the normal 
    number. If the [
    7 Custom Functions (C.Fn)] menu’s [High ISO speed 
    noise reduction] (p.155) is set to [1: On], WB bracketing will not be possible. Since three images are recorded for one shot, the card will take longer to 
    record the shot.
     “BKT” stands for Bracketing. 
    						
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    The camera’s mechanical shake caused by the reflex mirror action can 
    affect images taken with a super telephoto lens or close-up (macro) 
    lens. In such cases, mirror lockup is effective. Mirror lockup is enabled 
    by selecting [7 Custom Functions (C.Fn)] and setting [Mirror 
    lockup] (p.157) to [1: Enable].
     Press the shutter button completely to 
    lockup the reflex mirror.
     
    Then press the shutter button completely 
    again to take the picture. The reflex 
    mirror will then go back down.
     Using the self-timer  with mirror lockup.
    When you press the shutter button completely, the mirror locks up, 
    then the picture is taken 2 sec. later.
     Remote control shooting.
    Since you do not touch the camera when the picture is taken, remote 
    control shooting together with mirror lockup can further prevent 
    camera shake. With Remote Controller RC-5, pressing the transmit 
    button locks up the mirror before the shot is taken 2 sec. later. With 
    RC-1, set it to 2-sec. delay, then shoot.
    Preventing Camera ShakeN
    Shooting Tips
     Do not point the camera toward the sun. The sun’s heat can scorch and 
    damage the shutter curtains.
     If you use bulb exposures, the self-timer, and mirror lockup in 
    combination, keep pressing the shutter button completely (self-timer 
    delay time + bulb exposure time). If you let go of the shutter button 
    during the self-timer countdown, there will be a shutter-release sound. 
    This is not the actual shutter release (no picture is taken).
     Even if  (Continuous shooting) has been set, single shooting will 
    still take effect.
     The mirror locks up, and after 30 seconds, it will go back down 
    automatically. Pressing the shutter button completely again locks up the 
    mirror again. 
    						
    							95
    5
    Live View Shooting
    You can shoot while viewing a real-time image on the 
    camera’s LCD monitor or on a personal computer 
    screen. This is called “Live View shooting.”
    Convenient when the camera is mounted on a 
    tripod for shooting still lifes, for example.
    If you handhold the camera like a compact digital 
    camera and shoot while viewing the LCD monitor, 
    camera shake can cause blurred images.
    About Remote Live View ShootingWith the provided software installed in the personal computer, you 
    can connect the camera to the personal computer and shoot 
    remotely while viewing the computer screen instead of the 
    camera’s viewfinder. For details, see the Software Instruction 
    Manual in the CD-ROM. 
    						
    							96
    Set the camera for Live View shooting.
    1Set the shooting mode.
     Set the shooting mode to a Creative 
    Zone mode.
     Live View shooting does not work 
    in Basic Zone modes.
    2Select [Live View function 
    settings].
     Under the [6] tab, select [Live View 
    function settings], then press .
    3Select [Live View shoot.].
     Select [Live View shoot.], then press 
    . Select [Enable], then press 
    .
    4Exit the menu.
     Press the  button to exit.
    5Display the Live View image.
     Press .
    XThe Live View image will appear on 
    the LCD monitor.
     The Live View image will reflect the 
    brightness level of the actual image 
    you capture.
     If the image is too bright, turn the 
     dial to the right. If it is too dark,  
    turn the  dial to the left.
    Preparing for Live View ShootingN 
    						
    							97
    Preparing for Live View ShootingN
     During Live View shooting, do not point the camera toward the sun. The 
    sun’s heat can damage the camera’s internal components.
     Live View shooting will disable a few Custom Function settings. (p.153)
     Under low light or bright light conditions, the Live View image might not 
    reflect the brightness of the captured image.
     If the light source within the image changes, the screen might flicker. If 
    this happens, stop the Live View shooting, then resume Live View 
    shooting under the actual light source to be used.
     During Live View image display, if you point the camera in a different 
    direction, it might throw off the correct brightness momentarily and the 
    image might not look right. Wait until the image brightness stabilizes 
    before shooting.
     If there is a very bright light source in the picture, such as the sun, the 
    bright area might be blackened on the LCD monitor. However, the actual 
    captured image will correctly show the bright area.
     If you set the [6 LCD brightness] to bright settings in low light, 
    chrominance noise may appear in the Live View image. However, the 
    chrominance noise will not be recorded to the captured image.
     When you magnify the image, the image sharpness may look more 
    pronounced than it really is. 
     If the [7 Custom Functions (C.Fn)]’s menu [Auto Lighting Optimizer] 
    (p.156) is set to [0: Enable], a darkly-exposed (set with exposure 
    compensation) image may be displayed brighter.
     If the camera is not operated for a prolonged period, the power will turn 
    off automatically as set with [5 Auto power off]. (p.109) If [5 Auto 
    power off] is set to [Off], the Live View shooting will stop automatically 
    after 30 min. (camera power remains on).
     The image’s field of view is about 100%.
     With the video cable (provided) connecting the camera to a TV set, you 
    can view images on the TV. (p.128) 
    						
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    Although autofocus can be used (p.102, 104), magnifying the image and focusing manually is recommended for precise focusing.
    1Set the lens focus mode switch to 
    .
     Turn the lens focusing ring to focus 
    roughly.
    2Move the focusing frame to the 
    position where you want to focus.
     Press the  key to move the 
    focusing frame.
     To move to the center focusing frame, 
    press the  button.
    3Magnify the image.
     Press the  button.
    XThe area within the focusing frame 
    will be magnified.
     Each time you press the  button, 
    the display format will change as 
    follows:
    4Focus manually.
     While looking at the magnified image, 
    turn the lens focusing ring to focus.
     After achieving focus, press the   
    button to return to the full view.
    Focusing ManuallyN
    Magnifying the Image for Manual Focusing
    Magnification: 10x
    AE lock
    Magnified area
    Magnification
    5x       10x       Full view 
    						
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    1Check the exposure.
     Press the shutter button halfway.
    XThe shutter speed and aperture will 
    be displayed.
     If you set exposure compensation, 
    the image brightness will change 
    accordingly.
    2Take the picture.
     Press the shutter button completely.
    XThe picture will be taken and the 
    captured image is displayed on the 
    LCD monitor.
    XAfter the image review ends, the 
    camera will return to Live View 
    shooting automatically.
    3Exit Live View shooting.
     With the Live View image displayed, 
    press .
      will be the same as using .
     You can set the ISO speed, white balance, and exposure 
    compensation during Live View shooting.
     The Picture Style, drive mode, AF mode, and AF point cannot be 
    changed during Live View shooting.
     During Live View shooting, the metering mode will be set to 
    evaluative metering regardless of the current metering mode setting.
     You can check the depth of field by pressing the depth-of-field 
    preview button.
     During continuous shooting, the exposure set for the first shot will 
    also be applied to subsequent shots.
    ShootingN
    About the Shooting Settings 
    						
    							100
    ShootingN
    Battery Life with Live View Shooting[Approx. number of shots]
     The figures above are based on a fully-charged LP-E5 battery and CIPA 
    (Camera & Imaging Products Association) testing standards.
     Autofocusing will decrease the number of possible shots.
    TemperatureShooting Conditions
    No Flash 50% Flash Use
    At 23°C / 73°F200190
    At 0°C / 32°F190180
     When you use Live View shooting for a long period, the camera’s internal 
    temperature may increase and it can degrade image quality. Terminate 
    Live View shooting when not shooting images. Before taking a long 
    exposure, stop Live View shooting temporarily and wait several minutes 
    before shooting.
     High temperatures, high ISO speeds, or long exposures may cause 
    noise or irregular colors in the image captured with Live View shooting.
     If you take the picture while the image is magnified, the exposure might 
    not come out as desired. Return to the full view before taking the picture. 
    During the magnified view, the shutter speed and aperture will be 
    displayed in red.
     Even if you take the picture during magnified view, the captured image 
    will reflect the full view.
     The focus preset feature on super telephoto lenses cannot be used. 
     For Live View shooting, do not use an Extension Tube or TS-E lens. 
    Doing so can cause irregular or unintended exposures.
     FE lock and modeling flash (with an external Speedlite) cannot be used.
     A non-Canon flash will not fire.
     A grid can be displayed. Under [6 Live View function settings], set 
    [Grid display] to [On].
     You can change the metering timer. Under [6 Live View function 
    settings], set [Metering timer].
     When you take a picture with flash, it will sound like two pictures were 
    taken. However, only one picture is taken. 
    						
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